The Operas & Operettas Collection II

~ Release by Jacques Offenbach (see all versions of this release, 3 available)

Tracklist

▶ CD 16: Die Großherzogin von Gerolstein (Act I)

▶ CD 17: Die Großherzogin von Gerolstein (Acts II & III)

▶ CD 18: La Périchole (Act I)

▶ CD 19: La Périchole (Acts II & III)

▶ CD 20: Les Brigands (Act I)

▶ CD 21: Les Brigands (Acts II & III)

▶ CD 22: Pomme d'api / Monsieur Choufleuri restera chez lui le … (beginning)

▶ CD 23: Monsieur Choufleuri restera chez lui le … (end) / Mesdames de la Halle

▶ CD 24: Les Contes d'Hoffman (Prologue / Act I beginning)

▼ CD 25: Les Contes d'Hoffman (Acts I end & II)
#	Title	Rating	Length
1	Les Contes d'Hoffmann : Acte I. « Ah ! Mon ami ! Quel accent ! » (Hoffmann, Nicklausse, Spalanzani, chœur, Olympia, Cochenille) producer: David R. Murray choir vocals: Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06) mezzo-soprano vocals [Nicklausse]: Ann Murray (Irish mezzo-soprano) (in 1988-06) soprano vocals [Olympia]: Luciana Serra (soprano) (in 1988-06) tenor vocals [Cochenille]: Robert Tear (tenor) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) tenor vocals [Spalanzani]: Alexander Oliver (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) chorus master: Günter Wagner (choir master) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte II. « Ah ! mon ami ! quel accent ! » (Hoffmann, Nicklausse, Spalanzani, les invités, Olympia, Cochenille) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte II (Olympia)		2:19
2	Les Contes d'Hoffmann : Acte I. Récit et romance : « Ils se sont éloignés enfin ! » … « Ah ! Vivre à deux ! » (Hoffmann, Olympia) producer: David R. Murray soprano vocals [Olympia]: Luciana Serra (soprano) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte II. No 9 Récit et romance « Ils se sont éloignés enfin » (Hoffmann, Olympia) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte II (Olympia) recording of: Les Contes d’Hoffmann : Acte II. Romance « Ah ! Vivre deux » (Hoffmann) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte II (Olympia)		4:03
3	Les Contes d'Hoffmann : Acte I. Finale : « Tu me fuis ? » … « Oui, pauvres fous » (Hoffmann, Nicklausse, Coppélius, Spalanzani, Cochenille, Olympia, chœur) producer: David R. Murray bass vocals [Coppélius]: José van Dam (Belgian operatic bass-baritone) (in 1988-06) choir vocals: Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06) mezzo-soprano vocals [Nicklausse]: Ann Murray (Irish mezzo-soprano) (in 1988-06) soprano vocals [Olympia]: Luciana Serra (soprano) (in 1988-06) tenor vocals [Cochenille]: Robert Tear (tenor) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) tenor vocals [Spalanzani]: Alexander Oliver (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) chorus master: Günter Wagner (choir master) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte II. No 10 Finale « Tu me fuis ? qu'ai-je fait ? » (Hoffmann, Nicklausse, Coppélius) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte II (Olympia)		6:33
4	Les Contes d'Hoffmann : Acte I. « Est-il mort ? » (Nicklausse, Spalanzani, chœur, Cochenille, Hoffmann, Coppélius) producer: David R. Murray bass vocals [Coppélius]: José van Dam (Belgian operatic bass-baritone) (in 1988-06) choir vocals: Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06) mezzo-soprano vocals [Nicklausse]: Ann Murray (Irish mezzo-soprano) (in 1988-06) tenor vocals [Cochenille]: Robert Tear (tenor) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) tenor vocals [Spalanzani]: Alexander Oliver (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) chorus master: Günter Wagner (choir master) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte II. « Est-il mort ? » (Nicklausse, Spalanzani, Chorus, Cochenille, Hoffmann, Coppelius) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte II (Olympia)		2:00
