Oratorios: Saul / Messiah

~ Release by Handel; René Jacobs (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Saul, HWV 53: Symphony: Allegro - Larghetto - Allegro - Andante larghetto
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Symphony (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53
George Frideric Handel8:00
2Saul, HWV 53: Act I, Scene I. Chorus "How excellent Thy name, o Lord"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene I, no. 2a. Chorus "How excellent Thy name, o Lord" (1st) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:37
3Saul, HWV 53: Act I, Scene I. Air "An infant raised by thy command" (Soprano) / Trio "Along the monster atheist strode" (Alto, Tenor, Bass)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene I, no. 3. Air "An infant raised by thy command" (Soprano) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene I, no. 4. Trio "Along the monster atheist strode" (Alto, Tenor, Bass) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:09
4Saul, HWV 53: Act I, Scene I. "The Youth inspired by Thee, o Lord" (Soprano, Alto, Tenor, Bass) / Chorus "How excellent Thy name, o Lord"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene I, no. 2b. Chorus "How excellent Thy name, o Lord" (2nd) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene I, no. 5. "The Youth inspired by Thee, o Lord" (Soprano, Alto, Tenor, Bass) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:56
5Saul, HWV 53: Act I, Scene II. Recitative "He comes, he comes" (Michal) / Air "O God-like youth!" (Michal) / Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
soprano vocals:
Rosemary Joshua (soprano) (in 2004-11)
tenor vocals:
Finnur Bjarnason (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 6. Recitative "He comes, he comes" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 7. Air "O God-like youth!" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 8. Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:38
6Saul, HWV 53: Act I, Scene II. Air "O king, your favours with delight" (David) / Recitative "Oh early piety!" (Jonathan)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 9. Air "O king, your favours with delight" (David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 10. Recitative "Oh early piety!" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel5:22
7Saul, HWV 53: Act I, Scene II. Air "What abject thoughts a prince can have!" (Merab) / Recitative "Yet think, on whom this honour you bestow" (Merab)
soprano vocals:
Emma Bell (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 11. Air "What abject thoughts a prince can have!" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 12. Recitative "Yet think, on whom this honour you bestow" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:14
8Saul, HWV 53: Act I, Scene II. Air "Birth and fortune I despise" (Jonathan)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 13. Air "Birth and fortune I despise" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel4:57
9Saul, HWV 53: Act I, Scene II. Recitative "Go on, illostrious pair!" (High Priest) / Air "While yet thy tide of blood runs high" (High Priest)
tenor vocals:
Michael Slattery (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 14. Recitative "Go on, illustrious pair!" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 15. Air "While yet thy tide of blood runs high" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:45
10Saul, HWV 53: Act I, Scene II. Recitative "Thou, Merab, first in birth, be first in honour" (Saul, Merab) / Air "My soul rejects the though with scorn" (Merab) / Air "See, with what a scornful air" (Michal) / Air "Ah, lovely youth, wast thou designed" (Michal)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
soprano vocals:
Emma Bell (soprano) (in 2004-11) and Rosemary Joshua (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 16. Recitative "Thou, Merab, first in birth, be first in honour" (Saul, Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 17. Air "My soul rejects the though with scorn" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 18. Air "See, with what a scornful air" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 19. Air "Ah, lovely youth, wast thou designed" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:20
11Saul, HWV 53: Act I, Scene II. Symphony: Andante Allegro / Recitative "Already see the daughters of the land" (Michal) / Scene III. Chorus "Welcome, welcome, mighty king!"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
soprano vocals:
Rosemary Joshua (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene II, no. 20. Symphony: Andante Allegro (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene II, no. 21. Recitative "Already see the daughters of the land" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 22. Chorus "Welcome, welcome, mighty king!" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:47
12Saul, HWV 53: Act I, Scene III. Accompagnato "What do I hear?" (Saul) / Chorus "David his ten thousands slew" / Accompagnato "To him ten thousands" (Saul) / Air "With rage I shall start burst his praises to hear" (Saul)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene III, no. 23. Accompagnato "What do I hear?" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 24. Chorus "David his ten thousands slew" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 25. Accompagnato "To him ten thousands" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene III, no. 26. Air "With rage I shall start burst his praises to hear" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:18
