The Complete Recordings on Deutsche Grammophon 2

~ Release by Martha Argerich (see all versions of this release, 4 available)

Tracklist

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▼ CD 22: Saint-Saëns: Le Carnaval des animaux / Ridout: Ferdinand / Little Sad Sound / Meschwitz: Tier-Gebete
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1Le Carnaval des animaux: 1. Introduction et marche royale du lion
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:25
2Le Carnaval des animaux: 2. Poules et coqs
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : II. Poules et coqs (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:42
3Le Carnaval des animaux: 3. Hémiones
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : III. Hèmiones (Animaux véloces) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:35
4Le Carnaval des animaux: 4. Tortues
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : IV. Tortues (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:56
5Le Carnaval des animaux: 5. L'Éléphant
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : V. L'Éléphant (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:36
6Le Carnaval des animaux: 6. Kangourous
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VI. Kangourous (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:04
7Le Carnaval des animaux: 7. Aquarium
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bell and glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VII. Aquarium (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:36
8Le Carnaval des animaux: 8. Personnages à longues oreilles
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:50
9Le Carnaval des animaux: 9. Le Coucou au fond des bois
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:19
10Le Carnaval des animaux: 10. Volière
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : X. Volière (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:15
11Le Carnaval des animaux: 11. Pianistes
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XI. Pianistes (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:26
12Le Carnaval des animaux: 12. Fossiles
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XII. Fossiles (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:17
13Le Carnaval des animaux: 13. Le Cygne
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:10
14Le Carnaval des animaux: 14. Finale
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bell and glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIV. Finale (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:01
15Ferdinand, For speaker and solo violin
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1981-04)
spoken vocals:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
recording of:
Ferdinand (in 1981-04)
composer:
Alan Ridout (in 1971)
Alan Ridout10:46
16Tier-Gebete, For speaker and piano: 1. Gebet des Ochsen
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: I. Gebet des Ochsen (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz2:02
17Tier-Gebete, For speaker and piano: 2. Gebet der Maus
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: II. Gebet der Maus (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz0:29
18Tier-Gebete, For speaker and piano: 3. Gebet der Katze
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: III. Gebet der Katze (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:27
19Tier-Gebete, For speaker and piano: 4. Gebet des Hundes
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: IV. Gebet des Hundes (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:30
20Tier-Gebete, For speaker and piano: 5 Gebet der Ameise
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: V. Gebet der Ameise (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:13
21Tier-Gebete, For speaker and piano: 6. Gebet der Elefanten
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: VI. Gebet der Elefanten (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz2:12
22Tier-Gebete, For speaker and piano: 7. Gebet der Schildkröte
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: VII. Gebet der Schildkröte (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:30
23Tier-Gebete, For speaker and piano: 8. Gebet der Giraffe
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: VIII. Gebet der Giraffe (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:14
24Tier-Gebete, For speaker and piano: 9. Gebet des Affen
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: IX. Gebet des Affen (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz0:48
25Tier-Gebete, For speaker and piano: 10. Gebet des Hahnes
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: X. Gebet des Hahnes (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz0:32
26Tier-Gebete, For speaker and piano: 11. Gebet des alten Gaules
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: XI. Gebet des alten Gaules (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz2:25
27Tier-Gebete, For speaker and piano: 12. Gebet des Schmetterlings
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: XII. Gebet des Schmetterlings (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:16
