Eight Classic Albums

~ Release by Roland Kirk (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Triple Threat / Introducing
#TitleRatingLength
1Roland’s Theme
recorded in:
New York, New York, United States (on 1956-11-09)
bass and double bass:
Carl Pruitt (Double bass player) (on 1956-11-09)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1956-11-09)
piano:
James Madison (piano) (on 1956-11-09)
tenor saxophone:
(Rahsaan) Roland Kirk (on 1956-11-09)
wind instruments [tenor sax, manzello, stritch] and woodwind:
Roland Kirk (on 1956-11-09)
2:49
2Slow Groove
recorded in:
New York, New York, United States (on 1956-11-09)
bass and double bass:
Carl Pruitt (Double bass player) (on 1956-11-09)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1956-11-09)
piano:
James Madison (piano) (on 1956-11-09)
tenor saxophone:
(Rahsaan) Roland Kirk (on 1956-11-09)
wind instruments [tenor sax, manzello, stritch] and woodwind:
Roland Kirk (on 1956-11-09)
6:49
3Stormy Weather
recorded in:
New York, New York, United States (on 1956-11-09)
bass and double bass:
Carl Pruitt (Double bass player) (on 1956-11-09)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1956-11-09)
piano:
James Madison (piano) (on 1956-11-09)
tenor saxophone:
(Rahsaan) Roland Kirk (on 1956-11-09)
wind instruments [tenor sax, manzello, stritch] and woodwind:
Roland Kirk (on 1956-11-09)
instrumental recording of:
Stormy Weather (on 1956-11-09)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
4:36
4The Nearness of You
recorded in:
New York, New York, United States (on 1956-11-09)
bass and double bass:
Carl Pruitt (Double bass player) (on 1956-11-09)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1956-11-09)
piano:
James Madison (piano) (on 1956-11-09)
tenor saxophone:
(Rahsaan) Roland Kirk (on 1956-11-09)
wind instruments [tenor sax, manzello, stritch] and woodwind:
Roland Kirk (on 1956-11-09)
instrumental recording of:
The Nearness of You (on 1956-11-09)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
5:31
5A La Carte
recorded in:
New York, New York, United States (on 1956-11-09)
bass and double bass:
Carl Pruitt (Double bass player) (on 1956-11-09)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1956-11-09)
piano:
James Madison (piano) (on 1956-11-09)
tenor saxophone:
(Rahsaan) Roland Kirk (on 1956-11-09)
wind instruments [tenor sax, manzello, stritch] and woodwind:
Roland Kirk (on 1956-11-09)
2:20
6Easy Living
recorded in:
New York, New York, United States (on 1956-11-09)
bass and double bass:
Carl Pruitt (Double bass player) (on 1956-11-09)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1956-11-09)
piano:
James Madison (piano) (on 1956-11-09)
tenor saxophone:
(Rahsaan) Roland Kirk (on 1956-11-09)
wind instruments [tenor sax, manzello, stritch] and woodwind:
Roland Kirk (on 1956-11-09)
instrumental recording of:
Easy Living (on 1956-11-09)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
4:38
7Triple Threat
recorded in:
New York, New York, United States (on 1956-11-09)
bass and double bass:
Carl Pruitt (Double bass player) (on 1956-11-09)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1956-11-09)
piano:
James Madison (piano) (on 1956-11-09)
tenor saxophone:
(Rahsaan) Roland Kirk (on 1956-11-09)
wind instruments [tenor sax, manzello, stritch] and woodwind:
Roland Kirk (on 1956-11-09)
2:24
8The Call
recorded in:
Chicago, Illinois, United States (on 1960-06-07)
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Don Garrett (on 1960-06-07)
drums (drum set):
Sonny Brown (US jazz drummer) (on 1960-06-07)
keyboard:
William Burton (keyboardist) (on 1960-06-07)
organ:
Ron Burton (on 1960-06-07)
saxophone:
Roland Kirk (on 1960-06-07)
trumpet and wind instruments:
Ira Sullivan (on 1960-06-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-06-07)
8:43
9Soul Station
recorded in:
Chicago, Illinois, United States (on 1960-06-07)
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Don Garrett (on 1960-06-07)
drums (drum set):
Sonny Brown (US jazz drummer) (on 1960-06-07)
keyboard:
William Burton (keyboardist) (on 1960-06-07)
piano:
Ron Burton (on 1960-06-07)
