Pelléas et Mélisande

~ Release by Claude Debussy; Maria Ewing, François Le Roux, José van Dam, Jean-Philippe Courtis, Christa Ludwig, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado (see all versions of this release, 2 available)

Tracklist

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▼ CD 1: Actes I - III (Sc. 2)
#TitleArtistRatingLength
1Pelléas et Mélisande: Premier Acte, Scène 1. «Je ne pourrai plus sortir de cette forêt»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 1: Une forêt (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy3:10
2Pelléas et Mélisande: Premier Acte, Scène 1. «Pourquoi pleures-tu?»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 1: Une forêt (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy6:21
3Pelléas et Mélisande: Premier Acte, Scène 1. «Je suis perdu aussi»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 1: Une forêt (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy3:11
4Pelléas et Mélisande: Premier Acte, Scène 2. «Voici ce quʼil écrit à son frère Pelléas»
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
mezzo-soprano vocals [Geneviève, mère de Golaud et Pelléas]:
Christa Ludwig (mezzo-soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Act I, Scene II. "Voici ce qu'il écrit à son frère Pelléas: 'Un soir, je l'ai trouvée'" (Geneviève) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte I, Scène 2: Un appartement dans le château
Claude Debussy2:07
5Pelléas et Mélisande: Premier Acte, Scène 2. «Quʼen dites-vous?»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
mezzo-soprano vocals [Geneviève, mère de Golaud et Pelléas]:
Christa Ludwig (mezzo-soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 2: Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy5:23
6Pelléas et Mélisande: Premier Acte, Scène 2. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 2: Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy1:15
7Pelléas et Mélisande: Premier Acte, Scène 3. «Il fait sombre dans les jardins»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
mezzo-soprano vocals [Geneviève, mère de Golaud et Pelléas]:
Christa Ludwig (mezzo-soprano) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act I, Scene III. "Il fait sombre dans les jardins" (Mélisande, Geneviève, Pelléas) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte I, Scène 3: Devant le château
Claude Debussy2:39
8Pelléas et Mélisande: Premier Acte, Scène 3. «Hoé! Hisse Hoé!»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals [Marins]:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
mezzo-soprano vocals [Geneviève, mère de Golaud et Pelléas]:
Christa Ludwig (mezzo-soprano) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act I, Scene III. "Hoé! Hisse hoé! Hoé! Hoé!" (Chœur, Mélisande, Pelléas, Geneviève) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte I, Scène 3: Devant le château
Claude Debussy3:58
9Pelléas et Mélisande: Deuxième Acte, Scène 1. «Vous ne savez pas où je vous ai menée?»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act II, Scene I. "Vous ne savez pas où je vous ai menée?" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte II, Scène 1: Une fontaine dans le parc
Claude Debussy3:40
10Pelléas et Mélisande: Deuxième Acte, Scène 1. «Cʼest au bord dʼune fontaine»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act II, Scene I. "C'est au bord d'une fontaine aussi qu'il vous a trouvée?" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte II, Scène 1: Une fontaine dans le parc
Claude Debussy2:52
11Pelléas et Mélisande: Deuxième Acte, Scène 1. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte II, Scène 2: Un appartement dans le chateau (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte II
Claude Debussy3:19
12Pelléas et Mélisande: Deuxième Acte, Scène 2. «Ah! Ah! Tout va bien»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act II, Scene II. "Ah! Ah! Tout va bien, cela ne sera rien" (Golaud, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte II, Scène 2: Un appartement dans le chateau
Claude Debussy7:52
13Pelléas et Mélisande: Deuxième Acte, Scène 2. «Voyons, donne-moi ta main»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte II, Scène 2: Un appartement dans le chateau (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte II
Claude Debussy2:53
14Pelléas et Mélisande: Deuxième Acte, Scène 2. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte II, Scène 3: Devant une grotte (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte II
Claude Debussy2:20
15Pelléas et Mélisande: Deuxième Acte, Scène 3. «Oui, cʼest ici, nous y sommes»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals [mendiants]:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Acte II, Scène 3: Devant une grotte (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte II
Claude Debussy4:45
16Pelléas et Mélisande: Troisième Acte, Scène 1. «Mes longs cheveux descendent jusquʼau seuil de la tour»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene I. "Mes longs cheveux descendent" (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château
recording of:
Pelléas et Mélisande: Act III, Scene I. "Oh! Oh! Mes cheveux descendent de la tour!" (Mélisande, Pelléas) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château
Claude Debussy6:00