13Saul, HWV 53: Act I, Scene IV. Recitative "Imprudent women!" (Jonathan, Michal) / Air "Fell rage and black despair possessed" (Michal)
soprano vocals:
Rosemary Joshua (soprano) (in 2004-11)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene IV, no. 27. Recitative "Imprudent women!" (Jonathan, Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene IV, no. 28. Air "Fell rage and black despair possessed" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:59
14Saul, HWV 53: Act I, Scene IV. Recitative "This but the smallest part of Harmony" (High Priest) / Accompagnato "By thee this universal frame" (High Priest)
tenor vocals:
Michael Slattery (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene IV, no. 29. Recitative "This but the smallest part of Harmony" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene IV, no. 30. Accompagnato "By thee this universal frame" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:47
15Saul, HWV 53: Act I, Scene V. Recitative "Racked with infernal pains" (Abner) / Air "O Lord, whose mercies numberless" (David)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
tenor vocals:
Finnur Bjarnason (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene V, no. 31. Recitative "Racked with infernal pains" (Abner) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 32. Air "Oh Lord, whose mercies numberless" (David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:52
16Saul, HWV 53: Act I, Scene V. Symphony: Largo / Recitative "'Tis All In Vain, his fury still continues" (Jonathan)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene V, no. 33. Symphony: Largo (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 34. Recitative "'Tis All In Vain, his fury still continues" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:15
17Saul, HWV 53: Act I, Scene V. Air "A serpent, in my bosom warned" (Saul) / Recitative "Has he escaped my rage?" (Saul)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene V, no. 35. Air "A serpent, in my bosom warned" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene V, no. 36. Recitative "Has he escaped my rage?" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel2:22
18Saul, HWV 53: Act I, Scene V. Air "Capricious man" (Merab)
soprano vocals:
Emma Bell (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene V, no. 37. Air "Capricious man" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:38
19Saul, HWV 53: Act I, Scene VI. Accompagnato "O filial piety!" (Jonathan) / Air "No, cruel father, no!" (Jonathan)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene VI, no. 38. Accompagnato "O filial piety!" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene VI, no. 39. Air "No, cruel father, no!" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:00
20Saul, HWV 53: Act I, Scene VI. Air "O Lord, whose providence" (High Priest) / Chorus "Preserve him for the glory of Thy name"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
tenor vocals:
Michael Slattery (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act I, Scene VI, no. 40. Air "O Lord, whose providence" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
recording of:
Saul, HWV 53: Act I, Scene VI, no. 41. Chorus "Preserve him for the glory of Thy name" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act I
George Frideric Handel3:37
21Saul, HWV 53: Act II, Scene I. Chorus "Envy! Eldest born of hell!"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene I, no. 42. Chorus "Envy! Eldest born of hell!" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel2:48
22Saul, HWV 53: Act II, Scene I. Recitative "Ah! Dearest friend" (Jonathan) / Air "But sooner Jordan's stream, I swear" (Jonathan)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene II, no. 43. Recitative "Ah! Dearest friend" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene II, no. 44. Air "But sooner Jordan's stream, I swear" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel2:36
23Saul, HWV 53: Act II, Scene II. Recitative "Oh strange vicissitude!" (David, Jonathan) / Air "Such haughty beauties rather move" (David)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene II, no. 45. Recitative "Oh strange vicissitude!" (David, Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene II, no. 46. Air "Such haughy beauties" (David)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel5:08
CD 2
#TitleArtistRatingLength
1Saul, HWV 53: Act II, Scene II. Recitative "My father comes" (Jonathan) / Scene III. Recitative "Hast thou obeyed my orders" (Saul, Jonathan)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene II, no. 47. Recitative "My father comes" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene III, no. 48. Recitative "Hast thou obeyed my orders" (Saul, Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel0:43
2Saul, HWV 53: Act II, Scene III. Air "Sin not, o king, against the youth" (Jonathan) / Air "As great Jehovah lives (Saul) / Air "From cities stormed, and battles won" (Jonathan)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene III, no. 49. Air "Sin not, o king, against the youth" (Jonathan) (in 2004-11)
lyricist:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene III, no. 50. Air "As great Jehovah lives (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene III, no. 51. Air "From cities stormed, and battles won" (Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel4:55
3Saul, HWV 53: Act II, Scene IV. Recitative "Appear, my friend" (Jonathan, Saul) / Air "Your words, o king, my loyal heart" (David) / Recitative "Yes, he shall wed my daughter!" (Saul)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene IV, no. 52. Recitative "Appear, my friend" (Jonathan, Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene IV, no. 53. Air "Your words, o king, my loyal heart" (David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene IV, no. 54. Recitative "Yes, he shall wed my daughter!" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel1:49
