Flower Power

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1San Francisco (Be Sure to Wear Some Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Scott McKenzie3.752:55
2California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan
solo alto flute:
Bud Shank
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Mamas & the Papas4.452:39
3Mr. Tambourine Man
producer:
Terry Melcher
12 string guitar:
Jim McGuinn
bass:
Chris Hillman
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds)
guitar:
David Crosby
vocals:
David Crosby, Chris Hillman and Jim McGuinn
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (in 1965)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds4.252:17
4Groovin’
recording of:
Groovin’
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Rascals2:30
5Flowers in the Rain
recording of:
Flowers in the Rain
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd.
The Move2:26
6Green TambourineThe Lemon Pipers42:25
7Samba pa ti
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1970)
recorded at:
Wally Heider Studios in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers‐BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
Santana44:32
8I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music and Cotillion Music (BMI)
Sonny & Cher4.153:06
9Reflections of My LifeMarmalade4:13
10Aquarius / Let the Sunshine In (The Flesh Failures)
The 5th Dimension3:53
11Ruby Tuesday
cover recording of:
Ruby Tuesday (in 1970)
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:38
12Atlantis
producer:
Mickie Most (English record producer)
acoustic guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
bass:
Bobby Ray (60s/70s US folk artist/bassist) (in 1968-11)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (in 1968-11)
electric guitar:
Ricki (in 1968-11)
keyboard:
Gabriel Mekler (in 1968-11)
background vocals:
Donovan's fans (Special Purpose Artist – Do not add releases here, if possible.) (in 1968-11)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
arranger:
Gabriel Mekler
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States (in 1968-11)
recording of:
Atlantis (Donovan song) (in 1968-11)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd., Peer International Corporation (BMI) and Peer Southern Music (publisher) (in 1968)
Donovan4.55:00
13Summer in the City
additional electric piano:
Artie Schroeck
lead vocals:
John Sebastian
conductor:
Michael Kamen (American score composer)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 393)
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
The Lovin’ Spoonful4.752:40
14Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
lyricist and composer:
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.53:34
15Monday Monday
recording of:
Monday, Monday
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music and Universal/MCA Music Ltd. (not for release label use!)
cover recording of:
Monday, Monday
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music and Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas3:18
16With a Little Help From My Friends
producer:
Denny Cordell
mixer:
Tony Visconti
bass guitar:
Chris Stainton
drums (drum set):
Barrie James Wilson
guitar:
Jimmy Page
organ:
Tommy Eyre
background vocals:
Madeline Bell, Rosetta Hightower and Sunny Weetman
part of:
New York Post: 100 Greatest Covers (2007) (number: 86)
cover recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (from 1967 to present) and Northern Songs Ltd. (in 1967)
Joe Cocker3.64:58
17Blowin’ in the Wind
cover recording of:
Blowin’ in the Wind
lyricist and composer:
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (from 1962 until 1990) and Special Rider Music (from 1990 to present)
Joan Baez3:04
CD 2
#TitleArtistRatingLength
1Somebody to Love
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
vocals:
Marty Balin (from 1966-10-31 until 1966-11-22) and Paul Kantner (from 1966-10-31 until 1966-11-22)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Irving Music (BMI), Rondor Music, Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.652:58
2San Franciscan NightsEric Burdon43:20
3White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (company, do not use as label) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Cream4.654:56
4You Keep Me Hangin’ On
Vanilla Fudge2:57
5A Whiter Shade of PaleProcol Harum4.14:02
6On the Road Again
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1968)
recorded at:
Suffolk Meadows in Long Island, New York, United States (on 1979-09-08)
live recording of:
On the Road Again (on 1979-09-08)
lyricist and composer:
Floyd Jones (blues performer and songwriter) and Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Music (do not use as release label! this is a music publisher), EMI Unart Catalog Inc., EMI United Partnership Ltd., Lawn Music, Metric Music Co (publisher), SBK United Partnership Ltd. and United Partnership Ltd.
