Cantatas

~ Release by Johann Sebastian Bach; Karl Münchinger (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Bach Cantatas CD1
#TitleArtistRatingLength
1Cantata 'Jauchzet Gott in Allen Landen', BWV 51
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:45
2Cantata 'Jauchzet Gott in Allen Landen', BWV 51
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:18
3Cantata 'Jauchzet Gott in Allen Landen', BWV 51
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:41
4Cantata 'Jauchzet Gott in Allen Landen', BWV 51
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:23
5Cantata 'Jauchzet Gott in Allen Landen', BWV 51
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:43
6Cantata 'Weichet nur betrübte Schatten' (Wedding cantata), BWV 202
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach6:41
7Cantata 'Weichet nur betrübte Schatten' (Wedding cantata), BWV 202
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:34
8Cantata 'Weichet nur betrübte Schatten' (Wedding cantata), BWV 202
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach4:51
9Cantata 'Weichet nur betrübte Schatten' (Wedding cantata), BWV 202
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:54
10Cantata 'Weichet nur betrübte Schatten' (Wedding cantata), BWV 202
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:08
11Cantata 'Weichet nur betrübte Schatten' (Wedding cantata), BWV 202
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:06
12Cantata 'Weichet nur betrübte Schatten' (Wedding cantata), BWV 202
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach5:39
13Cantata 'Weichet nur betrübte Schatten' (Wedding cantata), BWV 202
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:34
14Cantata 'Weichet nur betrübte Schatten' (Wedding cantata), BWV 202
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 1953-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:11
15Cantata 'Meine Seele erhebet den Herren', BWV 10
choir vocals:
Wiener Akademie and Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:10
16Cantata 'Meine Seele erhebet den Herren', BWV 10
soprano vocals:
Elly Ameling (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach7:05
17Cantata 'Meine Seele erhebet den Herren', BWV 10
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:24
18Cantata 'Meine Seele erhebet den Herren', BWV 10
bass vocals:
Marius Rintzler (Romanian operatic bass) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:26
19Cantata 'Meine Seele erhebet den Herren', BWV 10
alto vocals:
Helen Watts (contralto)
bass vocals:
Marius Rintzler (Romanian operatic bass) (in 1968-05)
contralto vocals:
Helen Watts (contralto) (in 1968-05)
tenor vocals:
Werner Krenn (tenor)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:03
20Cantata 'Meine Seele erhebet den Herren', BWV 10
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:25
21Cantata 'Meine Seele erhebet den Herren', BWV 10
choir vocals:
Wiener Akademie and Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:15
▼ CD 2: Bach Cantatas CD2
#TitleArtistRatingLength
1Cantata 'Eine feste Burg ist unser Gott', BWV 80
choir vocals:
Stuttgarter Hymnus-Chorknaben
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach7:19
2Cantata 'Eine feste Burg ist unser Gott', BWV 80
bass vocals:
Tom Krause (bass-baritone)
soprano vocals:
Gabriele Fontana (soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:30
3Cantata 'Eine feste Burg ist unser Gott', BWV 80
bass vocals:
Tom Krause (bass-baritone)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach2:31
4Cantata 'Eine feste Burg ist unser Gott', BWV 80
soprano vocals:
Gabriele Fontana (soprano)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:51
5Cantata 'Eine feste Burg ist unser Gott', BWV 80
choir vocals:
Stuttgarter Hymnus-Chorknaben
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:26
6Cantata 'Eine feste Burg ist unser Gott', BWV 80
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:35
7Cantata 'Eine feste Burg ist unser Gott', BWV 80
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (from 1984-02-01 until 1984-02-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:37
8Cantata 'Eine feste Burg ist unser Gott', BWV 80
choir vocals:
Stuttgarter Hymnus-Chorknaben
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (from 1984-02-01 until 1984-02-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:28
9Cantata 'Wachet auf, ruft uns die Stimme', BWV 140
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:15
10Cantata 'Wachet auf, ruft uns die Stimme', BWV 140
tenor vocals:
Gösta Winbergh (tenor) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:14
11Cantata 'Wachet auf, ruft uns die Stimme', BWV 140
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
soprano vocals:
Gabriele Fontana (soprano) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:13
12Cantata 'Wachet auf, ruft uns die Stimme', BWV 140
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach3:58
13Cantata 'Wachet auf, ruft uns die Stimme', BWV 140
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: V. Recitativo (Bass) "So geh herein zu mir" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:41
14Cantata 'Wachet auf, ruft uns die Stimme', BWV 140
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
soprano vocals:
Gabriele Fontana (soprano) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria (Sop Bass) "Mein Freund ist mein" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach7:35
15Cantata 'Wachet auf, ruft uns die Stimme', BWV 140
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:55
16Jesu, joy of man's desiring
orchestra:
Stuttgarter Kammerorchester (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Lucien Cailliet and Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Mans Desiring; catch-all for arrangements and unknown orchestrations) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:03
17Sheep may safely graze
producer:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:35