| # | Title | Artist | Rating | Length |
|---|
| 1 | Carmen: Prélude- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1973)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Prélude (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen
- part of:
- Carmen
- part of:
- Carmen
- part of:
- Carmen, WD 31
- recording of:
- Carmen : Prélude (in 1972-10)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen
- part of:
- Carmen
- part of:
- Carmen
- part of:
- Carmen, WD 31
| Georges Bizet | | 4:20 |
| 2 | Carmen: Act One; No. 1 Introduction: "Sur La Place Chacun Passe"- baritone vocals [Moralès]:
- Raymond Gibbs (in 1972-09)
- choir vocals:
- Manhattan Opera Chorus and Metropolitan Opera Chorus (in 1972-09, in 1972-10)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1973)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte I
- recording of:
- Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès) (in 1972-10)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte I
| Georges Bizet | | 6:01 |
| 3 | Carmen: Act One; No. 2 Marche Et Choeur Des Gamins: "Allez, Dépêchez-vous!... Avec La Garde Montant" | Georges Bizet | | 4:32 |
| 4 | Carmen: Act One; "Dites-moi, Brigadier?"- bass vocals [Zuniga]:
- Donald Gramm (in 1972-09)
- tenor vocals [Don José]:
- James McCracken (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte I. Dialogue « Dites-moi, brigadier ? » (Zuniga, Don José) (in 1972-09)
- composer:
- Georges Bizet
- part of:
- Carmen : Acte I
| Georges Bizet | | 0:45 |
| 5 | Carmen: Act One; No. 3 Choeur Et Scène: "Voici La Cloche Qui Sonne... La Cloche A Sonné"- choir vocals:
- Metropolitan Opera Chorus (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte I
| Georges Bizet | | 6:05 |
| 6 | Carmen: Act One; "Mais Nous Ne Voyons Pas La Carmencita" | Georges Bizet | | 1:13 |
| 7 | Carmen: Act One; No. 4 Havanaise: "L'amour Est Un Oiseau Rebelle" | Georges Bizet | | 4:51 |
| 8 | Carmen: Act One; No. 5 Scène: "Carmen, Sur Tes Pas Nous Nous Pressons Tous"- choir vocals:
- Metropolitan Opera Chorus (in 1972-09)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09)
- tenor vocals [Don José]:
- James McCracken (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte I
| Georges Bizet | | 2:27 |
| 9 | Carmen: Act One; "Monsieur Le Brigadier?", No 6 Duo: "Parle-moi de ma mère!" | Georges Bizet | | 9:23 |
| 10 | Carmen: Act One; "Attends Un Peu Maintenant"- soprano vocals [Micaëla]:
- Adriana Maliponte (in 1972-09)
- tenor vocals [Don José]:
- James McCracken (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte I. No. 7b Récit « Reste là, maintenant, pendant que je lirai » (Don José, Micaëla) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte I
| Georges Bizet | | 0:21 |
| 11 | Carmen: Act One; No. 7 Choeur: "Eh Bien! Qu'est-ce Qui Arrive? ... Au Secours! Au Secours!- bass vocals [Zuniga]:
- Donald Gramm (in 1972-09)
- choir vocals:
- Metropolitan Opera Chorus (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte I
| Georges Bizet | | 3:39 |
| 12 | Carmen: Act One; "Eh Bien, Brigadier?"; No. 8 Chanson Et Melodrame: "Tra La La La..."- bass vocals [Zuniga]:
- Donald Gramm (in 1972-09)
- choir vocals:
- Metropolitan Opera Chorus (in 1972-09)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09)
- tenor vocals [Don José]:
- James McCracken (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte I. No. 8 Chœur « Voyons brigadier » (Zuniga, les Cigarières, un Soldat, Don José) (in 1972-09)
- composer:
- Georges Bizet
- part of:
- Carmen : Acte I
- recording of:
- Carmen : Acte I. No. 9 Chanson et mélodrame « Tralalalala, coupe-moi, brûle-moi » … « Fais-nous grâce de tes chansons » (Carmen, Don José, Zuniga, chœur de femmes) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte I