4Saul, HWV 53: Act II, Scene V. Recitative "A father's will has authorised my love" (Michal) / Duet "O fairest of ten thousand fair" (Michal, David) / Chorus "Is there a man"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
soprano vocals:
Rosemary Joshua (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene V, no. 55. Recitative "A father's will has authorised my love" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene V, no. 56. Duet "O fairest of ten thousand fair" (Michal, David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene V, no. 57. Chorus "Is there a man" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel4:19
5Saul, HWV 53: Act II, Scene V. Symphony: Largo - Allegro
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene V, no. 58. Symphony: Largo - Allegro (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act II
George Frideric Handel4:35
6Saul, HWV 53: Act II, Scene VI. Recitative "Thy father is a cruel!" (David) / Duet "At persecution I can laugh" (David, Michal)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
soprano vocals:
Rosemary Joshua (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene VI, no. 59. Recitative "Thy father is a cruel!" (David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene VI, no. 60. Duet "At persecution I can laugh" (David, Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel1:37
7Saul, HWV 53: Act II, Scene VII. Recitative "Whom dost thou seek" (Michal, Doeg) / Air "No, no, let the guilty tremble" (Michal)
baritone vocals:
Henry Waddington (in 2004-11)
soprano vocals:
Rosemary Joshua (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene VII, no. 61. Recitative "Whom dost thou seek" (Michal, Doeg) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene VII, no. 62. Air "No, no, let the guilty tremble" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel2:14
8Saul, HWV 53: Act II, Scene VIII. Recitative "Mean as he was, he is my brother now" (Merab) / Air "Author of peace, who canst controul" (Merab)
soprano vocals:
Emma Bell (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene VIII, no. 63. Recitative "Mean as he was, he is my brother now" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene VIII, no. 64. Air "Author of peace, who canst controul" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel3:33
9Saul, HWV 53: Act II, Scene IX. Symphony: Allegro
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene IX, no. 65. Symphony: Allegro (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act II
George Frideric Handel1:06
10Saul, HWV 53: Act II, Scene IX. Accompagnato "The time at length is come" (Saul) / Scene X. Recitative "Where is the son of Jesse!" (Saul, Jonathan)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
tenor vocals:
Jeremy Ovenden (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene IX, no. 66. Accompagnato "The time at length is come" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
recording of:
Saul, HWV 53: Act II, Scene X, no. 67. Recitative "Where is the son of Jesse!" (Saul, Jonathan) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel1:30
11Saul, HWV 53: Act II, Scene X. Chorus "Oh fatal consequence of Rage"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act II, Scene X, no. 68. Chorus "Oh fatal consequence of Rage" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act II
George Frideric Handel4:46
12Saul, HWV 53: Act III, Scene I. Accompagnato "Wretch that I am" (Saul) / Accompagnato "'Tis said, here lives a woman" (Saul)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene I, no. 69. Accompagnato "Wretch that I am" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene I, no. 70. Accompagnato "'Tis said, here lives a woman" (Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel3:15
13Saul, HWV 53: Act III, Scene II. Recitative "With me what would'st thou" (Witch, Saul) / Air "Infernal spirits" (Witch of Endor)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
tenor vocals:
Michael Slattery (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene II, no. 71. Recitative "With me what would'st thou" (Witch, Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene II, no. 72. Air "Infernal spirits" (Witch of Endor) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel2:50
14Saul, HWV 53: Act III, Scene III. Accompagnato "Why hast thou forced me from the realm of peace" (Samuel, Saul)
baritone vocals:
Henry Waddington (in 2004-11)
bass-baritone vocals:
Gidon Saks (bass-baritone) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene III, no. 73. Accompagnato "Why hast thou forced me from the realm of peace" (Samuel, Saul) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel2:42
15Saul, HWV 53: Act III, Scene III. Symphony: Allegro
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene III, no. 74. Symphony: Allegro (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act III
George Frideric Handel0:34
16Saul, HWV 53: Act III, Scene IV. Recitative "Whence comest thou?" (David, Amalekite) / Air "Impious wretch, of race accurst!" (David)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
tenor vocals:
Finnur Bjarnason (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene IV, no. 75. Recitative "Whence comest thou?" (David, Amalekite) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene IV, no. 76. Air "Impious wretch, of race accurst!" (David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel2:53