saxophone:
Roland Kirk (on 1960-06-07)
tenor saxophone and wind instruments:
Ira Sullivan (on 1960-06-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-06-07)
5:27
10Our Waltz
recorded in:
Chicago, Illinois, United States (on 1960-06-07)
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Don Garrett (on 1960-06-07)
drums (drum set):
Sonny Brown (US jazz drummer) (on 1960-06-07)
keyboard:
William Burton (keyboardist) (on 1960-06-07)
piano:
Ron Burton (on 1960-06-07)
saxophone:
Roland Kirk (on 1960-06-07)
trumpet and wind instruments:
Ira Sullivan (on 1960-06-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-06-07)
instrumental recording of:
Our Waltz (on 1960-06-07)
lyricist:
Nat Burton (US songwriter)
composer:
David Rose (songwriter, pianist and orchestra leader)
4:52
11Our Love Is Here to Stay
recorded in:
Chicago, Illinois, United States (on 1960-06-07)
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Don Garrett (on 1960-06-07)
drums (drum set):
Sonny Brown (US jazz drummer) (on 1960-06-07)
keyboard:
William Burton (keyboardist) (on 1960-06-07)
piano:
Ron Burton (on 1960-06-07)
saxophone:
Roland Kirk (on 1960-06-07)
trumpet and wind instruments:
Ira Sullivan (on 1960-06-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-06-07)
instrumental recording of:
Love Is Here to Stay (on 1960-06-07)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
4:50
12Spirit Girl
recorded in:
Chicago, Illinois, United States (on 1960-06-07)
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Don Garrett (on 1960-06-07)
drums (drum set):
Sonny Brown (US jazz drummer) (on 1960-06-07)
keyboard:
William Burton (keyboardist) (on 1960-06-07)
piano:
Ron Burton (on 1960-06-07)
saxophone:
Roland Kirk (on 1960-06-07)
trumpet and wind instruments:
Ira Sullivan (on 1960-06-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-06-07)
5:22
13Jack the Ripper
recorded in:
Chicago, Illinois, United States (on 1960-06-07)
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Don Garrett (on 1960-06-07)
drums (drum set):
Sonny Brown (US jazz drummer) (on 1960-06-07)
keyboard:
William Burton (keyboardist) (on 1960-06-07)
piano:
Ron Burton (on 1960-06-07)
saxophone:
Roland Kirk (on 1960-06-07)
trumpet and wind instruments:
Ira Sullivan (on 1960-06-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1960-06-07)
7:51
▼ CD 2: Kirk's Work / Oh Yeah
#TitleRatingLength
1Three for Dizzy
recording engineer:
Rudy van Gelder (on 1961-07-11)
producer:
Esmond Edwards
double bass:
Joe Benjamin (US jazz bassist) (on 1961-07-11)
drums (drum set):
Art Taylor (on 1961-07-11)
organ:
“Brother” Jack McDuff (on 1961-07-11)
woodwind:
Rahsaan Roland Kirk (on 1961-07-11)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-07-11)
recording of:
Three for Dizzy (on 1961-07-11)
composer:
Rahsaan Roland Kirk
5:11
2Makin’ Whoopee
recording engineer:
Rudy van Gelder (on 1961-07-11)
producer:
Esmond Edwards
double bass:
Joe Benjamin (US jazz bassist) (on 1961-07-11)
drums (drum set):
Art Taylor (on 1961-07-11)
organ:
“Brother” Jack McDuff (on 1961-07-11)
woodwind:
Rahsaan Roland Kirk (on 1961-07-11)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-07-11)
cover recording of:
Makin’ Whoopee! (on 1961-07-11)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
5:07
3Funk Underneath
recording engineer:
Rudy van Gelder (on 1961-07-11)
producer:
Esmond Edwards
double bass:
Joe Benjamin (US jazz bassist) (on 1961-07-11)
drums (drum set):
Art Taylor (on 1961-07-11)
organ:
“Brother” Jack McDuff (on 1961-07-11)
woodwind:
Rahsaan Roland Kirk (on 1961-07-11)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-07-11)
recording of:
Funk Underneath (on 1961-07-11)
composer:
Rahsaan Roland Kirk
6:15
4Kirk’s Work
recording engineer:
Rudy van Gelder (on 1961-07-11)
producer:
Esmond Edwards
double bass:
Joe Benjamin (US jazz bassist) (on 1961-07-11)
drums (drum set):
Art Taylor (on 1961-07-11)
organ:
“Brother” Jack McDuff (on 1961-07-11)
woodwind:
Rahsaan Roland Kirk (on 1961-07-11)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-07-11)
recording of:
Kirk's Work (on 1961-07-11)
