Jukebox Favourites: Hits of the 30s & 40s

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Boogie Woogie Bugle Boy
recorded in:
Los Angeles, California, United States (on 1941-01-02)
vocals:
The Andrews Sisters (on 1941-01-02), Maxene Andrews (on 1941-01-02), Laverne Andrews (on 1941-01-02) and Patti Andrews (on 1941-01-02)
orchestra:
Vic Schoen and His Orchestra (on 1941-01-02)
phonographic copyright (℗) by:
Geffen Records (in 1941)
recording of:
Boogie Woogie Bugle Boy (on 1941-01-02)
writer:
Hughie Prince and Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Andrews Sisters2:43
2Chattanooga Choo Choo
recording of:
Chattanooga Choo Choo
lyricist:
Mack Gordon (in 1941)
composer:
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Glenn Miller3:25
3Into Each Life Some Rain Must Fall
cover recording of:
Into Each Life Some Rain Must Fall
lyricist:
Allan Roberts (songwriter)
composer:
Doris Fisher
The Ink Spots & Ella Fitzgerald3:07
4On a Slow Boat to China
recorded in:
Hollywood, Los Angeles, California, United States (on 1947-11-06)
lead vocals:
Harry Babbitt (on 1947-11-06) and Gloria Wood (on 1947-11-06)
orchestra:
Kay Kyser and His Orchestra (on 1947-11-06)
recording of:
On a Slow Boat to China (on 1947-11-06)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
Kay Kyser3:20
5Hey! Ba‐Ba Re‐Bob
recording of:
Hey! Ba-Ba-Re-Bop
writer:
Curley Hamner and Lionel Hampton
Lionel Hampton3:23
6Smoke, Smoke, Smoke – That Cigarette
Tex Williams and His Western Caravan2:57
7Dinah
Bing Crosby & The Mills Brothers2:51
8Kicking the Gong Around
banjo:
Morris White (jazz guitarist) (on 1931-10-21)
double bass:
Jimmy Smith (Cotton Club bassist) (on 1931-10-21)
drums (drum set):
Leroy Maxey (jazz drummer) (on 1931-10-21)
piano:
Benny Payne (jazz pianist and vocalist) (on 1931-10-21)
reeds:
Andrew Brown (jazz saxophonist) (on 1931-10-21)
trombone:
DePriest Wheeler (on 1931-10-21) and Harry White (jazz trombonist) (on 1931-10-21)
trumpet:
Reuben Reeves (on 1931-10-21), Edwin Swayze (on 1931-10-21) and Lammar Wright (on 1931-10-21)
woodwind:
Walter Thomas (on 1931-10-21)
lead vocals:
Cab Calloway (on 1931-10-21)
vocals:
Cab Calloway (on 1931-10-21)
recording of:
Kickin’ the Gong Around (on 1931-10-21)
lyricist:
Ted Koehler
composer:
Harold Arlen
Cab Calloway3:15
9Between the Devil and the Deep Blue Sea
Louis Armstrong3:04
10Cheek to Cheek
vocals:
Sam Browne (on 1935-10-12)
orchestra:
Lew Stone & His Band (on 1935-10-12)
recording of:
Cheek to Cheek (from “Top Hat”) (on 1935-10-12)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Top Hat (1935 film)
Lew Stone & Sam Browne3:05
11Blue Skies
recording of:
Blue Skies
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Benny Goodman3:37
12Sweet Leilani
vocals:
Bing Crosby (on 1937-02-23)
performer:
Lani McIntire and His Hawaiians (on 1937-02-23)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
cover recording of:
Sweet Leilani (on 1937-02-23)
lyricist and composer:
Harry Owens (on 1934-10-20)
part of:
Academy Award for Best Original Song (number: 10)
Bing Crosby3:13
13I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
Ethel Merman & Johnny Green3:07
14Night and Day
Fred Astaire3:33
15Little Brown Jug
Glenn Miller2:57
16You’re Driving Me Crazy – What Did I Do
Guy Lombardo & His Royal Canadians3:19
17Over the Rainbow
vocals:
Judy Garland (on 1938-10-07)
orchestra:
MGM Orchestra (on 1938-10-07)
conductor:
Georgie Stoll and Herbert Stothart (composer) (on 1938-10-07)
arranger:
Herbert Stothart (composer)
orchestrator:
Murray Cutter
recording of:
Over the Rainbow (The Wizard of Oz) (on 1938-10-07)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1939 film soundtrack)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
Judy Garland4.52:47
18It’s a Sin to Tell a Lie
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-06-05)
drums (drum set):
Arnold Boling (on 1936-06-05)
guitar:
Al Casey (US jazz/soul guitarist) (on 1936-06-05)
piano:
Fats Waller (on 1936-06-05)
reeds:
Gene Sedric (on 1936-06-05)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-06-05)
vocals:
Fats Waller (on 1936-06-05)
recording of:
It’s a Sin to Tell a Lie (on 1936-06-05)
lyricist and composer:
Billy Mayhew (in 1936)
Fats Waller2:59
19Let’s Face the Music & Dance
vocals:
Harry Roy (on 1936-03-23)
orchestra:
Harry Roy & His Orchestra (on 1936-03-23)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1936-03-23)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Harry Roy and His Orchestra3:04
20One O’Clock Jump
Count Basie & Buck Clayton3:01
21A Message From the Man in the Moon
vocals:
Joséphine Baker (on 1937-11-06)
orchestra:
Orchestre Wal-Berg (on 1937-11-06)
recording of:
A Message from the Man in the Moon (on 1937-11-06)
lyricist:
Gus Kahn
composer:
Walter Jurmann and Bronisław Kaper
Joséphine Baker3:00
22He Ain’t Got Rhythm
Nat Gonella And His Georgians3:14
▼ CD 2
#TitleArtistRatingLength
1You Go to My Head
recording of:
You Go to My Head (on 1938-05-11)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Billie Holiday2:55
2Minnie the Moocher
Cab Calloway3:13
3I Let a Song Out of My Heart
Mildred Bailey2:58
4Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (trombone player) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (jazz trumpeter) (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Artie Shaw3:15
5I, Yi, Yi, Yi, Yi – I Like You Very Much
recorded in:
Los Angeles, California, United States (on 1941-01-05)
vocals:
Carmen Miranda (on 1941-01-05)
orchestra:
Bando da Lua e Garoto (on 1941-01-05)
recording of:
I, yi, yi, yi, yi (on 1941-01-05)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp.
Carmen Miranda2:15
6Cherokee
recording of:
Cherokee
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Charlie Barnet3:21
7Stormy Weather
conductor:
Lou Bring (conductor and pianist) (on 1941-12-15)
cover recording of:
Stormy Weather (on 1941-12-15)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Lena Horne3:49
8Anything Goes
Cole Porter3:06
9At the Woodchoppers’ Ball
Woody Herman3:19
10New San Antonio Rose
Bob Wills & His Texas Playboys2:38
11You Are My Sunshine
recording of:
You Are My Sunshine (on 1941-06-18)
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
Gene Autry2:29
12String of Pearls
Benny Goodman2:59
13La Mer
vocals:
Charles Trenet (on 1946-03-19)
conductor:
Albert Lasry (on 1946-03-19)
recording of:
La Mer (on 1946-03-19)
lyricist:
Charles Trenet (in 1945)
composer:
Albert Lasry (in 1945) and Charles Trenet (in 1945)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Charles Trenet3:25
14Don’t Get Around Much Anymore
The Ink Spots33:05
15Jingle, Jangle, Jingle
recording of:
Jingle Jangle Jingle (on 1942-05-21)
writer:
Joseph J. Lilley
composer:
Frank Loesser
Kay Kyser & Harry Babbitt3:20
16Cocktails for Two
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-11-29)
vocals:
City Slickers and Carl Grayson (on 1944-11-29)
orchestra:
Spike Jones and His City Slickers (on 1944-11-29)
part of:
V Disc (by matrix number) (number: VP 939 (2))
recording of:
Cocktails for Two (on 1944-11-29)
lyricist:
Arthur Johnston (American composer and songwriter)
composer:
Sam Coslow
Spike Jones & His City Slickers43:00
17Oh, What a Beautiful Mornin’ – From Oklahoma
