Tout Pavarotti

~ Release by Luciano Pavarotti (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Caruso
tenor vocals:
Luciano Pavarotti (tenor)
recording of:
Caruso
lyricist and composer:
Lucio Dalla
publisher:
BMG Music Publishing Ltd., BMG Ricordi Music Publishing Spain, BMG Songs, Inc., Edizioni BMG Ariola Music, EMI Music Publishing Italia Srl (Italian branch of EMI Music Publishing), EMI Music Publishing Ltd. (PRS‐affiliated), Universal Music Publishing International MGB Ltd. and Universal Music Publishing Ricordi srl
5:22
2A vucchella
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1979-07)
recording engineer:
Colin Moorfoot (engineer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1979-07)
conductor:
Anton Guadagno (conductor) (in 1979-07)
arranger:
Giancarlo Chiaramello
recording of:
’A vucchella (in 1979-07)
lyricist:
Gabriele D'Annunzio (in 1892)
composer:
Francesco Paolo Tosti (composer) (in 1904)
3:14
3Core 'ngrato
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1985-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
Dala Luma
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Core ’ngrato (Catari, Catari) (for voice & orchestra) (in 1985-07)
lyricist:
Riccardo Cordiferro (in 1911)
composer:
Salvatore Cardillo (Italian-American composer) (in 1911)
publisher:
Ed. G. Ricordi & Cia. SpA
4:59
4Passione
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1985-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Passione (in 1985-07)
lyricist:
Libero Bovio (in 1934)
composer:
Ernesto Tagliaferri (composer) (in 1934) and Nicola Valente (in 1934)
3:50
5Maria, Marì!
4:02
6Cantique de Noël (O Holy Night)
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”) (in 1976-01)
lyricist:
Placide Cappeau
composer:
Adolphe Adam (composer) (in 1847)
is based on:
Minuit, chrétiens (Poem)
4:17
7Agnus dei
tenor vocals:
Luciano Pavarotti (tenor)
arranger:
Douglas Gamley (film composer)
recording of:
Agnus Dei
composer:
Georges Bizet (composer)
arranger:
Ernest Guiraud
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
3:48
8Cuius animam
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1970-12 until 1971-03)
orchestra:
London Symphony Orchestra (from 1970-12 until 1971-03)
conductor:
István Kertész (conductor) (from 1970-12 until 1971-03)
chorus master:
Arthur Oldham (chorus master) (from 1970-12 until 1971-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-12 until 1971-03)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (from 1970-12 until 1971-03)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
5:56
9Non mi lasciare… o muto asil
9:48
10Celeste aida
tenor vocals [Radamès]:
Luciano Pavarotti (tenor)
orchestra:
Vienna Volksoper Orchestra
conductor:
Leone Magiera (conductor, pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1974)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
4:31
11Com'e gentil
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Leone Magiera (conductor, pianist)
recording of:
Don Pasquale: Atto III. “Com’è gentil la notte a mezzo april!” (Ernesto, Coro)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
3:46
12Oh fede negar potessi… Quando le sere al placido
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1968-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
5:45
13Lunge da lei… De' miei bollenti
tenor vocals [Alfredo]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer) and Richard Bonynge (conductor and pianist) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
3:55
▼ CD 2
#TitleRatingLength
1Di Quella Pira ('Le Trouvere' De Verdi)
2:14
2Fuor Del Mar ('Idomeneo' De Mozart)
5:23
3La Rivedra Nell'Estasi ('Un Bal Masque' De Verdi)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
2:06
4Cielo E Mar ('La Gioconda' De Ponchielli)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969)
conductor:
Leone Magiera (conductor, pianist) (in 1969)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
5:10
5M'Appari ('Martha' De Flotow)
tenor vocals:
Luciano Pavarotti (tenor)
recording of:
Martha: Atto II. “M’apparì tutt'amor” (Lionel)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt II. "Ach so fromm" (Lyonel)
3:33
6A Te O Cara ('Les Puraitains' De Bellini)
recording of:
I Puritani: Atto I, scena 3. N°7 “A te, o cara, amor talora” (Arturo, Giorgio, Walton, Elvira, Coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (in 1835)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
6:40
7Pourquoi Me Reveiller ('Werther' De Massenet)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Werther]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1979-06)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
3:09
8O Paradiso ('L'Africana' De Meyerbeer)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso”
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
translated version of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
3:36
9Dai Campi, Dai Prati ('Mefistofele' De Boito)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
Mefistofele: Atto I, Scena IIa. “Dai campi, dai prati” (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Atto I
2:45
10Vesti La Giubba ('Paillasse' De Leoncavallo)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchester der Wiener Volksoper
conductor:
Leone Magiera (conductor, pianist)
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
3:43
11Addio Alla Madre ('Cavalleria Rusticana' De Mascagni)
tenor vocals:
Luciano Pavarotti (tenor)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
5:16
12Amor Ti Vieta ('Fedora' De Giordano)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Loris]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06) and Nicola Rescigno (conductor) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga) (in 1979-06)
composer:
Umberto Giordano (Italian opera composer) (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
1:51
13Ch'Ella Mi Creda ('La Fille Du Far West' De Puccini)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Johnson]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance) (in 1979-06)
composer:
Giacomo Puccini (Italian composer) (in 1910)
part of:
La fanciulla del West: Atto III
2:09
14Donna Non Vidi Mai ('Manon Lescaut' De Puccini)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
2:42
15Ah La Paterna Mano ('Mcbeth' De Verdi)
3:44
16Torna A Surriento (De Curtis)
recording of:
Torna a Surriento
lyricist:
Giambattista De Curtis
composer:
Ernesto De Curtis (composer) (in 1902)
publisher:
PolyGram Music Publishing Ltd.
3:15

Credits

Release

ASIN:FR: B00004UGF2 [info]