Power Ballads: The Collection

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.95:00
2Black Velvet
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
Alannah Myles4:33
3Many of Horror
recording of:
Many of Horror
lyricist and composer:
Simon Neil
Biffy Clyro3.654:19
4Push
assistant recording engineer:
John Nielsen (engineer)
engineer:
Jeff Tomei
producer:
Matt Serletic
assistant mixer:
Malcolm Springer
mixer:
Greg Archilla and Matt Serletic
editor:
Don C. Tyler
bass guitar [bass]:
Brian Yale
drums (drum set) [drums]:
Paul Doucette
guitar [lead guitar]:
Kyle Cook (David Kyle Cook of the band Matchbox Twenty)
guitar [rhythm guitar]:
Adam Gaynor
background vocals [BG’s]:
Kyle Cook (David Kyle Cook of the band Matchbox Twenty) and Adam Gaynor
vocals:
Rob Thomas (Matchbox Twenty)
recorded at:
Triclops Recording in Atlanta, Georgia, United States
mixed at:
House of Blues Studios in Memphis, Tennessee, United States
recording of:
Push
writer:
Matt Serletic and Rob Thomas (Matchbox Twenty)
Matchbox Twenty3.23:59
5The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, Keith Prowse and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.14:30
6Sister Golden Hair
assistant engineer:
Tom Anderson (engineer)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar:
David Dickey
drums (drum set) and percussion:
Willie Leacox
other instruments:
America (US folk/soft rock band)
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Sister Golden Hair
lyricist and composer:
Gerald Beckley
America4.23:17
7Make Me Smile (Come Up and See Me)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel4.253:57
8Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox)
drums (drum set):
Warren Cann
guitar:
Midge Ure
keyboard and violin:
Billy Currie
vocals:
Midge Ure
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox34:35
9Don’t Let Go (Love)
producer:
Organized Noize (Atlanta hip-hop production group)
recording of:
Don't Let Go (Love)
writer:
Marqueze Ethridge, Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Organized Noize (Atlanta hip-hop production group), Patrick Brown, Raymon Murray (American producer, songwriter & multi-instrumentalist) and Rico Wade
En Vogue44:52
10Wires
assistant recording engineer:
Ian Davenport and Mark Duggan (engineer)
producer:
Athlete and Victor van Vugt
assistant mixer:
Keith Gary
mixer:
Michael H Brauer (engineer)
strings:
The London Metropolitan Orchestra
conductor:
Adam Peters
strings arranger:
Adam Peters
concertmaster:
David Juritz (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Quad Recording Studios in New York, New York, United States
recording of:
Wires
writer:
Joel Pott, Steve Roberts (drummer of Athlete), Tim Wanstall and Carey Willets
publisher:
Chrysalis Music Ltd. (music publisher)
Athlete3.54:21
11I Remember You
recording engineer, producer and mixer:
Michael Wagener
additional engineer:
Dave Kent
bass guitar:
Rachel Bolan
drums (drum set):
Rob Affuso
guitar:
Scotti Hill and Dave “The Snake” Sabo
background vocals:
Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
lead vocals:
Sebastian Bach (Canadian metal singer)
recorded at:
Royal Recorders in Lake Geneva, Wisconsin, United States (in 1988)
recording of:
I Remember You
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row45:14
12Alone Again
additional engineer:
Gary McGachan
associate producer:
Roy Thomas Baker (producer)
producer:
Tom Werman
mixer:
Michael Wagener
bass guitar and keyboard:
Jeff Pilson
drums (drum set):
Mick Brown (US drummer, formerly of Dokken)
guitar:
Don Dokken and George Lynch
background vocals:
Mick Brown (US drummer, formerly of Dokken) and Jeff Pilson
lead vocals:
Don Dokken
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Music Group) (in 1984)
recording of:
Alone Again
writer:
Mick Brown (US drummer, formerly of Dokken), Don Dokken, George Lynch and Jeff Pilson
publisher:
E/A Music Inc., Megadude Music, WB Music Corp. (1929–2019) and エイベックス・ミュージック・パブリッシング
Dokken34:22
13Life in a Northern Town
additional producer:
David Gilmour (Pink Floyd)
producer:
David Gilmour (Pink Floyd), Nick Laird-Clowes and George Nicholson
part of:
TV Cream: Real 100 Best Singles Ever (number: 54)
recording of:
Life in a Northern Town
writer:
Gilbert Gabriel and Nick Laird-Clowes
dedicated to:
Nick Drake
The Dream Academy4.34:17
14(Something Inside) So Strong
recording of:
(Something Inside) So Strong
lyricist and composer:
Labi Siffre
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal/Empire Music Ltd.
