Messiah: Part I. VI. Countertenor aria "But who may abide the days of his coming?"

~ Recording by Orchestra of The Sixteen, Harry Christophers

Appears on releases

#TitleLengthTrack ArtistRelease TitleRelease ArtistRelease Group TypeCountry/DateLabelCatalog#
Official
1.6Messiah: Part I, VI. Countertenor aria "But who may abide the days of his coming?"4:57Georg Friedrich HändelMessiahHandel; Lynne Dawson, Catherine Denley, David James, Maldwyn Davies, Michael George, The Sixteen Choir and Orchestra, Harry ChristophersAlbum + Live
Hyperion (UK classical)CDA66251-2
1.6Messiah: Part I. VI. Countertenor aria "But who may abide the days of his coming?"4:57Georg Friedrich HändelMessiahHandel; Lynne Dawson, Catherine Denley, David James, Maldwyn Davies, Michael George, The Sixteen Choir and Orchestra, Harry ChristophersAlbum + Live
Hyperion (UK classical)CDD22019

Relationships

recording engineer:Antony Howell (engineer) (from 1986-12-16 until 1986-12-20)
producer:Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:Harry Christophers (conductor) (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1987)
recorded at:St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (from 1986-12-16 until 1986-12-20)

Related works

Messiah, HWV 56: Part I, no. 6. Air “But who may abide”

composer:George Frideric Handel (German‐British baroque composer)
later versions:Der Messias: 4b. Arie (Alt): Doch wer wird ertragen den Tag seiner Ankunft
part of:Messiah, HWV 56: Part I (order: 6)
arrangements:Messiah, HWV 56: Part I, no. 6. But who may abide the day of his coming? (Goossens-Beecham Edition)
Messiah, HWV 56: Part I. Aria: But Who May Abide the Day of His Coming (mezzo-soprano) (Wilberg Edition)