Harmonia Mundi: '50 - Le Coffret du Cinquantième Anniversaire

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Cardboard box; all mediums in separate cardboard sleeves. Individual cat#s run from HMX 2908250 - HMX 2908279.

Includes an extensive booklet, + a CD-ROM with most texts of the vocal works tranlated into French, English and German, where necessary (.pdf).

Annotation last modified on 2014-09-18 05:01 UTC.

Tracklist

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▼ CD 1: Historic Organs (CD 1): François Couperin - Messe à l'usage des Paroisses / Concert à l'orgue de Covarrubias
#TitleArtistRatingLength
1Messe à l'usage des Paroisses: I. Kyrie
recording engineer:
Pierre Studer
pipe organ:
Michel Chapuis (in 1966)
recorded at:
Basilique Sainte-Marie-Madeleine de Saint-Maximin-la-Sainte-Baume in Saint-Maximin-la-Sainte-Baume, Var, Provence-Alpes-Côte-d'Azur, France (in 1966)
recording of:
Messe à l'usage des Paroisses: Dialogue sur la Trompette et le Chromhorner. 4e Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Fugue sur les jeux d'Anches. 2e Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Plein chant du premier Kyrie, en Taille (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Pleint chant. 5e et dernier Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Recit de Chromhorne. 3d. Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
François Couperin8:36
2Messe à l'usage des Paroisses: II. Gloria
recording engineer:
Pierre Studer
pipe organ:
Michel Chapuis (in 1966)
recorded at:
Basilique Sainte-Marie-Madeleine de Saint-Maximin-la-Sainte-Baume in Saint-Maximin-la-Sainte-Baume, Var, Provence-Alpes-Côte-d'Azur, France (in 1966)
recording of:
Messe à l'usage des Paroisses: Dialogue en trio du Cornet et de la Tierce. 8e Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Dialogue sur la Voix humaine. 7e Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Dialogue sur les Grands jeux. 9e et dernier Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Dialogue sur les Trompettes Clairon et Tiernes du GC. et le bourdon avec le larigot du positif. 4e Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Duo sur les Tierces. 3e Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Petitte fugue sur le Chromhorne. 2e Couplet du Gloria (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Plein jeu Et in Terra Pax (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Tierce en Taille. 6e Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Trio a 2 Dessus de Chromhorne et la basse de Tierce. 5e Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
François Couperin17:41
3Messe à l'usage des Paroisses: III. Offertoire
recording engineer:
Pierre Studer
pipe organ:
Michel Chapuis (in 1966)
recorded at:
Basilique Sainte-Marie-Madeleine de Saint-Maximin-la-Sainte-Baume in Saint-Maximin-la-Sainte-Baume, Var, Provence-Alpes-Côte-d'Azur, France (in 1966)
recording of:
Messe à l'usage des Paroisses: Offertoire sur les Grands jeux (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
François Couperin7:19
4Messe à l'usage des Paroisses: IV. Sanctus
recording engineer:
Pierre Studer
pipe organ:
Michel Chapuis (in 1966)
recorded at:
Basilique Sainte-Marie-Madeleine de Saint-Maximin-la-Sainte-Baume in Saint-Maximin-la-Sainte-Baume, Var, Provence-Alpes-Côte-d'Azur, France (in 1966)
recording of:
Messe à l'usage des Paroisses: Pleint chant du premier Sanctus en Canon (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Recit de Cornet. 2e Couplet (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
François Couperin1:59
5Messe à l'usage des Paroisses: V. Benedictus
recording engineer:
Pierre Studer
pipe organ:
Michel Chapuis (in 1966)
recorded at:
Basilique Sainte-Marie-Madeleine de Saint-Maximin-la-Sainte-Baume in Saint-Maximin-la-Sainte-Baume, Var, Provence-Alpes-Côte-d'Azur, France (in 1966)
recording of:
Messe à l'usage des Paroisses: Benedictus. Chromhorne en Taille (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
François Couperin3:11
6Messe à l'usage des Paroisses: VI. Agnus
recording engineer:
Pierre Studer
pipe organ:
Michel Chapuis (in 1966)
recorded at:
Basilique Sainte-Marie-Madeleine de Saint-Maximin-la-Sainte-Baume in Saint-Maximin-la-Sainte-Baume, Var, Provence-Alpes-Côte-d'Azur, France (in 1966)
recording of:
Messe à l'usage des Paroisses: Dialogue sur les Grands jeux. 3e Couplet de l'Agnus (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
recording of:
Messe à l'usage des Paroisses: Plein chant de l'Agnus Dei, en Basse et en Taille alternativement (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
François Couperin3:58
7Messe à l'usage des Paroisses: VII. Deo gratias
recording engineer:
Pierre Studer
pipe organ:
Michel Chapuis (in 1966)
recorded at:
Basilique Sainte-Marie-Madeleine de Saint-Maximin-la-Sainte-Baume in Saint-Maximin-la-Sainte-Baume, Var, Provence-Alpes-Côte-d'Azur, France (in 1966)
recording of:
Messe à l'usage des Paroisses: Deo gratias. Petit plein jeu (in 1966)
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe à l'usage des Paroisses (for organ)
François Couperin0:52
8Medio registro de mano derecha
organ:
Francis Chapelet
pipe organ:
Francis Chapelet (in 1969)
phonographic copyright (℗) by:
Harmonia Mundi
recorded at:
Colegiata de San Cosme y San Damián in Covarrubias, Burgos, Castilla y León, Spain (in 1969)
Andrés de Sola3:00
9Pange lingua a tres voces
organ:
Francis Chapelet
pipe organ:
Francis Chapelet (in 1969)
phonographic copyright (℗) by:
Harmonia Mundi
recorded at:
Colegiata de San Cosme y San Damián in Covarrubias, Burgos, Castilla y León, Spain (in 1969)
Sebastián Aguilera de Heredia1:36
10Salve de lleno
organ:
Francis Chapelet
pipe organ:
Francis Chapelet (in 1969)
phonographic copyright (℗) by:
Harmonia Mundi
recorded at:
Colegiata de San Cosme y San Damián in Covarrubias, Burgos, Castilla y León, Spain (in 1969)
Sebastián Aguilera de Heredia1:19
11Tiento de falsas de quarto tono
organ:
Francis Chapelet
pipe organ:
Francis Chapelet (in 1969)
phonographic copyright (℗) by:
Harmonia Mundi
recorded at:
Colegiata de San Cosme y San Damián in Covarrubias, Burgos, Castilla y León, Spain (in 1969)
Sebastián Aguilera de Heredia3:13
12Tiento lleno de primer tono
organ:
Francis Chapelet
pipe organ:
Francis Chapelet (in 1969)
phonographic copyright (℗) by:
Harmonia Mundi
recorded at:
Colegiata de San Cosme y San Damián in Covarrubias, Burgos, Castilla y León, Spain (in 1969)
Sebastián Aguilera de Heredia3:15
13Gaitilla de mano izquierda
organ:
Francis Chapelet
pipe organ:
Francis Chapelet (in 1969)
phonographic copyright (℗) by:
Harmonia Mundi
recorded at:
Colegiata de San Cosme y San Damián in Covarrubias, Burgos, Castilla y León, Spain (in 1969)
recording of:
Gaitilla de mano izquierda (in 1969)
composer:
Sebastián Durón Picazo
Sebastián Durón Picazo3:07
14Tiento sobre la letania de la Virgen
organ:
Francis Chapelet
pipe organ:
Francis Chapelet (in 1969)
phonographic copyright (℗) by:
Harmonia Mundi
recorded at:
Colegiata de San Cosme y San Damián in Covarrubias, Burgos, Castilla y León, Spain (in 1969)
Pablo Bruna5:57
15Corrente Italiana
organ:
Francis Chapelet
pipe organ:
Francis Chapelet (in 1969)
phonographic copyright (℗) by:
Harmonia Mundi
recorded at:
Colegiata de San Cosme y San Damián in Covarrubias, Burgos, Castilla y León, Spain (in 1969)
Juan Cabanilles3:28
▼ CD 2: Historic Organs (CD 2): Georg Muffat - Apparatus Musico-Organisticus
#TitleArtistRatingLength
1Toccata No. 10 en Ré majeur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata decima (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat5:12
2Toccata No. 2 en sol mineur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata secunda (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat5:44
3Toccata No. 9 en mi mineur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata nona (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat6:46