Labi Siffre4:18
15Fading Like a Flower (Every Time You Leave)
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Anders Herrlin (in 1990-07) and Alar Suurna (in 1990-07)
producer:
Clarence Öfwerman
mixer:
Per Gessle (Swedish singer and guitarist), Anders Herrlin, Clarence Öfwerman and Alar Suurna
drums (drum set):
Pelle Alsing (in 1990-07)
electric bass guitar:
Anders Herrlin (in 1990-07)
electric guitar [electric guitars]:
Jonas Isacsson (in 1990-07)
electric guitar [rhythm guitar]:
Per Gessle (Swedish singer and guitarist) (in 1990-07)
keyboard [keyboards] and keyboard bass:
Clarence Öfwerman (in 1990-07)
additional background vocals:
Staffan Öfwerman (in 1990-07)
lead vocals:
Marie Fredriksson (in 1990-07) and Per Gessle (Swedish singer and guitarist) (in 1990-07)
vocals:
Marie Fredriksson (in 1990-07), Per Gessle (Swedish singer and guitarist) (in 1990-07) and Staffan Öfwerman (in 1990-07)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!)
recorded at and engineered at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (in 1990-07)
mixed at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden
recording of:
Fading Like a Flower (Every Time You Leave) (in 1990-07)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.153:51
16Love Walked In
recording engineer and mixer:
Mike Fraser (Canadian record producer, engineer and mixer)
producer:
Andy Taylor (of Duran Duran)
bass guitar:
Mark "Snake" Luckhurst
drums (drum set):
Gary 'Harry' James (drummer)
guitar:
Ben Matthews (UK guitarist/keyboards for Thunder) and Luke Morley
lead vocals:
Danny Bowes
recording of:
Love Walked In
lyricist and composer:
Luke Morley
Thunder3.56:25
17Miles Away
assistant engineer and assistant mixer:
Martin Horenburg
engineer:
Jimmy Hoyson
producer:
Beau Hill
mixer:
Beau Hill and Jimmy Hoyson
editor:
Dave Collins (US mastering engineer)
bass guitar and lead vocals:
Kip Winger
drums (drum set) and percussion:
Rod Morgenstein
guitar and background vocals:
Reb Beach and Paul Taylor (Winger rhythm guitarist and keyboardist)
keyboard:
Paul Taylor (Winger rhythm guitarist and keyboardist) and Kip Winger
additional background vocals:
Nate Winger and Paul Winger
arranger:
Paul Taylor (Winger rhythm guitarist and keyboardist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990)
recorded at and mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
recording of:
Miles Away
lyricist and composer:
Paul Taylor (Winger rhythm guitarist and keyboardist)
publisher:
Virgin Songs Inc. (ended), BMG Platinum Songs (Rosetta), EMI-Virgin Songs, Paul Taylor Music, Small Hope Music and フジパシフィックミュージック BMG事業部
Winger44:13
18Baker Street (edit)
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal‐Songs of PolyGram International, Inc.
Gerry Rafferty44:09
CD 2
#TitleArtistRatingLength
1True
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet5:45
2She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Fine Young Cannibals43:35
3Don’t Stop
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham, Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Bros. (holding: File NO Releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:13
4Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
producer:
Bad Company (British blues-rock supergroup)
mixer:
Ron Nevison
publisher:
Badco Music, Inc.
