Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Karl Richter (see all versions of this release, 11 available)

Annotation

The complete recordings of Karl Richter on Archiv Produktion and Deutsche Grammophon. The set consists of 97 CDs and 3 Blu-Ray audio discs containing 24 bit/192 kHz versions of Bach's cantatas and other major sacred works included in the set.

Annotation last modified on 2021-08-15 10:30 UTC.

Tracklist

▶ CD 1: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)
▶ CD 2: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)
▶ CD 3: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)
▶ CD 4: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)
▶ CD 5: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)
▶ CD 6: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)
▶ CD 7: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)
▶ CD 8: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)
▶ CD 9: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)
▶ CD 10: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)
▶ CD 11: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)
▶ CD 12: Bach: St. John Passion, BWV 245 (Part II cont.)
▶ CD 13: Bach: Christmas Oratorio, BWV 248 (Part I & Part II beg.)
▶ CD 14: Bach: Christmas Oratorio, BWV 248 (Part II cont., Parts III & IV)
▶ CD 15: Bach: Christmas Oratorio, BWV 248 (Parts V & VI)
▶ CD 16: Karl Richter Rehearses Bach's Christmas Oratorio
▼ CD 17: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Bereitet die Wege, bereitet die Bahn”, BWV 132 / “Christen, ätzet diesen Tag”, BWV 63
#TitleArtistRatingLength
1“Nun komm, der Heiden Heiland”, BWV 61: 1. Chorale: “Nun komm, der Heiden Heiland”
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
choir vocals:
Münchener Bach‐Chor (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach3:58
2“Nun komm, der Heiden Heiland”, BWV 61: 2. Recitative: “Der Heiland ist gekommen” (tenor)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:25
3“Nun komm, der Heiden Heiland”, BWV 61: 3. Aria: “Komm Jesu, komm zu deiner Kirche” (tenor)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:32
4“Nun komm, der Heiden Heiland”, BWV 61: 4. Recitative: “Siehe, ich stehe vor der Türe und klopfe an” (bass)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:17
5“Nun komm, der Heiden Heiland”, BWV 61: 5. Aria: “Öffne dich, mein ganzes Herze” (soprano)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:23
6“Nun komm, der Heiden Heiland”, BWV 61: 6. Chorale: “Amen, Amen! Komm, du schöne Freudenkrone”
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1971-07) and Detlev Kühl (bassoonist) (in 1971-07)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (in 1971-07) and Fritz Kiskalt (cellist) (in 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1971-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1971-07)
choir vocals:
Münchener Bach‐Chor (from 1970-06 until 1970-07, in 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, in 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, in 1971-07)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:56
7“Bereitet die Wege, bereitet die Bahn”, BWV 132: 1. Aria: “Bereitet die Wege, bereitet die Bahn” (soprano)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": I. Aria (Sopran) "Bereitet die Wege, bereitet die Bahn!" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach7:43
8“Bereitet die Wege, bereitet die Bahn”, BWV 132: 2. Recitative: “Willst du dich Gottes Kind und Christi Bruder nennen” (tenor)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": II. Recitativo (Tenor) "Willst du dich Gottes Kind und Christi Bruder nennen" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach2:56
9“Bereitet die Wege, bereitet die Bahn”, BWV 132: 3. Aria: “Wer bist du? Frage dein Gewissen” (bass)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
bass vocals:
Theo Adam (German classical bass-baritone) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": III. Aria (Bass) "Wer bist du? Frage dein Gewissen" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach3:25