17Pelléas et Mélisande: Troisième Acte, Scène 1. «Je les tiens dans les mains»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
Claude Debussy4:12
18Pelléas et Mélisande: Troisième Acte, Scène 1. «Que faites-vous ici?»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
Claude Debussy3:33
19Pelléas et Mélisande: Troisième Acte, Scène 1. «Prenez garde; par ici, par ici»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Acte III, Scène 2: Les souterrains du château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
Claude Debussy3:04
▼ CD 2: Actes III (Sc. 3) - V
#TitleArtistRatingLength
1Pelléas et Mélisande: Troisième Acte, Scène 3. Interlude / «Ah! Je respire enfin!»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene III. "Ah! Je respire enfin!" (Pelléas, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 3: Une terrasse au sortir des souterrains
Claude Debussy4:15
2Pelléas et Mélisande: Troisième Acte, Scène 3. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
Claude Debussy1:07
3Pelléas et Mélisande: Troisième Acte, Scène 4. «Viens, nous allons nous asseoir ici, Yniold»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
Claude Debussy5:13
4Pelléas et Mélisande: Troisième Acte, Scène 4. «Qu'ils s'embrassent, petit père?»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene IV. "Ah! Ah! Petite mère a allumé sa lampe" (Yniold, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
partial recording of:
Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
Claude Debussy4:21
5Pelléas et Mélisande: Quatrième Acte, Scène 1. «Où vas-tu?»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene I. "Où vas-tu? Il faut que je te parle ce soir" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 1: Un appartement dans le château
Claude Debussy2:49
6Pelléas et Mélisande: Quatrième Acte, Scène 2. «Maintenant que le père de Pelléas est sauvé»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Maintenant que le père de Pelléas est sauvé ..." (Arkel, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy5:47
7Pelléas et Mélisande: Quatrième Acte, Scène 2. «Pelléas part ce soir»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Pelléas part ce soir" (Golaud, Arkel, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy2:54
8Pelléas et Mélisande: Quatrième Acte, Scène 2. «Ne mettez pas ainsi votre main à la gorge»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy3:25
9Pelléas et Mélisande: Quatrième Acte, Scène 2. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy3:55
10Pelléas et Mélisande: Quatrième Acte, Scène 2. «Oh! Cette pierre est lourde»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Un berger]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Acte IV, Scène 3: Une fontaine dans le parc (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy4:04
11Pelléas et Mélisande: Quatrième Acte, Scène 4. «C'est le dernier soir»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "C'est le dernier soir ..." (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy3:25
12Pelléas et Mélisande: Quatrième Acte, Scène 4. «Nous sommes venus ici il y a bien longtemps»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy1:46
13Pelléas et Mélisande: Quatrième Acte, Scène 4. «On dirait que ta voix a passé sur la mer au printemps»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "On dirait que ta voix a passé sur la mer au printemps!" (Choeur, Mélisande, Pelléas, Geneviève) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy3:48
14Pelléas et Mélisande: Quatrième Acte, Scène 4. «Quel est ce bruit?»
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "Quel est ce bruit? On ferme les portes" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy4:07
15Pelléas et Mélisande: Cinquième Acte,. «Ce n'est pas de cette petite blessure qu'elle peut mourir»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Ce n'est pas de cette petite blessure qu'elle peut mourir ..." (Le médecin, Arkel, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:54
16Pelléas et Mélisande: Cinquième Acte,. «Attention; je crois qu'elle s'éveille»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy5:18
17Pelléas et Mélisande: Cinquième Acte,. «Mélisande, as-tu pitié de moi comme j'ai pitié de toi?»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93
Claude Debussy2:40
18Pelléas et Mélisande: Cinquième Acte,. «Non, non, nous n'avons pas été coupables»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Non, non, nous n'avons pas été coupables" (Mélisande, Golaud) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy1:55
19Pelléas et Mélisande: Cinquième Acte,. «Qu'avez-vous fait?»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Qu'avez-vous fait? Vous allez la tuer" (Arkel, Golaud, Mélisande) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:34
20Pelléas et Mélisande: Cinquième Acte,. «Qu'y a-t-il?»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Qu'y-a-t-il? Qu'est-ce que toutes ces femmes viennent faire ici?" (Golaud, Le médecin, Arkel) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:24
21Pelléas et Mélisande: Cinquième Acte,. «Attention... attention. Il faut parler à voix basse, maintenant»
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1991-01)
orchestra:
Wiener Philharmoniker (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1991-01)
composer:
Claude Debussy (composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy6:42