phonographic copyright (℗) by:
Swan Song Inc. (in 1975)
recorded at:
Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Feel Like Makin’ Love (in 1974-09)
writer:
Mick Ralphs and Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
Bad Company4.455:12
5Easy
producer:
Faith No More and Matt Wallace (US producer & engineer)
electric guitar:
Jim Martin (ex-Faith No More guitarist) (from 1992-01 until 1992-03)
phonographic copyright (℗) by:
Splash Records (UK imprint under PRT Records) (in 1992)
music videos:
Easy by Faith No More
part of:
New York Post: 100 Greatest Covers (2007) (number: 9)
cover recording of:
Easy (from 1992-01 until 1992-03)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
recording of:
Easy
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Faith No More3.53:07
6Glory of Love
engineer and mixer:
Terry Christian and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント, ピアーミュージック (Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Peter Cetera4.24:18
7Is This Love
producer:
Keith Olsen (US producer and engineer) and Mike Stone (producer, enginner, UK, 60’s–80’s)
mixer:
Keith Olsen (US producer and engineer)
bass guitar:
Neil Murray (British bass guitar player)
drums (drum set) and percussion:
Aynsley Dunbar
guest keyboard:
Don Airey and Bill Cuomo
guitar and background vocals:
John Sykes
keyboard:
Don Airey
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
recording of:
Is This Love (Whitesnake song)
writer:
David Coverdale and John Sykes
publisher:
WB Music Corp. (1929–2019), Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Whitesnake4.154:44
8Guitar Man
engineer:
Armin Steiner
associate producer:
James Griffin (soft rock singer/songwriter/guitarist)
producer:
David Gates (singer/songwriter, lead singer of Bread)
bass guitar:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set) and percussion:
Michael Botts
guitar:
David Gates (singer/songwriter, lead singer of Bread) and James Griffin (soft rock singer/songwriter/guitarist)
piano:
James Griffin (soft rock singer/songwriter/guitarist)
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States
recording of:
The Guitar Man
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Inc.
Bread43:45
9He Ain’t Heavy He’s My Brother (1998 remastered version)
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:22
10Just Like Paradise
programming:
Brett Tuggle
engineer:
Magic Moreno, Doug Parry and Steve Vai
co-producer:
Steve Vai
producer:
David Lee Roth
bass guitar:
Billy Sheehan
drums (drum set) and percussion:
Gregg Bissonette (US jazz & rock drummer)
guitar:
Steve Vai
keyboard:
Brett Tuggle
additional background vocals:
Tommy Funderburk and Tom Kelly (songwriter)
background vocals:
Gregg Bissonette (US jazz & rock drummer), Billy Sheehan and Brett Tuggle
lead vocals:
David Lee Roth
recording of:
Just Like Paradise
writer:
David Lee Roth and Brett Tuggle
David Lee Roth4.54:04
11I Don’t Want to Wait
recording engineer and mixer:
Roger Moutenot
producer:
Paula Cole
vocals:
Paula Cole
recording of:
I Don't Want to Wait
lyricist and composer:
Paula Cole
publisher:
Ensign Music Publishing (in 1996) and Hingface Music (in 1996)
Paula Cole3.255:20
12Stay With Me (2015 remastered version)
producer:
Faces (successor of "Small Faces", members Rod Stewart, Ron Wood) and Glyn Johns
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Wurlitzer electric piano:
Ian McLagan
lead vocals:
Rod Stewart
recording of:
Stay With Me
writer:
Rod Stewart and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
Warner Bros. Music Co., Ltd.
Faces4.754:40
13History
recording engineer:
Terry Date (American record producer and engineer) (from 2005-01-12 until 2005-03-08)
co-producer:
Funeral for a Friend
producer and mixer:
Terry Date (American record producer and engineer)
assistant mixer:
Junichi “Jun” Murakawa (engineer)
performer:
Kris Coombs‐Roberts (from 2005-01-12 until 2005-03-08), Gareth Davies (bassist in Funeral for a Friend) (from 2005-01-12 until 2005-03-08), Matthew Davies (from 2005-01-12 until 2005-03-08), Ryan Richards (drummer in Funeral for a Friend) (from 2005-01-12 until 2005-03-08) and Darran Smith (from 2005-01-12 until 2005-03-08)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States (from 2005-01-12 until 2005-03-08) and Studio X in Seattle, Washington, United States (from 2005-01-12 until 2005-03-08)
mixed at:
Bay 7 in Valley Village, Los Angeles, California, United States
recording of:
History
writer:
Kris Coombs‐Roberts, Gareth Davies (bassist in Funeral for a Friend), Matt Davies, Ryan Richards (drummer in Funeral for a Friend) and Darran Smith
publisher:
Notting Dale Songs, Inc.