| Georges Bizet | | 3:58 |
| 13 | Carmen: Act One; No. 9 Chanson Et Duo: "Près Des Remparts De Seville"- choir vocals:
- Metropolitan Opera Chorus (in 1972-10)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09, in 1972-10)
- tenor vocals:
- James McCracken (in 1972-10)
- tenor vocals [Don José]:
- James McCracken (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1973)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte I
- recording of:
- Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1972-10)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte I
| Georges Bizet | | 4:58 |
| 14 | Carmen: Act One; No. 10 Finale: "Le Lieutenant! Prenez Garde! ... L'amour Est Enfant De Bohème"- bass vocals [Zuniga]:
- Donald Gramm (in 1972-09)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte I. No. 11 Finale « Voici l'ordre, partez » (Zuniga, Carmen) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte I
| Georges Bizet | | 2:29 |
| 15 | Carmen: Act One; Entr'acte | Georges Bizet | | 1:43 |
| 16 | Carmen: Act Two; No. 11 Chanson: "Les Tringles Des Sistres Tintaient"- choir vocals:
- Metropolitan Opera Chorus (in 1972-10)
- mezzo-soprano vocals:
- Marilyn Horne (in 1972-10)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09)
- mezzo-soprano vocals [Mercédès]:
- Marcia Baldwin (in 1972-09)
- soprano vocals [Frasquita]:
- Colette Boky (in 1972-09, in 1972-10)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1973)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
- recording of:
- Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 1972-10)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
| Georges Bizet | | 4:50 |
| 17 | Carmen: Act Two; "Mon Dieu, Messieurs, Il Commence À Se Faire Tard"- bass vocals [Zuniga]:
- Donald Gramm (in 1972-09)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09)
- mezzo-soprano vocals [Mercédès]:
- Marcia Baldwin (in 1972-09)
- soprano vocals [Frasquita]:
- Colette Boky (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte II. No. 12b Récit « Messieurs, Pastia me dit… » (Frasquita, Zuniga, Carmen, Mercédès) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
| Georges Bizet | | 0:35 |
| 18 | Carmen: Act Two; No. 12 Choeur Et Ensemble: "Vivat! Vivat Le Toréro!"- baritone vocals [Moralès]:
- Raymond Gibbs (in 1972-09)
- bass vocals [Zuniga]:
- Donald Gramm (in 1972-09)
- choir vocals:
- Metropolitan Opera Chorus (in 1972-09)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09)
- mezzo-soprano vocals [Mercédès]:
- Marcia Baldwin (in 1972-09)
- soprano vocals [Frasquita]:
- Colette Boky (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte II. No. 13 Chœur « Vivat ! Vivat le toréro ! » (Frasquita, Mercédès, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
| Georges Bizet | | 1:26 |
| 19 | Carmen: Act Two; No. 13 Couplet: "Votre Toast... Je Peux Vous Le Rendre"- baritone vocals [Escamillo]:
- Tom Krause (in 1972-09)
- baritone vocals [Moralès]:
- Raymond Gibbs (in 1972-09)
- bass vocals [Zuniga]:
- Donald Gramm (in 1972-09)
- bass-baritone vocals [Escamillo]:
- Tom Krause (in 1972-10)
- choir vocals:
- Manhattan Opera Chorus and Metropolitan Opera Chorus (in 1972-09, in 1972-10)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09, in 1972-10)
- mezzo-soprano vocals [Mercédès]:
- Marcia Baldwin (in 1972-09)
- soprano vocals [Frasquita]:
- Colette Boky (in 1972-09, in 1972-10)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1973)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
- recording of:
- Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (in 1972-10)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
| Georges Bizet | | 5:31 |
| 20 | Carmen: Act Two; "Dis-moi Ton Nom"- baritone vocals [Escamillo]:
- Tom Krause (in 1972-09)
- baritone vocals [Le Dancaïre]:
- Russell Christopher (in 1972-09)
- bass vocals [Zuniga]:
- Donald Gramm (in 1972-09)
- choir vocals:
- Metropolitan Opera Chorus (in 1972-09)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09)
- soprano vocals [Frasquita]:
- Colette Boky (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte II. Dialogue « Messieurs les officiers, je vous en prie » / « La belle, un mot » / « Le Dancaïre et le Remendado ont à vous parler » (Pastia, Zuniga, Escamillo, Carmen, chœur, Frasquita, Le Dancaïre) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
| Georges Bizet | | 0:41 |
| 21 | Carmen: Act Two; No. 13 Bis Choeur: "Toréador, En Garde"- baritone vocals [Escamillo]:
- Tom Krause (in 1972-09)
- baritone vocals [Moralès]:
- Raymond Gibbs (in 1972-09)
- bass vocals [Zuniga]:
- Donald Gramm (in 1972-09)
- choir vocals:
- Metropolitan Opera Chorus (in 1972-09)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09)
- mezzo-soprano vocals [Mercédès]:
- Marcia Baldwin (in 1972-09)
- soprano vocals [Frasquita]:
- Colette Boky (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- partial recording of:
- Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
- recording of:
- Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
| Georges Bizet | | 1:06 |
| 22 | Carmen: Act Two; "Eh Bien, Les Nouvelles?"- baritone vocals [Le Dancaïre]:
- Russell Christopher (in 1972-09)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09)
- mezzo-soprano vocals [Mercédès]:
- Marcia Baldwin (in 1972-09)
- soprano vocals [Frasquita]:
- Colette Boky (in 1972-09)
- tenor vocals [Le Remendado]:
- Andrea Velis (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte II. No. 15 Récit "Eh bien ! Vite, quelles nouvelles ? » (Frasquita, Le Dancaïre, Mercédès, Le Remendado, Carmen) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
| Georges Bizet | | 0:30 |
| 23 | Carmen: Act Two; No. 14 Quintette: "Nous Avons Et Tête Une Affaire"- baritone vocals [Le Dancaïre]:
- Russell Christopher (in 1972-09)
- choir vocals:
- Metropolitan Opera Chorus (in 1972-10)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09, in 1972-10)
- mezzo-soprano vocals [Mercédès]:
- Marcia Baldwin (in 1972-09)
- soprano vocals [Frasquita]:
- Colette Boky (in 1972-09, in 1972-10)
- tenor vocals [Le Remendado]:
- Andrea Velis (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1973)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
- recording of:
- Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (in 1972-10)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
| Georges Bizet | | 4:27 |
| 24 | Carmen: Act Two; "Amoureuse... Ce N'est Pas Une Raison, Cela"; No. 15 Chanson: "Halte Là! Qui Va Là?"; "Ecoutez, Le Voilà"- baritone vocals [Le Dancaïre]:
- Russell Christopher (in 1972-09)
- mezzo-soprano vocals [Carmen]:
- Marilyn Horne (in 1972-09)
- mezzo-soprano vocals [Mercédès]:
- Marcia Baldwin (in 1972-09)
- soprano vocals [Frasquita]:
- Colette Boky (in 1972-09)
- tenor vocals [Don José]:
- James McCracken (in 1972-09)
- tenor vocals [Le Remendado]:
- Andrea Velis (in 1972-09)
- orchestra:
- Metropolitan Opera Orchestra (in 1972-09, in 1972-10)
- conductor:
- Leonard Bernstein (in 1972-09, in 1972-10)
- recorded at:
- Metropolitan Opera House in Manhattan, New York, New York, United States (in 1972-09) and Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1972-10)
- recording of:
- Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado) (in 1972-09)
- composer:
- Georges Bizet
- librettist:
- Ludovic Halévy and Henri Meilhac
- part of:
- Carmen : Acte II
| Georges Bizet | | 3:20 |
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