4Toccata No. 7 en Do majeur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata septima (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat8:51
5Toccata No. 3 en la mineur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata tertia (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat5:32
6Toccata No. 12 en Si bémoll majeur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata duodecima et ultima (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat6:42
7Toccata No. 5 en Do majeur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata quinta (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat5:12
8Toccata No. 1 en ré mineur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata prima (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat5:12
9Toccata No. 8 en Sol majeur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata octava (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat7:02
10Toccata No. 11 en ut mineur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata undecima (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat6:32
11Toccata No. 4 en mi mineur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata quarta (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat5:13
12Toccata No. 6 en Fa mineur
recording engineer and editor:
Pierre Studer
organ:
René Saorgin (in 1973-07)
recorded at:
Église Saint-Michel et Saint-Pierre in Malaucène, Vaucluse, Provence-Alpes-Côte-d'Azur, France (in 1973-07)
recording of:
Apparatus musico-organisticus: Toccata sexta (in 1973-06)
composer:
Georg Muffat (composer)
part of:
Apparatus musico-organisticus
Georg Muffat8:08
▼ CD 3: Alfred Deller Years (CD 1): Henry Purcell - King Arthur (1)
#TitleArtistRatingLength
1King Arthur: Overture, Air, Overture
audio engineer:
Alberto Paulin (in 1978-10)
recording of:
King Arthur, Z. 628: Act I, no. 1. Ouverture (in 1978-10)
composer:
Henry Purcell (baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell5:18
2King Arthur: Act I, scene 2: "Woden first to thee", "Brave Souls", "I call ye all"
audio engineer:
Alberto Paulin (in 1978-10)
bass-baritone vocals:
Maurice Bevan (bass-baritone)
choir vocals:
Deller Choir
countertenor vocals:
Alfred Deller (countertenor) and Mark Deller (countertenor)
soprano vocals:
Honor Sheppard (soprano)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
recording of:
King Arthur, Z. 628: Act I. "Brave souls" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I. "I call you all" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I. "Woden first to thee" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell10:26
3King Arthur: Act I, scene 2: "Come if you dare"
audio engineer:
Alberto Paulin (in 1978-10)
choir vocals:
Deller Choir
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
recording of:
King Arthur, Z. 628: Act I. "Come if you dare" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell5:53
4King Arthur: Act II: "Hither this way bend", "Let not a Moon-born Elf", "Hither this way", "Come follow me"
audio engineer:
Alberto Paulin (in 1978-10)
bass vocals:
Nigel Beavan (bass)
bass-baritone vocals:
Maurice Bevan (bass-baritone)
choir vocals:
Deller Choir
countertenor vocals:
Mark Deller (countertenor)
soprano vocals:
Jean Knibbs and Honor Sheppard (soprano)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
recording of:
King Arthur, Z. 628: Act II. "Come follow me" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II. "Hither this way" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II. "Let not a moon-born elf" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell6:53
5King Arthur: Act II: "How blest are Shepherds", "Shepherd, leave Decoying"
audio engineer:
Alberto Paulin (in 1978-10)
soprano vocals:
Rosemary Hardy (soprano) and Jean Knibbs
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
recording of:
