Live at Art D'Lugoff's: Top of the Gate

~ Release by Bill Evans (see all versions of this release, 3 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Emily
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Emily (on 1968-10-23)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
4:47
2Witchcraft
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Witchcraft (on 1968-10-23)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
5:44
3Yesterdays
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
bass:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Yesterdays (on 1968-10-23)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
5:07
4Round Midnight
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
’Round Midnight (on 1968-10-23)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:25
5My Funny Valentine
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1968-10-23)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
4:44
6California Here I Come
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
California Here I Come (on 1968-10-23)
lyricist:
Buddy DeSylva and Al Jolson
composer:
Joseph Meyer (US songwriter)
publisher:
M. Witmark & Sons (on 1924-01-07)
5:43
7Gone With the Wind
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Gone With the Wind (on 1968-10-23)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel
publisher:
Bourne Co. (not for release label use, this is a music publisher)
6:56
8Alfie
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental cover recording of:
Alfie (on 1968-10-23)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
part of:
Alfie (1966 film)
5:08
9Turn Out the Stars
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
recording of:
Turn Out the Stars (on 1968-10-23)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
4:38
▼ CD 2
#TitleRatingLength
1Yesterdays
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Yesterdays (on 1968-10-23)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
4:48
2Emily (alternate version)
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Emily (on 1968-10-23)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
5:08
3In a Sentimental Mood
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
In a Sentimental Mood (on 1968-10-23)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
4:06
4Round Midnight (alternate version)
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
’Round Midnight (on 1968-10-23)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:26
5Autumn Leaves
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1968-10-23)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
5:30
6Someday My Prince Will Come
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Someday My Prince Will Come (on 1968-10-23)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
5:13
7Mother of Earl
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
Mother of Earl (on 1968-10-23)
composer:
Earl Zindars
4:21
8Here’s That Rainy Day
recording engineer:
George Klabin (engineer and producer) (on 1968-10-23)
producer:
Zev Feldman (producer and author)
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1968-10-23)
drums (drum set):
Marty Morell (drums) (on 1968-10-23)
piano:
Bill Evans (pianist) (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Here’s That Rainy Day (on 1968-10-23)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
5:15

Credits

Release

manufactured in:United States
art direction and design:Burton Yount
photography:Tom Copi (photographer)
Herb Snitzer (photographer)
liner notes:Gary Burton (jazz vibraphonist and composer)
Nat Hentoff
George Klabin (engineer and producer)
Marty Morell (drums)
Eddie Gomez (jazz double bassist) (in 2011-05)
Zev Feldman (producer and author) (in 2012-02)
executive producer:George Klabin (engineer and producer)
mastering:Fran Gala (sound engineer)
copyrighted (©) by and phonographic copyright (℗) by:Resonance Records (jazz) (in 2012)
ASIN:US: B007PNS4TY [info]