Canned Heat3.43:23
7Purple Haze
engineer:
Dave Siddle (De Lane Lea) (engineer) (on 1967-01-11) and Eddie Kramer (Olympic) (engineer) (on 1967-02-03)
producer:
Chas Chandler
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1967-01-11 until 1967-02-03)
electric bass guitar and background vocals:
Noel Redding (from 1967-01-11 until 1967-02-03)
electric guitar:
Jimi Hendrix (from 1967-01-11 until 1967-02-03)
vocals:
Jimi Hendrix (from 1967-01-11 until 1967-02-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (company, not a label) (in 2010)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1967-01-11) and Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-02-03, from 1967-02-03 until 1967-02-08)
produced at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-01-11)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 17) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 250)
recording of:
Purple Haze (from 1967-01-11 until 1967-02-03)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C. (company, not a label), Interworld Music Ltd. and Sea-Lark Enterprises, Inc.
Jimi Hendrix4.452:46
8I Want to Take You Higher
bass guitar:
Larry Graham (US bassist & singer) (in 1969)
drums (drum set):
Greg Errico (in 1969)
guitar:
Freddie Stone (in 1969)
guitar and keyboard:
Sly Stone (in 1969)
keyboard:
Rose Stone (in 1969)
saxophone:
Jerry Martini (in 1969)
trumpet:
Cynthia Robinson (in 1969)
vocals:
Larry Graham (US bassist & singer) (in 1969), Jerry Martini (in 1969), Freddie Stone (in 1969), Rose Stone (in 1969) and Sly Stone (in 1969)
recording of:
I Want to Take You Higher (in 1969)
lyricist and composer:
Sylvester Stewart
publisher:
Daly City Music
is based on:
Higher (1968 Sly & the Family Stone song)
Sly & the Family Stone3.655:20
9Good Vibrations
recording engineer:
Bruce Botnick, Chuck Britz and Larry Levine
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:36
10Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men3:33
11Daydream Believer
producer:
Chip Douglas
bass:
Chip Douglas
bass trombone:
Richard Leith (trombonist) and Phil Teele
drums (drum set):
Eddie Hoh
guitar:
Michael Nesmith
percussion:
William E. Martin
piano:
Peter Tork
trombone:
Richard Noel (trombonist)
trumpet:
Pete Candoli, Al Porcino and Manuel Stevens
violin:
Nathan Kaproff, George Kast, Alex Murray (violinist) and Erno Neufeld
background vocals:
Micky Dolenz
lead vocals:
Davy Jones (The Monkees member)
horn and strings arranger:
Shorty Rogers (trumpet)
music videos:
Daydream Believer by The Monkees
part of:
TV Cream: Real 100 Best Singles Ever (number: 39)
recording of:
Daydream Believer (from 1967-06-14 until 1967-08-09)
lyricist and composer:
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees53:05
12White Bird
recorded in:
Los Angeles, California, United States (in 1969)
producer:
David LaFlamme
bass:
Mitchell Holman (in 1969)
drums (drum set):
Val Fuentes (in 1969)
guitar:
Hal Wagenet (in 1969)
organ:
Linda LaFlamme (in 1969)
percussion:
Pattie Santos (in 1969)
violin and lead vocals:
David LaFlamme (in 1969)
vocals:
Pattie Santos (in 1969)
recording of:
White Bird (in 1969)
writer:
David LaFlamme and Linda LaFlamme
It’s a Beautiful Day56:04
13Dream a Little Dream of MeMama Cass3:11
14Eight Miles High
producer:
Allen Stanton
12 string guitar:
Roger McGuinn (on 1966-01-25)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 150) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 181)
recording of:
Eight Miles High (on 1966-01-25)
writer:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby and Roger McGuinn
publisher:
Gene Clark Music, Reservoir One America, Tickson Music Co. and TRO Essex Music Ltd.
The Byrds4.23:34
15It Never Rains in Southern CaliforniaAlbert Hammond3.753:51
16Where Have All the Flowers Gone
recording of:
Where Have All the Flowers Gone
additional lyricist:
Joe Hickerson (in 1960-05)
lyricist and composer:
Pete Seeger (in 1955-10)
publisher:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 1961)
Pete Seeger1:56