Klassische Meisterwerke V

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

https://www.ebay.de/itm/254280790207 (or https://www.ebay.com/itm/254280790207 for english)

Annotation last modified on 2022-02-23 10:03 UTC.

Tracklist

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▼ CD 1: Georg Philipp Telemann
#	Title	Artist	Rating	Length
1	Trompetenkonzert in D-Dur: Adagio trumpet: Pierre Kremer (Trumpet) orchestra: Latvijas Valsts filharmonijas kamerorķestris conductor: Carlo Jans (flautist) recording of: Trumpet Concerto in D major, TWV 51:D7: I. Adagio composer: Georg Philipp Telemann (composer) part of: Trumpet Concerto in D major, TWV 51:D7	Georg Philipp Telemann		2:21
2	Trompetenkonzert in D-Dur: Allegro trumpet: Pierre Kremer (Trumpet) orchestra: Latvijas Valsts filharmonijas kamerorķestris conductor: Carlo Jans (flautist) recording of: Trumpet Concerto in D major, TWV 51:D7: II. Allegro composer: Georg Philipp Telemann (composer) part of: Trumpet Concerto in D major, TWV 51:D7	Georg Philipp Telemann		2:12
3	Trompetenkonzert in D-Dur: Grave trumpet: Pierre Kremer (Trumpet) orchestra: Latvijas Valsts filharmonijas kamerorķestris conductor: Carlo Jans (flautist) recording of: Trumpet Concerto in D major, TWV 51:D7: III. Grave composer: Georg Philipp Telemann (composer) part of: Trumpet Concerto in D major, TWV 51:D7	Georg Philipp Telemann		1:24
4	Trompetenkonzert in D-Dur: Allegro trumpet: Pierre Kremer (Trumpet) orchestra: Latvijas Valsts filharmonijas kamerorķestris conductor: Carlo Jans (flautist) recording of: Trumpet Concerto in D major, TWV 51:D7: IV. Allegro composer: Georg Philipp Telemann (composer) part of: Trumpet Concerto in D major, TWV 51:D7	Georg Philipp Telemann		1:59
5	"Erquicktes Herz sei voller Freuden" orchestra: Camerata Romana (an Alfred Scholz pseudonym) recording of: Cantata: "Erquicktes Herz sei voller Freuden" TWV 1:470 composer: Georg Philipp Telemann (composer) part of: Telemann-Werke-Verzeichnis (number: TWV 1:470)	Georg Philipp Telemann		14:15
6	Choralbearbeitung "Wer weiß, wie nahe mir mein Ende" organ: Martin Rost (organist)	Georg Philipp Telemann		3:56
7	Konzert für 4 Gitarren: Adagio - Allegro	Georg Philipp Telemann		3:00
8	Konzert für 4 Gitarren: Grave	Georg Philipp Telemann		1:22
9	Konzert für 4 Gitarren: Allegro	Georg Philipp Telemann		1:51
10	Sonate f-Moll für Flöte und Basso continuo: Triste recording of: Bassoon Sonata in F minor, TWV 41:f1: 1. Triste composer: Georg Philipp Telemann (composer) part of: Sonate F-Moll, TWV 41:f1	Georg Philipp Telemann		2:00
11	Sonate f-Moll für Flöte und Basso continuo: Allegro recording of: Bassoon Sonata in F minor, TWV 41:f1: 2. Allegro composer: Georg Philipp Telemann (composer) part of: Sonate F-Moll, TWV 41:f1	Georg Philipp Telemann		3:55
