Collection Box Set Volume 1 (Special Limited Edition 9 CD Box Set)

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Cole Espanol (1958) / More Cole Espanol (1962)
▶ CD 2: Just One of Those Things (1957) / Let’s Face the Music! (1964)
▶ CD 3: Love Is the Thing (1957) / Where Did Everyone Go? (1963)
▶ CD 4: Sings for Two in Love (1953) / Sings Ballads of the Day (1956)
▶ CD 5: Ramblin’ Rose (1962) / Dear Lonely Hearts (1962)
▶ CD 6: Penthouse Serenade (1952) / The Piano Stylings of Nat King Cole (1956)
▶ CD 7: Songs from St. Louis Blues (1958) / Looking Back (1965)
▶ CD 8: The Touch of Your Lips (1961 / I Don’t Want to Be Hurt Anymore (1964))
▼ CD 9: Welcome to the Club (1959) / Tell Me About Yourself (1960)
#TitleRatingLength
1Welcome to the Club
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
recording of:
Welcome to the Club (on 1958-07-01)
writer:
Noel Sherman and Dick Wolf
2:44
2Anytime, Anyday, Anywhere
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
Anytime, Anyday, Anywhere (on 1958-06-30)
writer:
Max Kortlander and Louis Weslyn
2:20
3The Blues Don’t Care
2:11
4Mood Indigo
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1958-06-30)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:21
5Baby, Won’t You Please Come Home
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Baby Won’t You Please Come Home (on 1958-07-01)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:11
6The Late, Late Show
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
The Late Late Show (on 1958-07-01)
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
recording of:
The Late Late Show
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
2:32
7Avalon
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
Avalon (on 1958-07-01)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
1:46
8She’s Funny That Way
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
She’s Funny That Way (on 1958-06-30)
lyricist:
Richard A. Whiting (in 1928)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
3:02
9I Want a Little Girl
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-06-30)
cover recording of:
I Want a Little Girl (on 1958-06-30)
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
recording of:
I Want a Little Girl
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
2:50
10Wee Baby Blues
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
cover recording of:
Wee Baby Blues (on 1958-07-02)
writer:
Pete Johnson (US Boogie-woogie pianist) and Big Joe Turner
publisher:
Leeds Music Ltd.
3:17
11Look Out for Love
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
recording of:
Look Out for Love (on 1958-07-02)
writer:
Danny Meehan (Broadway actor turned songwriter) and Colin Romoff
1:58
12Madrid
alto saxophone:
Marshall Royal (on 1958-07-02) and Frank Wess (on 1958-07-02)
baritone saxophone:
John Fowlkes (on 1958-07-02)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-02)
drums (drum set):
Sonny Payne (on 1958-07-02) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-02)
guitar:
Freddie Green (on 1958-07-02)
piano:
Gerald Wiggins (on 1958-07-02)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-02) and Billy Mitchell (US jazz saxophonist) (on 1958-07-02)
trombone:
Henry Coker (on 1958-07-02), Al Grey (trombone) (on 1958-07-02) and Benny Powell (on 1958-07-02)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-02), Wendell Culley (on 1958-07-02), Gene "Snooky" Young (on 1958-07-02), Thad Jones (on 1958-07-02) and Joe Newman (US jazz trumpeter) (on 1958-07-02)
vocals:
Nat King Cole (on 1958-07-02)
orchestra:
The Count Basie Orchestra (on 1958-07-02)
conductor:
Dave Cavanaugh (on 1958-07-02)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-02)
recording of:
Madrid (on 1958-07-02)
writer:
Nat King Cole and Johnny Lange
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
2:51
13Tell Me All About Yourself
2:06
14Until the Real Thing Comes Along
recording of:
Until the Real Thing Comes Along
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
3:09
15The Best Thing for You
recording of:
The Best Thing for You (Would Be Me)
lyricist and composer:
Irving Berlin (in 1950)
1:59
16When You Walked By
2:48
17Crazy She Calls Me
recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
2:34
18You’ve Got the Indian Sign on Me
recording of:
You've Got the Indian Sign on Me
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1960)
composer:
Joe Bushkin (in 1960)
1:49
19For You
recording of:
For You
lyricist:
Al Dubin (in 1930)
composer:
Joe Burke (American composer) (in 1930)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
2:20
20Dedicated to You
recording of:
Dedicated to You
writer:
Sammy Cahn, Saul Chaplin and Hy Zaret
2:51
21You Are My Love
1:54
22This Is Always
recording of:
This Is Always
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
2:58
23My Life
2:11
24(I Would Do) Anything for You
recording of:
I Would Do Anything for You
composer:
Alex Hill (20th century US jazz pianist), Claude Hopkins and Bobby Williams (jazz composer)
1:46

Credits

Release

ASIN:US: B000V7KE8A [info]