The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

CD 1: Vol 1. Cantatas CD 1
#TitleRatingLength
1Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: I. Coro „Wie schön leuchtet der Morgenstern“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": I. Coro "Wie schön leuchtet der Morgenstern" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
7:40
2Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: II. Recitativo (Tenore) „Du wahrer Gottes und Marien Sohn“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": II. Recitativo (Tenore) "Du wahrer Gottes und Marien Sohn" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
1:08
3Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: III. Aria (Soprano) „Erfüllet, ihr himmlischen göttlichen Flammen“
soprano vocals:
Inga Nielsen (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
4:40
4Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: IV. Recitativo (Basso) „Ein irdscher Glanz, ein leiblich Licht“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": IV. Recitativo (Basso) "Ein irdscher Glanz, ein leiblich Licht" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
0:59
5Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: V. Aria (Tenore) „Unser Mund und Ton der Saiten“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": V. Aria (Tenore) "Unser Mund und Ton der Saiten" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
6:56
6Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: VI. Choral „Wie bin ich doch so herzlich froh“
cornet:
Friedhelm Pütz and Johannes Ritzkowsky (hornist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": VI. Choral "Wie bin ich doch so herzlich froh" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
1:36
7Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: I. Coro „Ach Gott, vom Himmel sieh darein“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
4:06
8Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: II. Recitativo (Tenore) „Sie lehren eitel falsche List“
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:20
9Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: III. Aria (Alto) „Tilg, o Gott, die Lehren“
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
3:40
10Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: IV. Recitativo (Basso) „Die Armen sind verstört“
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:46
11Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: V. Aria (Tenore) „Durchs Feuer wird das Silber rein“
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
6:16
12Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: VI. Choral „Das wollst du, Gott, bewahren rein“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 7)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:01
13Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: I. Coro „Ach Gott, wie manches Herzeleid“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": I. Coro "Ach Gott, wie manches Herzeleid" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
5:31
14Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: II. Recitativo e choral (Tenore, Alto, Soprano, Basso) „Wie schwerlich lässt sich Fleisch und Blut“
alto vocals:
Gabriele Schreckenbach (contralto)
bass vocals:
Philippe Huttenlocher (baritone)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": II. Recitativo e choral (Tenore, Alto, Soprano, Basso) "Wie schwerlich lässt sich Fleisch und Blut" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
2:53
15Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: III. Aria (Basso) „Empfind ich Höllenangst und Pein“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": III. Aria (Basso) "Empfind ich Höllenangst und Pein" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