King Arthur, Z. 628: Act II. "How blest are shepherds" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell9:57
6King Arthur: Act III, scene 2: Prelude, "What ho"
audio engineer:
Alberto Paulin (in 1978-10)
soprano vocals:
Rosemary Hardy (soprano)
recording of:
King Arthur, Z. 628: Act III. "What ho!" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III. Prelude (in 1978-10)
composer:
Henry Purcell (baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell1:43
7King Arthur: Act III, scene 2: "What Power art thou", "Thou Doting Fool forbear", "See, see"
audio engineer:
Alberto Paulin (in 1978-10)
bass-baritone vocals:
Maurice Bevan (bass-baritone)
choir vocals:
Deller Choir
soprano vocals:
Rosemary Hardy (soprano)
recording of:
King Arthur, Z. 628: Act III. "Thou doting fool" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III. "What Power art thou" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III. Chorus "See, see" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell9:36
8King Arthur: Act III, scene 2: "Tis I, that have warm'd ye", "Sound a Parley Air"
audio engineer:
Alberto Paulin (in 1978-10)
bass-baritone vocals:
Maurice Bevan (bass-baritone)
choir vocals:
Deller Choir
soprano vocals:
Rosemary Hardy (soprano)
recording of:
King Arthur, Z. 628: Act III. "Tis I that have warm'd ye" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III. Duet "Sound a parley" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell8:09
▼ CD 4: Alfred Deller Years (CD 2): Henry Purcell - King Arthur (2) / The Folksong Recital
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1King Arthur: Act IV, Scene. 2: Syrens: "Two Daughters"
audio engineer:
Alberto Paulin (in 1978-10)
soprano vocals:
Jean Knibbs and Honor Sheppard (soprano)
orchestra:
The King’s Musick
conductor:
Alfred Deller (countertenor)
recording of:
King Arthur, Z. 628: Act IV. "Two daughters of this aged stream" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell1:50
2King Arthur: Act IV, Scene. 2: Alto: "How Happy The Lover"
audio engineer:
Alberto Paulin (in 1978-10)
bass-baritone vocals:
Maurice Bevan (bass-baritone)
choir vocals:
Deller Choir
countertenor vocals:
Mark Deller (countertenor)
soprano vocals:
Rosemary Hardy (soprano) and Honor Sheppard (soprano)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
orchestra:
Continuo, Deller Consort and The King’s Musick
conductor:
Alfred Deller (countertenor)
recording of:
King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell7:45
3King Arthur: Act V, Scene. 2: Trumpet Tune, Aeolus: "Ye Blust'ring Brethren"
audio engineer:
Alberto Paulin (in 1978-10)
baritone vocals:
Maurice Bevan (bass-baritone)
orchestra:
The King’s Musick
conductor:
Alfred Deller (countertenor)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
recording of:
King Arthur, Z. 628: Act V. "Ye Blust'ring brethren" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
recording of:
King Arthur, Z. 628: Act V. Trumpet Tune (in 1978-10)
composer:
Henry Purcell (baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:26
4King Arthur: Act V, Scene. 2: Symphony; Song Tune, Nereid & Pan: "Round Thy Coasts", Alto, Tenor & Bass: "For Folded Flocks"
audio engineer:
Alberto Paulin (in 1978-10)
bass-baritone vocals:
Maurice Bevan (bass-baritone)
choir vocals:
Deller Choir
countertenor vocals:
Mark Deller (countertenor)
soprano vocals:
Jean Knibbs
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices)
orchestra:
The King’s Musick
conductor:
Alfred Deller (countertenor)
recording of:
King Arthur, Z. 628: Act V. "For folded flocks" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
recording of:
King Arthur, Z. 628: Act V. "Round thy coast" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
recording of:
King Arthur, Z. 628: Act V. Symphony (in 1978-10)
composer:
Henry Purcell (baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell7:07
5King Arthur: Act V, Scene. 2: Song Tune: "Your Hay"
audio engineer:
Alberto Paulin (in 1978-10)
choir vocals:
Deller Choir
orchestra:
Continuo, Deller Consort and The King’s Musick
conductor:
Alfred Deller (countertenor)
recording of:
King Arthur, Z. 628: Act V. "Your hay it is mow'd" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:42
6King Arthur: Act V, Scene. 2: Venus: "Fairest Isle"
audio engineer:
Alberto Paulin (in 1978-10)
soprano vocals:
Honor Sheppard (soprano)
orchestra:
The King’s Musick
conductor:
Alfred Deller (countertenor)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1979 to present)
recording of:
King Arthur, Z. 628: Act V. "Fairest isle" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:38
7King Arthur: Act V, Scene. 2: Soprano: "You Say", Bass: "This Not My Passion", Bass: "But One Soft Moment"
audio engineer:
Alberto Paulin (in 1978-10)
bass-baritone vocals:
Maurice Bevan (bass-baritone)
soprano vocals:
Honor Sheppard (soprano)
orchestra:
Continuo, Deller Consort and The King’s Musick
conductor:
Alfred Deller (countertenor)
recording of:
King Arthur, Z. 628: Act V. Duet. "You say 'tis love" (in 1978-10)
composer:
Henry Purcell (baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell4:58
8King Arthur: Act V, Scene. 2: Trumpet Tune, Honour: "St. George"
audio engineer:
Alberto Paulin (in 1978-10)
choir vocals:
Deller Choir
soprano vocals:
Honor Sheppard (soprano)
orchestra:
The King’s Musick
conductor:
Alfred Deller (countertenor)
recording of:
King Arthur, Z. 628: Act V. Trumpet Tune (in 1978-10)
composer:
Henry Purcell (baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell4:28
9King Arthur: Act V, Scene. 2: Chaconne
audio engineer:
Alberto Paulin (in 1978-10)
orchestra:
The King’s Musick
conductor:
Alfred Deller (countertenor)
recording of:
King Arthur, Z. 628: Act V. Chaconne (in 1978-10)
composer:
Henry Purcell (baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:45
10The Folksong Recital: The three ravens
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]2:51
11The Folksong Recital: Black is the colour of my true love's hair
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]1:53
12The Folksong Recital:: Sweet nymph, come to thy lover
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
Thomas Morley1:41
13The Folksong Recital: I go before my darling
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
Thomas Morley1:24
14The Folksong Recital: The oak and the ash
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]3:08
15The Folksong Recital: Barbara Allen
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]2:31
16The Folksong Recital: Lord Rendall
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]4:03
17The Folksong Recital: Water wide
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]2:32
18The Folksong Recital: The tailor and the mouse
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]1:28
19The Folksong Recital: Down by the sally garden's
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]2:18
20The Folksong Recital: I will give my love an apple
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]1:45
21The Folksong Recital: Miraculous love's wounding
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
Thomas Morley2:55
22The Folksong Recital: Sweet Kate
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
recording of:
A Musical Dreame or the Fourth Booke of Ayres 1609: II. Sweet Kate
composer:
Robert Jones (English lutenist and composer)
part of:
A Musical Dreame or the Fourth Booke of Ayres 1609
Robert Jones1:34
23The Folksong Recital: Bushes and briars
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]2:34
24The Folksong Recital: The foggy, foggy dew
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]2:08
25The Folksong Recital: She moved through the fair
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]3:39
26The Folksong Recital: Evening prayer
recorded in:
Kent, England, United Kingdom
guitar and lute:
Desmond Dupré (lutenist and viola da gamba player)
