Bernstein Festival

~ Release by Leonard Bernstein (see all versions of this release, 1 available)

Annotation

Barcode is on cardboard that contains 5 CDs (in jewel cases)
435 510-2 SET
435 511-2 CD1
435 512-2 CD2
435 513-2 CD3
435 514-2 CD4
435 515-2 CD5

Annotation last modified on 2018-08-04 16:33 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Symphonie Nr. 9 in e-moll op. 95 "Aus der neuen Welt": 1. Adagio — Allegro molto
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1986-09-24)
conductor:
Leonard Bernstein (on 1986-09-24)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1986-09-24)
live recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (on 1986-09-24)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák12:37
2Symphonie Nr. 9 in e-moll op. 95 "Aus der neuen Welt": 2. Largo
cor anglais:
Merrill Greenberg (on 1986-09-24)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1986-09-24)
conductor:
Leonard Bernstein (on 1986-09-24)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1986-09-24)
live recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (on 1986-09-24)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák18:29
3Symphonie Nr. 9 in e-moll op. 95 "Aus der neuen Welt": 3. Molto vivace
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1986-09-24)
conductor:
Leonard Bernstein (on 1986-09-24)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1986-09-24)
live recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (on 1986-09-24)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák7:06
4Symphonie Nr. 9 in e-moll op. 95 "Aus der neuen Welt": 4. Allegro con fuoco
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1986-09-24)
conductor:
Leonard Bernstein (on 1986-09-24)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1986-09-24)
live recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (on 1986-09-24)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák12:24
▼ CD 2
#TitleRatingLength
1Jet Song
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
vocals:
Stephen Bogardus (on 1984-09-07), David Livingston (on 1984-09-07) and Peter Thom (musical theatre actor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Jet Song (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
3:17
2Something's Coming
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Something’s Coming (Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc.
part of:
West Side Story
2:35
3Maria
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Maria (Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
3:00
4Tonight
soprano vocals:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
edit of:
West Side Story: No. 6: Balcony Scene (Tonight) by Kiri Te Kanawa (soprano), José Carreras (Spanish tenor)
recording of:
West Side Story: Tonight (Maria, Tony) (on 1984-09-07)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
5:31
5America
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
mezzo-soprano vocals [Rosalia]:
Louise Edeiken (mezzo-soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: America (Anita, Shark Girls) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) and The Leonard Bernstein Music Publishing Company LLC (in 1957)
part of:
West Side Story
4:49
6Cool
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Cool (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
4:40
7One Hand, One Heart
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: One Hand, One Heart (Tony, Maria) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
version of:
One (early version of "One Hand, One Heart" from West Side Story)
part of:
West Side Story
5:40
8Tonight (Ensemble)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
baritone vocals [Riff]:
Kurt Ollmann (baritone) (on 1984-09-07)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
vocals:
Richard Harrell (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Tonight Quintet (Jets, Sharks, Anita, Tony, Maria, Riff, Bernardo) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
3:42
9I Feel Pretty
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Rosalia]:
Louise Edeiken (mezzo-soprano) (on 1984-09-07)
soprano vocals [Consuela]:
Stella Zambalis (spinto soprano) (on 1984-09-07)
soprano vocals [Francisca]:
Angelina Réaux (US soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: I Feel Pretty (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
3:25
10Somewhere
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
2:38
11Gee, Officer Krupke
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
vocals:
Stephen Bogardus (on 1984-09-07), Todd Lester (on 1984-09-07), David Livingston (on 1984-09-07), Marty Nelson (on 1984-09-07) and Peter Thom (musical theatre actor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Gee, Officer Krupke! (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
4:20
12A Boy Like That
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: A Boy Like That (Anita, Maria) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
2:05
13I Have a Love
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
mezzo-soprano vocals [Anita]:
Tatiana Troyanos (mezzo-soprano) (on 1984-09-07)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: I Have a Love (Maria, Anita) (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
3:30
14Taunting Scene
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Taunting Scene (on 1984-09-07)
composer:
Leonard Bernstein
quotes music from:
West Side Story: The Dance at the Gym: Mambo
quotes music from:
West Side Story: America (Anita, Shark Girls)
part of:
West Side Story
1:21
15Finale
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1984-09-07) and Wolf-Dieter Karwatky (on 1984-09-07)
miscellaneous support:
Alison Ames (task: Coordination) and Claudia Hamann (task: Coordination)
executive producer:
Hanno Rinke
producer:
John McClure (recording engineer and record producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
soprano vocals [Maria]:
Kiri Te Kanawa (soprano) (on 1984-09-07)
tenor vocals [Tony]:
José Carreras (Spanish tenor) (on 1984-09-07)
conductor:
Leonard Bernstein (on 1984-09-07)
orchestrator:
Leonard Bernstein, Irwin Kostal and Sid Ramin
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1984-09-07)
recording of:
West Side Story: Finale (on 1984-09-07)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
quotes music from:
West Side Story: I Have a Love (Maria, Anita)
quotes music from:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
part of:
West Side Story
2:40
▼ CD 3
#TitleArtistRatingLength
1Symphonie Nr. 1 B-dur op. 38 "Frühling": I. Andante un poco maestoso - Allegro molto vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (on 1984-10-14)
conductor:
Leonard Bernstein (on 1984-10-14)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1984-10-14)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1984-10-14)
live recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: I. Andante un poco maestoso - Allegro molto vivace (on 1984-10-14)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann11:34
2Symphonie Nr. 1 B-dur op. 38 "Frühling": II. Larghetto - attacca
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (on 1984-10-14)
conductor:
Leonard Bernstein (on 1984-10-14)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1984-10-14)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1984-10-14)
live recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: II. Larghetto - (attacca:) (on 1984-10-14)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann7:47
3Symphonie Nr. 1 B-dur op. 38 "Frühling": III. Scherzo, Molto vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (on 1984-10-14)
conductor:
Leonard Bernstein (on 1984-10-14)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1984-10-14)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1984-10-14)
live recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace (on 1984-10-14)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann5:45
4Symphonie Nr. 1 B-dur op. 38 "Frühling": IV. Allegro animato e grazioso
producer:
Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (on 1984-10-14)
conductor:
Leonard Bernstein (on 1984-10-14)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1984-10-14)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1984-10-14)
live recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso (on 1984-10-14)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann8:25
5Konzert für Klavier und Orchester a-moll op. 54: I. Allegro affettusoso
piano:
Justus Frantz (pianist and conductor) (on 1984-02-06)
orchestra:
Wiener Philharmoniker (on 1984-02-06)
conductor:
Leonard Bernstein (on 1984-02-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1984-02-06)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso (on 1984-02-06)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann15:12
6Konzert für Klavier und Orchester a-moll op. 54: II. Intermezzo, Andantino grazioso - attacca
piano:
Justus Frantz (pianist and conductor) (on 1984-02-06)
orchestra:
Wiener Philharmoniker (on 1984-02-06)
conductor:
Leonard Bernstein (on 1984-02-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1984-02-06)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso (on 1984-02-06)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann5:46
7Konzert für Klavier und Orchester a-moll op. 54: III. Allegro vivace
piano:
Justus Frantz (pianist and conductor) (on 1984-02-06)
orchestra:
Wiener Philharmoniker (on 1984-02-06)
conductor:
Leonard Bernstein (on 1984-02-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1984-02-06)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace (on 1984-02-06)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann10:26
▼ CD 4
#TitleArtistRatingLength
1Ouvertüre solennelle 1812, Op. 49
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1984-05-15)
conductor:
Leonard Bernstein (on 1984-05-15)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1984-05-15)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (on 1984-05-15)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
Peter Tchaikovsky15:42
2Capriccio Italien, Op. 45
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1984-05-15)
conductor:
Leonard Bernstein (on 1984-05-15)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1984-05-15)
recording of:
Capriccio italien, op. 45 (on 1984-05-15)
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Peter Tchaikovsky15:59
3Romeo and Juliet
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (on 1978-10-23)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (on 1978-10-23)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (on 1978-10-23)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Peter Tchaikovsky20:08
▼ CD 5
#TitleArtistRatingLength
1Rhapsody in Blue
piano:
Leonard Bernstein (on 1982-07-24)
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (on 1982-07-24)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1983)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Rhapsody in Blue (standard 1942 orchestration) (on 1982-07-24)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin17:20
2Adagio for Strings
orchestra:
Los Angeles Philharmonic Orchestra (on 1982-07-24)
conductor:
Leonard Bernstein (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Adagio for Strings (on 1982-07-24)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber10:15
3Appalachian Spring
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
live recording of:
Appalachian Spring Suite (for full orchestra, 1945) (on 1982-07-24)
composer:
Aaron Copland (composer) (in 1945)
is based on:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland26:35

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ASIN:DE: B000025TT3 [info]