Das Kantatenwerk, Vol. 40

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt & Gustav Leonhardt (see all versions of this release, 1 available)

Annotation

liner notes:
https://www.bach-cantatas.com/Pic-Rec-BIG/HL-L40-5c[Teldec-2CD].pdf

Annotation last modified on 2020-12-13 13:35 UTC.

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1BWV 170 - Aria (A): Vergnügte Ruh', beliebte Seelenlust!
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
contralto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:20
2BWV 170 - Recitativo (A): Die Welt, das Sündenhaus, bricht nur in Höllenlieder aus
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:17
3BWV 170 - Aria (A): Wie jammern mich doch die verkehrten Herzen
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach8:11
4BWV 170 - Recitativo (A): Wer sollte sich demnach wohl hier zu leben wünschen
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:15
5BWV 170 - Aria (A): Mir ekelt mehr zu leben
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach5:53
6BWV 171 - Coro: Gott, wie dein Name, so ist auch dein Ruhm
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:58
7BWV 171 - Aria (T): Herr, so weit die Wolken gehen
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach3:58
8BWV 171 - Recitativo (A): Du süßer Jesus-Name du
alto vocals:
Panito Iconomou (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:05
9BWV 171 - Aria (S): Jesus soll mein erstes Wort
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach5:18
10BWV 171 - Recitativo (B): Und da du, Herr, gesagt
bass vocals:
Robert Holl (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:40
11BWV 171 - Choral: Laß uns das Jahr vollbringen
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johannes Herman (in 1593)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:12
▼ CD 2
#TitleArtistRatingLength
1BWV 172 - Coro: Erschallet, ihr Lieder, erklinget, ihr Saiten
choir vocals:
Collegium Vocale Gent (from 1985-12-18 until 1985-12-20) and Knabenchor Hannover (German boys choir) (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
chorus master:
Heinz Hennig (conductor) (from 1985-12-18 until 1985-12-20) and Philippe Herreweghe (Belgian conductor) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach4:07
2BWV 172 - Recitativo (B): Wer mich liebet, der wird mein Wort halten
bass vocals:
Max van Egmond (bass-baritone) (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach0:54
3BWV 172 - Aria (B): Heiligste Dreieinigkeit
bass vocals:
Max van Egmond (bass-baritone) (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach2:09
4BWV 172 - Aria (T): O Seelenparadies
tenor vocals:
Marius van Altena (tenor) (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach4:39
5BWV 172 - Duetto (S, A): Komm, laß mich nicht länger warten
alto vocals:
Paul Esswood (countertenor) (from 1985-12-18 until 1985-12-20)
treble vocals:
Matthias Echternach (Boy Soprano, Tenor) (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach3:48
6BWV 172 - Choral: Von Gott kömmt mir ein Freudenschein
choir vocals:
Collegium Vocale Gent (from 1985-12-18 until 1985-12-20) and Knabenchor Hannover (German boys choir) (from 1985-12-18 until 1985-12-20)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-18 until 1985-12-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-18 until 1985-12-20)
chorus master:
Heinz Hennig (conductor) (from 1985-12-18 until 1985-12-20) and Philippe Herreweghe (Belgian conductor) (from 1985-12-18 until 1985-12-20)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-18 until 1985-12-20)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1985-12-18 until 1985-12-20)
premiered in:
Weimar, Thüringen, Germany (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach1:25
7BWV 173 - Recitativo (T): Erhöhtes Fleisch und Blut
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach0:35
8BWV 173 - Aria (T): Ein geheiligtes Gemüte
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach4:13
9BWV 173 - ARia (A): Gott will, o! ihr Menschenkinder
alto vocals:
Christian Immler (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach1:45
10BWV 173 - Duetto (B, S): So hat Gott die Welt geliebt
bass vocals:
Robert Holl (bass-baritone)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) and Stefan Gienger
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach4:04
11BWV 173 - Recitativo (S, T): Unendlichster, den man doch Vater nennt
tenor vocals:
Kurt Equiluz (tenor)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) and Stefan Gienger
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach1:11
12BWV 173 - Coro: Rühre, Höchster, unsern Geist
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach2:16
13BWV 174 - Sinfonia (Concerto)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach6:11
14BWV 174 - (Aria) (A) Ich liebe den Höchsten von ganzem Gemüte
alto vocals:
Christian Immler (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: II. Aria (Alt) „Ich liebe den Höchsten von ganzem Gemüte“
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach8:20
15BWV 174 - (Recitativo) (T) O Liebe, welcher keine gleich!
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: III. Recitativo (Tenor) „O! Liebe, welche keiner gleich“
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach1:07
16BWV 174 - (Aria) (B) Greifet zu, faßt das Heil
bass vocals:
Robert Holl (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: IV. Aria (Bass) „Greifet zu!“
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach3:19
17BWV 174 - (Choral) (Coro) Herzlich lieb hab ich dich
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: V. Choral „Herzlich lieb hab ich dich, O Herr“
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Schalling (in 1569)
part of:
Breitkopf 389 Choralgesänge (number: 153)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach1:37

Credits

Release

ASIN:US: B001699QH2 [info]