5	Les Contes d'Hoffmann : Acte II. Romance : « Elle a fui, la tourterelle » (Antonia) producer: David R. Murray soprano vocals [Antonia]: Rosalind Plowright (soprano / mezzo soprano) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann: Acte IV. “Elle a fui, la tourterelle” (Antonia, Crespel, Frantz) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order) recording of: Les Contes d’Hoffmann : Acte III. No 11 Romance « Elle a fui, la tourterelle » (Antonia) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		5:10
6	Les Contes d'Hoffmann : Acte II. Récit : « Malheureuse enfant, fille bien-aimée » (Crespel, Antonia, Frantz) producer: David R. Murray bass vocals [Crespel]: Kurt Rydl (operatic bass) (in 1988-06) soprano vocals [Antonia]: Rosalind Plowright (soprano / mezzo soprano) (in 1988-06) tenor vocals [Frantz]: Robert Tear (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte III. Scène « Malheureuse enfant ! » (Crespel, Antonia, Frantz) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		3:08
7	Les Contes d'Hoffmann : Acte II. Couplets : « Jour et nuit je me mets en quatre » (Frantz) producer: David R. Murray tenor vocals [Frantz]: Robert Tear (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte III. No 12 Couplets « Jour et nuit je me mets en quatre » (Frantz) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		3:29
8	Les Contes d'Hoffmann : Acte II. « Frantz ! … C'est ici ! » (Hoffmann, Frantz, Nicklausse) producer: David R. Murray mezzo-soprano vocals [Nicklausse]: Ann Murray (Irish mezzo-soprano) (in 1988-06) tenor vocals [Frantz]: Robert Tear (tenor) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte III. Scène « Frantz ! ... c'est ici ! » (Hoffman, Frantz) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		0:49
9	Les Contes d'Hoffmann : Acte II. Récit et romance : « Enfin je vais savoir pourquoi » … « Vois sous l'archet frémissant » (Hoffmann, Nicklausse) producer: David R. Murray mezzo-soprano vocals [Nicklausse]: Ann Murray (Irish mezzo-soprano) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d'Hoffmann : Acte III. No 13 Récit et romance « Enfin je vais savoir pourquoi » … « Vois sous l'archet frémissant » … « Ah ! Tu doutes de tout » (Hoffmann, Nicklausse) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		5:45
10	Les Contes d'Hoffmann : Acte II. Récit et duo : « Ô chère Antonia » … « Ah ! J'ai le bonheur dans l'âme » (Hoffmann, Nicklausse, Antonia) producer: David R. Murray mezzo-soprano vocals [Nicklausse]: Ann Murray (Irish mezzo-soprano) (in 1988-06) soprano vocals [Antonia]: Rosalind Plowright (soprano / mezzo soprano) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte III. No 14 Duo « J'ai le bonheur dans l'âme ! » (Hoffmann, Antonia) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		4:46
11	Les Contes d'Hoffmann : Acte II. « Pourtant, ô ma fiancée » … « C'est une chanson d'amour » (Hoffmann, Antonia) producer: David R. Murray soprano vocals [Antonia]: Rosalind Plowright (soprano / mezzo soprano) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann: Acte IV, Tableau I. “C'est une chanson … J'ai le bonheur dans l'âme !” (Hoffmann, Antonia) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order) recording of: Les Contes d’Hoffmann: Acte IV, Tableau I. “Pourtant, ô ma fiancée” (Hoffmann, Antonia) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order) recording of: Les Contes d’Hoffmann : Acte III. « C'est une chanson d'amour qui s'envole » (Hoffmann, Antonia) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		5:13