12	Sonate f-Moll für Flöte und Basso continuo: Andante recording of: Bassoon Sonata in F minor, TWV 41:f1: 3. Andante composer: Georg Philipp Telemann (composer) part of: Sonate F-Moll, TWV 41:f1	Georg Philipp Telemann		1:39
13	Sonate f-Moll für Flöte und Basso continuo: Vivace recording of: Bassoon Sonata in F minor, TWV 41:f1: 4. Vivace composer: Georg Philipp Telemann (composer) part of: Sonate F-Moll, TWV 41:f1	Georg Philipp Telemann		2:02
14	Sonate für Fagott und Basso continuo	Georg Philipp Telemann		7:27
15	Concerto in C-Dur für Viola und Orchester: Largo producer: Günter Appenheimer (producer/engineer) viola: Ladislav Kyselák (from 1988-06-02 until 1988-06-03) orchestra: Capella Istropolitana (from 1988-06-02 until 1988-06-03) conductor: Paul Kantschieder (conductor) and Richard Edlinger (conductor and composer) (from 1988-06-02 until 1988-06-03) recorded at: Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1988-06-02 until 1988-06-03) recording of: Viola Concerto, TWV 51:G9: I. Largo (from 1988-06-02 until 1988-06-03) composer: Georg Philipp Telemann (composer) part of: Viola Concerto, TWV 51:G9	Georg Philipp Telemann		3:42
16	Concerto in C-Dur für Viola und Orchester: Allegro producer: Günter Appenheimer (producer/engineer) viola: Ladislav Kyselák (from 1988-06-02 until 1988-06-03) orchestra: Capella Istropolitana (from 1988-06-02 until 1988-06-03) conductor: Richard Edlinger (conductor and composer) (from 1988-06-02 until 1988-06-03) recorded at: Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1988-06-02 until 1988-06-03) recording of: Viola Concerto, TWV 51:G9: II. Allegro (from 1988-06-02 until 1988-06-03) composer: Georg Philipp Telemann (composer) part of: Viola Concerto, TWV 51:G9	Georg Philipp Telemann		2:59
17	Concerto in C-Dur für Viola und Orchester: Andante producer: Günter Appenheimer (producer/engineer) viola: Ladislav Kyselák (from 1988-06-02 until 1988-06-03) orchestra: Capella Istropolitana (from 1988-06-02 until 1988-06-03) conductor: Richard Edlinger (conductor and composer) (from 1988-06-02 until 1988-06-03) recorded at: Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1998-06-02 until 1998-06-03) recording of: Viola Concerto, TWV 51:G9: III. Andante (from 1988-06-02 until 1988-06-03) composer: Georg Philipp Telemann (composer) part of: Viola Concerto, TWV 51:G9	Georg Philipp Telemann		4:36
18	Concerto in C-Dur für Viola und Orchester: Presto producer: Günter Appenheimer (producer/engineer) viola: Ladislav Kyselák (from 1988-06-02 until 1988-06-03) orchestra: Capella Istropolitana (from 1988-06-02 until 1988-06-03) conductor: Richard Edlinger (conductor and composer) (from 1988-06-02 until 1988-06-03) recorded at: Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1998-06-02 until 1998-06-03) recording of: Viola Concerto, TWV 51:G9: IV. Presto (from 1988-06-02 until 1988-06-03) composer: Georg Philipp Telemann (composer) part of: Viola Concerto, TWV 51:G9	Georg Philipp Telemann		2:43

