The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

CD 1: Vol 1. Cantatas CD 1
CD 2: Vol 1. Cantatas CD 2
CD 3: Vol 1. Cantatas CD 3
#TitleRatingLength
1Kantate, BWV 7 „Christ unser Herr zum Jordan kam“: I. Coro „Christ unser Herr zum Jordan kam“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": I. Coro "Christ unser Herr zum Jordan kam" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1541)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
5:49
2Kantate, BWV 7 „Christ unser Herr zum Jordan kam“: II. Aria (Basso) „Merkt und hört, ihr Menschenkinder“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": II. Aria (Basso) "Merkt und hört, ihr Menschenkinder" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
5:04
3Kantate, BWV 7 „Christ unser Herr zum Jordan kam“: III. Recitativo (Tenore) „Dies hat Gott klar mit Worten und mit Bildern dargetan“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": III. Recitativo (Tenore) "Dies hat Gott klar mit Worten und mit Bildern dargetan" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
1:20
4Kantate, BWV 7 „Christ unser Herr zum Jordan kam“: IV. Aria (Tenore) „Des Vaters Stimme ließ sich hören“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": IV. Aria (Tenore) "Des Vaters Stimme ließ sich hören" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
4:07
5Kantate, BWV 7 „Christ unser Herr zum Jordan kam“: V. Recitativo (Basso) „Als Jesus dort nach seinen Leiden“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": V. Recitativo (Basso) "Als Jesus dort nach seinen Leiden" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
1:04
6Kantate, BWV 7 „Christ unser Herr zum Jordan kam“: VI. Aria (Alto) „Menschen, glaubt doch dieser Gnade“
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VI. Aria (Alto) "Menschen, glaubt doch dieser Gnade" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
3:24
7Kantate, BWV 7 „Christ unser Herr zum Jordan kam“: VII. Choral „Das Aug allein das Wasser sieht“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VII. Choral "Das Aug allein das Wasser sieht" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1541)
part of:
Breitkopf 389 Choralgesänge (number: 44)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
1:17
8Kantate, BWV 8 „Liebster Gott, wenn werd ich sterben?“: I. Coro „Liebster Gott, wenn werd ich sterben?“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?"
4:34
9Kantate, BWV 8 „Liebster Gott, wenn werd ich sterben?“: II. Aria (Tenore) „Was willst du dich, mein Geist, entsetzen“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?"
3:25
10Kantate, BWV 8 „Liebster Gott, wenn werd ich sterben?“: III. Recitativo (Alto) „Zwar fühlt mein schwaches Herz“
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?"
1:11
11Kantate, BWV 8 „Liebster Gott, wenn werd ich sterben?“: IV. Aria (Basso) „Doch weichet, ihr tollen, vergeblichen Sorgen!“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (Alternative version)
part of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?"
5:15
12Kantate, BWV 8 „Liebster Gott, wenn werd ich sterben?“: V. Recitativo (Soprano) „Behalte nur, o Welt, das Meine!“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?"
1:22
13Kantate, BWV 8 „Liebster Gott, wenn werd ich sterben?“: VI. Choral „Herrscher über Tod und Leben“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-10)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (in 1979-02)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Breitkopf 389 Choralgesänge (number: 227)
part of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?"
1:11
14Kantate, BWV 9 „Es ist das Heil uns kommen her“: I. Coro „Es ist das Heil uns kommen her“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": I. Coro "Es ist das Heil uns kommen her" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
4:59
15Kantate, BWV 9 „Es ist das Heil uns kommen her“: II. Recitativo (Basso) „Gott gab uns ein Gesetz, doch waren wir zu schwach“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": II. Recitativo (Basso) "Gott gab uns ein Gesetz, doch waren wir zu schwach" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:14