6:38
16Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: IV. Recitativo (Tenore) „Es mag mir Leib und Geist verschmachten“
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Tenore) "Es mag mir Leib und Geist verschmachten" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
1:16
17Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: V. Aria (Duetto: Soprano, Alto) „Wenn Sorgen auf mich dringen“
alto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": V. Aria (Duetto: Soprano, Alto) "Wenn Sorgen auf mich dringen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist) (ended)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
7:48
18Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: VI. Choral „Erhalt mein Herz im Glauben“
choir vocals:
Chorus Viennensis (from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": VI. Choral "Erhalt mein Herz im Glauben" (from 1970-12-01 until 1971-04)
lyricist:
Martin Moller (german poet) (in 1587)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 8)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
0:42
CD 2: Vol 1. Cantatas CD 2
CD 3: Vol 1. Cantatas CD 3
CD 4: Vol 1. Cantatas CD 4
CD 5: Vol 2. Cantatas CD 1
CD 6: Vol 2. Cantatas CD 2
CD 7: Vol 2. Cantatas CD 3
CD 8: Vol 2. Cantatas CD 4
CD 9: Vol 3. Cantatas CD 1
CD 10: Vol 3. Cantatas CD 2
CD 11: Vol 3. Cantatas CD 3
CD 12: Vol 3. Cantatas CD 4
CD 13: Vol 4. Cantatas CD 1
CD 14: Vol 4. Cantatas CD 2
CD 15: Vol 4. Cantatas CD 3
CD 16: Vol 4. Cantatas CD 4
CD 17: Vol 5. Cantatas CD 1
CD 18: Vol 5. Cantatas CD 2
CD 19: Vol 5. Cantatas CD 3
CD 20: Vol 5. Cantatas CD 4
CD 21: Vol 6. Cantatas CD 1
CD 22: Vol 6. Cantatas CD 2
CD 23: Vol 6. Cantatas CD 3
CD 24: Vol 6. Cantatas CD 4
CD 25: Vol 7. Cantatas CD 1
CD 26: Vol 7. Cantatas CD 2
CD 27: Vol 7. Cantatas CD 3
CD 28: Vol 7. Cantatas CD 4
CD 29: Vol 8. Cantatas CD 1
CD 30: Vol 8. Cantatas CD 2
CD 31: Vol 8. Cantatas CD 3
CD 32: Vol 8. Cantatas CD 4
CD 33: Vol 9. Cantatas CD 1
CD 34: Vol 9. Cantatas CD 2
CD 35: Vol 9. Cantatas CD 3
CD 36: Vol 9. Cantatas CD 4
CD 37: Vol 10. Cantatas CD 1
CD 38: Vol 10. Cantatas CD 2
CD 39: Vol 10. Cantatas CD 3
CD 40: Vol 10. Cantatas CD 4
CD 41: Vol 11. Cantatas CD 1
CD 42: Vol 11. Cantatas CD 2
CD 43: Vol 11. Cantatas CD 3
CD 44: Vol 11. Cantatas CD 4
CD 45: Vol 12. Cantatas CD 1
CD 46: Vol 12. Cantatas CD 2
CD 47: Vol 12. Cantatas CD 3
CD 48: Vol 12. Cantatas CD 4
CD 49: Vol 13. Cantatas CD 1
CD 50: Vol 13. Cantatas CD 2
CD 51: Vol 13. Cantatas CD 3
CD 52: Vol 13. Cantatas - CD 4
CD 53: Vol 14. Cantatas - CD 1
CD 54: Vol 14. Cantatas - CD 2
CD 55: Vol 14. Cantatas - CD 3
CD 56: Vol 14. Cantatas - CD 4
CD 57: Vol 15. Cantatas - CD 1
CD 58: Vol 15. Cantatas - CD 2
CD 59: Vol 15. Cantatas - CD 3
CD 60: Vol 15. Cantatas - CD 4
CD 61: Vol 16. Cantatas CD 1
CD 62: Vol 16. Cantatas CD 2
CD 63: Vol 16. Cantatas CD 3
CD 64: Vol 16. Cantatas CD 4
CD 65: Vol 17. Cantatas CD 1
CD 66: Vol 17. Cantatas CD 2
CD 67: Vol 17. Cantatas CD 3
CD 68: Vol 17. Cantatas CD 4
CD 69: Vol 18. Congratulatory And Hommage Cantatas CD 1
CD 70: Vol 18. Congratulatory And Hommage Cantatas CD 2
CD 71: Vol 18. Congratulatory And Hommage Cantatas CD 3
CD 72: Vol 18. Congratulatory And Hommage Cantatas CD 4
CD 73: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
CD 74: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
CD 75: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
CD 76: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
CD 77: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
CD 78: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
CD 79: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
CD 80: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
CD 81: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