▼ CD 2: Johann Sebastian Bach
#	Title	Artist	Rating	Length
1	Toccata und Fuge d-Moll organ: Hans-Christoph Becker-Foss (organist and choir leader) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1982 to present) recorded at: Marktkirche St. Nicolai (Beckerath-Organ, Hameln) in Hamelin, Niedersachsen, Germany recording of: Toccata und Fuge d-Moll, BWV 565 composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 565)	Johann Sebastian Bach	4	8:16
2	Allein Gott in der Höh sei Ehr organ: Hans-Christoph Becker-Foss (organist and choir leader) recording of: Choralvorspiele für Orgel in A-Dur, BWV 662 "Allein Gott in der Höh' sei Ehr" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Choräle von Verschiedener Art (Leipzig-Choräle) (number: 12), Bach Compendium (number: K85) and Bach-Werke-Verzeichnis (number: BWV 662) is based on: Allein Gott in der Höh sei Ehr (Choral)	Johann Sebastian Bach		5:15
3	An den Wasserflüssen Babylon organ: Otto Winter (organist, harpsichordist and pianist) recorded at: Calvary Church (Eule organ 1987) in Szombathely, Vas, Hungary recording of: Choralvorspiele für Orgel in G-Dur, BWV 653 "An Wasserflüssen Babylon" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Choräle von Verschiedener Art (Leipzig-Choräle) (number: 3) and Bach-Werke-Verzeichnis (number: BWV 653)	Johann Sebastian Bach		5:24
4	Fantasia G-Dur organ: Otto Winter (organist, harpsichordist and pianist) recorded at: Calvary Church (Eule organ 1987) in Szombathely, Vas, Hungary recording of: Fantasia G-Dur, BWV 572 “Pièce d’Orgue” composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 572)	Johann Sebastian Bach		9:01
5	Triosonate e-Moll: Adagio - vivace organ: Otto Winter (organist, harpsichordist and pianist) recording of: Triosonate für Orgel Nr. 4 e-Moll, BWV 528: I. Adagio - Vivace composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Triosonate für Orgel Nr. 4 e-Moll, BWV 528	Johann Sebastian Bach		2:51
6	Triosonate e-Moll: Andante organ: Otto Winter (organist, harpsichordist and pianist) recording of: Triosonate für Orgel Nr. 4 e-Moll, BWV 528: II. Andante composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Triosonate für Orgel Nr. 4 e-Moll, BWV 528	Johann Sebastian Bach		4:52
7	Triosonate e-Moll: Un poco allegro organ: Otto Winter (organist, harpsichordist and pianist) recording of: Triosonate für Orgel Nr. 4 e-Moll, BWV 528: III. Un poc' allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Triosonate für Orgel Nr. 4 e-Moll, BWV 528	Johann Sebastian Bach		2:53
8	Doppelkonzert für 2 Violinen und Orchester d-Moll: Vivace violin: Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi orchestra: Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), London Symphony Orchestra and Musici di San Marco (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Francesco Macci (an Alfred Scholz pseudonym) recording of: Concerto for 2 Violins in D minor, BWV 1043: I. Vivace composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		4:02
9	Doppelkonzert für 2 Violinen und Orchester d-Moll: Largo ma non tanto violin: Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi orchestra: Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym) and Alfred Scholz (musical fraudster) recording of: Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		7:18
10	Doppelkonzert für 2 Violinen und Orchester d-Moll: Allegro violin: Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi orchestra: Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Francesco Macci (an Alfred Scholz pseudonym) recording of: Concerto for 2 Violins in D minor, BWV 1043: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		5:18
11	Brandenburgerisches Konzert Nr. 1 F-Dur: Allegro violin: J. Brezina (violinist) orchestra: Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös recording of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (Allegro) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046	Johann Sebastian Bach		4:01
12	Brandenburgerisches Konzert Nr. 1 F-Dur: Adagio violin: Otto Büchner (violinist) and J. Brezina (violinist) orchestra: Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym)), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös recording of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046	Johann Sebastian Bach		4:08
13	Brandenburgerisches Konzert Nr. 1 F-Dur: Allegro violin: J. Brezina (violinist) orchestra: Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös recording of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046	Johann Sebastian Bach		4:27
14	Brandenburgerisches Konzert Nr. 1 F-Dur: Menuetto violin: J. Brezina (violinist) orchestra: Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös recording of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto - Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046	Johann Sebastian Bach		7:30