17Saul, HWV 53: Act III, Scene IV. March: Grave
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene IV, no. 77. March: Grave (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Saul, HWV 53: Act III
George Frideric Handel3:03
18Saul, HWV 53: Act III, Scene V. Chorus "Mourn, Israel!"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene V, no. 78. Chorus "Mourn, Israel!" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel3:27
19Saul, HWV 53: Act III, Scene V. Air "Oh let it not in Gath be heard" (High Priest)
tenor vocals:
Michael Slattery (tenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene V, no. 79. Air "Oh let it not in Gath be heard" (High Priest) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel2:07
20Saul, HWV 53: Act III, Scene V. Air "From this unhappy day" (Merab)
soprano vocals:
Emma Bell (soprano) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene V, no. 80. Air "From this unhappy day" (Merab) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel2:39
21Saul, HWV 53: Act III, Scene V. Air "Brave Jonathan his bow never drew" (David) / Chorus "Eagles were not so swift as they"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene V, no. 81. Air "Brave Jonathan his bow never drew" (David) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene V, no. 82. Chorus "Eagles were not so swift as they" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel2:10
22Saul, HWV 53: Act III, Scene V. Air "In sweetest harmony they lived!" (Michal) / Solo "O fatal day" (David and Chorus) / Recitative "Ye men of Judah, weep no more!" (Abner)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2004-11)
soprano vocals:
Rosemary Joshua (soprano) (in 2004-11)
tenor vocals:
Finnur Bjarnason (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene V, no. 83. Air "In sweetest harmony they lived!" (Michal) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene V, no. 84. Solo "O fatal day" (David and Chorus) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
recording of:
Saul, HWV 53: Act III, Scene V, no. 85. Recitative "Ye men of Judah, weep no more!" (Abner) (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel9:07
23Saul, HWV 53: Act III, Scene V. Chorus "Gird on thy sword, thou man of might"
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2004-11)
orchestra:
Concerto Köln (in 2004-11)
conductor:
René Jacobs (conductor) (in 2004-11)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-11)
recording of:
Saul, HWV 53: Act III, Scene V, no. 86. Chorus "Gird on thy sword, thou man of might" (in 2004-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
librettist:
Charles Jennens
part of:
Saul, HWV 53: Act III
George Frideric Handel5:01
CD 3
#TitleArtistRatingLength
1Messiah, HWV 56: Part I, no. 1. Sinfony
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:00
2Messiah, HWV 56: Part I, no. 2. Accompagnato "Comfort ye, my people, saith your God"
tenor vocals:
Kobie van Rensburg (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:59
3Messiah, HWV 56: Part I, no. 3. Air "Every valley shall be exalted"
tenor vocals:
Kobie van Rensburg (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry Valley” (Tenor) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:01
4Messiah, HWV 56: Part I, no. 4. Chorus "And the glory of the Lord shall be revealed"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the Glory of the Lord” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:34
5Messiah, HWV 56: Part I, no. 5. Accompagnato "Thus saith the Lord of Hosts"
bass vocals:
Neal Davies (operatic bass) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:19
6Messiah, HWV 56: Part I, no. 6. Air "But who may abide the day of His coming?"
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:51
7Messiah, HWV 56: Part I, no. 7. Chorus "And He shall purify the sons of Levi"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:24
8Messiah, HWV 56: Part I, no. 8. Recitative "Behold, a virgin shall conceive" / no. 9. Air & Chorus "O thou that tellest good tidings to Zion arise"
alto vocals:
Patricia Bardon (mezzo-soprano) (in 2006-01)
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:28
9Messiah, HWV 56: Part I, no. 10. Accompagnato "For behold, darkness shall cover the earth"
bass vocals:
Neal Davies (operatic bass) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:18
10Messiah, HWV 56: Part I, no. 11. Air "The people that walked in darkness"
bass vocals:
Neal Davies (operatic bass) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:42
11Messiah, HWV 56: Part I, no. 12. Chorus "For unto us a child is born"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For Unto Us a Child Is Born” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:58
12Messiah, HWV 56: Part I, no. 13. Sinfonia Pastorale: (Pifa) / no. 14a. Recitative "There where shepherds abiding in the field" / no. 14b. Accompagnato "And lo, the angel of the Lord came upon them" / no. 15. Recitative "And the angel said unto them: Fear not, for behold" / no. 16. Accompagnato "And suddenly there was with the angel"
soprano vocals:
Kerstin Avemo (soprano) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:41
13Messiah, HWV 56: Part I, no. 17. Chorus "Glory to God in the highest"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:04
14Messiah, HWV 56: Part I, no. 19. Air "Rejoice greatly, O daughter of Zion"
soprano vocals:
Kerstin Avemo (soprano) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:34
15Messiah, HWV 56: Part I, no. 19. Recitative "Then shalll the eyes of the blind be opened" / 20. Air "He shall feed His flock like a shepherd"
alto vocals:
Patricia Bardon (mezzo-soprano) (in 2006-01)
