Classic Wedding Album

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Sheep May Safely Graze
orchestra:
Boston Pops Orchestra (ended)
conductor:
Arthur Fiedler (conductor) (ended)
arranger:
William Walton (composer and conductor)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (ended)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:44
2Oboe Concerto in D minor: Adagio
oboe:
Douglas Boyd (oboist)
orchestra:
Chamber Orchestra of Europe
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach2:52
3Largo (Xerxes)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
oboe:
Randall Wolfgang (oboist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1989-04)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel2:59
4Air, Orchestral Suite no. 3 in D
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach54:39
5Toccata (L'Orfeo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (British early music group) (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985, in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L’Orfeo: Toccata (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:37
6And I Love Her
instrumental cover recording of:
And I Love Her
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. and ソニー・ミュージックパブリッシング A事業部
Göran Söllscher2:31
7Alleluia (Exsultate, Jubilate)
choir vocals:
Chor des Bayerischen Rundfunks (on 1990-04-06)
soprano vocals:
Arleen Augér (soprano) (on 1990-04-06)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (on 1990-04-06)
conductor:
Leonard Bernstein (on 1990-04-06)
recorded at:
Stiftsbasilika (Waldsassen) in Waldsassen, Bayern, Germany (on 1990-04-06)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (on 1990-04-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Arleen Augér2:38
8Suite no. 1: Rondeau (Masterpiece Theater)
organ:
Simon Preston (organist, conductor, composer)
timpani:
Norbert Schmitt (timpani)
trumpet:
Bernhard Läubin (trumpeter), Hannes Läubin (trumpeter) and Wolfgang Läubin (trumpeter)
recording of:
Suite de Symphonies no. 1: I. Rondeau
composer:
Jean‐Joseph Mouret (composer)
part of:
Suite de Symphonies no. 1
Jean‐Joseph Mouret1:58
9Trumpet Voluntary
trumpet:
John Wilbraham (trumpet player) (from 1971-08-09 until 1971-08-11)
orchestra:
Academy of St Martin in the Fields (from 1971-08-09 until 1971-08-11)
conductor:
Sir Neville Marriner (conductor) (from 1971-08-09 until 1971-08-11)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (from 1971-08-09 until 1971-08-11)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) (from 1971-08-09 until 1971-08-11)
composer:
Jeremiah Clarke (in 1700)
Jeremiah Clarke2:20
10Canon in D
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (in 1989-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel54:11
11Jesu, Joy Of Man's Desiring
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
arranger:
Guillermo Figueroa
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
instrumental recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Mans Desiring; catch-all for arrangements and unknown orchestrations) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:24
12Bridal Chorus (Lohengrin)
choir vocals:
Chor des Bayerischen Rundfunks
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Rafael Kubelík (conductor)
recording of:
Lohengrin, WWV 75: Akt III, Scene I. “Treulich geführt ziehet dahin”
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner4:59
13Ave Maria
soprano vocals:
Cheryl Studer (soprano) (in 1991-03)
orchestra:
London Symphony Orchestra (in 1991-03)
conductor:
Ion Marin (conductor) (in 1991-03)
arranger:
Carlo Sabatini
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-03)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (in 1991-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
arrangement of:
Ave Maria (Bach/Gounod)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles‐François Gounod2:07
14Let The Bright Seraphim (Samson)
soprano vocals:
Sheila Armstrong (soprano)
orchestra:
Münchener Bach‐Orchester
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Samson, HWV 57: Act III, no. 107. “Let the Bright Seraphim” (Israelite Woman)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Samson, HWV 57: Act III
Georg Friedrich Händel3:18
15Ave Maria
soprano vocals:
Cheryl Studer (soprano)
orchestra:
London Symphony Orchestra
conductor:
Ion Marin (conductor)
arranger:
Ion Marin (conductor)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert5:40
16Be My Love
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Karl-Heinz Loges
arranger:
Bernard Ebbinghouse
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recording of:
Be My Love
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
Sammy Cahn & Nicholas Brodzsky3:12
17If Ever I Would Leave You (Camelot)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer) (in 1998-07)
orchestra:
English Northern Philharmonia (English Northern Philharmonia) (in 1998-07)
conductor:
Paul Daniel (conductor) (in 1998-07)
recorded at:
Leeds Town Hall: Victoria Hall in Leeds, Leeds, West Yorkshire, England, United Kingdom (in 1998-07)
recording of:
If Ever I Would Leave You (from “Camelot”) (in 1998-07)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019))
part of:
Camelot (full musical)
Frederick Loewe3:50
18One Hand, One Heart (West Side Story)
soprano vocals:
Kiri Te Kanawa (soprano)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Leonard Bernstein
recording of:
West Side Story: One Hand, One Heart (Tony, Maria)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
version of:
One (early version of "One Hand, One Heart" from West Side Story)
part of:
West Side Story
Leonard Bernstein4:07
19Water Music Suite: Alla Hornpipe
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1990-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (in 1990-12)
concertmaster:
Guillermo Figueroa (in 1990-12)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1990-12)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1990-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel2:45
20Arrival of the Queen of Sheba (Solomon)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1989-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:00
21Wedding March (A Midsummer Night's Dream Music)
miscellaneous support:
Claudia Hamann (task: coordination)
producer:
Cord Garben (pianist and conductor)
orchestra:
Chicago Symphony Orchestra (in 1984-07)
conductor:
James Levine (US conductor and pianist) (in 1984-07)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1984-07)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (in 1984-07)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn4:29
22Organ Symphony no. 5 in F minor: Toccata (Allegro)
miscellaneous support:
Gerd Ploebsch
engineer:
Hans-Peter Schweigmann (in 1983-09)
organ:
Simon Preston (organist, conductor, composer) (in 1983-09)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (in 1983-09)
recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata (in 1983-09)
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
Charles‐Marie Widor5:27

Credits

Release

ASIN:US: B00000I93U [info]