28Little Sad Sound, A melodrama for speaker and double-bass
recorded in:
Wien, Austria (in 1987-01)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
double bass:
Alois Posch (double bass player) (in 1987-01)
spoken vocals:
Gidon Kremer (violinist) (in 1987-01)
recording of:
Little Sad Sound (in 1987-01)
composer:
Alan Ridout (in 1974)
Alan Ridout11:32
▼ CD 23: Beethoven: Piano Concertos nos. 1 & 2
#TitleArtistRatingLength
1Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio
recording engineer:
Klaus Hiemann (German audio)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Ulrich Vette (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-05)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (in 1985-05)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven14:10
2Piano Concerto no. 1 in C major, op. 15: 2. Largo
recording engineer:
Klaus Hiemann (German audio)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Ulrich Vette (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-05)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo (in 1985-05)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven12:05
3Piano Concerto no. 1 in C major, op. 15: 3. Rondo. Allegro
recording engineer:
Klaus Hiemann (German audio)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Ulrich Vette (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-05)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando (in 1985-05)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven9:05
4Piano Concerto no. 2 in B-flat major, op. 19: 1. Allegro con brio
recording engineer:
Klaus Hiemann (German audio)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Ulrich Vette (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-05)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio (in 1985-05)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven14:09
5Piano Concerto no. 2 in B-flat major, op. 19: 2. Adagio
recording engineer:
Klaus Hiemann (German audio)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Ulrich Vette (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-05)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio (in 1985-05)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven9:53
6Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo. Molto allegro
recording engineer:
Klaus Hiemann (German audio)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Ulrich Vette (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1985-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-05)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro (in 1985-05)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven6:03
▼ CD 24: Schumann: Violin Sonatas nos. 1 & 2
#TitleArtistRatingLength
1Sonata for Violin and Piano no. 1 in A minor, op. 105: 1. Mit leidenschaftlichem Ausdruck
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Helmut Burk
piano:
Martha Argerich (Argentine pianist) (in 1985-11)
violin:
Gidon Kremer (violinist) (in 1985-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
recording of:
Sonata for Violin and Piano no. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck (in 1985-11)
composer:
Robert Schumann (German classical composer) (from 1851-09-12 until 1851-09-16)
part of:
Sonata for Violin and Piano no. 1 in A minor, op. 105
Robert Schumann7:27
2Sonata for Violin and Piano no. 1 in A minor, op. 105: 2. Allegretto
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Helmut Burk
piano:
Martha Argerich (Argentine pianist) (in 1985-11)
violin:
Gidon Kremer (violinist) (in 1985-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
recording of:
Sonata for Violin and Piano no. 1 in A minor, op. 105: II. Allegretto (in 1985-11)
composer:
Robert Schumann (German classical composer) (from 1851-09-12 until 1851-09-16)
part of:
Sonata for Violin and Piano no. 1 in A minor, op. 105
Robert Schumann4:09
3Sonata for Violin and Piano no. 1 in A minor, op. 105: 3. Lebhaft
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Helmut Burk
piano:
Martha Argerich (Argentine pianist) (in 1985-11)
violin:
Gidon Kremer (violinist) (in 1985-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
recording of:
Sonata for Violin and Piano no. 1 in A minor, op. 105: III. Lebhaft (in 1985-11)
composer:
Robert Schumann (German classical composer) (from 1851-09-12 until 1851-09-16)
part of:
Sonata for Violin and Piano no. 1 in A minor, op. 105
Robert Schumann5:12
4Sonata for Violin and Piano no. 2 in D minor, op. 121: 1. Ziemlich langsam - Lebhaft
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Helmut Burk
piano:
Martha Argerich (Argentine pianist) (in 1985-11)
violin:
Gidon Kremer (violinist) (in 1985-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
recording of:
Sonata for Violin and Piano no. 2 in D minor, op. 121: I. Ziemlich langsam - Lebhaft (in 1985-11)
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Sonata for Violin and Piano no. 2 in D minor, op. 121
Robert Schumann12:51
5Sonata for Violin and Piano no. 2 in D minor, op. 121: 2. Sehr lebhaft
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Helmut Burk
piano:
Martha Argerich (Argentine pianist) (in 1985-11)
violin:
Gidon Kremer (violinist) (in 1985-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
recording of:
Sonata for Violin and Piano no. 2 in D minor, op. 121: II. Sehr lebhaft (in 1985-11)
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Sonata for Violin and Piano no. 2 in D minor, op. 121
Robert Schumann4:43
6Sonata for Violin and Piano no. 2 in D minor, op. 121: 3. Leise, einfach
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Helmut Burk
piano:
Martha Argerich (Argentine pianist) (in 1985-11)
violin:
Gidon Kremer (violinist) (in 1985-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
recording of:
Sonata for Violin and Piano no. 2 in D minor, op. 121: III. Leise, einfach (in 1985-11)
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Sonata for Violin and Piano no. 2 in D minor, op. 121
Robert Schumann5:59
7Sonata for Violin and Piano no. 2 in D minor, op. 121: 4. Bewegt
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Helmut Burk
piano:
Martha Argerich (Argentine pianist) (in 1985-11)
violin:
Gidon Kremer (violinist) (in 1985-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1985-11)
recording of:
Sonata for Violin and Piano no. 2 in D minor, op. 121: IV. Bewegt (in 1985-11)
composer:
Robert Schumann (German classical composer) (in 1851)
part of:
Sonata for Violin and Piano no. 2 in D minor, op. 121
Robert Schumann8:36
▼ CD 25: Beethoven: Sonatas for Piano and Violin no. 4 & no. 5 “Spring”
#TitleArtistRatingLength
1Sonata for Piano and Violin no. 4 in A minor, op. 23: 1. Presto
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Rainer Maillard
grand piano:
Martha Argerich (Argentine pianist) (in 1987-03)
violin:
Gidon Kremer (violinist) (in 1987-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1987-03)
recording of:
Sonata for Violin and Piano no. 4 in A minor, op. 23: I. Presto (in 1987-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Violin and Piano no. 4 in A minor, op. 23
Ludwig van Beethoven6:57
2Sonata for Piano and Violin no. 4 in A minor, op. 23: 2. Andante scherzoso più Allegretto
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Rainer Maillard
grand piano:
Martha Argerich (Argentine pianist) (in 1987-03)
violin:
Gidon Kremer (violinist) (in 1987-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1987-03)
recording of:
Sonata for Violin and Piano no. 4 in A minor, op. 23: II. Andante scherzoso, più allegretto (in 1987-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Violin and Piano no. 4 in A minor, op. 23
Ludwig van Beethoven7:20
3Sonata for Piano and Violin no. 4 in A minor, op. 23: 3. Allegro molto
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Rainer Maillard
grand piano:
Martha Argerich (Argentine pianist) (in 1987-03)
violin:
Gidon Kremer (violinist) (in 1987-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1987-03)
recording of:
Sonata for Violin and Piano no. 4 in A minor, op. 23: III. Allegro molto (in 1987-03)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Violin and Piano no. 4 in A minor, op. 23
Ludwig van Beethoven5:23
4Sonata for Piano and Violin no. 5 in F major, op. 24 “Spring”: 1. Allegro
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Rainer Maillard
grand piano:
Martha Argerich (Argentine pianist) (in 1987-03)
violin:
Gidon Kremer (violinist) (in 1987-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1987-03)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": I. Allegro (in 1987-03)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven9:43
5Sonata for Piano and Violin no. 5 in F major, op. 24 “Spring”: 2. Adagio molto espressivo
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Rainer Maillard
grand piano:
Martha Argerich (Argentine pianist) (in 1987-03)
violin:
Gidon Kremer (violinist) (in 1987-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1987-03)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo (in 1987-03)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven6:05
6Sonata for Piano and Violin no. 5 in F major, op. 24 “Spring”: 3. Scherzo. Allegro molto
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Rainer Maillard
grand piano:
Martha Argerich (Argentine pianist) (in 1987-03)
violin:
Gidon Kremer (violinist) (in 1987-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1987-03)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": III. Scherzo. Allegro molto (in 1987-03)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven1:21
7Sonata for Piano and Violin no. 5 in F major, op. 24 “Spring”: 4. Rondo. Allegro ma non troppo
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Rainer Maillard
grand piano:
Martha Argerich (Argentine pianist) (in 1987-03)
violin:
Gidon Kremer (violinist) (in 1987-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1987-03)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo (in 1987-03)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven6:34
▼ CD 26: Bartók: Violin Sonata no. 1 / Janáček: Sonata for Violin and Piano / Messiaen: Theme and Variations for Violin and Piano
#TitleArtistRatingLength
1Sonata for Violin and Piano no. 1: 1. Allegro appassionato