▼ CD 3: Wolfgang Amadeus Mozart
#	Title	Artist	Rating	Length
1	Aus "Die Zauberflöte": Ouvertüre orchestra: London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Mozart Festival Orchestra (an Alfred Scholz pseudonym) conductor: Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Alfred Scholz (musical fraudster) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) recording of: Die Zauberflöte: Ouvertüre composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Die Zauberflöte, K. 620	Wolfgang Amadeus Mozart		7:28
2	Aus "Die Zauberflöte": In diesem heil'gen Hallen recording of: Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		4:27
3	Aus "Die Zauberflöte": Der Hölle Rache kocht in meinem Herzen recording of: Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		3:29
4	Aus "Die Zauberflöte": Die Hochzeit des Figaro: Ouvertüre orchestra: Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (LPO), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Philharmonia Slovanica Orchester (an Alfred Scholz pseudonym) conductor: Pietro di la Corona (Alfred Scholz pseudonym), Laurence Gordon Siegel (conductor, possibly another pseudonym Alfred Scholz created) and Alfred Scholz (musical fraudster) recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492	Wolfgang Amadeus Mozart	4	4:24
5	Aus "Die Zauberflöte": Die Entführung aus dem Serail: Ouvertüre orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonic Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz (musical fraudster) recording of: Die Entführung aus dem Serail, K. 384: Ouvertüre composer: Wolfgang Amadeus Mozart (classical composer) (in 1782) part of: Die Entführung aus dem Serail, K. 384	Wolfgang Amadeus Mozart		5:43
6	Aus "Die Zauberflöte": Cosi fan tutte: Ouvertüre orchestra: London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (LPO), Orchestre Radio-Symphonique Paris and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Alfred Scholz (musical fraudster) and Bernhard Woess (Conductor - possibly an Alfred Scholtz pseudonym) recording of: Così fan tutte: Ouvertura composer: Wolfgang Amadeus Mozart (classical composer) (in 1790) part of: Così fan tutte ossia La scuola degli amanti, K. 588	Wolfgang Amadeus Mozart		4:46
7	Hornkonzert Nr. 3 Es-Dur, KV 447: I. Allegro French horn: Bernd Heiser (horn player, an Alfred Scholz pseudonym) orchestra: Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym) recording of: Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787) part of: Concerto for Horn no. 3 in E-flat major, K. 447	Wolfgang Amadeus Mozart	2	8:02
8	Hornkonzert Nr. 3 Es-Dur, KV 447: II. Romanze - Larghetto French horn: Jože Falout (Slovenian horn player, born 1934) and Bernd Heiser (horn player, an Alfred Scholz pseudonym) orchestra: Camerata Labacensis (Slovenian chamber orchestra) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Kurt Redel (flutist and conductor) recording of: Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto composer: Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787) part of: Concerto for Horn no. 3 in E-flat major, K. 447	Wolfgang Amadeus Mozart	5	4:14
9	Hornkonzert Nr. 3 Es-Dur, KV 447: III. Allegro French horn: Bernd Heiser (horn player, an Alfred Scholz pseudonym) orchestra: Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym) recording of: Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787) part of: Concerto for Horn no. 3 in E-flat major, K. 447	Wolfgang Amadeus Mozart	4	3:54
10	Klarinettenkonzert A-Dur, KV 622: I. Allegro recording of: Concerto for Clarinet in A major, K. 622: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07) part of: Concerto for Clarinet in A major, K. 622	Wolfgang Amadeus Mozart		13:27
11	Klarinettenkonzert A-Dur, KV 622: II. Adagio recording of: Concerto for Clarinet in A major, K. 622: II. Adagio composer: Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07) part of: Concerto for Clarinet in A major, K. 622	Wolfgang Amadeus Mozart		8:17
12	Klarinettenkonzert A-Dur, KV 622: III. Rondo. Allegro recording of: Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07) part of: Concerto for Clarinet in A major, K. 622	Wolfgang Amadeus Mozart		9:51

