| # | Title | Artist | Rating | Length |
|---|
| 1 | Don’t Stop | Fleetwood Mac | 4.2 | 3:12 |
| 2 | Sweet Home Alabama | Lynyrd Skynyrd | 4.25 | 4:44 |
| 3 | Radar Love | Golden Earring | 4 | 5:03 |
| 4 | Smoke on the Water | Deep Purple | | 5:39 |
| 5 | Rock and Roll Is King | Electric Light Orchestra | | 3:38 |
| 6 | Dust in the Wind- additional engineer:
- Terry Diane Becker
- engineer:
- Jeff Glixman (from 1977-06 until 1977-07)
- producer:
- Jeff Glixman (in 1977-06)
- acoustic guitar and electric guitar:
- Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (from 1977-06 until 1977-07)
- bass guitar:
- Dave Hope (from 1977-06 until 1977-07)
- celesta, organ, synthesizer, vibraphone and lead vocals:
- Steve Walsh (from 1977-06 until 1977-07)
- cello, viola and violin [violins]:
- Robby Steinhardt (from 1977-06 until 1977-07)
- chimes, drums (drum set), gong and timpani:
- Phil Ehart (from 1977-06 until 1977-07)
- clavinet and synthesizer [synthesizers]:
- Kerry Livgren (from 1977-06 until 1977-07)
- percussion [additional percussion]:
- Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- piano:
- Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- background vocals:
- Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- arranger:
- Kansas
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1977)
- recorded at:
- Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
- mixed at:
- The Village in Los Angeles, California, United States (in 1977-08)
- recording of:
- Dust in the Wind (from 1977-06 until 1977-07)
- lyricist and composer:
- Kerry Livgren
- publisher:
- Don Kirshner Music Inc. and Kirshner CBS Music Publishing
- sub-publisher:
- フジパシフィックミュージック SBK事業部
| Kansas | 4 | 3:26 |
| 7 | Love Hurts | Nazareth | | 3:51 |
| 8 | Free Me | Uriah Heep | | 3:33 |
| 9 | Mrs. Robinson | Simon & Garfunkel | | 3:55 |
| 10 | Music | John Miles | | 5:53 |
| 11 | Baker Street- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, EMI Music Publishing , Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal‐Songs of PolyGram International, Inc.
| Gerry Rafferty | 4 | 4:04 |
| 12 | Walk on the Wild Side- producer:
- David Bowie, Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- membranophone:
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie, Lou Reed and Mick Ronson
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Oakfield Avenue Music Ltd.
| Lou Reed | 4.15 | 4:13 |
| 13 | The Beat Goes On | Sonny & Cher | 4.65 | 3:26 |
| 14 | Mr. Tambourine Man | The Byrds | 4.25 | 2:20 |
| 15 | American Pie | Don McLean | | 4:06 |
| 16 | Oh, Pretty Woman | Roy Orbison | 4.3 | 2:56 |
| 17 | Where Did Our Love Go | The Supremes | | 2:33 |
| 18 | It’s Not Unusual | Tom Jones | 4.6 | 2:00 |
| 19 | (Sittin’ on) The Dock of the Bay- recording of:
- (Sittin’ on) the Dock of the Bay
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | | 2:42 |
| 20 | When a Man Loves a Woman- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-02-17)
- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- H.H.O. Ltd and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 54)
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Pronto Music, Inc. , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:51 |
| 21 | Late Night Taxi Dancer | Peter Straker | | 5:08 |
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