conductor:
Jay Blackton
orchestrator:
Robert Russell Bennett
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (from 1943-10-20 until 1944-05-24)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Alfred Drake2:35
18Take the a Train
alto saxophone:
Harry Carney (on 1941-02-15), Otto Hardwick (on 1941-02-15) and Johnny Hodges (on 1941-02-15)
baritone saxophone:
Harry Carney (on 1941-02-15)
clarinet:
Barney Bigard (on 1941-02-15), Harry Carney (on 1941-02-15) and Johnny Hodges (on 1941-02-15)
cornet:
Rex Stewart (on 1941-02-15)
double bass [bass]:
Jimmie Blanton (on 1941-02-15)
drums (drum set) [drums]:
Sonny Greer (on 1941-02-15)
guitar:
Fred Guy (on 1941-02-15)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-02-15)
tenor saxophone:
Barney Bigard (on 1941-02-15) and Ben Webster (on 1941-02-15)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-02-15) and Joe Nanton (on 1941-02-15)
trumpet:
Wallace Jones (on 1941-02-15) and Ray Nance (on 1941-02-15)
valve trombone:
Juan Tizol (on 1941-02-15)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1941-02-15)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington2:58
19All or Nothing at All
recorded in:
New York, United States (on 1939-08-31)
alto saxophone:
Claude Lakey (on 1939-08-31) and Dave Matthews (jazz saxophonist) (on 1939-08-31)
double bass:
Thurman Teague (Jazz bassist) (on 1939-08-31)
drums (drum set):
Ralph Hawkins (jazz drummer) (on 1939-08-31)
guitar:
Red Kent (on 1939-08-31)
piano:
Jack Gardner (piano) (on 1939-08-31)
tenor saxophone:
Bill Luther (Jazz saxophonist) (on 1939-08-31) and Drew Page (on 1939-08-31)
trombone:
Russell Brown (Swing trombonist) (on 1939-08-31), Truett Jones (Jazz trombonist) (on 1939-08-31) and Dalton Rizzotto (Jazz trombonist) (on 1939-08-31)
trumpet:
Claude Bowen (on 1939-08-31), Harry James (US big band leader, trumpeter & actor) (on 1939-08-31), Jack Palmer (jazz trumpeter and singer) (on 1939-08-31) and Jack Schaeffer (on 1939-08-31)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1939-08-31)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1939-08-31)
orchestra:
Harry James and His Orchestra (on 1939-08-31)
conductor:
Harry James (US big band leader, trumpeter & actor) (on 1939-08-31)
arranger:
Andy Gibson (trumpet, arranger, composer) (on 1939-08-31)
recording of:
All or Nothing at All (on 1939-08-31)
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Harry James & Frank Sinatra33:00
20Paper Doll
recording of:
Paper Doll
lyricist and composer:
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Mills Brothers2:38
21Milkman Keep Those Bottles Quiet
Ella Mae Morse2:38
22AC‐Cent‐Tchu‐Ate the Positive
recording of:
Ac‐cent‐tchu‐ate the Positive
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Johnny Mercer and The Pied Pipers2:49
▼ CD 3
#TitleArtistRatingLength
1A Slick Chick – On the Mellow Side
double bass:
Johnny Williams (jazz bassist) (on 1946-10-03)
drums (drum set):
Walter Johnson (drums) (on 1946-10-03)
piano:
Red Richards (on 1946-10-03)
vocals:
Dinah Washington (on 1946-10-03)
recording of:
A Slick Chick (On the Mellow Side) (on 1946-10-03)
lyricist and composer:
Harvey Brooks (US jazz pianist and composer)
Dinah Washington & Tab Smith2:43
2Bell Bottom Trousers
Louis Prima Orchestra & Lilyann Carol2:51
3Rockin ´ Chair Blues
recording of:
Rockin’ Chair Blues
lyricist and composer:
William York
Ray Charles2:48
4Mairzy Doats
The Merry Macs2:46
5You Always Hurt the One You Love
recording of:
You Always Hurt the One You Love
lyricist:
Allan Roberts (songwriter)
composer:
Doris Fisher
publisher:
Doris Fisher Music Corp.