Funeral for a Friend4:06
14Big Log
recording of:
Big Log
composer:
Robbie Blunt, Robert Plant (of Led Zeppelin) and Gerald Woodruffe
Robert Plant5:04
15Fool (If You Think It’s Over)
recording of:
Fool (If You Think It’s Over)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:05
16Love Is Only a Feeling
assistant recording engineer:
Will Bartle
engineer, producer and mixer:
Pedro Ferreira
assistant mixer:
Nick Taylor (UK recording engineer)
bass:
Frankie Poullain
drums (drum set):
Ed Graham
guitar:
Dan Hawkins (member of The Darkness and Stone Gods) and Justin Hawkins
lead vocals:
Justin Hawkins
recorded at:
Chapel Studios in Lincolnshire, England, United Kingdom
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom
recording of:
Love Is Only a Feeling
writer:
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham and Justin Hawkins
publisher:
Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
The Darkness3.84:21
17Rough Boy
engineer:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) and Bob Ludwig (mastering engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Rough Boy
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic and Hamstein Music Company (publisher) (in 1985)
ZZ Top3.34:47
18Follow Me
recording of:
Follow Me
writer:
Michael Bradford and Matthew Shafer
publisher:
Chunky Style Music, Gaje Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Uncle Kracker3:35
CD 3
#TitleArtistRatingLength
1How You Remind Me
producer:
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake and Ryan "Nik" Vikedal
mixer:
Randy Staub
bass:
Mike Kroeger
drums (drum set) [drums]:
Ryan "Nik" Vikedal
guitar [guitars]:
Chad Kroeger and Ryan Peake
lead vocals:
Chad Kroeger
vocals:
Ryan Peake
phonographic copyright (℗) by:
The All Blacks B.V. (company, for copyrights purposes) (in 2001)
music videos:
How You Remind Me by Nickelback
recording of:
How You Remind Me
lyricist:
Chad Kroeger
composer:
Chad Kroeger, Mike Kroeger, Ryan Peake and Ryan Vikedal
publisher:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zero-G Music Inc.
Nickelback3.553:44
2If You Leave Me Now
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.353:54
3Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 1991 to present) and Warner Music H.K. Ltd. (in 1997)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
Marc Cohn3.854:13
4High
assistant engineer:
John Morrical
engineer:
Mike Tarantino
producer and mixer:
Tom Rothrock
bass guitar [bass]:
S. Krivtsov
drums (drum set) [drums]:
C. Paxon
guitar [guitars], keyboard [keyboards] and marimba:
J. Blunt
guitar [lead guitar]:
M. Tarantino
Wurlitzer electric piano [Wurlitzer]:
Mr. Nau
vocals:
J. Blunt
recording of:
High
writer:
James Blunt and Ricky Ross (Scottish singer-songwriter)
James Blunt3.754:03
5Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
SARM Studios in London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Rights Management (UK) Ltd. (not for release label use!), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), エイベックス・ミュージック・パブリッシング 第7出版事業部, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Yes44:26
6Little Monster
recording engineer:
Tom Dalgety
producer:
Tom Dalgety, Mike Kerr, Royal Blood (Brighton UK two piece rock band) and Ben Thatcher
mixer:
Alan Moulder (producer and engineer) and David Sardy (American score composer)
phonographic copyright (℗) by:
Imperial Galactic Limited (in 2014)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 2013 until 2014)
recording of:
Little Monster
writer:
Mike Kerr and Ben Thatcher
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
Royal Blood4.153:32
7I Wanna Rock
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer) and Greg Laney
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist)
drums (drum set):
A.J. Pero
electric guitar:
Jay Jay French and Eddie Ojeda
background vocals:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero and Dee Snider
lead vocals:
Dee Snider
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
recording of:
I Wanna Rock
lyricist and composer:
Dee Snider
publisher:
Universal Tunes
Twisted Sister4.253:00
8Kayleigh
recording engineer:
Thomas Stiehler
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985)
remix of:
Kayleigh (alternative mix) by Marillion (British progressive rock band) and Kayleigh (alternative mix) by Marillion (British progressive rock band)
edit of:
Kayleigh by Marillion (British progressive rock band)
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas
publisher:
Charisma Music Publishing Co Ltd. and Charisma Music Publishing Ltd.
Marillion4.253:33
9Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange
mixer:
Mike Shipley
bass:
Benjamin Orr
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp. and Lido Music, Inc.
