Jah Won’t Pay the Bills (green vinyl)

~ Release by Sublime (see all versions of this release, 6 available)

Annotation

25th anniversary “Record Store Day first” release reissue; on vinyl for the first time. This green edition was randomly distributed alongside the black vinyl. Only 420 copies.
On this release the version of “Let’s Go Get Stoned” is edited to remove a sample of the song with the same name by Ray Charles, samples that form an intro for Had a DAT have been removed and an outro to Live at E’s has been added.

Annotation last modified on 2016-06-14 19:21 UTC.

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
Side Juan 1D.J.’s
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
D.J.s
lyricist and composer:
Bradley Nowell
is based on:
A Message to You, Rudy
is based on:
Corner Stone
is based on:
Na Touch Da Just
is based on:
Ride Natty Ride
?:??
Side Juan 2Badfish
recording engineer, engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass] and organ:
Eric Wilson (Sublime) (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
Badfish
lyricist and composer:
Bradley Nowell
is based on:
All the Fun That We Missed
is based on:
Nite Klub
3.35?:??
Side Juan 3Lets Go Get Stoned
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
edit of:
Lets Go Get Stoned by Sublime (ska punk)
recording of:
Let’s Go Get Stoned
lyricist and composer:
Bradley Nowell
is based on:
#1 Hit Song
?:??
Side Juan 4Newsong
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
New Song (Sublime)
composer:
Sublime (ska punk)
is based on:
Can't Do Nuttin' for Ya Man
is based on:
The Nigga Ya Love to Hate
3?:??
Side Juan 5Had a DAT
engineer and mixer:
Michael "Miguel" Happoldt (in 1989)
producer:
Michael "Miguel" Happoldt
edit of:
Had a DAT by Sublime (ska punk)
recording of:
Had a DAT
writer:
Sublime (ska punk)
?:??
Back Side 1Don’t Push
recording engineer:
Gary Greeth (in 1988)
engineer and mixer:
Steve McNeil (engineer) (in 1988)
producer:
Bradley Nowell (in 1988)
drums (drum set) [drums]:
Floyd I (in 1988)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1988)
electric guitar:
Brad Nowell (in 1988)
vocals:
Brad Nowell (in 1988)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1988)
recording of:
Don’t Push (in 1988)
composer:
Sublime (ska punk)
is based on:
Buffalo Soldier
is based on:
Comfortably Numb
is based on:
Could You Be Loved
is based on:
Lick a Shot
is based on:
She’s Crafty
is based on:
Up All Night (Boomtown Rats)
is based on:
Wake the Town (Tenor Saw)
is based on:
We Rule the Dancehall
?:??
Back Side 2Ball and Chain
recording engineer:
Gary Greeth (in 1989)
mixer:
Steve McNeil (engineer) (in 1989)
drums (drum set):
Bud Gaugh (in 1989)
electric bass guitar:
Eric Wilson (Sublime) (in 1989)
electric guitar and lead vocals:
Bradley Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Ball and Chain (Sublime) (in 1989)
lyricist and composer:
Bradley Nowell
?:??
Back Side 3Slowride
recording engineer:
Gary Greeth (in 1989)
engineer and mixer:
Steve McNeil (engineer) (in 1989)
producer:
Sublime (ska punk)
drums (drum set) [drums]:
Floyd I (in 1989)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1989)
electric guitar:
Brad Nowell (in 1989)
vocals:
Brad Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Slow Ride (in 1989)
writer:
Sublime (ska punk)
?:??
Back Side 4Date Rape
recording engineer:
Gary Greeth (in 1989)
mixer:
Steve McNeil (engineer) (in 1989)
drums (drum set):
Bud Gaugh (in 1989)
electric bass guitar:
Eric Wilson (Sublime) (in 1989)
electric guitar and lead vocals:
Bradley Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Date Rape (in 1989)
lyricist and composer:
Bradley Nowell
is based on:
Mandingo
?:??
Back Side 5Live at E’s
compilation of:
Live at E’s by Sublime (ska punk) and Outro by Sublime (ska punk)
recording of:
Live at E’s
?:??