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor and balance engineer:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1988-06)
violin:
Gidon Kremer (violinist) (in 1988-06)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1988-06)
recording of:
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84: I. Allegro appassionato (in 1988-06)
composer:
Béla Bartók (composer) (in 1923)
part of:
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84
Béla Bartók12:54
2Sonata for Violin and Piano no. 1: 2. Adagio
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor and balance engineer:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1988-06)
violin:
Gidon Kremer (violinist) (in 1988-06)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1988-06)
recording of:
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84: II. Adagio (in 1988-06)
composer:
Béla Bartók (composer) (in 1923)
part of:
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84
Béla Bartók10:20
3Sonata for Violin and Piano no. 1: 3. Allegro
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor and balance engineer:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1988-06)
violin:
Gidon Kremer (violinist) (in 1988-06)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1988-06)
recording of:
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84: III. Allegro molto (in 1988-06)
composer:
Béla Bartók (composer) (in 1923)
part of:
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84
Béla Bartók9:39
4Sonata for Violin and Piano: 1. Con moto
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor and balance engineer:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1988-06)
violin:
Gidon Kremer (violinist) (in 1988-06)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1988-06)
recording of:
Sonata for Violin & Piano, JW 7/7: I. Con moto (in 1988-06)
composer:
Leoš Janáček (Czech composer) (in 1914)
part of:
Sonata for Violin & Piano, JW VII/7
Leoš Janáček4:55
5Sonata for Violin and Piano: 2. Ballada. Con moto
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor and balance engineer:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1988-06)
violin:
Gidon Kremer (violinist) (in 1988-06)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1988-06)
recording of:
Sonata for Violin & Piano, JW 7/7: II. Ballada (in 1988-06)
composer:
Leoš Janáček (Czech composer) (in 1914)
part of:
Sonata for Violin & Piano, JW VII/7
Leoš Janáček5:03
6Sonata for Violin and Piano: 3. Allegretto
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor and balance engineer:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1988-06)
violin:
Gidon Kremer (violinist) (in 1988-06)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1988-06)
recording of:
Sonata for Violin & Piano, JW 7/7: III. Allegretto (in 1988-06)
composer:
Leoš Janáček (Czech composer) (in 1914)
part of:
Sonata for Violin & Piano, JW VII/7
Leoš Janáček2:50
7Sonata for Violin and Piano: 4. Adagio
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor and balance engineer:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1988-06)
violin:
Gidon Kremer (violinist) (in 1988-06)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1988-06)
recording of:
Sonata for Violin & Piano, JW 7/7: IV. Adagio (in 1988-06)
composer:
Leoš Janáček (Czech composer) (in 1914)
part of:
Sonata for Violin & Piano, JW VII/7
Leoš Janáček4:09
8Theme and Variations for Violin and Piano: Thème. Modéré
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Klaus Behrens (Engineer)
grand piano and piano:
Martha Argerich (Argentine pianist) (in 1985-04)
violin:
Gidon Kremer (violinist) (in 1985-04)
balance engineer:
Wolfgang Mitlehner and Klaus Scheibe (editor/engineer)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1985-04) and Herkulessaal in München, Bayern, Germany (in 1985-04)
recording of:
Thème et variations: Thème. Modéré (in 1985-04)
composer:
Olivier Messiaen (composer and organist) (in 1932)
part of:
Thème et variations
Olivier Messiaen1:17
9Theme and Variations for Violin and Piano: Var. I. Modéré
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-04)
violin:
Gidon Kremer (violinist) (in 1985-04)
balance engineer:
Wolfgang Mitlehner and Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1985-04)
recording of:
Thème et variations: Première variation. Modéré (in 1985-04)
composer:
Olivier Messiaen (composer and organist) (in 1932)
part of:
Thème et variations
Olivier Messiaen1:30
10Theme and Variations for Violin and Piano: Var. II. Un peu moins modéré
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-04)
violin:
Gidon Kremer (violinist) (in 1985-04)
balance engineer:
Wolfgang Mitlehner and Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1985-04)
recording of:
Thème et variations: Deuxième variation. Un peu moins modéré (in 1985-04)
composer:
Olivier Messiaen (composer and organist) (in 1932)
part of:
Thème et variations
Olivier Messiaen0:47
11Theme and Variations for Violin and Piano: Var. III. Modéré, avec éclat
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-04)
violin:
Gidon Kremer (violinist) (in 1985-04)
balance engineer:
Wolfgang Mitlehner and Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1985-04)
