Terra musica

~ Release by Various Artists (see all versions of this release, 1 available)

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▼ CD 1
#	Title	Artist	Rating	Length
1	Carmina Burana, O Fortuna sound engineer and balance engineer: Daniel Michel (recording engineer) producer: Étienne Collard and Alain Lanceron choir vocals: Orfeón Donostiarra (from 1994-12-02 until 1994-12-06) orchestra: Orchestre du Capitole de Toulouse (from 1994-12-02 until 1994-12-06) conductor: Michel Plasson (conductor) (from 1994-12-02 until 1994-12-06) recorded at: Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1994-12-02 until 1994-12-06) recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1994-12-02 until 1994-12-06) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		2:32
2	Quintette pour piano, violon, alto, violoncelle & contrebasse en la majeur, D.667 "La Truite", IV Thème piano: Sviatoslav Richter (Sviatoslav Richter, pianist) recording of: Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto composer: Franz Schubert (composer) (in 1819) publisher: G. Henle Verlag part of: Quintett A-Dur, D. 667 „Forellenquintett“	Franz Schubert		3:28
3	Chevauchée des Walkyries conductor: Bernard Haitink (conductor) recording of: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt composer: Richard Wagner (composer) (from 1854 until 1856) publisher: Schott Music International (publisher; do not use as label) part of: Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"	Richard Wagner		5:55
4	Sonate pour piano en la majeur, K.331, III Marche turque recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Wolfgang Amadeus Mozart		3:41
5	Concerto pour trompette en mi bémol majeur, III Allegro (extrait) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)	Joseph Haydn		4:52
6	Le beau Danube bleu, valse (extrait) conductor: Willi Boskovsky (violinist and conductor) partial recording of: An der schönen blauen Donau, op. 314 premiered in: Wien, Austria (on 1867-02-15) composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866) part of: Works of Johann Strauss Jr. by opus number (number: op. 314)	Johann Strauss II		1:41
7	Sonate pour piano No. 14 en Ut dièse mineur, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto piano: Daniel Barenboim (pianist and conductor) recording of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (German composer) (in 1801) part of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven		7:08
8	Les noces de Figaro, ouverture orchestra: English Chamber Orchestra recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492	Wolfgang Amadeus Mozart		4:25
9	Coppélia, valse conductor: Jean-Baptiste Mari (conductor) recording of: Coppélia : Tableau I, no. 1b. Valse (Valse lente) composer: Léo Delibes (composer) (in 1870) part of: Coppélia : Tableau I	Léo Delibes		2:47
10	Le vol du bourdon, extrait de "Tsar Saltan" orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: André Cluytens (conductor) recording of: Полёт шмеля (Flight of the Bumblebee; original for orchestra) composer: Николай Андреевич Римский‐Корсаков (Nikolaï Rimski‐Korsakov) (from 1899 until 1900) part of: The Tale of Tsar Saltan	Николай Андреевич Римский‐Корсаков		1:18
11	Aïda: Marche des trompettes orchestra: Wiener Philharmoniker	Giuseppe Verdi		1:49
12	Grande valse brillante en mi bémol majeur, Op. 18 piano: Samson François (pianist) recording of: Waltz no. 1 in E-flat major, op. 18 “Grande Valse brillante” composer: Fryderyk Chopin (composer) (in 1833) dedicated to: Laura Harsford part of: Works of Fryderyk Chopin by opus number (number: op. 18)	Frédéric Chopin		5:01
13	Carmen, ouverture conductor: Georges Prêtre (conductor) recording of: Carmen : Prélude composer: Georges Bizet (composer) librettist: Ludovic Halévy (french librettist) and Henri Meilhac part of: Carmen (english lyrics, David Parry) part of: Carmen (italian lyrics) part of: Carmen (German translation, Julius Hopp) part of: Carmen, WD 31 (Opera by Georges Bizet)	Georges Bizet		2:17
14	Rigoletto, chanson du duc de Mantoue - "la donna è mobile" orchestra: London Philharmonic Orchestra (LPO)	Giuseppe Verdi		2:09
15	Le lac des cygnes, thème du cygne orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)	Пётр Ильич Чайковский		2:41
16	Casse-noisette, Danse de la Fée Dragée conductor: André Previn (pianist, conductor, composer, arranger)	Пётр Ильич Чайковский		2:15
17	Marche hongroise, extrait de "La Damnation de Faust" orchestra: Orchestre de Paris recording of: La Damnation de Faust, op. 24: Première Partie, scène 3. “Marche hongroise” (Rákóczi March) composer: Hector Berlioz (composer) part of: La Damnation de Faust, op. 24: Première Partie	Hector Berlioz		4:47
18	Ave Maria, D.839 vocals: Barbara Hendricks (soprano)	Franz Schubert		6:17
19	Peer Gynt, Dans la caverne du roi de la montagne	Edvard Grieg		2:45
20	Marche nuptiale, extrait du "Songe d'une nuit d'été" orchestra: The Cleveland Orchestra conductor: George Szell (conductor, pianist, composer) recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61	Felix Mendelssohn		5:02