12	Les Contes d'Hoffmann : Acte II. « Qu'as-tu donc ? » (Hoffmann, Antonia, Crespel, Frantz, Miracle) producer: David R. Murray bass vocals [Crespel]: Kurt Rydl (operatic bass) (in 1988-06) bass vocals [Miracle]: José van Dam (Belgian operatic bass-baritone) (in 1988-06) soprano vocals [Antonia]: Rosalind Plowright (soprano / mezzo soprano) (in 1988-06) tenor vocals [Frantz]: Robert Tear (tenor) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte III. Scène « Qu'as-tu donc ? » (Hoffmann, Antonia, Crespel, Frantz, Miracle) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		2:34
13	Les Contes d'Hoffmann : Acte II. Trio : « Pour conjurer le danger » (Miracle, Hoffmann, Crespel) producer: David R. Murray bass vocals [Crespel]: Kurt Rydl (operatic bass) (in 1988-06) bass vocals [Miracle]: José van Dam (Belgian operatic bass-baritone) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte III. No 15 Trio « Pour conjurer le danger » (Miracle, Hoffmann, Crespel) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		9:08
14	Les Contes d'Hoffmann : Acte II. « Ne plus chanter ! Hélas ! » (Hoffmann, Antonia) producer: David R. Murray soprano vocals [Antonia]: Rosalind Plowright (soprano / mezzo soprano) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte III. Scène « Ne plus chanter ! » (Hoffmann, Antonia) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		3:28
15	Les Contes d'Hoffmann : Acte II. Trio et finale : « Tu ne chantera plus ? » (Miracle, Antonia) producer: David R. Murray bass vocals [Miracle]: José van Dam (Belgian operatic bass-baritone) (in 1988-06) soprano vocals [Antonia]: Rosalind Plowright (soprano / mezzo soprano) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte III. No 16 Finale: Trio « Tu ne chanteras plus ? » (Miracle, Antonia, la voix de la mère d'Antonia) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		5:35
16	Les Contes d'Hoffmann : Acte II. « Ta mère oses-tu l'invoquer ? » … « Chère enfant, que j'appelle » (Miracle, la mère d'Antonia, Antonia) producer: David R. Murray bass vocals [Miracle]: José van Dam (Belgian operatic bass-baritone) (in 1988-06) mezzo-soprano vocals [Mère d'Antonia]: Jocelyne Taillon (mezzo-soprano) (in 1988-06) soprano vocals [Antonia]: Rosalind Plowright (soprano / mezzo soprano) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann: Acte IV, Tableau I. “Ta mère ? Oses-tu l’invoquer ?... Chère enfant ! Que j’appelle” (Miracle, la voix de la mère d'Antonia, Antonia) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)		5:37
17	Les Contes d'Hoffmann : Acte II. « Mon enfant ! Ma fille ! Antonia ! » (Crespel, Antonia, Hoffmann, Nicklausse, Miracle) producer: David R. Murray bass vocals [Crespel]: Kurt Rydl (operatic bass) (in 1988-06) bass vocals [Miracle]: José van Dam (Belgian operatic bass-baritone) (in 1988-06) mezzo-soprano vocals [Nicklausse]: Ann Murray (Irish mezzo-soprano) (in 1988-06) soprano vocals [Antonia]: Rosalind Plowright (soprano / mezzo soprano) (in 1988-06) tenor vocals [Hoffman]: Neil Shicoff (tenor) (in 1988-06) orchestra: Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d’Hoffmann : Acte III. Finale: Scène « Mon enfant ! ma fille ! » (Crespel, Antonia, Nicklausse, Hoffmann, Miracle) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)		2:59

