¡Oh, qué bien que baila Gil! | [anonymous] | | | 2:26 | instrument |
...Y no quiero verte | Rafael del Estad | | | ?:?? | instrument |
12 Danzas Españolas, Op. 37: No. 5, Andaluza (Transcribed for Harp) | Enrique Granados | | | 3:29 | instrument |
12 Piezas caraterísticas, Op. 92: No. 12, Torre Bermeja (Transcribed for Harp by Marcel Grandjany) | Isaac Albéniz | | | 4:52 | instrument |
16th Century Greensleeves | Blackmore’s Night | | | 5:57 | instrument |
4068 Water Balloons | The Kitty Concert | | | 2:44 | instrument |
A Colloquial Dream (alternate take) | Charles Mingus | | | 3:22 | instrument |
A Colloquial Dream (Scenes in the City) | Charles Mingus | | | 10:57 | instrument |
A Freak Serenade | Pascal Comelade | | | 5:21 | instrument |
A la luz de la hoguera | Felipe Campuzano | | | 3:42 | instrument |
A la una yo nací | BraAgas | | | 3:02 | instrument |
A que serven todo-los celestiaes (C. 114) | The Renaissance Players | | | 7:42 | instrument |
A Virgen que de Deus Madre (C. 322) | The Renaissance Players | | | 3:57 | instrument |
Aalst (stad mijner dromen) | Raymond van het Groenewoud & The Centimeters | | | 2:51 | instrument |
Abre-aguas (En la tormenta de tlaloc) | Impureza | | | 5:11 | instrument |
Ahu Belahu | Ozric Tentacles | | | 2:53 | instrument |
Aji | Oum | | | 7:47 | instrument (as “castanolas”) |
Al paso de Despeñaperros | Felipe Campuzano | | | 3:58 | instrument |
All the Love of the Universe | Santana | | 5 | 7:39 | instrument |
Almost (Sweet Music) | Hozier | | 3 | 3:37 | instrument |
Always the Cause | Al Stewart | | | 3:18 | instrument |
Amsterdam Strut | The Shuffle Demons | | | 6:06 | instrument |
Andaluza | La Argentinita, Inés Gómez Carrillo | | | 3:28 | instrument |
Åndemaneren | Tusmørke | | | 3:25 | instrument |
Andina (Sempre Adelante) | Pitanga em Pé de Amora | | | 3:13 | instrument |
Ante tu altar | Rafael del Estad | | | ?:?? | instrument |
Apal - Apple3 | Karl Seglem | | | 6:15 | instrument |
Arrión | Eliseo Parra | | | 4:51 | instrument |
Avalon | Blackmore’s Night | | | 4:25 | instrument |
Aver non poderia (C. 403) | The Renaissance Players | | | 7:44 | instrument |
Ay, ay, ay, tres veces | Piffaro, The Renaissance Band | | | 1:56 | instrument |
Bag Rot | The Shuffle Demons | | | 9:58 | instrument |
Barcelona | Rufus Wainwright | | 3.5 | 6:54 | instrument |
Barrio de la Magdalena | Felipe Campuzano | | | 4:36 | instrument |
BE MY BABY | 南波志帆 | | | 4:13 | instrument |
Become the Other | Ozric Tentacles | | | 6:25 | instrument |
Bésame mucho | LICIA FOX | | 5 | 3:52 | instrument |
Big Daddy, Fat Boy | The Shuffle Demons | | | 7:40 | instrument |
Black Diamonds | The Roland Kirk Quartet featuring Elvin Jones | | | 5:20 | instrument |
Bop City Flamenco | Lionel Hampton | | | 6:06 | instrument |
Breathe In, Breathe Out | Melody’s Echo Chamber | | | 2:50 | instrument (as “castagnettes”) |
Bring Down Like I | Anna Ternheim | | | 3:54 | instrument |
Brussels by night | Raymond van het Groenewoud & The Centimeters | | | 4:25 | instrument |
But What About | The Kitty Concert | | | 2:51 | instrument |
Cádiz | La Argentinita | | | 2:30 | instrument |
Cakewalk Into Town | Taj Mahal | | | 3:02 | instrument |
Camino hacia mictlán | Impureza | | | 3:48 | instrument |
Campurriana | Atlántica | | | 2:19 | instrument (as “triscos”) |
Canarios | Rolf Lislevand | | | 2:11 | instrument (as “Castagnettes”) |
Canarios: "No piense Menguilla ya" | Montserrat Figueras, Pedro Estevan, Adela González-Campa, Rolf Lislevand, Arianna Savall | | | 5:59 | instrument |
Caramiles | Jose Mari Prats, Jose Cardona & Miguel Bonat | | | 1:19 | instrument |
Castanets | [unknown] | | | 0:15 | instrument |
Cat DNA | Ozric Tentacles | | | 6:31 | instrument |
Catherine Howard’s Fate | Blackmore’s Night | | | 5:20 | instrument |
Catherine Howard’s Fate | Blackmore’s Night | | | 4:53 | instrument |
Chacona: Una sarao de la chacona | Piffaro, The Renaissance Band | | | 1:58 | instrument |