16Kantate, BWV 9 „Es ist das Heil uns kommen her“: III. Aria (Tenore) „Wir waren schon zu tief gesunken“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": III. Aria (Tenore) "Wir waren schon zu tief gesunken" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
3:48
17Kantate, BWV 9 „Es ist das Heil uns kommen her“: IV. Recitativo (Basso) „Doch musste das Gesetz erfüllet werden“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": IV. Recitativo (Basso) "Doch musste das Gesetz erfüllet werden" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:17
18Kantate, BWV 9 „Es ist das Heil uns kommen her“: V. Aria (Duetto: Soprano, Alto) „Herr, du siehst statt guter Werke“
alto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Ulrike Sonntag
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": V. Aria (Duetto: Soprano, Alto) "Herr, du siehst statt guter Werke" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
6:30
19Kantate, BWV 9 „Es ist das Heil uns kommen her“: VI. Recitativo (Basso) „Wenn wir die Sünd aus dem Gesetz erkennen“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VI. Recitativo (Basso) "Wenn wir die Sünd aus dem Gesetz erkennen" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:23
20Kantate, BWV 9 „Es ist das Heil uns kommen her“: VII. Choral „Ob sichs anließ, als wollt er nicht“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VII. Choral "Ob sichs anließ, als wollt er nicht" (in 1984-02)
lyricist:
Paul Speratus
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 87)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:11
CD 4: Vol 1. Cantatas CD 4
CD 5: Vol 2. Cantatas CD 1
CD 6: Vol 2. Cantatas CD 2
CD 7: Vol 2. Cantatas CD 3
CD 8: Vol 2. Cantatas CD 4
CD 9: Vol 3. Cantatas CD 1
CD 10: Vol 3. Cantatas CD 2
CD 11: Vol 3. Cantatas CD 3
CD 12: Vol 3. Cantatas CD 4
CD 13: Vol 4. Cantatas CD 1
CD 14: Vol 4. Cantatas CD 2
CD 15: Vol 4. Cantatas CD 3
CD 16: Vol 4. Cantatas CD 4
CD 17: Vol 5. Cantatas CD 1
CD 18: Vol 5. Cantatas CD 2
CD 19: Vol 5. Cantatas CD 3
CD 20: Vol 5. Cantatas CD 4
CD 21: Vol 6. Cantatas CD 1
CD 22: Vol 6. Cantatas CD 2
CD 23: Vol 6. Cantatas CD 3
CD 24: Vol 6. Cantatas CD 4
CD 25: Vol 7. Cantatas CD 1
CD 26: Vol 7. Cantatas CD 2
CD 27: Vol 7. Cantatas CD 3
CD 28: Vol 7. Cantatas CD 4
CD 29: Vol 8. Cantatas CD 1
CD 30: Vol 8. Cantatas CD 2
CD 31: Vol 8. Cantatas CD 3
CD 32: Vol 8. Cantatas CD 4
CD 33: Vol 9. Cantatas CD 1
CD 34: Vol 9. Cantatas CD 2
CD 35: Vol 9. Cantatas CD 3
CD 36: Vol 9. Cantatas CD 4
CD 37: Vol 10. Cantatas CD 1
CD 38: Vol 10. Cantatas CD 2
CD 39: Vol 10. Cantatas CD 3
CD 40: Vol 10. Cantatas CD 4
CD 41: Vol 11. Cantatas CD 1
CD 42: Vol 11. Cantatas CD 2
CD 43: Vol 11. Cantatas CD 3
CD 44: Vol 11. Cantatas CD 4
CD 45: Vol 12. Cantatas CD 1
CD 46: Vol 12. Cantatas CD 2
CD 47: Vol 12. Cantatas CD 3
CD 48: Vol 12. Cantatas CD 4
CD 49: Vol 13. Cantatas CD 1
CD 50: Vol 13. Cantatas CD 2
CD 51: Vol 13. Cantatas CD 3
CD 52: Vol 13. Cantatas - CD 4
CD 53: Vol 14. Cantatas - CD 1
CD 54: Vol 14. Cantatas - CD 2
CD 55: Vol 14. Cantatas - CD 3
CD 56: Vol 14. Cantatas - CD 4
CD 57: Vol 15. Cantatas - CD 1
CD 58: Vol 15. Cantatas - CD 2
CD 59: Vol 15. Cantatas - CD 3
CD 60: Vol 15. Cantatas - CD 4
CD 61: Vol 16. Cantatas CD 1
CD 62: Vol 16. Cantatas CD 2
CD 63: Vol 16. Cantatas CD 3
CD 64: Vol 16. Cantatas CD 4
CD 65: Vol 17. Cantatas CD 1
CD 66: Vol 17. Cantatas CD 2
CD 67: Vol 17. Cantatas CD 3
CD 68: Vol 17. Cantatas CD 4
CD 69: Vol 18. Congratulatory And Hommage Cantatas CD 1
CD 70: Vol 18. Congratulatory And Hommage Cantatas CD 2
CD 71: Vol 18. Congratulatory And Hommage Cantatas CD 3
CD 72: Vol 18. Congratulatory And Hommage Cantatas CD 4
CD 73: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
CD 74: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
CD 75: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
CD 76: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