recording of:
Thème et variations: Troisième variation. Modéré, avec éclat (in 1985-04)
composer:
Olivier Messiaen (composer and organist) (in 1932)
part of:
Thème et variations
Olivier Messiaen0:51
12Theme and Variations for Violin and Piano: Var. IV. Vif et passionné
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-04)
violin:
Gidon Kremer (violinist) (in 1985-04)
balance engineer:
Wolfgang Mitlehner and Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1985-04)
recording of:
Thème et variations: Quatrième variation. Vif et passionné (in 1985-04)
composer:
Olivier Messiaen (composer and organist) (in 1932)
part of:
Thème et variations
Olivier Messiaen1:08
13Theme and Variations for Violin and Piano: Var. V. Très modéré
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Klaus Behrens (Engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-04)
violin:
Gidon Kremer (violinist) (in 1985-04)
balance engineer:
Wolfgang Mitlehner and Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1985-04)
recording of:
Thème et variations: Cinquième variation. Très modéré (in 1985-04)
composer:
Olivier Messiaen (composer and organist) (in 1932)
part of:
Thème et variations
Olivier Messiaen1:55
▼ CD 27: Beethoven: Twelve Variations on “Ein Mädchen oder Weibchen” / Sonatas for Piano and Cello nos. 1 & 2 / Seven Variations on “Bei Männern, welche Liebe fühlen”
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1Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Thema. Allegretto
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66: Thema. Allegretto (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven0:31
2Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. I
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 1: Variation I (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven0:32
3Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. II
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven0:30
4Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. III
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 3: Variation III (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven0:28
5Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. IV
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 4: Variation IV (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven0:31
6Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. V
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 5: Variation V (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven0:30
7Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. VI
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 6: Variation VI (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven0:24
8Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. VII
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 7: Variation VII (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven0:42
9Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. VIII
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 8: Variation VIII (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven0:26
10Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. IX
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 9: Variation IX (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven0:34
11Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. X. Adagio
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 10: Variation X. Adagio (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven1:18
12Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. XI. Poco adagio quasi andante
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 11: Variation XI. Poco adagio quasi andante (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven1:12
13Twelve Variations on “Ein Mädchen oder Weibchen” from Mozart's opera “The Magic Flute”, op. 66: Var. XII. Allegro
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 12: Variation XII. Allegro (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
Ludwig van Beethoven1:48
14Sonata for Piano and Cello no. 1 in F major, op. 5 no. 1: 1. Adagio sostenuto -
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
partial recording of:
Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto / II. Allegro - Adagio - Presto - Tempo primo (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1
Ludwig van Beethoven3:00
15Sonata for Piano and Cello no. 1 in F major, op. 5 no. 1: 1. Allegro -
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
partial recording of:
Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto / II. Allegro - Adagio - Presto - Tempo primo (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1
Ludwig van Beethoven12:33
16Sonata for Piano and Cello no. 1 in F major, op. 5 no. 1: 1. Adagio - Presto - Tempo primo
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
partial recording of:
Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto / II. Allegro - Adagio - Presto - Tempo primo (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1
Ludwig van Beethoven1:25
17Sonata for Piano and Cello no. 1 in F major, op. 5 no. 1: 2. Rondo. Allegro vivace