Como el carbón | Felipe Campuzano | | | 4:47 | instrument |
Como poden per sas culpas (C. 166) | The Renaissance Players | | | 8:16 | instrument |
Como somos per conssello (C. 119) | The Renaissance Players | | | 10:07 | instrument |
Concertino für Flöte und Gitarre mit Streichorchester: Allegro Moderato | Gunilla von Bahr, Diego Blanco, Carmen Lucena, Stockholm Chamber Ensemble, Jan‐Olav Wedin | | | 4:16 | instrument |
Concertino für Flöte und Gitarre mit Streichorchester: Caprizioso | Gunilla von Bahr, Diego Blanco, Carmen Lucena, Stockholm Chamber Ensemble, Jan‐Olav Wedin | | | 6:49 | instrument |
Concertino für Flöte und Gitarre mit Streichorchester: Lebhaft | Gunilla von Bahr, Diego Blanco, Carmen Lucena, Stockholm Chamber Ensemble, Jan‐Olav Wedin | | | 5:06 | instrument |
Corazón al cielo (Homenaje a Paco de Lucía) | Impureza | | | 1:30 | instrument |
Córdoba | La Argentinita | | | 3:01 | instrument |
Crackpot History and the Right to Lie | Adam Ant | | | 2:45 | instrument |
Cycle of the Gylfaginning | Tusmørke | | | 4:08 | instrument |
Da Da Da (I Don't Love You You Don't Love Me Aha Aha Aha) | Trio | | 3.35 | 3:22 | instrument |
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha | Trio | | | 6:36 | instrument |
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha | Trio | | 5 | 3:23 | instrument |
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha (Lange Version) | Trio | | | 6:34 | instrument |
Da que Deus mamou (C. 77) | The Renaissance Players | | | 4:21 | instrument |
Dance of Fire | Sérgio Boré | | | 2:42 | instrument |
Dance, Dance, Dance | The Beach Boys | | | 2:04 | instrument |
Dance, Dance, Dance | The Beach Boys | | 4 | 2:03 | instrument |
Danse Bacchanale | El Modena High School Orchestra | | | 4:33 | instrument |
Danse Bacchanale | El Modena High School Orchestra | | | 4:33 | instrument |
Danza alta, sobre la Spagna | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 3:22 | instrument |
Danza final | La Argentinita, Inés Gómez Carrillo | | | 3:12 | instrument |
Danza No. 9 | La Argentinita, Inés Gómez Carrillo | | | 3:12 | instrument |
DAS NEUE JAPANISCHE ELEKTRONISCHE VOLKSLIED | 坂本龍一 | | 4 | 8:06 | instrument |
Dawn of a New Day | Mandalaband | | | 4:16 | instrument |
De tatovertes bataljon | Bjølsen Valsemølle | | | 4:05 | instrument |
Den Behornede Guden | Tusmørke | | | 7:50 | instrument |
Desire | Years & Years | | | 3:26 | instrument |
Diferencias sobre las Folias | Jordi Savall, Arianna Savall, Rolf Lislevand, Adela González-Campa | | | 10:55 | instrument (as “castagnettes”) |
Diplochordo tsifte telli | Oghondakis | | | 3:12 | instrument (as “brass castanets”) |
Distant Land | Starlite Campbell Band | | 5 | 4:01 | instrument |
Distant Land (radio edit) | Starlite Campbell Band | | 5 | 4:01 | instrument |
Dizzy Moods | Charles Mingus | | | 5:52 | instrument |
Dizzy Moods (composite partial alternate take) | Charles Mingus | | | 8:23 | instrument |
Dominga | Guadalquivir | | | 6:23 | instrument |
Don’t Hang Up | 10cc | | 5 | 6:18 | instrument |
Donde nace el arte | Rafael del Estad | | | ?:?? | instrument |
Dos danzas españolas, nº 1: Allegro moderato | Orquesta Sinfónica de Castilla y León, Max Bragado-Darman, Lucero Tena | | | 4:41 | instrument |
Dos danzas españolas, nº 2: Allegro moderato | Orquesta Sinfónica de Castilla y León, Max Bragado-Darman, Lucero Tena | | | 4:49 | instrument |
Durch den Wald zum Bach Haus | Blackmore’s Night | | | 3:37 | instrument |
Durch den Wald zum Bach Haus | Blackmore’s Night | | | 3:34 | instrument |
El Amor Brujo: Danza del juego de amor. Final: Las campanas del amanecer | La Argentinita, Ballet Theatre Orchestra, Antal Doráti | | | 3:29 | instrument |
El Amor Brujo: Danza ritual del fuego | La Argentinita, Ballet Theatre Orchestra, Antal Doráti | | | 3:30 | instrument |
El Amor Brujo: El aparecido. Danza del terror. El círculo mágico | La Argentinita, Ballet Theatre Orchestra, Antal Doráti | | | 3:24 | instrument |