Víkingur Heiðar og Sinfóníuhljómsveit
~ Recording by Víkingur Ólafsson, Sinfóníuhljómsveit Íslands, Daníel Bjarnason
Appears on releases
| # | Title | Length | Track Artist | Release Title | Release Artist | Release Group Type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.1 | Víkingur Heiðar og Sinfóníuhljómsveit | 55:49 | Víkingur Ólafsson, Sinfóníuhljómsveit Íslands, Daníel Bjarnason | 2020-06-04: Harpa, Reykjavík, Iceland | Víkingur Ólafsson, Sinfóníuhljómsveit Íslands, Daníel Bjarnason | Broadcast |
| Ríkisútvarpið | |
Relationships
| piano: | Víkingur Ólafsson (pianist) (on 2020-06-04) |
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| spoken vocals [TV announcer]: | Halla Oddný Magnúsdóttir |
| orchestra: | Sinfóníuhljómsveit Íslands (on 2020-06-04) |
| conductor: | Daníel Bjarnason (on 2020-06-04) |
| recorded at: | Víkingur Heiðar og Sinfóníuhljómsveit (2020-06-04) |
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| recorded at: | Harpa: Eldborg in Reykjavík, Höfuðborgarsvæðið, Iceland (on 2020-06-04) |
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| stream for free: | https://www.ruv.is/utvarp/spila/sinfoniuhljomsveit-islands-i-beinni/30507/92tvtj [info] |
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| recording of: | 1. Symphony no. 7 in A major, op. 92: II. Allegretto (on 2020-06-04: live) 2. The Arts and the Hours (for piano, arr. Víkingur) (on 2020-06-04: live) 3. Concerto for Piano and Orchestra no. 23 in A major, K. 488 (on 2020-06-04: live) |
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Related works
Concerto for Piano and Orchestra no. 23 in A major, K. 488
| composer: | Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02) |
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| parts: | 1. Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro (movement) 2. Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (movement) 3. Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai (movement) |
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| is the basis for: | Dear Amadeus |
| arrangements: | Concerto for Piano and Orchestra no. 23 in A major, K. 488 (for piano and string quintet, Lachner) |
Symphony no. 7 in A major, op. 92: II. Allegretto
| composer: | Ludwig van Beethoven (German composer) (from 1811 until 1812) |
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| referred to in medleys: | Quodlibet for Small Orchestra: Allegro (3rd movement) (order: 7) |
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| later versions: | Symphony no. 7 in A major, op. 92: II. Allegretto (for piano four hands) |
| part of: | Symphony no. 7 in A major, op. 92 (movement) (order: 2) |
| is the basis for: | Acid Serum (Electronic derivative of Beethoven’s 7th) Dieron las doce Etüden in Form freier Variationen über ein Thema von Beethoven, WoO 31 Figlio perduto La Sainte Ligue (La nuit est sombre): I. La nuit est sombre |
| arrangements: | Symphony no. 7 in A major, op. 92, S. 464 no. 7: II. Allegretto (for piano solo, Liszt) Symphony no. 7 in A major, op. 92: II. Allegretto (catch-all for arrangements) Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt) |
The Arts and the Hours (for piano, arr. Víkingur)
| composer: | Jean‐Philippe Rameau (French composer of the Baroque era) |
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| piano arranger: | Víkingur Ólafsson (pianist) |
| publisher: | Copyright Control (not for release label use! this is only for copyrights and publishing relationships) |
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| arrangement of: | Les Boréades, Acte IV, Scène IV: Entrée de Polymnie (aka Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts) |
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