▼ CD 4: Franz Schubert
#	Title	Artist	Rating	Length
1	Symphonie Nr. 4 c-Moll, D. 417 "Die Tragische": I. Adagio molto recording of: Symphony no. 4 in C minor, D. 417 "Tragic": I. Adagio molto - Allegro vivace composer: Franz Schubert (composer) (in 1816-04) part of: Symphony no. 4 in C minor, D. 417 "Tragic"	Franz Schubert		3:11
2	Symphonie Nr. 4 c-Moll, D. 417 "Die Tragische": II. Allegro vivace recording of: Symphony no. 4 in C minor, D. 417 "Tragic": III. Menuetto. Allegro vivace composer: Franz Schubert (composer) (in 1816-04) part of: Symphony no. 4 in C minor, D. 417 "Tragic"	Franz Schubert		8:14
3	Symphonie Nr. 4 c-Moll, D. 417 "Die Tragische": III. Andante orchestra: Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke), Philharm. Orchester Bamberg (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Alfred Scholz (musical fraudster) and Hans Swarowsky (conductor) recording of: Symphony no. 4 in C minor, D. 417 "Tragic": II. Andante composer: Franz Schubert (composer) (in 1816-04) part of: Symphony no. 4 in C minor, D. 417 "Tragic"	Franz Schubert		9:52
4	Symphonie Nr. 4 c-Moll, D. 417 "Die Tragische": IV. Menuetto - Allegretto vivace orchestra: Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke), Philharm. Orchester Bamberg (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Alfred Scholz (musical fraudster) and Hans Swarowsky (conductor) recording of: Symphony no. 4 in C minor, D. 417 "Tragic": III. Menuetto. Allegro vivace composer: Franz Schubert (composer) (in 1816-04) part of: Symphony no. 4 in C minor, D. 417 "Tragic"	Franz Schubert		3:37
5	Symphonie Nr. 4 c-Moll, D. 417 "Die Tragische": V. Allegro orchestra: Philharm. Orchester Bamberg (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Alfred Scholz (musical fraudster) recording of: Symphony no. 4 in C minor, D. 417 "Tragic": IV. Allegro composer: Franz Schubert (composer) (in 1816-04) part of: Symphony no. 4 in C minor, D. 417 "Tragic"	Franz Schubert		10:29
6	Deutscher Tanz C-Dur, D. 90 orchestra: Symphonisches Orchester Berlin (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) conductor: Carl-August Bünte (conductor) partial recording of: 16 German Dances and 2 Ecossaises, op. 33, D. 783 composer: Franz Schubert (composer) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 783)	Franz Schubert		5:39
7	Impromptu B-Dur, Op. 142/3 recording of: Impromptu in B-flat major, D. 935 no. 3. Theme (Andante) with variations composer: Franz Schubert (composer) (in 1827) part of: 4 Impromptus, D. 935	Franz Schubert		12:03
8	Impromptu f-Moll, Op. 142/1	Franz Schubert		10:08