composer:
Rahsaan Roland Kirk
3:54
5Doin’ the Sixty Eight
recording engineer:
Rudy van Gelder (on 1961-07-11)
producer:
Esmond Edwards
double bass:
Joe Benjamin (US jazz bassist) (on 1961-07-11)
drums (drum set):
Art Taylor (on 1961-07-11)
organ:
“Brother” Jack McDuff (on 1961-07-11)
woodwind:
Rahsaan Roland Kirk (on 1961-07-11)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-07-11)
recording of:
Doin' the Sixty-Eight (on 1961-07-11)
composer:
Rahsaan Roland Kirk
4:21
6Too Late Now
recording engineer:
Rudy van Gelder (on 1961-07-11)
producer:
Esmond Edwards
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1961-07-11)
drums (drum set):
Art Taylor (on 1961-07-11)
organ:
“Brother” Jack McDuff (on 1961-07-11)
saxophone:
Rahsaan Roland Kirk (on 1961-07-11)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-07-11)
cover recording of:
Too Late Now (Royal Wedding / On a Clear Day)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
3:51
7Skaters Waltz
recording engineer:
Rudy van Gelder (on 1961-07-11)
producer:
Esmond Edwards
double bass:
Joe Benjamin (US jazz bassist) (on 1961-07-11)
drums (drum set):
Art Taylor (on 1961-07-11)
organ:
“Brother” Jack McDuff (on 1961-07-11)
woodwind:
Rahsaan Roland Kirk (on 1961-07-11)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-07-11)
cover recording of:
Skater’s Waltz (Mantovani’s arrangement) (on 1961-07-11)
composer:
Émile Waldteufel (classical composer)
arranger:
Mantovani
arrangement of:
Les Patineurs, op. 183
4:23
8Hog Callin’ Blues
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (on 1961-11-06)
trombone:
Jimmy Knepper (Trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
7:24
9Devil Woman
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (on 1961-11-06)
trombone:
Jimmy Knepper (Trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
samples from:
Oh Yeah (stereo) by Charles Mingus (in 1962)
recording of:
Devil Woman
composer and arranger:
Charles Mingus
9:41
10Wham Bam Thank You Ma’Am
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (on 1961-11-06)
trombone:
Jimmy Knepper (Trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
double bass arranger:
Charles Mingus
recording of:
Wham Bam Thank You Ma'am (on 1961-11-06)
composer:
Charles Mingus
4:42
11Ecclusiastics
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (on 1961-11-06)
trombone:
Jimmy Knepper (Trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
recording of:
Ecclusiastics (on 1961-11-06)
composer:
Charles Mingus
6:56
12Oh Lord Don’t Let Them Drop That Atomic Bomb
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (on 1961-11-06)
trombone:
Jimmy Knepper (Trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
recording of:
Oh Lord, Don't Let Them Drop That Atomic Bomb On Me (on 1961-11-06)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
45:42
13Eat That Chicken
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (on 1961-11-06)
trombone:
Jimmy Knepper (Trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
recording of:
Eat That Chicken (on 1961-11-06)
composer:
Charles Mingus
4:38
14Passions of a Man
recorded in:
New York, New York, United States (on 1961-11-06)
double bass [bass]:
Doug Watkins (on 1961-11-06)
drums (drum set):
Dannie Richmond (drummer) (on 1961-11-06)
piano:
Charles Mingus (on 1961-11-06)
tenor saxophone:
Booker Ervin (on 1961-11-06)
trombone:
Jimmy Knepper (Trombonist) (on 1961-11-06)
woodwind:
Roland Kirk (on 1961-11-06)
4:56
▼ CD 3: We Free Kings / Domino
#TitleRatingLength
1We Free Kings
3:07
2Moon Song
recorded in:
New York, New York, United States (on 1961-08-17)
double bass:
Wendell Marshall (on 1961-08-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-17)
piano:
Hank Jones (piano) (on 1961-08-17)
woodwind:
Roland Kirk (on 1961-08-17)
instrumental recording of:
Moon Song (on 1961-08-17)
lyricist:
Sam Coslow (in 1932)
composer:
Arthur Johnston (American composer and songwriter) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
4:20
3A Sack Full of Soul
recorded in:
New York, New York, United States (on 1961-08-16)
double bass:
Art Davis (US jazz double bassist) (on 1961-08-16)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-16)
piano:
Richard Wyands (on 1961-08-16)
woodwind:
Roland Kirk (on 1961-08-16)
4:36
4The Haunted Melody
recorded in:
New York, New York, United States (on 1961-08-16)
double bass:
Art Davis (US jazz double bassist) (on 1961-08-16)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-16)
piano:
Richard Wyands (on 1961-08-16)
woodwind:
Roland Kirk (on 1961-08-16)
3:36
5Blues for Alice
recorded in:
New York, New York, United States (on 1961-08-16)
double bass:
Art Davis (US jazz double bassist) (on 1961-08-16)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-16)
piano:
Richard Wyands (on 1961-08-16)
woodwind:
Roland Kirk (on 1961-08-16)
recording of:
Blues for Alice (on 1961-08-16)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
5:10
6We Free Kings
recorded in:
New York, New York, United States (on 1961-08-17)
double bass [bass]:
Wendell Marshall (on 1961-08-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-17)
piano:
Hank Jones (piano) (on 1961-08-17)
woodwind:
Roland Kirk (on 1961-08-17)
4:43
7You Did It, You Did It
recorded in:
New York, New York, United States (on 1961-08-17)
double bass [bass]:
Wendell Marshall (on 1961-08-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-17)
piano:
Hank Jones (piano) (on 1961-08-17)
woodwind:
Roland Kirk (on 1961-08-17)
2:26
8Some Kind of Love
recorded in:
New York, New York, United States (on 1961-08-17)
double bass:
Wendell Marshall (on 1961-08-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-17)
piano:
Hank Jones (piano) (on 1961-08-17)
woodwind:
Roland Kirk (on 1961-08-17)
6:09
9My Delight
recorded in:
New York, New York, United States (on 1961-08-16)
double bass:
Art Davis (US jazz double bassist) (on 1961-08-16)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-16)
piano:
Richard Wyands (from 1961-08-16 to present)
woodwind:
Roland Kirk (on 1961-08-16)
4:28
10Domino
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
piano:
Andrew Hill (jazz pianist) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
Domino (André Claveau song) (on 1962-09-06)
lyricist:
Jacques Plante
composer:
Louis Ferrari
publisher:
Éditions Beuscher Arpège
3:13
11Meeting on Termini’s Corner
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
piano:
Andrew Hill (jazz pianist) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Meeting on Termini’s Corner
composer:
Roland Kirk
3:39
12Time
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
celesta [celeste]:
Andrew Hill (jazz pianist) (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Time
writer:
Richie Powell
3:11
13Lament
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
piano:
Andrew Hill (jazz pianist) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Lament (on 1962-09-06)
composer:
J.J. Johnson (Jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:38
14A Stritch in Time
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
piano:
Andrew Hill (jazz pianist) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
A Stritch in Time (on 1962-09-06)
composer:
Rahsaan Roland Kirk
5:04
153-In-1 Without the Oil
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
piano:
Andrew Hill (jazz pianist) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
3-In-1 Without the Oil
composer:
Roland Kirk
2:33
16Get Out of Town
producer:
Jack Tracy
bass:
Vernon Martin (from 1962-04-17 until 1962-04-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1962-04-17 until 1962-04-18)
piano:
Wynton Kelly (from 1962-04-17 until 1962-04-18)
woodwind:
Roland Kirk (from 1962-04-17 until 1962-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
Get Out of Town (from 1962-04-17 until 1962-04-18)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
4:48
17Rolando
producer:
Jack Tracy
double bass:
Vernon Martin (from 1962-04-17 until 1962-04-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1962-04-17 until 1962-04-18)
piano:
Wynton Kelly (from 1962-04-17 until 1962-04-18)
woodwind:
Roland Kirk (from 1962-04-17 until 1962-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