countertenor vocals:
Alfred Deller (countertenor)
[anonymous]1:01
▼ CD 5: Voices from the Middle Ages (CD 1): Prière de Maria-Madeleine / Messe de saint Marcel / La Comtessa de Dia / Laudes & Vêpres pour la fête de sainte Ursule
#TitleArtistRatingLength
1Prière de Maria-Madeleine
choir vocals:
Chorale de l'église Saint-Julien-le-Pauvre de Paris (in 1989-06)
vocals:
Sister Marie Keyrouz (in 1989-06)
[anonymous]7:25
2Messe de saint Marcel: I Introitus
choir vocals:
Ensemble Organum
solo vocals:
Josep Benet (Tenor)
chorus master:
Marcel Pérès
[anonymous]7:18
3Messe de saint Marcel: II Graduale, Verset
choir vocals:
Ensemble Organum
solo vocals:
Josep Benet (Tenor)
chorus master:
Marcel Pérès
[anonymous]7:28
4Messe de saint Marcel: III Alleluia, Verset
choir vocals:
Ensemble Organum
solo vocals:
Josep Cabré (baritone / choral conductor) and Marcel Pérès
chorus master:
Marcel Pérès
[anonymous]5:17
5Messe de saint Marcel: IV Offertorium, Versets
choir vocals:
Ensemble Organum
solo vocals:
Lykourgos Angelopoulos, Josep Cabré (baritone / choral conductor) and Marcel Pérès
chorus master:
Marcel Pérès
[anonymous]6:11
6Messe de saint Marcel: V: Communio
choir vocals:
Ensemble Organum
solo vocals:
Josep Benet (Tenor)
chorus master:
Marcel Pérès
[anonymous]6:06
7La Comtessa de Dia: Vida
conductor:
René Clemencic (conductor) (in 1977-06)
performer:
Clemencic Consort (in 1977-06)
[anonymous]0:21
8La Comtessa de Dia: A Chantar
conductor:
René Clemencic (conductor) (in 1977-06)
performer:
Clemencic Consort (in 1977-06)
[anonymous]14:36
9Laudes & Vêpres pour la fête de dainte Ursule: Laudes: I Antiphon: Studium divinitatis
recording engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony) (from 1996-11-13 until 1996-11-18)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1996-11-13 until 1996-11-18)
recording of:
Symphonia armonie celestium revelationem: In matutinus laudibus: Studium divinitatis (from 1996-11-13 until 1996-11-18)
composer:
Hildegard von Bingen
Hildegard von Bingen1:12
10Laudes & Vêpres pour la fête de dainte Ursule: Laudes: II Psalm 92: Dominus regnavit, Studium divinitatis
recording engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony) (from 1996-11-13 until 1996-11-18)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1996-11-13 until 1996-11-18)
recording of:
Dominus regnavit
lyricist:
[traditional] (special purpose artist)
composer:
[anonymous] (special purpose artist)
Hildegard von Bingen3:31
11Laudes & Vêpres pour la fête de dainte Ursule : Laudes: III Benedicamus domino
recording engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony) (from 1996-11-13 until 1996-11-18)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1996-11-13 until 1996-11-18)
recording of:
Engelberg 314: Benedicamus domino (ii)
composer:
[anonymous] (special purpose artist)
Hildegard von Bingen0:57
12Laudes & Vêpres pour la fête de dainte Ursule : Vêpres: I Chapter: Domine deus meus
recording engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony) (from 1996-11-13 until 1996-11-18)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1996-11-13 until 1996-11-18)
recording of:
Berlin 40046: Chapter: Domine deus meus
composer:
[anonymous] (special purpose artist)
Hildegard von Bingen0:51
13Laudes & Vêpres pour la fête de dainte Ursule : Vêpres: II Brief responsory: Mirabilis deus
recording engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony) (from 1996-11-13 until 1996-11-18)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1996-11-13 until 1996-11-18)
recording of:
Karlsruhe LX: Brief Responsory: Mirabilis deus
composer:
[anonymous] (special purpose artist)
Hildegard von Bingen1:14
14Laudes & Vêpres pour la fête de dainte Ursule : Vêpres: III Hymn: Cum vox sanguinis
recording engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony) (from 1996-11-13 until 1996-11-18)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1996-11-13 until 1996-11-18)
