Dido and Aeneas, Z. 626: Act 1. "Whence could so much virtue spring?" - "Fear no danger"
~ Recording by Jürgen Jürgens, Sheila Armstrong, Margaret Baker, Tatiana Troyanos, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras
Appears on releases
# | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
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Official | |||||||||
1.4 | Dido and Aeneas, Z. 626: Act 1. "Whence could so much virtue spring?" - "Fear no danger" | 3:51 | Henry Purcell | Dido and Aeneas / Ode on St. Cecilia’s Day | Henry Purcell; Tatiana Troyanos, Barry McDaniel, Simon Woolf, Paul Esswood, Alexander Young, Michael Rippon, John Shirley‐Quirk, Sir Charles Mackerras | Album + Compilation |
| Archiv Produktion | 00289 477 5350 |
17.4 | Dido and Aeneas, Z.626, Act 1: "Whence could so much virtue spring?": "Fear no danger" | 3:51 | Henry Purcell | Archiv Produktion Analogue Stereo Recordings 1959–1981 | Various Artists | Album + Compilation |
| Archiv Produktion | 479 5555 |
Relationships
mezzo-soprano vocals [Dido, Queen of Carthage]: | Tatiana Troyanos (mezzo-soprano) |
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soprano vocals [Belinda, Queen's confidante]: | Sheila Armstrong (soprano) |
soprano vocals [First Witch / Second Woman]: | Margaret Baker (soprano) |
orchestra: | Kammerorchester des Norddeutschen Rundfunks (1945–2016: NDR Sinfonieorchester) |
conductor: | Charles Mackerras (Australian conductor) |
chorus master: | Jürgen Jürgens (chorus master and conductor) |
Related works
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman)
composer: | Henry Purcell (baroque composer) (in 1689) |
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librettist: | Nahum Tate |
part of: | Dido and Aeneas, Z. 626: Act I (number) (order: 5) |
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Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus)
composer: | Henry Purcell (baroque composer) (in 1689) |
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librettist: | Nahum Tate |
part of: | Dido and Aeneas, Z. 626: Act I (number) (order: 6) |
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