▼ CD 5: Franz Liszt
#	Title	Artist	Rating	Length
1	Ungarische Rhapsodie Nr. 3 orchestra: Bamberger Symphoniker and London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz (musical fraudster) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 3 in B-flat major, S. 244 no. 3 composer: Franz Liszt part of: 19 Hungarian Rhapsodies, S. 244 / R. 106	Franz Liszt		8:28
2	Liebestraum Nr. 3 As-Dur op. 62	Franz Liszt		4:29
3	Les Prẻludes, Symphonische Dichtung Nr. 3 orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz (musical fraudster) recording of: Les Préludes, S. 97 composer: Franz Liszt (in 1848, from 1850 until 1855) part of: The Music of Liszt (number: S. 97)	Franz Liszt		16:58
4	Ungarische Rhapsodie Nr. 5	Franz Liszt		12:57
5	Franziskus-Legende Nr. 1	Franz Liszt		10:03
6	Orpheus, Symphonische Dichtung Nr. 4	Franz Liszt		11:58

▼ CD 6: Giuseppe Verdi
#	Title	Artist	Rating	Length
1	Nabucco: Gefangenenchor “Va pensiero” recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi		4:23
2	Nabucco: “Dio di Giuda” recording of: Nabucco: Parte IV, scena 1. “Dio di Giuda! L’ara, il tempio a te sacro, sorgeranno” (Nabucco, Abdallo, Coro) composer: Giuseppe Verdi (Italian opera composer) librettist: Temistocle Solera part of: Nabucco: Parte IV. L’idolo infranto	Giuseppe Verdi		3:27
3	Ernani: “Ernani!... Ernani involami” recording of: Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira) composer: Giuseppe Verdi (Italian opera composer) part of: Ernani: Atto I (Il bandito)	Giuseppe Verdi		4:14
4	Ernani: “Come rugiada al cespite” partial recording of: Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) composer: Giuseppe Verdi (Italian opera composer) part of: Ernani: Atto I (Il bandito)	Giuseppe Verdi		3:12
5	Rigoletto: “La donna e mobile” recording of: Rigoletto: Atto III. “La donna è mobile” (Duca) composer: Giuseppe Verdi (Italian opera composer) (until 1851-03-11) librettist: Francesco Maria Piave (until 1851-03-11) part of: Rigoletto: Atto III	Giuseppe Verdi		2:20
6	Il trovatore: “Di quella pira” recording of: Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) composer: Giuseppe Verdi (Italian opera composer) (in 1853) librettist: Salvadore Cammarano (Italian librettist) (in 1853) part of: Il trovatore: Atto III. Il figlio della zingara	Giuseppe Verdi		2:06
7	Il trovatore: “Stride la vampa” recording of: Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) composer: Giuseppe Verdi (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Il trovatore: Atto II. La gitana	Giuseppe Verdi		2:37
8	Un ballo in maschera: “Morrò, ma prima in grazia” recording of: Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Somma part of: Un ballo in maschera: Atto III	Giuseppe Verdi		5:33
9	Un ballo in maschera: “Forse la soglia attinse” recording of: Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) composer: Giuseppe Verdi (Italian opera composer) librettist: Antonio Somma part of: Un ballo in maschera: Atto III	Giuseppe Verdi		4:58
10	La forza del destino: Ouvertüre recording of: La forza del destino: Sinfonia composer: Giuseppe Verdi (Italian opera composer) part of: La forza del destino	Giuseppe Verdi		8:06
11	La forza del destino: “Pace, pace mio dio” recording of: La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La forza del destino: Atto IV	Giuseppe Verdi		6:32
12	La forza del destino: “Oh, tu che in seno agl'angeli” recording of: La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave part of: La forza del destino: Atto III	Giuseppe Verdi		5:55
13	La forza del destino: Soldatenchor partial recording of: La forza del destino composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave	Giuseppe Verdi		3:07
14	Otello: “Credo in un dio crudel” recording of: Otello: Atto II. “Credo in un Dio crudel” (Iago) composer: Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01) librettist: Arrigo Boito (librettist, composer) part of: Otello: Atto II	Giuseppe Verdi		5:04
15	Otello: “Dio! Mi potevi scagliar” recording of: Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) composer: Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01) librettist: Arrigo Boito (librettist, composer) part of: Otello: Atto III part of: Otello: Atto III	Giuseppe Verdi		4:06
16	Otello: “Ave Maria” recording of: Otello: Atto IV. “Ave Maria” (Desdemona) composer: Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887) librettist: Arrigo Boito (librettist, composer) part of: Otello: Atto IV	Giuseppe Verdi		6:10

