Johannes-Passion: Verhör Und Geißelung - Aria: Erwäge, wie sein blugefärbter Rücken
~ Recording by Ernst Haefliger, Münchener Bach‐Orchester, Karl Richter
Appears on releases
# | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
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Official | |||||||||
1.20 | Johannes-Passion: Verhör Und Geißelung - Aria: Erwäge, wie sein blugefärbter Rücken | 7:49 | Johann Sebastian Bach | Johannes Passion | Johann Sebastian Bach; Münchener Bach‐Orchester, Münchener Bach‐Chor, Karl Richter, Evelyn Lear, Hertha Töpper, Ernst Haefliger, Hermann Prey, Kieth Engen | Album |
| Archiv Produktion | 435 947-2 |
1.10 | Johannes-Passion: Zweiter Teil: Verhör und Geißelung: 32. Arie (Tenor): Erwäge, wie sein blutgefärbter Rücken | 7:45 | Johann Sebastian Bach | Johannes-Passion: Arien & Chöre | Johann Sebastian Bach; Münchener Bach‐Chor & -Orchester, Karl Richter | Album + Compilation |
| Resonance (reissue imprint of Deutsche Grammophon, used 1994–1997) | 445 002-2 |
1.20 | Johannes-Passion: Verhör Und Geißelung - Aria: Erwäge, wie sein blugefärbter Rücken | 7:49 | Johann Sebastian Bach | Johannes-Passion | Johann Sebastian Bach; Karl Richter | Album |
| Deutsche Grammophon | 453 007-2 |
4.20 | St. John Passion BWV 245 (Part Two): Interrogation And Flagellation: 32. Aria (Tenor): Erwäge, Wie Sein Blutgefärbter Rücken | 7:49 | Johann Sebastian Bach | Sacred Masterpieces | Johann Sebastian Bach;Karl Richter | Album + Compilation |
| Archiv Produktion | 463 701-2 |
1.20 | Johannes-Passion: Verhör Und Geißelung - Aria: Erwäge, wie sein blugefärbter Rücken | 7:49 | Johann Sebastian Bach | Johannes-Passion | Johann Sebastian Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | Album |
| Archiv Produktion | 9031-74862-2 |
4.20 | Johannes-Passion, BWV 245: Teil II. "Erwäge, wie sein blutgefärbter Rücken" | 7:49 | Johann Sebastian Bach | Sacred Works | Johann Sebastian Bach, Münchener Bach‐Orchester, Karl Richter | Album + Compilation |
| Deutsche Grammophon | 479 7788 |
98.99 | Johannes-Passion, BWV 245: Part II. 32. Aria: “Erwäge, wie sein blutgefärbter Rücken” (tenor) | 7:46 | Johann Sebastian Bach | Complete Recordings on Archiv Produktion and Deutsche Grammophon | Karl Richter | Other + Compilation |
| Deutsche Grammophon | 4839068 |
11.20 | Johannes-Passion, BWV 245: Part II. 32. Aria: “Erwäge, wie sein blutgefärbter Rücken” (tenor) | 7:49 | Johann Sebastian Bach | Complete Recordings on Archiv Produktion and Deutsche Grammophon | Karl Richter | Other + Compilation |
| Deutsche Grammophon | 4839068 |
Pseudo-Release | |||||||||
11.20 | Johannes-Passion, BWV 245: Part II. 32. Aria: “Erwäge, wie sein blutgefärbter Rücken” (tenor) | 7:49 | Johann Sebastian Bach | Complete Recordings on Archiv Produktion and Deutsche Grammophon 1 | Karl Richter | Other + Compilation | |||
1.99 | Johannes-Passion, BWV 245: Part II. 32. Aria: “Erwäge, wie sein blutgefärbter Rücken” (tenor) | 7:46 | Johann Sebastian Bach | Complete Recordings on Archiv Produktion and Deutsche Grammophon 8 | Karl Richter | Other + Compilation |
Relationships
recording engineer: | Heinz Wildhagen (engineer, producer) |
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executive producer: | Prof. Dr. Hans Hickmann |
producer: | Dr. Manfred Richter (Producer for Deutsche Grammophon) |
bassoon: | Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) Detlev Kühl (bassoonist) (from 1964-02 until 1964-03) |
cello: | Kurt Engert (cellist) (from 1964-02 until 1964-03) Oswald Uhl (cellist) (from 1964-02 until 1964-03) |
double bass: | Franz Ortner (double bass player) (from 1964-02 until 1964-03) |
flute: | Walther Theurer (from 1964-02 until 1964-03) |
lute: | Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03) |
oboe [oboe I] and oboe da caccia [oboe da caccia I]: | Edgar Shann (oboist) (from 1964-02 until 1964-03) |
oboe [oboe II] and oboe da caccia [oboe da caccia II]: | Kurt Hausmann (oboist) (from 1964-02 until 1964-03) |
oboe d'amore: | Kurt Hausmann (oboist) (from 1964-02 until 1964-03) Edgar Shann (oboist) (from 1964-02 until 1964-03) |
organ: | Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03) |
viola d'amore [viola d'amore I]: | Valentin Härtel (violist) (from 1964-02 until 1964-03) |
viola d'amore [viola d'amore II]: | Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03) |
viola da gamba: | Oswald Uhl (cellist) (from 1964-02 until 1964-03) |
tenor vocals: | Ernst Haefliger (tenor) (from 1964-02 until 1964-03) |
orchestra: | Münchener Bach‐Orchester (from 1964-02 until 1964-03) |
conductor: | Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03) |
phonographic copyright (℗) by: | Polydor International GmbH (not for release label use!) (in 1964) |
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recorded at: | Herkulessaal in München, Bayern, Germany (from 1964-02 until 1964-03) |
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recording of: | Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (from 1964-02 until 1964-03) |
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Related works
Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken"
composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
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later versions: | Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (1728-1732 revision) |
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part of: | Johannes-Passion, BWV 245 (order: 20) |
arrangements: | Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (English translation "Behold ye, how his limbs with blood are stained") (translated) |