Bach Edition, V: Vocal Works

~ Release by Johann Sebastian Bach (see all versions of this release, 6 available)

Annotation

FIXME (see also Edit #25169889 for the disc order):

* These are CDs V-1-32 (107-138 in total) from the 2006 155-CD box.
* The rest will also be added (or has already been added) as pseudo-volumes to the same release group to avoid issues with the single 155-CD release being too large.
* Once there are no more 502 errors with large releases, all those pseudo-volumes should be merged into a single release.

Annotation last modified on 2015-02-10 07:54 UTC.

Tracklist

▶ CD 1: Mass in B Minor / Hohe Messe BWV 232 (disc 1)
▶ CD 2: Mass in B Minor / Hohe Messe BWV 232 (disc 2)
▶ CD 3: Messen, BWV 233 & 234
▶ CD 4: Messen, BWV 235 & 236
▶ CD 5: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
▶ CD 6: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
▶ CD 7: Motetten
▶ CD 8: Osteroratorium, BWV 249
▶ CD 9: Secular Cantatas: Schwingt freudig euch empor / Non sa che sia dolore / Amore traditore
▶ CD 10: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
▶ CD 11: Zwei Hochzeitskantaten, BWV 202 & 210
▶ CD 12: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
▶ CD 13: Secular Cantatas, BWV 205 & 207: Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
▶ CD 14: Secular Cantatas, BWV 206 & 215: Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
▶ CD 15: Secular Cantatas, BWV 211 & 212: Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
▶ CD 16: Secular Cantatas, BWV 213 & 214; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
▼ CD 17: Matthäus-Passion, BWV 244 (disc 1)
#TitleRatingLength
1Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen" - Corale "O Lamm Gottes, unschuldig"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
soprano vocals [ripieno]:
The Choir of Jesus College Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:54
2Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:42
3Matthäus-Passion, BWV 244: Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1994)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
0:41
4Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
0:28
5Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
0:14
6Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
0:32
7Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
0:30
8Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
1:21
9Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:50
10Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buss und Reu"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:06
11Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:40
12Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:29
13Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
0:12
14Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
0:21
15Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
1:15
16Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
0:10
17Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
0:14
18Matthäus-Passion, BWV 244: Teil I, X. Corale "Ich bin's, ich sollte büssen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
0:46
19Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:53
20Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:14
21Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:19
22Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Judas)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:02
23Matthäus-Passion, BWV 244: Teil I, XV. Corale "Erkenne mich, mein Hüter"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
0:56
24Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:01
25Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:57
26Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:37
27Matthäus-Passion, BWV 244: Teil I, XIX. Corale "Was ist die Ursach' aller solcher Plagen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:55
28Matthäus-Passion, BWV 244: Teil I, XX. Coro "So schlafen unsre Sünden ein"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:59
29Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:40
30Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:53
31Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:08
32Matthäus-Passion, BWV 244: Teil I, XXIV. "Und er kam zu seinen Jüngern" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:12
33"Matthäus-Passion, BWV 244: Teil I, XXV. Corale "Was mein Gott will, das g'scheh allzeit"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
1:02
34Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:19
35Matthäus-Passion, BWV 244: Teil I, XXVIIa. Coro "Lasst ihn, haltet, bindet nicht"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
alto vocals:
Michael Chance (British countertenor)
choir vocals:
Choir of King’s College, Cambridge
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
partial recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:16
36Matthäus-Passion, BWV 244: Teil I, XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIb. "Sind Blitze, sind Donner in Wolken verschwunden" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
1:15
37Matthäus-Passion, BWV 244: Teil I, XXVIII. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:13
38Matthäus-Passion, BWV 244: Teil I, XXIX. Corale "O Mensch, bewein dein Sünde gross"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
5:53
▶ CD 18: Matthäus-Passion, BWV 244 (disc 2)
▶ CD 19: Matthäus-Passion, BWV 244 (disc 3)
▶ CD 20: Johannes-Passion, BWV 245 (disc 1)
▶ CD 21: Johannes-Passion, BWV 245 (disc 2)
▶ CD 22: Weihnachtsoratorium, BWV 248 (disc 1)
▶ CD 23: Weihnachtsoratorium, BWV 248 (disc 2)
▶ CD 24: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
▶ CD 25: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
▶ CD 26: Magnificat, BWV 243; Choräle
▶ CD 27: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 1)
▶ CD 28: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 2)
▶ CD 29: Choräle (disc 1)
▶ CD 30: Choräle (disc 2)
▶ CD 31: Choräle (disc 3)
▶ CD 32: Choräle (disc 4)