10“Bereitet die Wege, bereitet die Bahn”, BWV 132: 4. Recitative: “Ich will, mein Gott, dir frei heraus bekennen” (alto)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": IV. Recitativo (Alt) "Ich will, mein Gott, dir frei heraus bekennen" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach2:31
11“Bereitet die Wege, bereitet die Bahn”, BWV 132: 5. Aria: “Christi Glieder, ach bedenket” (alto)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": V. Aria (Alt) "Christi Glieder, ach bedenket" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach3:44
12“Bereitet die Wege, bereitet die Bahn”, BWV 132: 6. Chorale: “Ertöt uns durch deine Güte”
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
violin [Violine]:
Otto Büchner (violinist) (from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": VI. Choral "Ertöt uns durch dein Güte" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach1:12
13“Christen, ätzet diesen Tag”, BWV 63: 1. Chorus: “Christen, ätzen Tag in Metall und Marmorsteine”
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach5:31
14“Christen, ätzet diesen Tag”, BWV 63: 2. Recitative: “O selger Tag! O ungemeines Heute” (alto)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:49
15“Christen, ätzet diesen Tag”, BWV 63: 3. Duet: “Gott, du hast es wohl gefüget” (soprano, bass)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach7:25
16“Christen, ätzet diesen Tag”, BWV 63: 4. Recitative: “So kehret sich nun heut” (tenor)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:55
17“Christen, ätzet diesen Tag”, BWV 63: 5. Duet: “Ruft und fleht den Himmel an” (alto, tenor)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:13
18“Christen, ätzet diesen Tag”, BWV 63: 6. Recitative: “Verdoppelt euch demnach” (bass)
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach1:14
19“Christen, ätzet diesen Tag”, BWV 63: 7. Chorus: “Höchster, schau in Gnade an”
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans-Peter Schweigmann
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:35
▶ CD 18: Bach: “Christum wir sollen loben schon”, BWV 121 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Gottlob! nun geht das Jahr zu Ende”, BWV 28 / “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171
▶ CD 19: Bach: “Ach Gott, wie manches Herzeleid”, BWV 58 / “Sie werden aus Saba alle kommen”, BWV 65 / “Meinen Jesum lass ich nicht”, BWV 124 / “Meine Seufzer, meine Tränen”, BWV 13
▶ CD 20: Bach: “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Jesus schläft, was soll ich hoffen?”, BWV 81 / “Ich habe genug”, BWV 82
▶ CD 21: Bach: “Ich hab in Gottes Herz und Sinn”, BWV 92 / “Erhalt uns, Herr, bei deinem Wort”, BWV 126 / “Du wahrer Gott und Davids Sohn”, BWV 23
▶ CD 22: Bach: “Wie schön leuchtet der Morgenstern”, BWV 1 / “Himmelskönig, sei willkommen”, BWV 182
▶ CD 23: Bach: “Christ lag in Todes Banden”, BWV 4 / “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Der Friede sei mit dir”, BWV 158 / “Halt im Gedächtnis Jesum Christ”, BWV 67
▶ CD 24: Bach: “Du Hirte Israel, höre”, BWV 104 / “Weinen, Klagen, Sorgen, Zagen”, BWV 12
▶ CD 25: Bach: “Es ist euch gut, dass ich hingehe”, BWV 108 / “Bisher habt ihr nichts gebeten in meinem Namen”, BWV 87
▶ CD 26: Bach: “Lobet Gott in seinen Reichen”, BWV 11 / “Sie werden euch in den Bann tun”, BWV 44 / “O ewiges Feuer, o Ursprung der Liebe”, BWV 34
▶ CD 27: Bach: “Also hat Gott die Welt geliebt”, BWV 68 / “Er rufet seinen Schafen mit Namen”, BWV 175 / “Gelobet sei der Herr, mein Gott”, BWV 129
▶ CD 28: Bach: “Brich dem Hungrigen dein Brot”, BWV 39 / “Die Himmel erzählen die Ehre Gottes”, BWV 76 / “Ach Herr, mich armen Sünder”, BWV 135
▶ CD 29: Bach: “Ich hatte viel Bekümmernis”, BWV 21 / “Ein ungefärbt Gemüte”, BWV 24
▶ CD 30: Bach: “Freue dich, erlöste Schar”, BWV 30 / “Wer nur den lieben Gott lässt walten”, BWV 93