The Mills Brothers3:25
6Rum and Coca Cola
vocals:
The Andrews Sisters (on 1944-10-18)
recording of:
Rum and Coca-Cola (calypso) (on 1944-10-18)
additional lyricist:
Morey Amsterdam
lyricist:
Lord Invader (calypso vocalist and songwriter)
additional composer:
Paul Baron (conductor) and Jeri Sullivan
composer:
Lionel Belasco (Trinidadian-Venezuelan calypso pianist, composer and bandleader)
publisher:
EMI Feist Catalog Inc. and EMI Partnership Musikverlag GmbH
The Andrews Sisters3:10
7My Dreams Are Getting Better All the Time
recording of:
My Dreams Are Getting Better All The Time
lyricist:
Mann Curtis
composer:
Vic Mizzy (US television & movie composer) (in 1945)
Doris Day3:20
8Opus One
recording of:
Opus One (1943 song)
lyricist:
Sidney Reginald Garris
writer:
Sid Garis, Jenny Meltzer and Sy Oliver
composer:
Sy Oliver
publisher:
Embassy Music Corp. (on 1943-06-23)
part of:
New York, New York (soundtrack of the 1977 film)
Tommy Dorsey2:59
9You Won’t Be Satisfied – Until You Break My Heart
recorded in:
New York, New York, United States (on 1946-01-18)
alto saxophone:
George Koenig (on 1946-01-18) and Bill Stegmeyer (on 1946-01-18)
baritone saxophone:
Milton Schatz (on 1946-01-18)
bass:
Trigger Alpert (on 1946-01-18)
clarinet and reeds:
Bill Stegmeyer (on 1946-01-18)
double bass:
Trigger Alpert (on 1946-01-18)
drums (drum set):
Cozy Cole (on 1946-01-18)
guitar:
Danny Perri (on 1946-01-18)
piano:
Joe Bushkin (on 1946-01-18)
solo trumpet:
Louis Armstrong
tenor saxophone:
Art Drelinger (on 1946-01-18) and Jack Greenberg (on 1946-01-18)
trumpet:
Louis Armstrong (on 1946-01-18) and Billy Butterfield (on 1946-01-18)
vocals:
Louis Armstrong (on 1946-01-18) and Ella Fitzgerald (on 1946-01-18)
orchestra:
Bob Haggart and His Orchestra (on 1946-01-18)
conductor:
Bob Haggart (on 1946-01-18)
arranger:
Bob Haggart
cover recording of:
You Won’t Be Satisfied (Until You Break My Heart) (on 1946-01-18)
writer:
Freddy James and Larry Stock
Ella Fitzgerald & Louis Armstrong42:54
10Caldonia
vocals:
Woody Herman
recording of:
Caldonia (What Makes Your Big Head Hard?)