▼ CD 7: Friedrich Smetana
#	Title	Artist	Rating	Length
1	Aus dem Zyklus "Mein Vaterland": Die Moldau, Symphonische Dichtung orchestra: Philharmonisches Staatsorchester Hamburg (aka Philharmoniker Hamburg), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (an Alfred Scholz pseudonym), The Vienna Symphony Orchestra (Alfred Scholz related) and Wiener Symphoniker conductor: Henry Adolph (conductor, an Alfred Scholz pseudonym), Pietro di la Corona (Alfred Scholz pseudonym), Alfred Scholz (musical fraudster), George Ralph Warren and Yuri Ahronovich (conductor) recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		13:00
2	Aus dem Zyklus "Mein Vaterland": Aus Böhmens Hain und Flur, Symphonische Dichtung recording of: Má vlast: IV. Z českých luhů a hájů, JB 1:112/4 (From Bohemia's Woods and Fields) composer: Bedřich Smetana (composer) (in 1875) part of: B. number catalogue by František Bartoš (number: B. 114) part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		11:52
3	Aus dem Zyklus "Mein Vaterland": Tabor, Symphonische Dichtung recording of: Má vlast: V. Tábor, JB 1:112/5 composer: Bedřich Smetana (composer) (in 1878) part of: B. number catalogue by František Bartoš (number: B. 120) part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		11:45
4	Libusa: Ouvertüre recording of: Libussa Ouvertüre composer: Bedřich Smetana (composer)	Bedřich Smetana		8:49
5	Aus "Die verkaufte Braut": Ouvertüre recording of: Prodaná nevěsta: Overture composer: Bedřich Smetana (composer) (from 1863 until 1866) part of: Prodaná nevěsta	Bedřich Smetana		6:48
6	Aus "Die verkaufte Braut": Polka orchestra: Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic, Bratislava) conductor: Libor Pešek (conductor) and Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) phonographic copyright (℗) by: GMS (in 1986) recording of: Die verkaufte Braut: I. Polka composer: Bedřich Smetana (composer) (from 1863 until 1870) part of: Three Dances from "The Bartered Bride"	Bedřich Smetana		4:36
7	Aus "Die verkaufte Braut": Furiant orchestra: Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic, Bratislava) conductor: Libor Pešek (conductor) and Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) phonographic copyright (℗) by: GMS (in 1986) recording of: Die verkaufte Braut: II. Furiant composer: Bedřich Smetana (composer) (from 1863 until 1870) part of: Three Dances from "The Bartered Bride"	Bedřich Smetana		2:03
8	Aus "Die verkaufte Braut": Aufzug der Komödianten recording of: Die verkaufte Braut: III. Komödiantenszene composer: Bedřich Smetana (composer) (from 1863 until 1870) part of: Three Dances from "The Bartered Bride"	Bedřich Smetana		4:56

▼ CD 8: Max Bruch
#	Title	Artist	Rating	Length
1	Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: I. Allegro moderato, attacca recording of: Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato composer: Max Bruch (composer and conductor) (from 1866 until 1867) part of: Violin Concerto no. 1 in G minor, op. 26	Max Bruch		8:25
2	Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio recording of: Violin Concerto no. 1 in G minor, op. 26: II. Adagio composer: Max Bruch (composer and conductor) (from 1866 until 1867) part of: Violin Concerto no. 1 in G minor, op. 26	Max Bruch		9:07
3	Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: III. Finale. Allegro energico recording of: Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico composer: Max Bruch (composer and conductor) (from 1866 until 1867) part of: Violin Concerto no. 1 in G minor, op. 26	Max Bruch		7:23
4	Trio für Klavier, Violine und Violoncello c-Moll op. 5: Andante molto cantabile - Attacca allegro assai	Max Bruch		11:47
5	Trio für Klavier, Violine und Violoncello c-Moll op. 5: Presto	Max Bruch		7:33
6	Aus Nachtgesang, Andante con moto op. 83	Max Bruch		5:28
7	Kol Nidrei für Violoncello und Orchester op. 47 recording of: Kol Nidrei, op. 47 composer: Max Bruch (composer and conductor) (in 1880-07) dedicated to: Robert Hausmann part of: Works of Max Bruch by opus number (number: op. 47)	Max Bruch		10:10
8	Drei Stücke für Klarinette, Klavier und Violoncello aus op. 83: Andante	Max Bruch		4:20
9	Drei Stücke für Klarinette, Klavier und Violoncello aus op. 83: Allegro con moto	Max Bruch		2:28
10	Drei Stücke für Klarinette, Klavier und Violoncello aus op. 83: Andante con moto	Max Bruch		7:14

▶ CD 9: Giacomo Puccini

▶ CD 10: Maurice Ravel

▶ CD 11: Béla Bartók

▶ CD 12: Carl Orff

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other databases:	http://www.musik-sammler.de/media/304907 [info]

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Release information

Format:: 12×CD
Length:: 13:38:03

Additional details

Type:: Album + Compilation
Status:: Official
Language:: German
Script:: Latin
Data Quality:: Normal

Labels

ADORA
3056-1
ADORA
3056-10
ADORA
3056-11
ADORA
3056-12
ADORA
3056-2
ADORA
3056-3
ADORA
3056-4
ADORA
3056-5
ADORA
3056-6
ADORA
3056-7
ADORA
3056-8
ADORA
3056-9

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Germany

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Last updated on 2014-09-28 12:01 UTC