▶ CD 31: Bach: “Herz und Mund und Tat und Leben”, BWV 147 / “Meine Seel erhebt den Herren”, BWV 10
▶ CD 32: Bach: “Es ist das Heil uns kommen her”, BWV 9 / “Es wartet alles auf dich”, BWV 187 / “Wo Gott der Herr nicht bei uns hält”, BWV 178
▶ CD 33: Bach: “Es ist dir gesagt, Mensch, was gut ist”, BWV 45 / “Herr, gehe nicht ins Gericht”, BWV 105 / “Herr, deine Augen sehen nach dem Glauben”, BWV 102
▶ CD 34: Bach: “Mein Herze schwimmt im Blut”, BWV 199 / “Siehe zu, dass deine Gottesfurcht nicht heuchelei sei”, BWV 179 / “Lobe den Herren, den mächtigen König der Ehren”, BWV 137
▶ CD 35: Bach: “Allein zu dir, Herr Jesu Christ”, BWV 33 / “Jesu, der du meine Seele”, BWV 78 / “Wer Dank opfert, der preiset mich”, BWV 17
▶ CD 36: Bach: “Jauchzet Gott in allen Landen”, BWV 51 / “Was Gott tut, das ist wohlgetan”, BWV 100 / “Wer weiß, wie nahe mir mein Ende!”, BWV 27
▶ CD 37: Bach: “Liebster Gott, wann werd' ich sterben?”, BWV 8 / “Bringet dem Herrn Ehre seines Namens”, BWV 148
▶ CD 38: Bach: “Herr Christ, der einge Gottessohn”, BWV 96 / “Wo soll ich fliehen hin”, BWV 5 / “Ich will den Kreuzstab gerne tragen”, BWV 56
▶ CD 39: Bach: “Schmücke dich, o liebe Seele”, BWV 180 / “Aus tiefer Not schrei ich zu dir”, BWV 38 / “Ich armer Mensch, ich Sündenknecht”, BWV 55
▶ CD 40: Bach: “Mache dich, mein Geist, bereit”, BWV 115 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “O Ewigkeit, du Donnerwort”, BWV 60 / “Ach wie flüchtig, ach wie nichtig”, BWV 26
▶ CD 41: Bach: “Du Friedefürst, Herr Jesu Christ”, BWV 116 / “Wachet! betet! betet! wachet!”, BWV 70 / “Wachet auf, ruft uns die Stimme”, BWV 140
▶ CD 42: Bach: “Herr Gott, dich loben alle wir”, BWV 130 / “Ein feste Burg ist unser Gott”, BWV 80 / “Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106
▶ CD 43: Bach: Magnificat, BWV 243 / “Jauchzet Gott in allen Landen”, BWV 51
▶ CD 44: Bach: “Ach wie flüchtig, ach wie nichtig”, BWV 26 / Hoffman: “Meine Seele rühmt und preist” / Bach: “Weichet nur, betrübte Schatten”, BWV 202
▶ CD 45: Bach: 20 Sacred Songs from Schemelli's Song-Book
▶ CD 46: Bach: Brandenburg Concertos nos. 1-5, BWV 1046-1050
▶ CD 47: Bach: Brandenburg Concerto no. 6, BWV 1051 / Orchestral Suites nos. 1 & 2, BWV 1066 & 1067
▶ CD 48: Bach: Orchestral Suites nos. 3 & 4, BWV 1068 & 1069 / Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo, BWV 1044
▶ CD 49: Bach: 3 Double Concertos BWV 1060R, 1043, 1060 / Concerto for Oboe d'amoure, Strings and Basso continuo, BWV 1055R / Concerto for 3 Violins, Strings and Basso continuo, BWV 1064R
▶ CD 50: Bach: Harpsichord Concertos, BWV 1052-1055
▶ CD 51: Bach: Harpsichord Concertos, BWV 1056-1058, 1060, 1061
▶ CD 52: Bach: Harpsichord Concertos, BWV 1062-1065
▶ CD 53: Bach: Musical Offering, BWV 1079
▶ CD 54: Sonatas for Violin and Harpsichord nos. 1-3, BWV 1014-1016
▶ CD 55: Sonatas for Violin and Harpsichord no. 4-6, BWV 1017-1019
▶ CD 56: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1030-1032 / C. P. E. Bach?: Sonata in G minor, H 542 (ex BWV 1020)
▶ CD 57: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1033-1035 / Partita for Solo Flute, BWV 1013
▶ CD 58: Bach: Aria with 30 Variations “Goldberg Variations”, BWV 988
▶ CD 59: Bach: Italian Concerto, BWV 971 / Chromatic Fantasia and Fugue, BWV 903 / Toccata and Fugue, BWV 915 / Pastorale, BWV 590 / Fantasia, BWV 906 / Handel: Suite no. 5, HWV 430 / Chaconne with 21 Variations, HWV 435
▶ CD 60: Bach: Toccata and Fugue, BWV 565 / (Trio) Sonata no. 2, BWV 526 / Prelude and Fugue, BWV 532 / Prelude and Fugue, BWV 543 / Fantasia (Prelude) and Fugue, BWV 542 / Prelude and Fugue, BWV 552 / Prelude and Fugue, BWV 548
▶ CD 61: Bach: Sonatas, BWV 525 & 529 / “Wachet auf, ruft uns die Stimme”, BWV 645 / “Kommst du nun, Jesu, vom Himmel herunter”, BWV 650 / “Schmücke dich, o liebe Seele”, BWV 654 / 2 Preludes and Fugues, BWV 544 & 546 / Canzona, BWV 588
▶ CD 62: Bach: Toccata and Fugue, BWV 540 / Partite diverso sopra: “O Gott, du frommer Gott”, BWV 767 / Toccata and Fugue “Dorian”, BWV 538 / Partite diverse sopra: “Sei gegrüßet, Jesu gütig”, BWV 768 / Passacaglia and Fugue, BWV 582