CD 82: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
CD 83: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
CD 84: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
CD 85: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
CD 86: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
CD 87: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
CD 88: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
CD 89: Vol 23. Magnificat · Sacred Vocal Works CD 1
CD 90: Vol 23. Magnificat · Sacred Vocal Works CD 2
CD 91: Vol 23. Magnificat · Sacred Vocal Works CD 3
CD 92: Vol 23. Magnificat · Sacred Vocal Works CD 4
CD 93: Vol 24. A Book Of Chorale-Settings CD 1
CD 94: Vol 24. A Book Of Chorale-Settings CD 2
CD 95: Vol 24. A Book Of Chorale-Settings CD 3
CD 96: Vol 24. A Book Of Chorale-Settings CD 4
CD 97: Vol 25. Organ Works CD 1
CD 98: Vol 25. Organ Works CD 2
CD 99: Vol 25. Organ Works CD 3
CD 100: Vol 25. Organ Works CD 4
CD 101: Vol 26. Organ Works CD 1
CD 102: Vol 26. Organ Works CD 2
CD 103: Vol 26. Organ Works CD 3
CD 104: Vol 26. Organ Works CD 4
CD 105: Vol 27. Organ Works CD 1
CD 106: Vol 27. Organ Works CD 2
CD 107: Vol 27. Organ Works CD 3
CD 108: Vol 27. Organ Works CD 4
CD 109: Vol 28. Organ Works CD 1
CD 110: Vol 28. Organ Works CD 2
CD 111: Vol 28. Organ Works CD 3
CD 112: Vol 28. Organ Works CD 4
CD 113: Vol 29. Organ Works CD 1
CD 114: Vol 29. Organ Works CD 2
CD 115: Vol 29. Organ Works CD 3
CD 116: Vol 29. Organ Works CD 4
CD 117: Vol 30. Harpsichord Music CD 1
CD 118: Vol 30. Harpsichord Music CD 2
CD 119: Vol 30. Harpsichord Music CD 3
CD 120: Vol 30. Harpsichord Music CD 4
CD 121: Vol 31. Keyboard Works CD 1
CD 122: Vol 31. Keyboard Works CD 2
CD 123: Vol 31. Keyboard Works CD 3
CD 124: Vol 31. Keyboard Works CD 4
CD 125: Vol 32. Keyboard Works CD 1
CD 126: Vol 32. Keyboard Works CD 2
CD 127: Vol 32. Keyboard Works CD 3
CD 128: Vol 32. Keyboard Works CD 4
CD 129: Vol 33. Keyboard Works CD 1
CD 130: Vol 33. Keyboard Works CD 2
CD 131: Vol 33. Keyboard Works CD 2
CD 132: Vol 33. Keyboard Works CD 4
CD 133: Vol 34. Keyboard Works CD 1
CD 134: Vol 34. Keyboard Works CD 2
CD 135: Vol 34. Keyboard Works CD 3
CD 136: Vol 34. Keyboard Works CD 4
CD 137: Vol 35. Keyboard Works CD 1
CD 138: Vol 35. Keyboard Works CD 2
CD 139: Vol 35. Keyboard Works CD 3
CD 140: Vol 35. Keyboard Works CD 4
CD 141: Vol 36. Keyboard Works CD 1
CD 142: Vol 36. Keyboard Works CD 2
CD 143: Vol 36. Keyboard Works CD 3
CD 144: Vol 36. Keyboard Works CD 4
CD 145: Vol 37. Keyboard Works CD 1
CD 146: Vol 37.Keyboard Works CD 2
CD 147: Vol 37. Keyboard Works CD 3
CD 148: Vol 37. Keyboard Works CD 4
CD 149: Vol 38. Orchestral Music CD 1
CD 150: Vol 38. Orchestral Music CD 2
CD 151: Vol 38. Orchestral Music CD 3
CD 152: Vol 38. Orchestral Music CD 4
CD 153: Vol 39. Works For Violin CD 1
CD 154: Vol 39. Works For Violin CD 2
CD 155: Vol 39. Works For Violin CD 3
CD 156: Vol 39. Works For Violin CD 4
CD 157: Vol 40. Harpsichord Concertos CD 1
CD 158: Vol 40. Harpsichord Concertos CD 2
CD 159: Vol 40. Harpsichord Concertos CD 3
CD 160: Vol 40. Harpsichord Concertos CD 4
CD 161: Vol 41. Works For Solo Violin And Solo Cello CD 1
CD 162: Vol 41. Works For Solo Violin And Solo Cello CD 2
CD 163: Vol 41. Works For Solo Violin And Solo Cello CD 3
CD 164: Vol 41. Works For Solo Violin And Solo Cello CD 4
CD 165: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
CD 166: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
CD 167: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
CD 168: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
CD 169: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
CD 170: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
CD 171: Vol 43. Restored Oboe Concerti · Musical Offering CD 3