# | Title | Artist | Rating | Length |
---|
1 | I Hope You Dance | Lee Ann Womack special guest appearance Sons of the Desert | 4.65 | 4:55 |
2 | I'll Think of a Reason Later | Lee Ann Womack | 5 | 3:39 |
3 | I May Hate Myself in the Morning- additional recording engineer:
- Julie Brakey, Jesse Chrisman, Jason Gantt, Sara Lesher and Erik Lutkins
- assistant recording engineer:
- David Bryant
- recording engineer:
- Julian King
- miscellaneous support:
- Ann Callis (task: production coordination)
- producer:
- Byron Gallimore
- mixer:
- Greg Droman
- additionally recorded at:
- Essential Sound in Houston, Texas, United States and Sound Kitchen in Franklin, Tennessee, United States
- recorded at:
- Blackbird Studio in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
- mixed at:
- The Sound Kitchen in Franklin, Tennessee, United States
- recording of:
- I May Hate Myself in the Morning
- lyricist and composer:
- Otis Blackmon
| Lee Ann Womack | | 4:34 |
4 | Does My Ring Burn Your Finger | Lee Ann Womack | | 3:29 |
5 | The Fool | Lee Ann Womack | | 3:35 |
6 | After I Fall- producer:
- Mark Wright
- mixer:
- Greg Droman
- acoustic guitar:
- Mark Casstevens and Pat Flynn
- bass guitar:
- Michael Rhodes
- drums (drum set):
- Chad Cromwell
- electric guitar:
- Brent Mason
- Hammond organ [B-3]:
- Steve Nathan
- percussion:
- Eric Darken
- steel guitar:
- Paul Franklin
- background vocals:
- Lisa Cochran and Gene Miller
- mixed at:
- The Sound Kitchen in Franklin, Tennessee, United States
- recording of:
- After I Fall
- writer:
- Bill Kenner, Ronnie Rogers and Mark Wright
- publisher:
- EMI Blackwood Music Inc. (from 1999 to present), Kenner Bilt Music (from 1999 to present), Marketwright Music (from 1999 to present), Route Six Music (from 1999 to present), Songs of Jasper, Inc. (from 1999 to present), Songs of Universal, Inc. (from 1999 to present) and Sony/ATV Songs LLC (from 1999 to present)
| Lee Ann Womack | | 3:03 |
7 | There’s More Where That Came From- additional recording engineer:
- Julie Brakey, Jesse Chrisman, Jason Gantt, Sara Lesher and Erik Lutkins
- assistant recording engineer:
- David Bryant
- recording engineer:
- Julian King
- miscellaneous support:
- Ann Callis (task: production coordination)
- producer and mixer:
- Byron Gallimore
- additionally recorded at:
- Essential Sound in Houston, Texas, United States and Sound Kitchen in Franklin, Tennessee, United States
- recorded at:
- Blackbird Studio in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
- mixed at:
- Essential Sound in Houston, Texas, United States
- recording of:
- There’s More Where That Came From
- writer:
- Chris DuBois and Chris Stapleton
| Lee Ann Womack | | 3:53 |
8 | A Man With 18 Wheels | Lee Ann Womack | 3 | 3:21 |
9 | Lord I Hope This Day Is Good | Lee Ann Womack | | 2:55 |
10 | There Is a God | Lee Ann Womack | | 4:17 |
11 | Finding My Way Back Home | Lee Ann Womack | | 3:45 |
12 | A Little Past Little Rock | Lee Ann Womack | | 4:18 |
13 | I Need You- assistant recording engineer:
- Chad Brown , David Bryant , Brian Graben and Leslie Richter
- recording engineer and mixer:
- Mike McCarthy
- programming:
- Jay Joyce
- assistant engineer:
- Tony High and Darren Redfield
- producer:
- Frank Liddell , Mike McCarthy and Lee Ann Womack
- additional assistant mixer:
- Jim Jordan and Brian McConkey
- acoustic guitar:
- Kenny Greenberg, David Grissom, Jay Joyce and Colin Linden
- bass guitar:
- Spencer Campbell
- drums (drum set):
- Chris McHugh
- electric guitar:
- Kenny Greenberg, David Grissom, Jay Joyce and Jerry McPherson
- keyboard and piano:
- Jeff Roach
- background vocals:
- Dan Colehour, Kim Fleming, Vicki Hampton, Bobby Huff, Marcus Hummon, Fleming McWilliams, Buddy Miller , Julie Miller and Bruce Robison
- additional arranger:
- Kenny Greenberg and Jay Joyce
- recorded at and mixed at:
- Ocean Way Nashville in Nashville, Tennessee, United States
- additionally mixed at:
- Quad Studios in Nashville, Tennessee, United States and Starstruck Studios in Nashville, Tennessee, United States
- engineered at:
- New Reflections Studio in Nashville, Tennessee, United States and Tragedy/Tragedy Studio in Nashville, Tennessee, United States
- recording of:
- I Need You
- lyricist and composer:
- Julie Miller
- publisher:
- Bughouse (from 1999 to present), Martha Road Music (from 1999 to present) and Tinkie Tunes (from 1999 to present)
| Lee Ann Womack | | 4:59 |
14 | The Wrong Girl | Lee Ann Womack | | 3:02 |
15 | Why They Call It Falling | Lee Ann Womack | | 3:35 |
16 | Ashes by Now | Lee Ann Womack | | 4:11 |
17 | I’ll Never Be Free | Willie Nelson with Lee Ann Womack | | 2:47 |
18 | Solitary Thinkin’ | Lee Ann Womack | | 3:58 |
19 | He Oughta Know That by Now- additional recording engineer:
- Julie Brakey, Jesse Chrisman, Jason Gantt, Sara Lesher and Erik Lutkins
- assistant recording engineer:
- David Bryant
- recording engineer:
- Julian King
- miscellaneous support:
- Ann Callis (task: production coordination)
- producer:
- Byron Gallimore
- mixer:
- Greg Droman
- additionally recorded at:
- Essential Sound in Houston, Texas, United States and Sound Kitchen in Franklin, Tennessee, United States
- recorded at:
- Blackbird Studio in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
- mixed at:
- The Sound Kitchen in Franklin, Tennessee, United States
- recording of:
- He Oughta Know That by Now
- writer:
- Clint Ingersoll and Jeremy Spillman
| Lee Ann Womack | | 3:44 |
20 | Last Call | Lee Ann Womack | | 3:17 |
21 | Something Worth Leaving Behind (album cut)- assistant recording engineer:
- Jesse Gorman, Jimmy Hoyson (strings), Toshi Kasai, Leslie Richter and Kevin Szymanski
- recording engineer:
- Noel Golden (strings) and Noel Golden
- miscellaneous support:
- Shari Sutcliffe (task: orchestra contractor)
- producer:
- Matt Serletic
- assistant mixer:
- Jay Goin
- mixer:
- David Thoener
- editor:
- Stewart Whitmore
- bass guitar:
- Leland Sklar
- drums (drum set):
- Kenny Aronoff
- fiddle:
- Gabe Witcher
- guitar:
- Heitor Pereira and Tim Pierce
- keyboard:
- Jim Cox and Jon Gilutin
- percussion:
- Brad Dutz
- steel guitar:
- Greg Leisz
- background vocals:
- Tommy Funderburk, Maxi Anderson , Maxine Waters and Oren Waters
- conductor:
- Pete Anthony
- arranger:
- Matt Serletic
- guitar technician:
- Craig Poole
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (strings), Conway Studios in Hollywood, Los Angeles, California, United States, Hook Studios in North Hollywood, Los Angeles, California, United States, Ocean Way Nashville in Nashville, Tennessee, United States and Westlake Audio in Los Angeles, California, United States
- mixed at:
- Record Plant Recording Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Something Worth Leaving Behind
- writer:
- Brett Beavers and Tom Douglas
- publisher:
- Sony/ATV Songs LLC (from 2001 to present)
| Lee Ann Womack | | 4:35 |
22 | I Think I Know | Lee Ann Womack | | 3:28 |
23 | You’ve Got to Talk to Me | Lee Ann Womack | | 3:35 |
24 | (Now You See Me) Now You Don’t | Lee Ann Womack | | 2:41 |
25 | Twenty Years and Two Husbands Ago- additional recording engineer:
- Julie Brakey, Jesse Chrisman, Jason Gantt, Sara Lesher and Erik Lutkins
- assistant recording engineer:
- David Bryant
- recording engineer:
- Julian King
- miscellaneous support:
- Ann Callis (task: production coordination)
- producer:
- Byron Gallimore
- mixer:
- Greg Droman
- additionally recorded at:
- Essential Sound in Houston, Texas, United States and Sound Kitchen in Franklin, Tennessee, United States
- recorded at:
- Blackbird Studio in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
- mixed at:
- The Sound Kitchen in Franklin, Tennessee, United States
- recording of:
- Twenty Years and Two Husbands Ago
- writer:
- Dean Dillon, Dale Dodson and Lee Ann Womack
| Lee Ann Womack | | 3:51 |
26 | The Healing Kind | Lee Ann Womack | | 3:02 |
27 | I Found It in You | Lee Ann Womack | | 3:47 |
28 | I Saw Your Light- additional recording engineer:
- Todd Gunnerson
- assistant recording engineer:
- Chad Brown , David Bryant , Brian Graben and Leslie Richter
- recording engineer and mixer:
- Greg Droman
- producer:
- Lee Ann Womack and Mark Wright
- acoustic guitar:
- B. James Lowry and Randy Scruggs
- banjo and mandolin:
- Bryan Sutton
- bass guitar:
- Michael Rhodes
- classical guitar [gut string guitar]:
- Brent Mason
- drums (drum set):
- Shannon Forrest
- electric guitar:
- Kenny Greenberg, Brent Mason and Brent Rowan
- fiddle:
- Aubrey Haynie
- Hammond organ [B-3] and synthesizer:
- Steve Nathan
- percussion:
- Eric Darken
- piano:
- Chuck Leavell and Steve Nathan
- steel guitar:
- Paul Franklin
- tiple:
- Brent Rowan
- background vocals:
- Bob Bailey , Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller , Chris Rodriguez, Keith Sewell and Bergen White
- additionally recorded at:
- House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
- recorded at and mixed at:
- The Sound Kitchen Studios in Franklin, Tennessee, United States
- recording of:
- I Saw Your Light
- lyricist and composer:
- Gretchen Peters
- publisher:
- Sony/ATV Tunes LLC (from 2002 to present)
| Lee Ann Womack | | 6:05 |
29 | Time for Me to Go | Lee Ann Womack | | 2:53 |
30 | Have You Seen That Girl | Lee Ann Womack | | 3:24 |
31 | She's Got You | Lee Ann Womack | | 3:48 |
32 | New Again | Lee Ann Womack | | 3:57 |
33 | Never Again, Again | Lee Ann Womack | | 3:46 |
34 | Mendocino County Line | Willie Nelson with Lee Ann Womack | | 4:31 |