The Leonard Bernstein Collection, Volume One

~ Release by Leonard Bernstein (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Beethoven: Symphony No.1 In C, Op.21 / Symphony No.3 In E Flat, Op.55 -"Eroica"
▶ CD 2: Beethoven: Symphony No.2 In D, Op.36 / Symphony No.4 In B Flat, Op.60
▶ CD 3: Beethoven: Symphony No.5 In C Minor, Op.67 / Symphony No.6 In F, Op.68 - "Pastoral"
▶ CD 4: Beethoven: Symphony No.7 In A, Op.92 / Symphony No.8 In F, Op.93
▶ CD 5: Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral"
▶ CD 6: Beethoven: Ouvertures From "The Creatures Of Prometheus" Op.43, "Egmont" Op.84, "Coriolan" Op.62, "King Stephen" Op.117, "Fidelio" Op.72, "Leonore No.3" Op. 72a
▶ CD 7: Beethoven: Piano Concertos No.3 Op.37 & No.4 Op.58
▶ CD 8: Beethoven: Piano Concerto No.5 In E Flat Major Op.73 - "Emperor"
▶ CD 9: Beethoven: String Quartet No.14 In C Sharp Minor, Op.131 - Version For String Orchestra By Dimitri Mitropoulos / String Quartet No.16 In F, Op.135 - Version For String Orchestra
▶ CD 10: Beethoven: Mass In D, Op.123 "Missa Solemnis"
▶ CD 11: Beethoven: Fidelio Op.72 / Act 1
▶ CD 12: Beethoven: Fidelio Op.72 / Act 2
▶ CD 13: Beethoven: Overture "Leonore No.3", Op.72a; Piano Concerto No.4 In G, Op.58
▶ CD 14: Beethoven: Symphony No.5 In C Minor Op.67
▶ CD 15: Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" (Berlin Wall Concert)
▶ CD 16: Britten: Four Sea Interludes From "Peter Grimes", Op.33a / Beethoven: Symphony No.7 In A, Op.92 (The Final Concert)
▶ CD 17: Bernstein: Symphony No.1 "Jeremiah"; Chichester Psalms / Foss: Song Of Songs
▶ CD 18: Bernstein: Symphonies No.2 "The Age Of Anxiety" & No.3 "Kaddish"
▶ CD 19: Bernstein: Serenade (1954); Fancy Free
▶ CD 20: Bernstein: Dybbuk Suites No.1 & No.2
▶ CD 21: Bernstein: Songfest
▶ CD 22: Bernstein: 8 Divertimentos For Orchestra; A Musical Toast; Slava!; On The Town: 3 Dance Episodes; Facsimile
▶ CD 23: Bernstein: Halil; Three Meditations From "Mass"; Symphonic Suite From "On The Waterfront"; Prelude, Fugue & Riffs
▶ CD 24: Gershwin: Rhapsody In Blue; Prelude / Bernstein: Westside Story: Symphonic Dances
▶ CD 25: Del Tredici: Tattoo (1986) / Rorem: Violin Concerto (1984) / Bernstein: Concerto For Orchestra "Jubilee Games"
▶ CD 26: Bernstein: On The Town
▶ CD 27: Bernstein: Candide I
▶ CD 28: Bernstein: Candide II
▼ CD 29: Bernstein: West Side Story
#TitleRatingLength
1West Side Story: Prologue
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Prologue (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story
4:07
2West Side Story: Jet Song
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
vocals:
Stephen Bogardus (on 1984-09-07), David Livingston (on 1984-09-07) and Peter Thom (musical theatre actor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Jet Song (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
3:13
3West Side Story: Something’s Coming
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Something’s Coming (Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc.
part of:
West Side Story
2:35
4West Side Story: The Dance at the Gym: Blues
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Blues (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: The Dance at the Gym
1:46
5West Side Story: The Dance at the Gym: Promenade
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Promenade (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: The Dance at the Gym
0:27
6West Side Story: The Dance at the Gym: Mambo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Mambo (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: The Dance at the Gym
2:23
7West Side Story: The Dance at the Gym: Cha‐Cha
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Cha-Cha (on 1984-09-07)
composer:
Leonard Bernstein
quotes music from:
West Side Story: Maria (Tony)
part of:
West Side Story: The Dance at the Gym
0:53
8West Side Story: The Dance at the Gym: Meeting Scene
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
spoken vocals [Maria]:
Nina Bernstein (on 1984-09-07)
spoken vocals [Tony]:
Alexander Bernstein (actor/composer) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Meeting Scene (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: The Dance at the Gym
1:27
9West Side Story: The Dance at the Gym: Jump
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Dance at the Gym: Jump (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: The Dance at the Gym
0:50
10West Side Story: Maria
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Maria (Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
2:58
11West Side Story: Balcony Scene (Tonight)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
spoken vocals [Maria]:
Nina Bernstein (on 1984-09-07)
spoken vocals [Tony]:
Alexander Bernstein (actor/composer) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Tonight (Maria, Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
7:33
12West Side Story: America
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
mezzo-soprano vocals [Rosalia]:
Louise Edeiken (mezzo-soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: America (Anita, Shark Girls) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) and The Leonard Bernstein Music Publishing Company LLC (in 1957)
part of:
West Side Story
4:49
13West Side Story: Cool
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Cool (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
4:40
14West Side Story: One Hand, One Heart