lyricist and composer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Fleecie Moore
writer:
Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (on 1945-04-16)
Woody Herman3:04
11Besame Mucho
Xavier Cugat3:27
12Put Your Shoes On, Lucy
Petula Clark2:45
13Little White Lies
accordion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1947-12-12)
vocals:
Dinah Shore (on 1947-12-12)
recording of:
Little White Lies (on 1947-12-12)
lyricist and composer:
Walter Donaldson
publisher:
Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
Dinah Shore2:25
14I Cover the Waterfront
The Ink Spots3:03
15Caravan
Joe Liggins & His Honeydrippers2:58
16The Night Has a Thousand Eyes
producer:
Jack Rollins
double bass:
Tommy Potter
guitar:
Jimmy Raney
piano:
Al Haig
tenor saxophone:
Zoot Sims (US jazz saxophonist)
lead vocals:
Harry Belafonte
arranger:
Fred Norman
recording of:
The Night Has a Thousand Eyes
lyricist:
Buddy Bernier
composer:
Buddy Bernier and Jerry Brainin
part of:
The Real Book (compilation of jazz standards, Volume I)
Harry Belafonte2:52
17I Got the Sun in the Morning
Mel Tormé2:59
18Nat Meets June
Nat King Cole & June Christy3:09
19Girl of My Dreams
orchestra:
Russ Case and His Orchestra
recording of:
Girl of My Dreams
lyricist and composer:
Charles Clapp (in 1927)
Perry Como3:15
20Civilisation
vocals:
The Andrews Sisters (on 1947-09-27) and Danny Kaye (on 1947-09-27)
orchestra:
Vic Schoen and His Orchestra (on 1947-09-27)
recording of:
Civilization (Angel in the Wings) (on 1947-09-27)
lyricist:
Bob Hilliard (in 1947)
composer:
Carl Sigman (in 1947)
Danny Kaye & The Andrews Sisters23:04
21Glow Worm
recording of:
The Glow‐Worm (Johnny Mercer version)
additional lyricist:
Johnny Mercer
composer:
Paul Lincke
translator:
Lilla Cayley Robinson
translated version of:
Lysistrata: „Glühwürmchen, Glühwürmchen flimm're” (Glühwürmchen-Idyll)
Johnny Mercer, Alvino Rey & Paul Weston2:54
22How Are Things in Glocca Mora
recording of:
How Are Things in Glocca Morra? (from "Finian's Rainbow")
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA) and Glocca Morra Music Corp.
part of:
Finian’s Rainbow (1947 Broadway musical)
Dick Haymes3:03
▼ CD 4
#TitleArtistRatingLength
1Black Coffee
lead vocals:
Sarah Vaughan (on 1949-01-20)
orchestra:
Joe Lipman & His Orchestra (on 1949-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
recording of:
Black Coffee (1948 song) (on 1949-01-20)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Sarah Vaughan53:19
2Mam’Selle
Frankie Laine2:54
3Bewitched, Bothered and Bewildered
background vocals:
The Mellomen (American singing quartet) (in 1950)
vocals:
Doris Day (in 1950)
orchestra:
John Rarig and His Orchestra (in 1950)
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Doris Day2:45
4Nature Boy
recorded in:
New York, New York, United States (on 1947-08-22)
additional guitar:
Oscar Moore (on 1947-08-22)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-22)
piano:
Nat King Cole (on 1947-08-22)
violin:
Harry Bluestone (on 1947-08-22)
vocals:
Nat King Cole (on 1947-08-22)
orchestra:
Frank De Vol Orchestra (on 1947-08-22)
recording of:
Nature Boy (on 1947-08-22)
lyricist and composer:
eden ahbez (composer of "Nature Boy", artist name lowercase by intent) (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Nat King Cole32:54
5Chi Baba Chi Baba
background vocals:
The Satisfiers
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1947, on 1947-04-10) and The Satisfiers (in 1947)
performer:
Lloyd Shaffer and His Orchestra (in 1947)
recording of:
Chi-Baba, Chi-Baba (My Bambino Go to Sleep)
writer:
Mack David (American lyricist and songwriter), Al Hoffman and Jerry Livingston (songwriter)
Perry Como2:58
6Crazy He Calls Me
double bass:
Jack Lesberg (on 1949-10-19)
drums (drum set):