3:43
18I Believe in You
producer:
Jack Tracy
bass:
Vernon Martin (from 1962-04-17 until 1962-04-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1962-04-17 until 1962-04-18)
piano:
Wynton Kelly (from 1962-04-17 until 1962-04-18)
woodwind:
Roland Kirk (from 1962-04-17 until 1962-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (from 1962-04-17 until 1962-04-18)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
4:24
19E.D.
producer:
Jack Tracy
bass:
Vernon Martin (from 1962-04-17 until 1962-04-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1962-04-17 until 1962-04-18)
piano:
Wynton Kelly (from 1962-04-17 until 1962-04-18)
woodwind:
Roland Kirk (from 1962-04-17 until 1962-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
2:21
▼ CD 4: Out of the Afternoon / Big Band Bossa Nova
#TitleRatingLength
1Moon Ray
engineer:
Rudy van Gelder
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1962-05-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-05-23)
flute and saxophone:
Rahsaan Roland Kirk (on 1962-05-23)
piano:
Tommy Flanagan (on 1962-05-23)
woodwind:
Rahsaan Roland Kirk (in 1962-05)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-05-23)
recording of:
Moonray (on 1962-05-23)
writer:
Artie Quenzer
composer:
Artie Shaw
6:39
2Fly Me to the Moon (In Other Words)
engineer:
Rudy van Gelder
double bass and double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1962-05-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-05-16)
flute and saxophone:
Rahsaan Roland Kirk (on 1962-05-16)
piano:
Tommy Flanagan (on 1962-05-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-05-16)
instrumental recording of:
Fly Me to the Moon (on 1962-05-16)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
6:39
3Raoul
engineer:
Rudy van Gelder
double bass and double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1962-05-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-05-16)
flute and saxophone:
Rahsaan Roland Kirk (on 1962-05-16)
piano:
Tommy Flanagan (on 1962-05-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-05-16)
recording of:
Raoul (on 1962-05-16)
composer:
Roy Haynes (American jazz drummer and bandleader)
5:59
4Snap Crackle
engineer:
Rudy van Gelder
double bass and double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1962-05-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-05-16)
flute and saxophone:
Rahsaan Roland Kirk (on 1962-05-16)
piano:
Tommy Flanagan (on 1962-05-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-05-16)
recording of:
Snap Crackle (on 1962-05-16)
composer:
Roy Haynes (American jazz drummer and bandleader)
4:08
5If I Should Lose You
engineer:
Rudy van Gelder
double bass and double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1962-05-16)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-05-16)
flute and saxophone:
Rahsaan Roland Kirk (on 1962-05-16)
piano:
Tommy Flanagan (on 1962-05-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-05-16)
instrumental recording of:
If I Should Lose You (on 1962-05-16)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
5:48
6Long Wharf
engineer:
Rudy van Gelder
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1962-05-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-05-23)
flute and saxophone:
Rahsaan Roland Kirk (on 1962-05-23)
piano:
Tommy Flanagan (on 1962-05-23)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-05-23)
recording of:
Long Wharf (on 1962-05-23)
composer:
Roy Haynes (American jazz drummer and bandleader)
4:40
7Some Other Spring
engineer:
Rudy van Gelder
double bass [bass]:
Henry Grimes (US free jazz bassist) (on 1962-05-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-05-23)
flute and saxophone:
Rahsaan Roland Kirk (on 1962-05-23)
piano:
Tommy Flanagan (on 1962-05-23)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-05-23)
recording of:
Some Other Spring (on 1962-05-23)
composer:
Arthur Herzog, Jr. and Irene Kitchings
3:29
8Soul Bossa Nova
recording engineer:
Phil Ramone (on 1962-09-13)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-13)
drums (drum set):
