# | Title | Artist | Rating | Length |
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1 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1III. Credo in unum Deum | Johann Sebastian Bach | | 1:55 |
2 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1IV. Patrem omnipotentem- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- choir vocals:
- Monteverdi Choir (in 1985-02)
- orchestra:
- English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1985-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 1:53 |
3 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1V. Et in unum Dominum | Johann Sebastian Bach | | 4:11 |
4 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1VI. Et incarnatus est | Johann Sebastian Bach | | 3:25 |
5 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1VII. Crucifixus- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- bass vocals:
- Stephen Varcoe (in 1985-02)
- choir vocals:
- Monteverdi Choir (in 1985-02)
- countertenor vocals:
- Michael Chance (in 1985-02)
- mezzo-soprano vocals:
- Carol Hall (in 1985-02)
- tenor vocals:
- Wynford Evans (in 1985-02)
- orchestra:
- English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1985-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:07 |
6 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1VIII. Et resurrexit | Johann Sebastian Bach | | 3:47 |
7 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1IX. Et in Spiritum Sanctum | Johann Sebastian Bach | | 5:29 |
8 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 20. Confiteor unum baptisma | Johann Sebastian Bach | | 2:32 |
9 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 2I. Et expecto resurrectionem | Johann Sebastian Bach | | 3:34 |
10 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2II. Sanctus | Johann Sebastian Bach | | 5:24 |
11 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2III. Osanna in excelsis- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- choir vocals:
- Monteverdi Choir (in 1985-02)
- orchestra:
- The English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985) and Polydor International GmbH (in 1985)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1985-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:31 |
12 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2IV. Benedictus | Johann Sebastian Bach | | 4:47 |
13 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2V. Osanna in excelsis- recording engineer:
- Klaus Behrens
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Steven Paul
- editor:
- Klaus Behrens and Gregor Zielinsky
- choir vocals:
- Monteverdi Choir (in 1985-02)
- orchestra:
- English Baroque Soloists (in 1985-02)
- conductor:
- John Eliot Gardiner (in 1985-02)
- balance engineer:
- Karl-August Naegler
- phonographic copyright (℗) by:
- Polydor (in 1985)
- recorded at:
- All Saints’ Church in London , England, United Kingdom (in 1985-02)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1985-02)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:33 |
14 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Agnus Dei: 2VI. Agnus Dei | Johann Sebastian Bach | | 5:46 |
15 | Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Agnus Dei: 2VII. Dona nobis pacem | Johann Sebastian Bach | | 3:20 |