Norris "Bunny" Shawker (on 1949-10-19)
guitar:
Tony Mottola (on 1949-10-19)
piano:
Bernie Leighton (on 1949-10-19)
reeds:
Milt Yaner (on 1949-10-19)
trumpet:
Bobby Hackett (on 1949-10-19)
woodwind:
John Fulton (on 1949-10-19)
vocals:
Billie Holiday (on 1949-10-19)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1949-10-19)
recording of:
Crazy He Calls Me (on 1949-10-19)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Billie Holiday3.653:05
7Cuanto Le Gusta
recorded in:
Los Angeles, California, United States (on 1947-11-29)
vocals:
The Andrews Sisters (on 1947-11-29) and Carmen Miranda (on 1947-11-29)
orchestra:
Bando da Lua e Garoto (on 1947-11-29) and Vic Schoen and His Orchestra (on 1947-11-29)
recording of:
Cuanto le gusta (on 1947-11-29)
lyricist:
Ray Gilbert
composer:
Gabriel Ruiz (Mexican composer)
Carmen Miranda3:01
8Pennies From Heaven
Rose Murphy2:18
9Buttons and Bows
accordion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1947-11-30)
vocals:
Dinah Shore (on 1947-11-30)
recording of:
Buttons and Bows (1947 song) (on 1947-11-30)
lyricist:
Ray Evans (US lyricist)
composer:
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (on 1948-02-25)
part of:
Academy Award for Best Original Song (number: 21)
Dinah Shore12:04
10Manana
vocals:
Peggy Lee (jazz vocalist)
orchestra:
Dave Barbour and The Brazilians
cover recording of:
Mañana (Is Soon Enough for Me)
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
Peggy Lee2:52
11You’re Breaking My Heart
recording of:
You’re Breaking My Heart (based on the Italian song Mattinata)
lyricist and arranger:
Pat Genaro (Songwriter) and Sunny Skylar
is based on:
Mattinata
Vic Damone3:15
12Smoke Gets in Your Eyes
recording engineer:
Harry Belafonte
producer:
Jack Rollins
double bass:
Tommy Potter
guitar:
Jimmy Raney
piano:
Al Haig
tenor saxophone:
Zoot Sims (US jazz saxophonist)
lead vocals:
Harry Belafonte
arranger:
Fred Norman
cover recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Harry Belafonte2:56
13Fine Brown Frame
Nellie Lutcher2:58
14That’s My Desire
Hadda Brooks2:46
15Doin’ What Comes Natur’lly
vocals:
Betty Hutton
recording of:
Doin’ What Comes Natur’lly (Annie Get Your Gun)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd.
part of:
Annie Get Your Gun
Betty Hutton2:42
16Let the Good Times Roll
Louis Jordan2:48
17I’ll Get Along Somehow
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
alto saxophone:
Vincent Bair-Bey
baritone saxophone:
Ernie Caceres
bass guitar:
Leonard Gaskin
drums (drum set):
Roy Haynes (American jazz drummer and bandleader)
piano:
Earl Washington
tenor saxophone:
Budd Johnson
trombone:
Tyree Glenn
trumpet:
Harold Baker
lead vocals:
Ruth Brown
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
I’ll Get Along Somehow
writer:
Buddy Fields and Gerald Marks
publisher:
Bourne, Inc.
Ruth Brown2:38
18Barbra Lee
The Orioles2:10
19I’ll Always Love You
Petula Clark3:10
20Blues Before Sunrise
cover recording of:
Blues Before Sunrise
lyricist and composer:
Leroy Carr
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Ray Charles2:50
21Butcher Pete, Part I
baritone saxophone:
Leroy Rankins (40-50s US jazz saxophonist) (on 1949-11-02)
bass guitar:
Tommy Shelvin (US bassist) (on 1949-11-02)
drums (drum set):
Frank Parker (1950s US R&B drummer) (on 1949-11-02)
guitar:
Louis Sargent (on 1949-11-02)
piano:
Edward Santineo (on 1950-04-19)
tenor saxophone:
Johnny Fontenette (on 1949-11-02)
trumpet:
Teddy Riley (US R&B singer & producer) (on 1949-11-02)
vocals:
Roy Brown (blues musician)
partial recording of:
Butcher Pete (on 1949-11-02)
writer:
Roy Brown (blues musician) (until 1949-11-02) and Henry Bernard (until 1949-11-02)
Roy Brown32:34
22Butcher Pete, Part II
Roy Brown2:47

Credits

Release

ASIN:US: B0089WGB9A [info]