▶ CD 63: Bach: Toccata and Fugue, BWV 565 / “Ich ruf zu dir, Herr Jesu Christ”, BWV 639 / Passacaglia and Fugue, BWV 582 / “Wachet auf, ruft uns die Stimme”, BWV 645 / Fantasia (Prelude) and Fugue, BWV 542 / “Kommst du nun, Jesu, von Himmel herunter”, BWV 650 / “Von Himmel hoch, da komm ich her”, BWV 606 / Prelude and Fugue, BWV 548
▶ CD 64: Bach: Organ Concertos nos. 1-6, BWV 592-597
▶ CD 65: C. P. E. Bach: 4 Orchestral Sinfonias, Wq 183
▶ CD 66: Beethoven: Mass in C major, op. 86
▶ CD 67: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Overtura, Act I & Act II beg.)
▶ CD 68: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Act II cont. & Act III)
▶ CD 69: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I beg.)
▶ CD 70: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I cont. & Part II beg.)
▶ CD 71: Handel: Der Messias, HWV 56 (1964 Rec.) (Part II cont. & Part III)
▶ CD 72: Handel: Messiah, HWV 56 (1972 Rec.) (Part I & Part II beg.)
▶ CD 73: Handel: Messiah, HWV 56 (1972 Rec.) (Part II cont. & Part III)
▶ CD 74: Handel: Samson, HWV 57 (Symfony, Act I)
▶ CD 75: Handel: Samson, HWV 57 (Act II)
▶ CD 76: Handel: Samson, HWV 57 (Act III)
▶ CD 77: Handel: Giulio Cesare in Egitto, HWV 17 (Overture, Act I beg.)
▶ CD 78: Handel: Giulio Cesare in Egitto, HWV 17 (Act I cont.)
▶ CD 79: Handel: Giulio Cesare in Egitto, HWV 17 (Act II)
▶ CD 80: Handel: Giulio Cesare in Egitto, HWV 17 (Act III)
▶ CD 81: Handel: Arias from Serse, Giulio Cesaree in Egitto & Samson / Schütz: Musikalische Exequien, SWV 279-281
▶ CD 82: Handel: Overtures from Alcina, Deidamia, Agrippina, Radamisto, Rinaldo, Jephtha, Rodelinda, Belshazzar, Susanna
▶ CD 83: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334
▶ CD 84: Handel: Concerti grossi, op. 3 nos. 1-6, HWV 312-317 / Concerto grosso, op. 3 no. 4b
▶ CD 85: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
▶ CD 86: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
▶ CD 87: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330 / Concerto grosso “Alexander's Feast”, HWV 318
▶ CD 88: Handel: Trumpet Concertos nos. 1-3, HWV 301, 302a, 287 / Telemann: 3 Trumpet Concertos, TWV 51:e1, Anh. 51:G1, 51:c1
▶ CD 89: Handel: 6 Flute Sonatas: HWV 379, 363b, 367b (op. 1 nos. 1, 5, 9) / HWV 374-376 (“Halle Sonatas” nos. 1-3)
▶ CD 90: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
▶ CD 91: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
▶ CD 92: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330
▶ CD 93: Haydn: Symphony no. 94 “Surprise”, Hob. I:94 / Symphony no. 101 “The Clock”, Hob. I:101
▶ CD 94: Maria Stader Sings Arias by Bach, Handel, Haydn, Mendelssohn, Scarlatti
▶ CD 95: Mozart: Fantasia, K. 608 / Brahms: 11 chorale Preludes, op. post. 122 / Liszt: Prelude and Fugue on the Name B-A-C-H, S 260
▶ CD 96: Liszt: Prelude and Fugue on the Name B-A-C-H, S 260 / Reger: Fantasia and Fugue on the Name B-A-C-H, op. 46
▶ CD 97: In dulci jubilo: 18 European Christmas Carols
▶ Blu-ray 98: Bach: St. Matthew Passion, BWV 244 (1958 Recording) / St. John Passion, BWV 245 / Christmas Oratorio, BWV 248 / Magnificat, BWV 243 / Mass in B minor, BWV 232 (1961 Recording)
▶ Blu-ray 99: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 1)
▶ Blu-ray 100: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 2)

Credits

Release

photography:Siegfried Lauterwasser
Werner Neumeister (photographer)
miscellaneous support:Nicole Albring (art director and designer) (task: creative production manager)
Martin Dirnberger (project manager) (task: product manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Eva Reisinger
texthouse (liner notes)
purchase for mail-order:https://www.deutschegrammophon.com/en/catalogue/products/karl-richter-complete-recordings-on-archiv-and-deutsche-grammophon-12084 [info]
https://www.prestomusic.com/classical/products/8846072--karl-richter-complete-recordings-on-archiv-produktion-and-deutsche-grammophon [info]