Cantatas

~ Release by Dietrich Fischer‐Dieskau, Karl Forster (see all versions of this release, 1 available)

Tracklist

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▼ Medium 1
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1Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Diana) "Was mir behagt, ist nur die muntre Jagd!"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:41
2Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Diana) "Jagen ist die Lust der Götter"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:07
3Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Endymion) "Wie, schönste Göttin? Wie?"
tenor vocals [Endymion]:
Fritz Wunderlich (operatic tenor) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:08
4Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Endymion) "Willst du dich nicht mehr ergetzen?"
tenor vocals [Endymion]:
Fritz Wunderlich (operatic tenor) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach5:04
5Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Diana/Endymion) "Ich liebe dich zwar noch!"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
tenor vocals [Endymion]:
Fritz Wunderlich (operatic tenor) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:31
6Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Pan) "Ich, der ich sonst ein Gott in diesen Feldern bin"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:41
7Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Pan) "Ein Fürst ist seines Landes Pan"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:48
8Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Pales) "Soll denn der Pales Opfer hier das letzte sein?"
soprano vocals [Pales]:
Erika Köth (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:39
9Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Pales) "Schafe können sicher weiden"
soprano vocals [Pales]:
Erika Köth (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:56
10Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Recitative (Diana) "So stimmt mit ein"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:17
11Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Chorus "Lebe, Sonne dieser Erden"
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:11
12Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Duet (Diana/Endymion) "Entzücket uns beide, ihr Strahlen der Freude"
soprano vocals [Diana]:
Annelies Kupper (soprano) (in 1961-11)
tenor vocals [Endymion]:
Fritz Wunderlich (operatic tenor) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:14
13Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Pales) "Weil die wollenreichen Herden"
soprano vocals [Pales]:
Erika Köth (soprano) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:42
14Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Aria (Pan) "Ihr Felder und Auen, laßt grünend euch schauen"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:39
15Cantata "Was mir behagt, ist nur die muntre Jagd", BWV 208: Chorus "Ihr lieblichste Blicke, ihr freudige Stunden"
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (in 1961-11)
orchestra:
Berliner Philharmoniker (in 1961-11)
conductor:
Karl Forster (chorus master) (in 1961-11)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1961-11)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden” (in 1961-11)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:47
16Cantata "Schweigt stille, plaudert nicht", BWV 211: Recitative (Erzähler) "Schweigt stille, Plaudert Nicht"
tenor vocals:
Josef Traxel (tenor) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:32
17Cantata "Schweigt stille, plaudert nicht", BWV 211: Aria (Schlendrian) "Hat man nicht mit seinen Kindern Hunderttausend Hudelei!"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:09
18Cantata "Schweigt stille, plaudert nicht", BWV 211: Recitative (Schlendrian/Lieschen) "Du böses Kind"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:36
19Cantata "Schweigt stille, plaudert nicht", BWV 211: Aria (Lieschen) "Ei! wie schmeckt der Coffee suße"
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:23
20Cantata "Schweigt stille, plaudert nicht", BWV 211: Recitative (Schlendrian/Lieschen) "Wenn du mir nicht der Coffee läßt"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:15
21Cantata "Schweigt stille, plaudert nicht", BWV 211: Aria (Schlendrian) "Mädchen, die von harten Sinnen"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:05
22Cantata "Schweigt stille, plaudert nicht", BWV 211: Recitative (Schlendrian/Lieschen) "Nun, Folge, was dein Vater Spricht!"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:48
23Cantata "Schweigt stille, plaudert nicht", BWV 211: Aria (Lieschen) "Heute noch, lieber Vater, tut es doch!"
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach9:00
24Cantata "Schweigt stille, plaudert nicht", BWV 211: Recitative (Erzähler) "Nun geht und sucht der alte Schlendrian"
tenor vocals:
Josef Traxel (tenor) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:46
25Cantata "Schweigt stille, plaudert nicht", BWV 211: Trio (Lieschen/Erzähler/Schlendrian) "Die Katze läßt das Mausen nicht"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1960-10-08 until 1960-10-09)
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin (from 1960-10-08 until 1960-10-09)
soprano vocals:
Lisa Otto (soprano) (from 1960-10-08 until 1960-10-09)