The Cars43:55
10I Love You Always ForeverDonna Lewis3.83:57
11Babooshka
assistant engineer:
John Barratt (British audio) (from 1979-09 until 1980-05)
engineer:
Jon Kelly (engineer at Air London Studios) (from 1979-09 until 1980-05)
producer:
Kate Bush and Jon Kelly (engineer at Air London Studios)
analog synthesizer [CS 80] and lead vocals:
Kate Bush (from 1979-09 until 1980-05)
balalaika:
Paddy Bush (from 1979-09 until 1980-05)
drums (drum set):
Stuart Elliott (Session drummer, member of Cockney Rebel) (from 1979-09 until 1980-05)
electric bass guitar:
John Giblin (from 1979-09 until 1980-05)
electric guitar:
Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (UK session guitarist) (from 1979-09 until 1980-05)
Rhodes piano [Fender Rhodes]:
Max Middleton (from 1979-09 until 1980-05)
background vocals:
Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (holding - file NO releases here!) (in 1982)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05)
recording of:
Babooshka (from 1979-09 until 1980-05)
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush3.53:30
12Glorious
recording of:
Glorious
lyricist and composer:
Andreas Johnson
Andreas Johnson43:28
13High Enough
Damn Yankees4:18
14All Right
recording engineer and mixer:
Chet Himes
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
assistant producer:
Rob Meurer and Michael Ostin
producer:
Michael Omartian
solo guitar:
Steve Lukather
additional vocals:
Michael McDonald (R&B & soul singer)
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
produced for:
Free Flow Productions
recorded at:
Pop ’n’ Roll Studios in Santa Monica, California, United States, Studio South in Austin, Texas, United States, The Aspen Studios in Aspen, Colorado, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
All Right
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Christopher Cross54:18
15Constant Craving (edit version)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
Constant Craving
lyricist and composer:
k.d. lang and Ben Mink
publisher:
Bumstead Publishing and Zavion Music
k.d. lang33:40
16Fly High Michelle
additional engineer:
Rich Denhart (producer/engineer)
assistant engineer:
Dave Kent and Michael Koppelman
engineer:
Dan Harjung
co-producer:
Enuff Z’Nuff
producer:
Enuff Z’Nuff and Ron Fajerstein
mixer:
Paul Lani
drums (drum set):
Vic "Vikki" Foxx (US hard rock drummer)
electric bass guitar:
Chip Z’Nuff
electric guitar [lead guitar]:
Derek Frigo
lead vocals:
Donnie Vie (US vocalist, formerly of Enuff Z’Nuff)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at and mixed at:
Royal Recorders in Lake Geneva, Wisconsin, United States
music videos:
Fly High Michelle (music video) by Enuff Z’Nuff
recording of:
Fly High Michelle
lyricist and composer:
Donnie Vie (US vocalist, formerly of Enuff Z’Nuff)
publisher:
Enuff Z’Nuff Songs Inc., Fajerstein Music Inc. and Octa Music Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Enuff Z’Nuff34:16
17Stay
programming:
Marcella Detroit
additional engineer:
Lee Manning (US engineer)
assistant engineer:
Nick Addison
engineer:
Alan Moulder (producer and engineer)
producer:
Alan Moulder (producer and engineer), Shakespears Sister and Chris Thomas (UK record producer / remixer)
additional keyboard [keyboards]:
Steve Ferrera (UK drummer), Ian Maidman and Jonathan Perkins (aka Wild Mondo)
drums (drum set):
Steve Ferrera (UK drummer)
electric bass guitar [bass]:
Ian Maidman
electric guitar [guitar] and harmonica:
Marcella Detroit
keyboard [keyboards]:
Ed Shearmur (English score composer)
lead vocals [vocals]:
Marcella Detroit and Siobhan Fahey
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed on 26th Aug 2011 as Warner Records 90 Ltd.) (in 1991) and London (UK, 1947–98) (in 1992)
recorded at:
Friar Park (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom
mixed at:
Chapel Studios (Encino, Los Angeles) in Encino, California, United States
recording of:
Stay
writer:
Marcella Detroit, Siobhan Fahey and Jean Guiot (composer credits pseudonym of Dave Stewart)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Island Music Ltd.
Shakespears Sister3.33:49
18She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
writer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Daryl Hall & John Oates3.655:15