Trio Classics

~ Release by The Nat King Cole Trio (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Sweet Lorraine
recorded in:
Los Angeles, California, United States (on 1940-12-06)
double bass:
Wesley Prince (on 1940-12-06)
guitar:
Oscar Moore (on 1940-12-06)
piano:
Nat King Cole (on 1940-12-06)
vocals:
Nat King Cole (on 1940-12-06)
cover recording of:
Sweet Lorraine (on 1940-12-06)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
2:57
2Honeysuckle Rose
recorded in:
Los Angeles, California, United States (on 1940-12-06)
double bass:
Wesley Prince (on 1940-12-06)
guitar:
Oscar Moore (on 1940-12-06)
piano:
Nat King Cole (on 1940-12-06)
instrumental cover recording of:
Honeysuckle Rose (on 1940-12-06)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
2:33
3Early Morning Blues
2:43
4This Will Make You Laugh
3:17
5That Ain't Right
recorded in:
New York, New York, United States (on 1941-10-22)
bass and double bass:
Wesley Prince (on 1941-10-22)
guitar:
Oscar Moore (on 1941-10-22)
piano:
Nat King Cole (on 1941-10-22)
vocals:
Nat King Cole (on 1941-10-22) and Oscar Moore (on 1941-10-22)
recording of:
That Ain't Right (on 1941-10-22)
lyricist and composer:
Nat King Cole and Irving Mills
3:17
6On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
2:31
7Back Home in Indiana
1:56
8Too Marvellous for Words
2:22
9I May Be Wrong
2:54
10Shoo, Shoo, Baby!
2:56
11Miss Thing
recording of:
Miss Thing
writer:
Count Basie (pianist) and Skip Martin
2:07
12Little Joe From Chicago
2:21
13Do Nothing Till You Hear From Me
2:26
14The Old Music Master
2:52
15After You've Gone
2:59
16Is You Is, or Is You Ain't My Baby?
2:37
17Vom, Vim, Veedle
double bass:
Red Callender (on 1942-10-11)
guitar:
Oscar Moore (on 1942-10-11)
piano:
Nat King Cole (on 1942-10-11)
vocals:
Nat King Cole (on 1942-10-11)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1942-10-11)
recording of:
Vom, Vim, Veedle (on 1942-10-11)
writer:
Frankie “Half Pint” Jaxon and Robert Scherman
2:59
18All for You
double bass:
Red Callender (on 1942-10-11)
guitar:
Oscar Moore (on 1942-10-11)
piano:
Nat King Cole (on 1942-10-11)
vocals:
Nat King Cole (on 1942-10-11)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1942-10-11)
recording of:
All for You (on 1942-10-11)
lyricist and composer:
Robert Scherman
recording of:
All for You (in 1942)
lyricist and composer:
Robert Scherman
3:25
19Pitchin' Up a Boogie
recording of:
Pitchin’ Up a Boogie
writer:
Nat King Cole
3:11
20Beautiful Moons Ago
recording of:
Beautiful Moons Ago
lyricist:
Nat King Cole (on 1942-12-04)
composer:
Oscar Moore (on 1942-12-04)
2:25
21I'm Lost
recorded in:
Los Angeles, California, United States (on 1943-03-01)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-03-01)
guitar:
Oscar Moore (on 1943-03-01)
piano:
Nat King Cole (on 1943-03-01)
vocals:
Nat King Cole (on 1943-03-01)
recording of:
I’m Lost (on 1943-03-01)
writer:
Otis René
3:09
22F.S.T. (Fine, Sweet and Tasty)
3:05
23Straighten Up and Fly Right
double bass and double bass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
performer:
The Nat King Cole Trio (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Straighten Up and Fly Right (on 1943-11-30)
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (until 2021-06-30)
52:27
24Gee Baby, Ain't I Good to You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1943-11-30)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
2:57
25Jumpin' at Capitol
double bass:
Red Callender (on 1943-11-30) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Jumpin’ at Capitol (on 1943-11-30)
composer:
Nadine Robinson
2:26
▼ CD 2
#TitleRatingLength
1If You Can Smile and Say Yes
double bass:
Red Callender (on 1943-11-30) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
If You Can’t Smile and Say Yes (on 1943-11-30)
writer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Timmie Rogers
3:08
2Embraceable You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
instrumental cover recording of:
Embraceable You (on 1943-12-15)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:25
3It's Only a Paper Moon
recording of:
It’s Only a Paper Moon
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
2:57
4I Just Can't See for Lookin'
double bass:
Red Callender (on 1943-12-15) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
recording of:
I Just Can’t See for Lookin’ (on 1943-12-15)
writer:
Nadine Robinson and Dok Stanford
3:09
5The Man I Love
3:22
6Body and Soul
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
vocals:
Nat King Cole (on 1944-01-17), Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17) and Oscar Moore (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-17)
instrumental cover recording of:
Body and Soul (on 1944-01-17)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:21
7Prelude in C Sharp Minor
2:58
8What Is This Thing Called Love?
2:59
9Easy Listening Blues
recording of:
Easy Listenin' Blues
composer:
Nadine Robinson (in 1944)
3:09
10I'm a Shy Guy
recording of:
I’m a Shy Guy
lyricist and composer:
Nat King Cole
2:50
11Barcarolle
3:07
12Sweet Georgia Brown
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-23)
instrumental cover recording of:
Sweet Georgia Brown (on 1945-05-23)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:20
13I Tho't You Ought to Know
recording of:
I Tho’t You Ought to Know
writer:
Cecil Carter and Thomas C. Dilbeck
2:54
14It Only Happens Once
recording of:
It Only Happens Once
lyricist and composer:
Frankie Laine
2:58
15(I Call My Papa) Fla-Ga-La-Pa
recording of:
(I Call My Papa) Fla-Ga-La-Pa
writer:
Roy Alfred (Tin Pan Alley lyricist and composer), Marvin Fisher and C.L. Roberts
3:11
16It's Better to Be Yourself
recording of:
It’s Better to Be By Yourself
lyricist and composer:
Nat King Cole
2:56
17Come to Baby, Do
recording of:
Come to Baby, Do
writer:
Inez James and Sidney Miller (songwriter, director and actor)
3:05
18The Frim Fram Sauce
3:19
19Homeward Bound
recording of:
Homeward Bound
lyricist and composer:
Leonard Feather
3:13
20I'm an Errand Boy for Rhythm
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-18)
guitar:
Oscar Moore (on 1945-10-18)
piano:
Nat King Cole (on 1945-10-18)
vocals:
Nat King Cole (on 1945-10-18)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-10-18)
recording of:
I'm an Errand Boy for Rhythm (on 1945-10-18)
lyricist and composer:
Nat King Cole
2:20
21This Way Out
3:03
22I Know What You Know
recording of:
I Know That You Know (Caldwell & Youmans)
lyricist:
Anne Caldwell
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
2:32
23But She's My Buddy's Chick
recording of:
But She’s My Buddy’s Chick
writer:
Charles Atkinson and Sy Oliver
2:57
24Oh, but I Do
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-12-04)
guitar:
Oscar Moore (on 1945-12-04)
piano:
Nat King Cole (on 1945-12-04)
vocals:
Nat King Cole (on 1945-12-04)
recorded at:
WMCA Studios in New York, New York, United States (on 1945-12-04)
recording of:
Oh, But I Do (on 1945-12-04)
writer:
Ella Fitzgerald and Kenneth Watts
2:49
25How Does It Feel?
recording of:
How Does It Feel
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
2:54