recording of:
Symphonia armonie celestium revelationem: Cum vox sanguinis (from 1996-11-13 until 1996-11-18)
composer:
Hildegard von Bingen
Hildegard von Bingen8:10
15Laudes & Vêpres pour la fête de dainte Ursule : Vêpres: IV Antiphon: O rubor sanguinis
recording engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony) (from 1996-11-13 until 1996-11-18)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1996-11-13 until 1996-11-18)
recording of:
Symphonia armonie celestium revelationem: O rubor sanguinis (from 1996-11-13 until 1996-11-18)
composer:
Hildegard von Bingen
Hildegard von Bingen1:39
16Laudes & Vêpres pour la fête de dainte Ursule : Vêpres: V Canticle: Magnificat anima mea, O rubot sanguinis
recording engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony) (from 1996-11-13 until 1996-11-18)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1996-11-13 until 1996-11-18)
recording of:
Ahrweil Antiphoner: Canticle: Magnificat anima mea / O rubor sanguinis
composer:
[anonymous] (special purpose artist)
Hildegard von Bingen5:04
17Laudes & Vêpres pour la fête de dainte Ursule : Vêpres: VI Hymn: Te lucis ante terminum
recording engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony) (from 1996-11-13 until 1996-11-18)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1996-11-13 until 1996-11-18)
recording of:
Ahrweil Antiphoner: Hymn: Te lucis ante terminum
composer:
[anonymous] (special purpose artist)
Hildegard von Bingen2:03
18Laudes & Vêpres pour la fête de dainte Ursule : Vêpres: VII Benedicamus domino
recording engineer:
Brad Michel (engineer)
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
choir vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
vocals:
Anonymous 4 (vocal quartet specialising in medieval chant and polyphony) (from 1996-11-13 until 1996-11-18)
recorded at:
Campion Center in Weston, Massachusetts, United States (from 1996-11-13 until 1996-11-18)
recording of:
Worcester F. 160: Benedicamus domino
composer:
[anonymous] (special purpose artist)
Hildegard von Bingen0:48
▼ CD 6: Voices from the Middle Ages (CD 2): Guillaume Dufay - Intégrale des Motets isorythmiques
#TitleArtistRatingLength
1Vasilissa ergo gaude
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
Vasilissa, ergo gaude - Concupivit rex decorem
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay2:59
2O sancte Sebastiane
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
O sancte Sebastiane
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay4:46
3O gemma, lux et speculum
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
O Gemma, Lux Et Speculum
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay5:08
4Apostolo glorioso
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
Apostolo glorioso
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:02
5Rite majorem Jacobus
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
partial recording of:
Rite maiorem Jacobum canamus / Arcibus summis miseri reclusi
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:57
6Ecclesie militantis
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
Ecclesiae militantis
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay5:12
7Balsamus et munda cera
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
Balsamus et munda cera
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay4:21
8Supremum est mortalibus
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
Supremum est mortalibus bonum
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay5:58
9Nuper rosarum flores
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
Nuper rosarum flores
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay5:45
10Salve flos Tusce gentis
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
Salve flos Tusce gentis
composer:
Guillaume Dufay (French 15th century composer) (in 1435)
Guillaume Dufay6:13
11Magnanime gentes laudes