▼ CD 2
#	Title	Artist	Rating	Length
1	Te Deum, Prélude conductor: Sir Neville Marriner (conductor) recording of: Te Deum, H. 146: Prélude composer: Marc‐Antoine Charpentier (composer) publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:49
2	Adagio pour cordes en sol mineur conductor: Sir Neville Marriner (conductor) recording of: Adagio for Strings and Organ in G minor composer: Remo Giazotto previously attributed to: Tomaso Giovanni Albinoni (Italian Baroque composer) publisher: Ricordi London (Casa Ricordi sublabel for Classical music)	Tomaso Giovanni Albinoni		5:52
3	Choral, "Jésus, que ma joie demeure", extrait de la Cantate BWV 147 producer: Christopher Bishop (conductor/producer) choir vocals: Choir of King’s College, Cambridge orchestra: Academy of St Martin in the Fields conductor: Sir David Willcocks balance engineer: Neville Boyling (engineer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972) recorded at: King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		3:31
4	Les quatres saisons, Concerto n° 1 en mi majeur "Le Printemps", I Allegro performer: Yehudi Menuhin (violinist)	Antonio Vivaldi		3:42
5	Pavane, Op. 50	Gabriel Fauré		6:06
6	Tambourin, extrait des "Fêtes d'Hébé" orchestra: English Chamber Orchestra	Jean-Philippe Rameau		2:09
7	Concerto pour 2 violons en ré mineur, BWV 1043, II Largo ma non tanto (extrait) violin: Yehudi Menuhin (violinist) partial recording of: Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		2:35
8	Requiem, Lacrimosa choir vocals: The John Alldis Choir recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		3:26
9	Menuet, extrait du Quintette Op. 13 n° 5 conductor: Louis Auriacombe (conductor)	Luigi Boccherini		2:36
10	La campanella, grande étude de Paganini piano: Georges Cziffra (pianist)	Franz Liszt		4:13
11	Toccata en ré mineur, BWV 565 organ: Lionel Rogg (organist) (from 1975-11-25 until 1975-12-04) recorded at: Cathédrale Saint-Pierre de Genève in Genève, Genève, Switzerland (from 1975-11-25 until 1975-12-04) recording of: Toccata und Fuge d-Moll, BWV 565: I. Toccata (from 1975-11-25 until 1975-12-04) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Toccata und Fuge d-Moll, BWV 565	Johann Sebastian Bach		2:31
12	Air, extrait de la Suite pour orchestre n° 3, BWV 1068 orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) partial recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068	Johann Sebastian Bach		3:31
13	Hallelujah extrait du "Messie" choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)	Georg Friedrich Händel		4:02
14	Concerto d'Aranjuez pour guitare et orchestre, II Adagio (extrait) orchestra: City of Birmingham Symphony Orchestra partial recording of: Concierto de Aranjuez: II. Adagio composer: Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939) part of: Concierto de Aranjuez	Joaquín Rodrigo		4:44
15	Danse rituelle du feu, extrait de "L'Amour sorcier" orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) recording of: El amor brujo: VIII. Danza ritual del fuego composer: Manuel de Falla (Spanish composer) part of: El amor brujo (for symphony orchestra)	Manuel de Falla		3:46
16	Gnossienne n° 3 piano: Aldo Ciccolini (pianist) recording of: Gnossienne no. 3 composer: Erik Satie (French composer) (in 1890) part of: Trois Gnossiennes	Erik Satie		2:21
17	Adagio pour cordes orchestra: The Philadelphia Orchestra	Samuel Barber		6:24
18	Norma, "Casta diva" vocals: Maria Callas (soprano) recording of: Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) composer: Vincenzo Bellini (Sicilian opera composer) (until 1831) librettist: Felice Romani (until 1831) part of: Norma: Atto I	Vincenzo Bellini		5:36
19	Danses polovtsiennes du Prince Igor conductor: Seiji Ozawa (conductor and composer)	Александр Порфирьевич Бородин		2:24
20	Valse, extrait de "Jazz Suite n° 2" conductor: Mariss Jansons (Latvian conductor)	Дмитрий Дмитриевич Шостакович		3:41