CD 77: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
CD 78: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
CD 79: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
CD 80: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
CD 81: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
CD 82: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
CD 83: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
CD 84: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
CD 85: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
CD 86: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
CD 87: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
CD 88: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
CD 89: Vol 23. Magnificat · Sacred Vocal Works CD 1
CD 90: Vol 23. Magnificat · Sacred Vocal Works CD 2
CD 91: Vol 23. Magnificat · Sacred Vocal Works CD 3
CD 92: Vol 23. Magnificat · Sacred Vocal Works CD 4
CD 93: Vol 24. A Book Of Chorale-Settings CD 1
CD 94: Vol 24. A Book Of Chorale-Settings CD 2
CD 95: Vol 24. A Book Of Chorale-Settings CD 3
CD 96: Vol 24. A Book Of Chorale-Settings CD 4
CD 97: Vol 25. Organ Works CD 1
CD 98: Vol 25. Organ Works CD 2
CD 99: Vol 25. Organ Works CD 3
CD 100: Vol 25. Organ Works CD 4
CD 101: Vol 26. Organ Works CD 1
CD 102: Vol 26. Organ Works CD 2
CD 103: Vol 26. Organ Works CD 3
CD 104: Vol 26. Organ Works CD 4
CD 105: Vol 27. Organ Works CD 1
CD 106: Vol 27. Organ Works CD 2
CD 107: Vol 27. Organ Works CD 3
CD 108: Vol 27. Organ Works CD 4
CD 109: Vol 28. Organ Works CD 1
CD 110: Vol 28. Organ Works CD 2
CD 111: Vol 28. Organ Works CD 3
CD 112: Vol 28. Organ Works CD 4
CD 113: Vol 29. Organ Works CD 1
CD 114: Vol 29. Organ Works CD 2
CD 115: Vol 29. Organ Works CD 3
CD 116: Vol 29. Organ Works CD 4
CD 117: Vol 30. Harpsichord Music CD 1
CD 118: Vol 30. Harpsichord Music CD 2
CD 119: Vol 30. Harpsichord Music CD 3
CD 120: Vol 30. Harpsichord Music CD 4
CD 121: Vol 31. Keyboard Works CD 1
CD 122: Vol 31. Keyboard Works CD 2
CD 123: Vol 31. Keyboard Works CD 3
CD 124: Vol 31. Keyboard Works CD 4
CD 125: Vol 32. Keyboard Works CD 1
CD 126: Vol 32. Keyboard Works CD 2
CD 127: Vol 32. Keyboard Works CD 3
CD 128: Vol 32. Keyboard Works CD 4
CD 129: Vol 33. Keyboard Works CD 1
CD 130: Vol 33. Keyboard Works CD 2
CD 131: Vol 33. Keyboard Works CD 2
CD 132: Vol 33. Keyboard Works CD 4
CD 133: Vol 34. Keyboard Works CD 1
CD 134: Vol 34. Keyboard Works CD 2
CD 135: Vol 34. Keyboard Works CD 3
CD 136: Vol 34. Keyboard Works CD 4
CD 137: Vol 35. Keyboard Works CD 1
CD 138: Vol 35. Keyboard Works CD 2
CD 139: Vol 35. Keyboard Works CD 3
CD 140: Vol 35. Keyboard Works CD 4
CD 141: Vol 36. Keyboard Works CD 1
CD 142: Vol 36. Keyboard Works CD 2
CD 143: Vol 36. Keyboard Works CD 3
CD 144: Vol 36. Keyboard Works CD 4
CD 145: Vol 37. Keyboard Works CD 1
CD 146: Vol 37.Keyboard Works CD 2
CD 147: Vol 37. Keyboard Works CD 3
CD 148: Vol 37. Keyboard Works CD 4
CD 149: Vol 38. Orchestral Music CD 1
CD 150: Vol 38. Orchestral Music CD 2
CD 151: Vol 38. Orchestral Music CD 3
CD 152: Vol 38. Orchestral Music CD 4
CD 153: Vol 39. Works For Violin CD 1
CD 154: Vol 39. Works For Violin CD 2
CD 155: Vol 39. Works For Violin CD 3
CD 156: Vol 39. Works For Violin CD 4
CD 157: Vol 40. Harpsichord Concertos CD 1
CD 158: Vol 40. Harpsichord Concertos CD 2
CD 159: Vol 40. Harpsichord Concertos CD 3
CD 160: Vol 40. Harpsichord Concertos CD 4
CD 161: Vol 41. Works For Solo Violin And Solo Cello CD 1
CD 162: Vol 41. Works For Solo Violin And Solo Cello CD 2
CD 163: Vol 41. Works For Solo Violin And Solo Cello CD 3
CD 164: Vol 41. Works For Solo Violin And Solo Cello CD 4
CD 165: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
CD 166: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
CD 167: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
CD 168: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
CD 169: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
CD 170: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
CD 171: Vol 43. Restored Oboe Concerti · Musical Offering CD 3