# | Title | Artist | Rating | Length |
---|
1 | Mass in B minor, BWV 232: Credo in Unum Deum | Johann Sebastian Bach | | 2:03 |
2 | Mass in B minor, BWV 232: Patrem Omnipotentem- choir vocals:
- Wiener Kammerchor (from 1959-04 until 1959-06)
- orchestra:
- Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
- conductor:
- Hermann Scherchen (from 1959-04 until 1959-06)
- recorded at:
- Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1959-04 until 1959-06)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:47 |
3 | Mass in B minor, BWV 232: Et in Unum Dominum | Johann Sebastian Bach | | 4:28 |
4 | Mass in B minor, BWV 232: Et Incarnatus Est | Johann Sebastian Bach | | 4:26 |
5 | Mass in B minor, BWV 232: Crucifixus- choir vocals:
- Wiener Kammerchor (from 1959-04 until 1959-06)
- orchestra:
- Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
- conductor:
- Hermann Scherchen (from 1959-04 until 1959-06)
- recorded at:
- Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1959-04 until 1959-06)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:09 |
6 | Mass in B minor, BWV 232: Et Resurrexit | Johann Sebastian Bach | | 4:01 |
7 | Mass in B minor, BWV 232: Et in Spiritum Sanctum | Johann Sebastian Bach | | 5:46 |
8 | Mass in B minor, BWV 232: Confiteor Unum Baptisma | Johann Sebastian Bach | | 7:21 |
9 | Mass in B minor, BWV 232: Et Expecto Resurrectionem | Johann Sebastian Bach | | 1:55 |
10 | Mass in B minor, BWV 232: Sanctus | Johann Sebastian Bach | | 7:14 |
11 | Mass in B minor, BWV 232: Osanna in Excelsis- choir vocals:
- Wiener Kammerchor (from 1959-04 until 1959-06)
- orchestra:
- Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
- conductor:
- Hermann Scherchen (from 1959-04 until 1959-06)
- recorded at:
- Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1959-04 until 1959-06)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:51 |
12 | Mass in B minor, BWV 232: Benedictus | Johann Sebastian Bach | | 7:10 |
13 | Mass in B minor, BWV 232: Osanna in Excelsis- choir vocals:
- Wiener Kammerchor (from 1959-04 until 1959-06)
- orchestra:
- Orchester der Wiener Staatsoper (from 1959-04 until 1959-06)
- conductor:
- Hermann Scherchen (from 1959-04 until 1959-06)
- recorded at:
- Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (from 1959-04 until 1959-06)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1959-04 until 1959-06)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:50 |
14 | Mass in B minor, BWV 232: Agnus Dei | Johann Sebastian Bach | | 5:29 |
15 | Mass in B minor, BWV 232: Dona Nobis Pacem | Johann Sebastian Bach | | 3:59 |