tenor vocals:
Josef Traxel (tenor) (from 1960-10-08 until 1960-10-09)
orchestra:
Berliner Philharmoniker (from 1960-10-08 until 1960-10-09)
conductor:
Karl Forster (chorus master) (from 1960-10-08 until 1960-10-09)
recorded at:
Grunewaldkirche in Berlin, Germany (from 1960-10-08 until 1960-10-09)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (from 1960-10-08 until 1960-10-09)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach5:07
▼ Medium 2
#TitleArtistRatingLength
1Infirmata vulnerata
recording of:
Infirmata vulnerata
composer:
Alessandro Scarlatti (composer)
Alessandro Scarlatti13:48
2Cantata "Die Hoffnung ist mein Leben": Aria "Die Hoffnung ist mein Leben"
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben": I. Aria (Bass) "Die Hoffnung ist mein Leben"
composer:
Georg Philipp Telemann (composer)
part of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben"
Georg Philipp Telemann4:12
3Cantata "Die Hoffnung ist mein Leben": Recitative "Ich bin in allem vergnügt"
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben": II. Recitative (Bass) "Ich bin in allem vergnügt"
composer:
Georg Philipp Telemann (composer)
part of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben"
Georg Philipp Telemann1:55
4Cantata "Die Hoffnung ist mein Leben": Aria "Die Hoffnung bleibt ewig der Trost unsres Lebens"
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben": III. Aria (Bass) "Die Hoffnung bleibt ewig der Trost unsres Lebens"
composer:
Georg Philipp Telemann (composer)
part of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben"
Georg Philipp Telemann3:35
5Leçons de tenébres "Pour le Mecredy": Première Leçon
recording of:
Première leçon de ténèbres
composer:
François Couperin (French composer of the Baroque era)
part of:
Leçons de ténèbres
François Couperin16:34
6Cantata "Mer hahn en neue Oberkeet", BWV 212: Sinfonia
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:56
7Cantata "Mer hahn en neue Oberkeet", BWV 212: Duet (Soprano/Bass) "Mer hahn en neue Oberkeet"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:39
8Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass/Soprano) "Nu, Mieke, gib dein Guschel immer her!"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:39
9Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Ach, es schmeckt doch gar zu gut"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:19
10Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass) "Der Herr ist gut"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:28
11Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Bass) "Ach, Herr Schösser"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:27
12Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Soprano) "Es bleibt dabei"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:19
13Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Unser trefficher, lieber Kammerherr"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:46
14Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass/Soprano) "Er hilft uns allen"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:29
15Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Das ist galant"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:18
16Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass) "Und unsre gnäd'ge Frau"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:44
17Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Bass) "Fünfzig Taler bares Geld"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:49
18Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Soprano) "Im Ernst ein Wort!"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
19Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Klein-Zschocher müsse so Zart und süße"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:07
20Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass) "Das ist klug vor dich"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
21Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Bass) "Es nehme zehntausend Dukaten"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:41
22Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitatve (Soprano) "Das klingt zu liederlich"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
23Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Gib, Schöne, viel Schöne"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:30
24Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass) "Du hast wohl recht"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:21
25Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Bass) "Dein Wachstum sei feste"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:14
26Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Soprano/Bass) "Und damit sei es auch genung"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:18
27Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Und daß ihr's alle wißt"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:51
28Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass/Soprano) "Mein Schatz, erraten!"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:31
29Cantata "Mer hahn en neue Oberkeet", BWV 212: Duet (Soprano/Bass) "Wir gehn nun, wo der Tudelsack"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:18

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ASIN:US: B000009OQM [info]