▼ CD 3
#	Title	Artist	Rating	Length
1	Ainsi parlait Zarathoustra, Introduction orchestra: Staatskapelle Dresden (Dresden Symphonic Orchestra) conductor: Rudolf Kempe (conductor) recording of: Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) composer: Richard Strauss (German composer) (in 1896) part of: Also sprach Zarathustra (op 30; TrV 176)	Richard Strauss		1:54
2	Concerto pour piano No. 21 en ut majeur, K. 467: II. Andante orchestra: Wiener Symphoniker recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart		8:08
3	Lakmé, Duo des fleurs - "Viens Mallika" conductor: Alain Lombard (conductor)	Léo Delibes		4:19
4	Le Cygne, extrait du "Carnaval des Animaux" producer: Ronald Kinloch Anderson (pianist, harpsichordist and producer) cello: Jacqueline du Pré (cellist) (in 1962-07) harp: Osian Ellis (Welsh harpist and composer) (in 1962-07) balance engineer: Neville Boyling (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1962-07) recording of: Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (in 1962-07) composer: Camille Saint‐Saëns (composer) (in 1886-02) part of: Le Carnaval des animaux (Grande fantaisie zoologique, R 125)	Camille Saint‐Saëns		2:51
5	Messa da Requiem, Ingemisco vocals: Luciano Pavarotti (tenor) recording of: Messa da requiem: IIh. Dies irae: Ingemisco (tenore) composer: Giuseppe Verdi (Italian opera composer) (from 1873 until 1874) part of: Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)	Giuseppe Verdi		3:46
6	Méditation de Thaïs conductor: Lorin Maazel (conductor) recording of: Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) composer: Jules Massenet (French Romantic composer) (in 1894) part of: Thaïs: Acte II	Jules Massenet		5:03
7	Concerto pour violon en mi mineur, Op. 64, II Andante violin: Itzhak Perlman (violinist and conductor) recording of: Violinkonzert in e-Moll, op. 64: II. Andante composer: Felix Mendelssohn (composer) (from 1838 until 1844-09-16) revised by: Felix Mendelssohn (composer) (in 1845) part of: Violinkonzert in e-Moll, op. 64	Felix Mendelssohn		4:46
8	Tosca, Air de Cavaradossi - "E lucevan le stelle" orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) recording of: Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto III	Giacomo Puccini		2:54
9	Les Contes d'Hoffmann: “Belle nuit, ô nuit d'amour“ (Barcarolle) vocals: Ann Murray (Irish mezzo-soprano) and Jessye Norman (soprano) recording of: Les Contes d'Hoffmann : Acte IV. No 17 Barcarolle « Belle nuit, ô nuit d'amour » (Nicklausse, Giulietta, les invités) composer: Jacques Offenbach part of: Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)	Jacques Offenbach		4:20
10	Symphonie No. 5 en ut mineur, Op. 67: I. Allegro con brio conductor: Riccardo Muti (conductor) recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		2:53
11	Carmen, Habanera - "L'amour est un oiseau rebelle" vocals: Maria Callas (soprano) recording of: Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) composer: Georges Bizet (composer) librettist: Ludovic Halévy (french librettist) and Henri Meilhac is based on: El arreglito part of: Carmen : Acte I	Georges Bizet		4:21
12	Boléro (extrait) orchestra: London Symphony Orchestra partial recording of: Boléro composer: Maurice Ravel (classical composer) (in 1928) publisher: Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?) premiered at: Palais Garnier in Paris, Île-de-France, France (on 1928-11-22) part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)	Maurice Ravel		5:17
13	Rhapsodie in blue (extrait) conductor: André Previn (pianist, conductor, composer, arranger) recording of: Rhapsody in Blue (standard 1942 orchestration) orchestrator: Ferde Grofé (pianist, arranger, conductor and composer) (in 1942) composer: George Gershwin (composer) (in 1924) publisher: Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label) revision of: Rhapsody in Blue (original 1924 jazz band version, less often performed)	George Gershwin		5:14
14	Ode à la joie, extrait de la Symphonie n° 9 conductor: Riccardo Muti (conductor) recording of: Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) librettist: Friedrich Schiller (German poet and playwright) is based on: An die Freude part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		4:40
15	Concerto pour clarinette en la majeur, K. 622: II. Adagio (extrait) orchestra: Staatskapelle Dresden (Dresden Symphonic Orchestra) recording of: Concerto for Clarinet in A major, K. 622: II. Adagio composer: Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07) part of: Concerto for Clarinet in A major, K. 622	Wolfgang Amadeus Mozart		4:24
16	La Flûte enchantée, Air de la Reine de la nuit - "Der Hölle Rache" recording of: Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		2:58
17	La Traviata: “Noi siamo zingarelle” (Chœur des bohémiennes) bass vocals: Christopher Keyte (operatic bass)	Giuseppe Verdi		2:57
18	Suite pour violoncelle seul n° 1 en sol majeur, BWV 1007, I Prélude cello: Mstislav Rostropovich (cellist) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007	Johann Sebastian Bach		2:04
19	Valse en la majeur, Op. 39 n° 16 piano: Jean‐Philippe Collard (French classical pianist) recording of: Waltzes, op. 39: No. 16 in C-sharp minor (for solo piano) composer: Johannes Brahms (German composer) (in 1865) version of: 16 Waltzes, op. 39: No. 16 in D minor (for piano four hands) part of: 16 Waltzes, op. 39 (for solo piano)	Johannes Brahms		1:30
20	Cancan d'Orphée aux enfers orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) recording of: Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (widely known as “Can-can”) composer: Jacques Offenbach part of: Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)	Jacques Offenbach		1:58

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ASIN:	FR: B00004VMC2 [info]

Terra musica

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