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:59
16Messiah, HWV 56: Part I, no. 21. Chorus "His yoke is easy, and His burden is light"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:21
17Messiah, HWV 56: Part II, no. 22. Chorus "Behold the lamb of God"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:25
18Messiah, HWV 56: Part II, no. 23. Air "He was despised and rejected of men"
alto vocals:
Patricia Bardon (mezzo-soprano) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel10:42
19Messiah, HWV 56: Part II, no. 24. Chorus "Surely He hath borne our griefs"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:46
20Messiah, HWV 56: Part II, no. 25. Chorus "And with His stripes we are healed"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:42
21Messiah, HWV 56: Part II, no. 26. Chorus "All we like sheep have gone astray"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:51
CD 4
#TitleArtistRatingLength
1Messiah, HWV 56: Part II, no. 27. Accompagnato "All they that see Him laugh Him to scorn"
tenor vocals:
Kobie van Rensburg (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:36
2Messiah, HWV 56: Part II, no. 28. Chorus "He trusted in God that He would deliver Him"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:11
3Messiah, HWV 56: Part II, no. 29. Accompagnato "Thy rebuke hath broken His heart"
tenor vocals:
Kobie van Rensburg (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:30
4Messiah, HWV 56: Part II, no. 30. Arioso "Behold and see if there be any sorrow"
tenor vocals:
Kobie van Rensburg (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:22
5Messiah, HWV 56: Part II, no. 31. Accompagnato "He was cut off out of the land of the living" / no. 32. Air "But Thou didst no.t leave His soul in hell"
soprano vocals:
Kerstin Avemo (soprano) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:15
6Messiah, HWV 56: Part II, no. 33. Chorus "Lift up your heads, O ye gates"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:04
7Messiah, HWV 56: Part II, no. 34. Recitative "Unto which of the angels said He at any time"
tenor vocals:
Kobie van Rensburg (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:15
8Messiah, HWV 56: Part II, no. 35. Chorus "Let all the angels of God worship Him"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:24
9Messiah, HWV 56: Part II, no. 36. Air "Thou art gone up on high"
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:48
10Messiah, HWV 56: Part II, no. 37. Chorus "The Lord gave the world"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:09
11Messiah, HWV 56: Part II, no. 38. Air "How beautiful are the feet of them"
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Alto) (aria version without chorus, transposed for Alto) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1750)
revision of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
George Frideric Handel2:41
12Messiah, HWV 56: Part II, no. 39. Chorus "Their sound is gone out into all lands"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:25
13Messiah, HWV 56: Part II, no. 40. Air "Why do the nations so furiously rage together"
bass vocals:
Neal Davies (operatic bass) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:50
14Messiah, HWV 56: Part II, no. 41. Chorus "Let us break their bonds asunder"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:36
15Messiah, HWV 56: Part II, no. 42. Recitative "He that dwelleth in heaven shall laugh them to scorn" / no. 43. Air "Thou shalt break them with a rod of iron"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
tenor vocals:
Kobie van Rensburg (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:59
16Messiah, HWV 56: Part II, no. 44. Chorus "Hallelujah!"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:57
17Messiah, HWV 56: Part III, no. 45. Air "I know that my redeemer liveth"
soprano vocals:
Kerstin Avemo (soprano) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I Know That my Redeemer Liveth” (Soprano) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:02
18Messiah, HWV 56: Part III, no. 46. Chorus "Since by man came death"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:57
19Messiah, HWV 56: Part III, no. 47. Accompagnato "Behold, I tell you a mystery" / no. 48. Air "The trumpet shall sound"
bass vocals:
Neal Davies (operatic bass) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I Tell you a Mystery” (Bass) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The Trumpet Shall Sound” (Bass) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:36
20Messiah, HWV 56: Part III, no. 49. Recitative "Then shall be brought to pass the saying that is written" / no. 50. Duet: O Death, where is thy sting?"
alto vocals:
Patricia Bardon (mezzo-soprano) (in 2006-01)
tenor vocals:
Kobie van Rensburg (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:17
21Messiah, HWV 56: Part III, no. 51. Chorus "But thanks be to God who giveth us the victory"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:03
22Messiah, HWV 56: Part III, no. 52. Air "If God be for us, who can be against us?"
countertenor vocals:
Lawrence Zazzo (countertenor) (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:19
23Messiah, HWV 56: Part III, no. 53. Chorus "Worthy is the Lamb that was slain" / no. 54. Chorus "Amen"
choir vocals:
Choir of Clare College, Cambridge (in 2006-01)
orchestra:
Freiburger Barockorchester (in 2006-01)
conductor:
René Jacobs (conductor) (in 2006-01)
recorded at:
Paulussaal in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 2006-01)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 2006-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:51

Credits

Release

ASIN:UK: B001CCHPNK [info]