Appears on releases

#TitleLengthTrack ArtistRelease TitleRelease ArtistRelease Group TypeCountry/DateLabelCatalog#
Official
1.6Tosca: Atto III. “E lucevan le stelle…”17:45Giacomo PucciniTosca: HighlightsGiacomo Puccini; Callas, Bergonzi, Gobbi, Chœurs du Théâtre National de l’Opéra, Orchestre de la Société des Concerts du Conservatoire, PrêtreAlbum
EMI Studio DRMZDM 7 63087 2
1.6Tosca: Atto III. “E lucevan le stelle” (Aria, duet and finale)17:45Giacomo PucciniDiscovering Opera 02: ToscaGiacomo PucciniAlbum
Fabbri (of Fabbri Publishing Ltd., Discovering Opera series, 1991–1995)2

Relationships

bass vocals [Sciarrone]:Ugo Trama (operatic bass) (from 1964-12-03 until 1965-01-19)
choir vocals:Chœurs de l’Opéra national de Paris (from 1964-12-03 until 1965-01-19)
soprano vocals [Tosca]:Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
tenor vocals [Cavaradossi]:Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
tenor vocals [Spoletta]:Renato Ercolani (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
chorus master:Jean Laforge (choral conductor) (from 1964-12-03 until 1965-01-19)
recorded at:Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
compilation of:1. Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) by Carlo Bergonzi (tenor), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (conductor)
2. Tosca: Atto III. “Franchigia a Floria Tosca…” (Cavaradossi) by Carlo Bergonzi (tenor), Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (conductor)
3. Tosca: Atto III. “O dolci mani mansuete e pure” (Cavaradossi, Tosca) by Carlo Bergonzi (tenor), Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (conductor)
4. Tosca: Atto III. “E non giungono…” (Tosca, Cavaradossi, Carceriere) by Carlo Bergonzi (tenor), Maria Callas (soprano), Leonardo Monreale (operatic bass), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (conductor)
5. Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (conductor)
6. Tosca: Atto III. “Presto, su! Mario!” (Tosca, voci confuse, Sciarrone, Spoletta) by Maria Callas (soprano), Chœurs de l’Opéra national de Paris, Renato Ercolani (tenor), Ugo Trama (operatic bass), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (conductor)
recording of:1. Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-03 until 1965-01-19)
2. Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (from 1964-12-03 until 1965-01-19)
3. Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (from 1964-12-03 until 1965-01-19)
4. Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (from 1964-12-03 until 1965-01-19: partial)
5. Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (from 1964-12-03 until 1965-01-19)
6. Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (from 1964-12-03 until 1965-01-19)

Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca)

composer:Giacomo Puccini (Italian composer)
librettist:Giuseppe Giacosa
Luigi Illica
later translated versions:Tosca: 3. Akt. „Welche Umständlichkeiten!“ (Tosca)
Tosca: Act III. “What a time they are taking!”
part of:Tosca: Atto III (number) (order: 14)

Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)

composer:Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:Giuseppe Giacosa (from 1896 until 1899)
Luigi Illica (from 1896 until 1899)
referred to in medleys:Barcelona Games Medley (order: 9)
later translated versions:Tosca: 3. Akt. „Und es blitzen die Sterne” (Cavaradossi) (“E lucevan le stelle”)
Tosca: Act III. “All the stars shone in heaven”
Tosca: Jag minns stjärnorna lyste
part of:Tosca: Atto III (number) (order: 6)
is the basis for:Tosca Mimì
arrangements:“E lucevan le stelle” (from Tosca) (catch-all for arrangements)
A Night at the Opera

Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)

composer:Giacomo Puccini (Italian composer)
librettist:Giuseppe Giacosa
Luigi Illica
later translated versions:Tosca: 3. Akt. „Die zarten Hände” - „Bald naht sich die Stunde” (Cavaradossi, Tosca)
part of:Tosca: Atto III (number) (order: 12)

Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca)

composer:Giacomo Puccini (Italian composer)
librettist:Giuseppe Giacosa
Luigi Illica
later translated versions:Tosca: 3. Akt. „Ha! Geleit für Floria Tosca!” (Cavaradossi, Tosca)
part of:Tosca: Atto III (number) (order: 7)

Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)

composer:Giacomo Puccini (Italian composer)
librettist:Giuseppe Giacosa
Luigi Illica
later translated versions:Tosca: 3. Akt. „Die zarten Hände” - „Bald naht sich die Stunde” (Cavaradossi, Tosca)
Tosca: Act III. “Oh, hands of mercy”
part of:Tosca: Atto III (number) (order: 9)

Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta)

composer:Giacomo Puccini (Italian composer)
librettist:Giuseppe Giacosa
Luigi Illica
later translated versions:Tosca: 3. Akt. „Aber jetzt, Mario! Mario!“ (Tosca, Stimmen, Sciarrone, Spoletta)
Tosca: 3. Akt. „Die Stunde“ – „O Scarpia, uns richte Gott“ (Schließer, Cavaradossi, Tosca, Stimmen, Sciarrone, Spoletta)
Tosca: 3. Akt. „Und sie kommen nicht” (Tosca, Sciarrone, Spoletta, Chor)
part of:Tosca: Atto III (number) (order: 15)