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
Magnanime gentis
composer:
Guillaume Dufay (French 15th century composer) (in 1438)
Guillaume Dufay5:02
12Fulgens iuber ecclesiae dei
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
Guillaume Dufay7:35
13Moribus et genere
engineer and producer:
Markus Heiland
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 1999-07)
performer:
Huelgas Ensemble (Belgian early music ensemble) (in 1999-07)
recorded at:
Abbaye aux Dames in Saintes, Nouvelle-Aquitaine, France (in 1999-07)
recording of:
Moribus
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay8:44
▶ CD 7: J.S. Bach, a Passion (CD 1): J.S. Bach - Matthäus-Passion BWV 244 (1)
▶ CD 8: J.S. Bach, a Passion (CD 2): J.S. Bach - Matthäus-Passion BWV 244 (2)
▶ CD 9: J.S. Bach, a Passion (CD 3): J.S. Bach - Matthäus-Passion BWV 244 (3) / Musikalisches Opfer BWV 1079
▶ CD 10: J.S. Bach, a Passion (CD 4): J.S. Bach - Die Kunst der Fuge BWV 1080
▶ CD 11: The "Atys" Years: Jean-Baptiste Lully - Atys
▶ CD 12: The "Atys" Years: Jean-Baptiste Lully - Atys
▶ CD 13: The "Atys" Years: Jean-Baptiste Lully - Atys (3) / Marin Marais - La Gamme
▶ CD 14: The Masters of Baroque Music (CD 1): Claudio Monteverdi - Pianto della Madonna / Heinrich Ignaz Biber - Rosenkranz-Sonaten / Antonio Vivaldi - Stabat Mater
▶ CD 15: The Masters of Baroque Music (CD 2): Georg Philipp Telemann - Trauer-Kantate / Jean Henry d'Anglebert - Pièces de clavecin
▶ CD 16: 50 Years of Discoveries (CD 1): Lord Herbert of Cherbury's Lute Book
▶ CD 17: 50 Years of Discoveries (CD 2): Adriano Banchieri - Barca di Venetia per Padova / Georg Philip Telemann - "La Bizarre" / Armand-Louis Couperin - Simphonie de clavecins / Johann Schobert - Quatuor
▶ CD 18: 50 Years of Discoveries (CD 3): Reinhard Keiser - Croesus (1)
▶ CD 19: 50 Years of Discoveries (CD 4): Reinhard Keiser - Croesus (2)
▶ CD 20: 50 Years of Discoveries (CD 5): Reinhard Keiser - Croesus (3)
▶ CD 21: The Classical Style Revisited: Joseph Haydn - Piano trio n°39 / W.A. Mozart - 6 Deutsche Tänze KV 509 / Joseph Haydn - Concerto pour violoncelle et orchestre Hob. VIIb:1 / W.A. Mozart - Symphonie n°38 "Prague"
▶ CD 22: The Heart of Romanticism (CD 1): Gioacchino Rossini - Petite Messe solennelle
▶ CD 23: The Heart of Romanticism (CD 2): Gioacchino Rossini - Sonate a quattro / Robert Schumann - Frauenliebe und -leben op. 42 / Johannes Brahms - Sonate pour clarinette et piano, op. 120 / Hugo Wolf - Goethe-Lieder
▶ CD 24: A New Look at Masterpieces (CD 1): Jean-Philippe Rameau - Suite en Sol / Ludwig van Beethoven - Symphonie N°3 op. 55 "Eroica"
▶ CD 25: A New Look at Masterpieces (CD 2): Hector Berlioz - Nuit d'été op. 7 / Manuel de Falla - El amor brujo
▶ CD 26: A New Generation of Musicians (CD 1): Franz Schubert - Fantaisie en Ut Majeur / Sonate D.960
▶ CD 27: A New Generation of Musicians (CD 2): Frederic Chopin - Complete Ballades / Franz Liszt - La Lugubre Gondole / Dmitry Shostakovich - String Quartet no. 8 op. 110
▶ CD 28: From the Past to the Future (CD 1): Ernest Chausson - Quatuor / Aaron Copland - Trio Vitebsk / Leoš Janáček - Sur un sentier recouvert
▶ CD 29: From the Past to the Future (CD 2): Leoš Janáček - Quatuor à cordes n°2 "Lettres intimes" / Béla Bartók - Contrastes / Arvo Pärt - Berliner Messe

Credits

Release

lute:Paul O’Dette (American conductor and lute player specialising in early music)
pipe organ:René Saorgin
orchestra:Les Arts Florissants
La Chapelle Royale (French baroque vocal ensemble)
Continuo
Deller Consort
Huelgas Ensemble (Belgian early music ensemble)
The King’s Musick
conductor:William Christie (harpsichordist and conductor)
Marcus Creed (conductor)
Alfred Deller (countertenor)
Philippe Herreweghe (Belgian conductor)
Paul Van Nevel (Belgian conductor & musicologist)
choir vocals:Collegium Vocale Gent
Deller Consort
RIAS Kammerchor (German chamber choir)
Discogs:https://www.discogs.com/release/4432254 [info]
ASIN:FR: B000VIFM1S [info]