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1
Ludwig van Beethoven6:38
18Sonata for Piano and Cello no. 2 in G minor, op. 5 no. 2: 1. Adagio sostenuto e espressivo -
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
partial recording of:
Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2
Ludwig van Beethoven5:27
19Sonata for Piano and Cello no. 2 in G minor, op. 5 no. 2: 1. Allegro molto più tosto presto
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
partial recording of:
Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2
Ludwig van Beethoven9:42
20Sonata for Piano and Cello no. 2 in G minor, op. 5 no. 2: 2. Rondo. Allegro
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro (in 1990-04)
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2
Ludwig van Beethoven7:37
21Seven Variations on “Bei Männern, welche Liebe fühlen” from Mozart's opera “The Magic Flute”, WoO 46: Thema. Andante
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante (in 1990-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven Variations in E-flat major on Mozart's "Bei Männern, welche Liebe fühlen", WoO 46
Ludwig van Beethoven1:01
22Seven Variations on “Bei Männern, welche Liebe fühlen” from Mozart's opera “The Magic Flute”, WoO 46: Var. I
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 1: Variation I (in 1990-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven Variations in E-flat major on Mozart's "Bei Männern, welche Liebe fühlen", WoO 46
Ludwig van Beethoven0:38
23Seven Variations on “Bei Männern, welche Liebe fühlen” from Mozart's opera “The Magic Flute”, WoO 46: Var. II
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 2: Variation II (in 1990-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven Variations in E-flat major on Mozart's "Bei Männern, welche Liebe fühlen", WoO 46
Ludwig van Beethoven0:40
24Seven Variations on “Bei Männern, welche Liebe fühlen” from Mozart's opera “The Magic Flute”, WoO 46: Var. III
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 3: Variation III (in 1990-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven Variations in E-flat major on Mozart's "Bei Männern, welche Liebe fühlen", WoO 46
Ludwig van Beethoven1:00
25Seven Variations on “Bei Männern, welche Liebe fühlen” from Mozart's opera “The Magic Flute”, WoO 46: Var. IV
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 4: Variation IV (in 1990-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven Variations in E-flat major on Mozart's "Bei Männern, welche Liebe fühlen", WoO 46
Ludwig van Beethoven1:30
26Seven Variations on “Bei Männern, welche Liebe fühlen” from Mozart's opera “The Magic Flute”, WoO 46: Var. V. Si prenda il tempo un poco più vivace
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 5: Variation V. Si prenda il tempo un poco più vivace (in 1990-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven Variations in E-flat major on Mozart's "Bei Männern, welche Liebe fühlen", WoO 46
Ludwig van Beethoven0:35
27Seven Variations on “Bei Männern, welche Liebe fühlen” from Mozart's opera “The Magic Flute”, WoO 46: Var. VI. Adagio
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 6: Variation VI. Adagio (in 1990-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven Variations in E-flat major on Mozart's "Bei Männern, welche Liebe fühlen", WoO 46
Ludwig van Beethoven2:35
28Seven Variations on “Bei Männern, welche Liebe fühlen” from Mozart's opera “The Magic Flute”, WoO 46: Var. VII. Allegro ma non troppo
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1990-04)
piano:
Martha Argerich (Argentine pianist) (in 1990-04)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Maison de la Radio: Studio 4 in Brussels, Belgium (in 1990-04)
recording of:
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 7: Variation VII. Allegro ma non troppo (in 1990-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Seven Variations in E-flat major on Mozart's "Bei Männern, welche Liebe fühlen", WoO 46
Ludwig van Beethoven1:49
▶ CD 28: Prokofiev: Violin Sonatas nos. 1 & 2 / Five Melodies for Violin and Piano
▶ CD 29: Beethoven: Sonatas for Piano and Cello nos. 3-5 / Twelve Variations on a Theme from Handel's Oratorio “Judas Maccabaeus”
▶ CD 30: Shostakovich: Concerto for Piano, Trumpet and Strings / Haydn: Piano Concerto in D major / Tchaikovsky: Piano Concerto no. 1
▶ CD 31: Bartók: Sonata for Two Pianos and Percussion / Ravel: Ma Mère l'Oye / Rapsodie espagnole
▶ CD 32: Beethoven: Sonatas for Piano and Violin nos. 6-8
▶ CD 33: Beethoven: Sonatas for Piano and Violin no. 9 “Kreutzer” & no. 10
▶ CD 34: Shostakovich: Piano Trio no. 2 / Tchaikovsky: Piano Trio op. 50 / Kiesewetter: Tango pathétique
▶ CD 35: Schumann: Adagio und Allegro / Drei Fantasiestücke, op. 73 / Fünf Stücke im Volkston / Romanze, op. 94 no. 1 / Märchenbilder, op. 113 no. 1 / Beethoven: Sonata for Piano and Violin no. 9 “Kreutzer”
▶ CD 36: Beethoven: Piano Concertos nos. 2 & 3
▶ CD 37: Chopin: Cello Sonata, op. 65 / Introduction et Polonaise brillante / Franck: Violin Sonata in A major / Debussy: Cello Sonata in D minor
▶ CD 38: Brahms: Piano Quartet no. 1 / Schumann: Fantasiestücke, op. 88