The Voice of Mozart

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1The Magic Flute: Der Vogelfänger bin ich ja
baritone vocals [Papageno]:
Mikael Melbye (bass-baritone) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:03
2The Magic Flute: Dies Bildnis ist bezaubernd Schön
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
tenor vocals [Tamino]:
Peter Schreier (German tenor and conductor) (in 1984)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984, in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984, in 1984-01)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1984)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:56
3The Magic Flute: Der Hölle Rache kocht in meinem Herze
choir vocals:
Chor der Staatsoper Dresden (in 1984-01)
soprano vocals:
Luciana Serra (soprano) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:56
4The Magic Flute: O Isis und Osiris
bass vocals:
Kurt Moll (operatic bass) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:56
5The Magic Flute: Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
producer:
Evans Mirageas and Christopher Raeburn (producer)
baritone vocals [Papageno]:
Bryn Terfel (bass-baritone opera singer) (from 1998-06-06 until 1998-06-10)
mezzo-soprano vocals [Papagena]:
Cecilia Bartoli (mezzo-soprano) (from 1998-06-06 until 1998-06-10)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (sound engineer) (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1998-06-06 until 1998-06-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:25
6The Abduction from the Seraglio: Welche Wonne, welche lust
soprano vocals:
Kathleen Battle (soprano)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:45
7Il Rè Pastore: L'amero, saro costante
producer:
Michael Bremner (producer/engineer)
harpsichord:
John Constable (pianist) (in 1989-01)
soprano vocals:
Angela Maria Blasi (soprano) (in 1989-01)
orchestra:
Academy of St Martin in the Fields (in 1989-01)
conductor:
Sir Neville Marriner (conductor) (in 1989-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1989-01)
recording of:
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta) (in 1989-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
part of:
Il rè pastore, K. 208: Act II
7:36
8Idomeneo, Rè di Creta: Se il padre perdei
producer:
Rupert Fäustle and Wilhelm Meister (Tonmeister / recording producer)
soprano vocals:
Barbara Hendricks (soprano) (in 1991-01)
orchestra:
Bavarian Radio Symphony Orchestra (in 1991-01)
conductor:
Sir Colin Davis (English conductor) (in 1991-01)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1991-01)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) (in 1991-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
6:18
9Cosi fan tutte: Soave sia il vento
bass vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
soprano vocals [Dorabella]:
Anne Sofie von Otter (mezzo-soprano)
soprano vocals [Fiordiligi]:
Karita Mattila (soprano)
vocals:
Karita Mattila (soprano), Anne Sofie von Otter (mezzo-soprano) and José van Dam (Belgian operatic bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
3:24
10La Clemenza di Tito: Ah, perdona al primo affetto
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (in 1976-07)
soprano vocals:
Lucia Popp (soprano) (in 1976-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1976-07)
conductor:
Sir Colin Davis (English conductor) (in 1976-07)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1976-07)
recording of:
La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) (in 1976-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
3:13
11Don Giovanni: Notte e giorno faticar
bass vocals:
Gilles Cachemaille (bass-baritone)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
4:45
12Don Giovanni: Madamina, il catalogo è questo
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Leporello]:
Wladimiro Ganzarolli (bass-baritone) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:25
13Don Giovanni: Ah fuggi il traditor!
soprano vocals:
Della Jones (mezzo-soprano)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:07
14Don Giovanni: Dalla sua pace
harpsichord:
John Constable (pianist) (in 1973-05)
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
4:24
15Don Giovanni: Fin ch'han dal vino
producer:
Michael Woolcock (producer)
baritone vocals [Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1996-10-05 until 1996-10-07)
orchestra:
London Philharmonic Orchestra (LPO) (from 1996-10-05 until 1996-10-07)
conductor:
Sir Georg Solti (conductor) (from 1996-10-05 until 1996-10-07)
balance engineer:
Neil Hutchinson (sound engineer) (from 1996-10-05 until 1996-10-07) and James Lock (engineer) (from 1996-10-05 until 1996-10-07)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1996-10-05 until 1996-10-07)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1996-10-05 until 1996-10-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:20
16Don Giovanni: Deh vieni alla finestra
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Royal Opera Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
1:59
17Don Giovanni: Il mio tesoro intanto
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:31
18Don Giovanni: Mi Tradì quell'alma ingrata
soprano vocals [Donna Elvira]:
Kiri Te Kanawa (soprano) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
3:59
19Don Giovanni: 'Don Giovanni, a cenar teco
bass vocals:
Kristinn Sigmundsson (operatic bass)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
5:22
▶ CD 2