Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten"
~ Recording by Academy of Ancient Music, Christopher Hogwood
Appears on releases
# | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
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Official | |||||||||
1.14 | Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten" | 0:58 | Johann Sebastian Bach | Coffee Cantata BWV 211 / Peasant Cantata BWV 212 | Johann Sebastian Bach; Christopher Hogwood, Academy of Ancient Music | Album |
| Decca Records | 417 621-2 |
1.14 | Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten" | 0:58 | Johann Sebastian Bach | Coffee Cantata BWV 211 / Peasant Cantata BWV 212 | Johann Sebastian Bach; Christopher Hogwood, Academy of Ancient Music | Album |
| London Records (UK, 1947–98) | 417 621-2 |
6.14 | Kantate, BWV 212 "Mer hahn en neue Oberkeet": 16-17: Es nehme zehntausend Dukaten | 0:58 | Johann Sebastian Bach | The Complete Recitals | Emma Kirkby | Album |
| Decca Classics (“DECCA” in white uppercase on a blue-over-red rectangular block; until 1999, for use outside of North America only) | 478 7863 |
81.24 | "Mer hahn en neue Oberkeet", BWV 212: 16. Aria col come de Chasse: "Es nehme zehntausend Dukaten" / 17. Recitative: "Das klingt zu liederlich" | 0:58 | Johann Sebastian Bach | Bach 333 - J.S. Bach The New Complete Edition | Johann Sebastian Bach | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue-over-red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon | 4798000 |
Pseudo-Release | |||||||||
6.24 | "Mer hahn en neue Oberkeet", BWV 212: 16. Aria col come de Chasse: "Es nehme zehntausend Dukaten" / 17. Recitative: "Das klingt zu liederlich" | 0:58 | Johann Sebastian Bach | Bach 333: Sacred & secular vocal (second half) | Johann Sebastian Bach | Album + Compilation |
Relationships
producer: | Peter Wadland |
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creative direction: | Christopher Hogwood (conductor, harpsichordist) |
bass vocals: | David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11) |
soprano vocals: | Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11) |
vocals: | David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11) |
orchestra: | Academy of Ancient Music (from 1986-09-09 until 1986-09-11) |
conductor: | Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11) |
balance engineer: | John Pellowe (audio engineer) |
recorded at and engineered at: | St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11) |
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recording of: | Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (from 1986-09-09 until 1986-09-11) Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (from 1986-09-09 until 1986-09-11) |
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Related works
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten"
premiered in: | Leipzig, Sachsen, Germany (on 1742-08-30) |
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composed in: | Leipzig, Sachsen, Germany (in 1742) |
composer: | Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) |
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librettist: | Christian Friedrich Henrici |
part of: | Kantate, BWV 212 "Mer hahn en neue Oberkeet" (order: 16) |
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Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich"
premiered in: | Leipzig, Sachsen, Germany (on 1742-08-30) |
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composed in: | Leipzig, Sachsen, Germany (in 1742) |
composer: | Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) |
---|---|
librettist: | Christian Friedrich Henrici |
part of: | Kantate, BWV 212 "Mer hahn en neue Oberkeet" (order: 17) |
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