▶ CD 26: Les Contes d'Hoffman (Act III / Epilogue & Appendices)

▶ CD 27: Hoffmanns Erzählungen (Prologue / Act I & Act II beginning)

▶ CD 28: Hoffmanns Erzählungen (Acts II end & III / Epilogue)

▶ CD 29: Air célèbres – Operetta Arias

▶ CD 30: Gaîté Parisienne / Fables de La Fontaine

Credits

Release Group

includes:

Airs célèbres by Offenbach, Jane Rhodes (French soprano/mezzo-soprano), Roberto Benzi (conductor), Orchestre National Bordeaux Aquitaine
Ba-ta-clan / Les Bavards
Die Großherzogin von Gerolstein
Die schöne Helena (1979 Munich studio cast, sung in german) by Jacques Offenbach; Anneliese Rothenberger (soprano), Brigitte Fassbaender (mezzo-soprano), Nicolai Gedda (tenor), Ferry Gruber (tenor), Benno Kusche (baritone), Klaus Hirte (baritone), Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester & Willy Mattes (composer, arranger and conductor)
Hoffmanns Erzählungen by Jacques Offenbach; Siegfried Jerusalem (tenor), Jeanette Scovotti (soprano), Dietrich Fischer‐Dieskau (baritone), Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Heinz Wallberg (conductor)
La Belle Hélène by Jacques Offenbach; Chœur et Orchestre du Capitole de Toulouse, Michel Plasson (conductor), Jessye Norman (soprano)
La Fille du tambour-major (Extraits) by Jacques Offenbach; Michel Dens (French baryton vocalist), Liliane Chatel, Nadine Sautereau (French soprano), Suzanne Lafaye (French soprano), Dominique Tirmont (French actor and bass vocalist), Orchestre et Chœurs de la Société des Concerts du Conservatoire, Félix Nuvolone
La Grande–duchesse de Gérolstein (Extraits) by Jacques Offenbach; Éliane Lublin (French soprano), Raymond Amade (tenor), Jean-Christophe Benoît (baritone), Christos Grigoriou, Guy Godin, Chœurs et Orchestre de la Société des Concerts du Conservatoire, Jean‐Pierre Marty
La Périchole (Plasson) by Jacques Offenbach; Teresa Berganza (mezzo soprano), José Carreras (Spanish tenor), Gabriel Bacquier (French baritone), Chœurs et Orchestre du Capitole de Toulouse, Michel Plasson (conductor)
La Vie Parisienne by Jacques Offenbach; Régine Crespin (soprano), Mady Mesplé (soprano), Chœur et Orchestre du Capitole de Toulouse, Michel Plasson (conductor)
Les Brigands by Jacques Offenbach; Ghyslaine Raphanel (soprano), Colette Alliot-Lugaz (soprano), Tibère Raffalli (tenor), Michel Trempont (Belgian operatic baritone), François Le Roux (baritone), Thierry Dran, Jean-Luc Viala (tenor), Bernard Pisani (tenor), Chœurs et Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner
Les Contes d’Hoffmann by Offenbach; Neil Shicoff (tenor), Ann Murray (Irish mezzo-soprano), Jessye Norman (soprano), Rosalind Plowright (soprano / mezzo soprano), Luciana Serra (soprano), Robert Tear (tenor), José Van Dam (Belgian operatic bass-baritone), Chorus (Chorus of the Belgian National Opera) and Orchestra of the Théâtre Royal de la Monnaie, Brussels (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
Orphée aux enfers (1978 studio cast) by Jacques Offenbach; Mady Mesplé (soprano), Jane Rhodes (French soprano/mezzo-soprano), Michel Sénéchal (tenor), Charles Burles (tenor), Orchestre et Chœur du Capitole de Toulouse, Michel Plasson (conductor)
Orpheus in der Unterwelt by Offenbach; Rothenberger (soprano) • Dallapozza (tenor) • Lindner (soprano) • Kusche (baritone) • Willy Mattes (composer, arranger and conductor)
Pariser Leben by Jacques Offenbach; Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Willy Mattes (composer, arranger and conductor)
Vive Offenbach ! Pomme d'Api – Monsieur Choufleuri – Mesdames de la Halle by Offenbach; Mady Mesplé (soprano), Jean-Philippe Lafont (baritone), Charles Burles (tenor), Michel Trempont (Belgian operatic baritone), Léonard Pezzino (tenor), Michel Hamel (tenor), Ensemble Vocal Jean Laforge, Orchestre Philharmonique de Monte‐Carlo, Manuel Rosenthal (French conductor & composer)