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: One Hand, One Heart (Tony, Maria) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
version of:
One (early version of "One Hand, One Heart" from West Side Story)
part of:
West Side Story
5:40
15West Side Story: Tonight (Ensemble)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
vocals:
Richard Harrell (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Tonight Quintet (Jets, Sharks, Anita, Tony, Maria, Riff, Bernardo) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
3:43
16West Side Story: The Rumble
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: The Rumble (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story
3:03
17West Side Story: I Feel Pretty
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Rosalia]:
Louise Edeiken (mezzo-soprano) (on 1984-09-07)
soprano vocals [Consuela]:
Stella Zambalis (spinto soprano) (on 1984-09-07)
soprano vocals [Francisca]:
Angelina Réaux (US soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: I Feel Pretty (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
3:25
18West Side Story: Ballet Sequence: Beginning
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Intro to Ballet (Tony and Maria) (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: Ballet Sequence
1:06
19West Side Story: Ballet Sequence: Transition to Scherzo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Transition to Scherzo (instrumental) (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: Ballet Sequence
0:38
20West Side Story: Ballet Sequence: Scherzo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Scherzo (instrumental) (on 1984-09-07)
composer:
Leonard Bernstein
part of:
West Side Story: Ballet Sequence
1:31
21West Side Story: Ballet Sequence: Somewhere
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
2:37
22West Side Story: Ballet Sequence: Procession and Nightmare
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks) (on 1984-09-07)
composer:
Leonard Bernstein
quotes lyrics from:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
quotes music from:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
quotes music from:
West Side Story: I Have a Love (Maria, Anita)
part of:
West Side Story: Ballet Sequence
3:14
23West Side Story: Gee, Officer Krupke!
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
vocals:
Stephen Bogardus (on 1984-09-07), Todd Lester (on 1984-09-07), David Livingston (on 1984-09-07), Marty Nelson (on 1984-09-07) and Peter Thom (musical theatre actor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Gee, Officer Krupke! (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
4:20
24West Side Story: A Boy Like That
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: A Boy Like That (Anita, Maria) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
2:06
25West Side Story: I Have a Love
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: I Have a Love (Maria, Anita) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
3:30
26West Side Story: Taunting Scene
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Taunting Scene (on 1984-09-07)
composer:
Leonard Bernstein
quotes music from:
West Side Story: The Dance at the Gym: Mambo
quotes music from:
West Side Story: America (Anita, Shark Girls)
part of:
West Side Story
1:25
27West Side Story: Finale
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Finale (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
quotes music from:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
quotes music from:
West Side Story: I Have a Love (Maria, Anita)
part of:
West Side Story
2:36
▶ CD 30: Bernstein: A Quite Place (Part I)
▶ CD 31: Bernstein: A Quiet Place (Part II)
▶ CD 32: Bernstein: A White House Cantata
▶ CD 33: Bizet: Carmen (Part 1)
▶ CD 34: Bizet: Carmen (Part 2)
▶ CD 35: Brahms: Symphony No. 1
▶ CD 36: Brahms: Symphony No. 2, Academic Festival Overture
▶ CD 37: Brahms: Symphony No. 3 In F Major, Op. 90
▶ CD 38: Brahms: Symphony No. 4, Tragic Overture
▶ CD 39: Brahms: Piano Concerto No. 1
▶ CD 40: Brahms: Piano Concerto No. 2
▶ CD 41: Brahms: Violin Concerto In D Major Op. 77, Double Concerto In A Minor Op. 102
▶ CD 42: Bruckner: Symphony No. 9
▶ CD 43: Copland: Appalachian Spring, Barber: Adagio For Strings, Bernstein: Candide Overture, Schumann: American Festival Overture
▶ CD 44: Copland: Symphony No. 3
▶ CD 45: Copland: El Salon Mexico, Connotations, Music For The Theatre, Clarinet Concerto
▶ CD 46: Debussy: La Mer, Prélude à L´Après-midi dún Faune, Images pour Orchestre
▶ CD 47: Dvorák: Symphony No. 9 "New World", Slavonic Dances Op. 46 No. 1, 3, 8
▶ CD 48: Elgar: Enigma Variations, Pomp And Circumstances Marches 1 & 2, Crown Of India Suite "March Of The Mogul Emperors"
▶ CD 49: Franck: Symphony In D Minor / Saint-Saens: Le Rouet d'Omphale / Roussel: Symphony No.3 In G Minor, Op.42
▶ CD 50: Harris: Symphony No. 3 / Schumann: Symphony No. 3
▶ CD 51: Haydn: Symphonies No.88 In G & No.92 In G "Oxford"
▶ CD 52: Haydn: Symphony No.94 In G, H.I "Surprise"; Sinfonia Concertante In B Flat H.I 105
▶ CD 53: Haydn: Die Schöpfung (Part I)
▶ CD 54: Haydn: Die Schöpfung (Part II)
▶ CD 55: Haydn: Symphony In B Flat H.I No.102; Missa in tempore belli H.XXII,9
▶ CD 56: Hindemith: Concert Musik Op. 50, Symphonic Metamorphosis On Themes Of Carl Maria von Weber, Symphony: Mathis der Maler
▶ CD 57: Ives: Symphony No. 2 / Central Park In The Dark / Hymn For Strings
▶ CD 58: Liszt: A Faust Symphony
▶ CD 59: Boito: Mefistofele - Prologue
▶ DVD-Video 60: Bernstein: The Making Of West Side Story