Rudy Collins (drums) (on 1962-09-13)
flute:
Rahsaan Roland Kirk (on 1962-09-13)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-13)
tenor saxophone:
Paul Gonsalves (on 1962-09-13)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-13)
conductor:
Quincy Jones (on 1962-09-13)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recording of:
Soul Bossa Nova (on 1962-09-13)
composer:
Quincy Jones
42:45
9Boogie Stop Shuffle
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-04)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Boogie Stop Shuffle (from 1962-08 until 1962-09)
composer:
Charles Mingus
2:42
10Desafinado
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-08)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Desafinado (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
instrumental recording of:
Desafinado (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
instrumental cover recording of:
Desafinado
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
2:54
11Manha de Carnaval
recording engineer:
Phil Ramone (on 1962-09-04)
producer:
Quincy Jones
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1962-09-04)
double bass:
Chris White (jazz bassist) (on 1962-09-04)
drums (drum set):
Rudy Collins (drums) (on 1962-09-04)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-04)
tenor saxophone:
Paul Gonsalves (on 1962-09-04)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-04)
conductor:
Quincy Jones (on 1962-09-04)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
Manhã de Carnaval (on 1962-09-04)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
2:55
12Se e tarde me peroda
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-13)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Se é tarde me perdoa (from 1962-08 until 1962-09)
composer:
Ronaldo Bôscoli and Carlos Lyra
recording of:
Se é tarde me perdoa (from 1962-08 until 1962-09)
composer:
Ronaldo Bôscoli and Carlos Lyra
instrumental cover recording of:
Se é tarde me perdoa
composer:
Ronaldo Bôscoli and Carlos Lyra
4:22
13On the Street Where You Live
recording engineer:
Phil Ramone (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-07)
drums (drum set):
Rudy Collins (drums) (on 1962-09-07)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-07)
tenor saxophone:
Paul Gonsalves (on 1962-09-07)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-07)
conductor:
Quincy Jones (on 1962-09-07)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
On the Street Where You Live (My Fair Lady) (on 1962-09-07)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
2:33
14One Note Samba
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-04)
producer:
Quincy Jones
bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Samba de uma nota só (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽
instrumental recording of:
Samba de uma nota só (from 1962-08 until 1962-09)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽
instrumental cover recording of:
Samba de uma nota só
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽
2:00
15Lalo Bossa Nova
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
recording of:
Lalo's Bossa Nova (from 1962-08 until 1962-09)
composer:
Lalo Schifrin (pianist & composer)
instrumental cover recording of:
Lalo's Bossa Nova
composer:
Lalo Schifrin (pianist & composer)
3:12
16Serenata
recording engineer:
Phil Ramone (from 1962-08 until 1962-09) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-07)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (from 1962-08 until 1962-09)
drums (drum set):
Rudy Collins (drums) (from 1962-08 until 1962-09)
piano:
Lalo Schifrin (pianist & composer) (from 1962-08 until 1962-09)
tenor saxophone:
Paul Gonsalves (from 1962-08 until 1962-09)
trumpet:
Clark Terry (American swing trumpeter) (from 1962-08 until 1962-09)
conductor:
Quincy Jones (from 1962-08 until 1962-09)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1962-08 until 1962-09)
cover recording of:
Serenata (Instrumental) (from 1962-08 until 1962-09)
composer:
Leroy Anderson (until 1947-02-12)
instrumental cover recording of:
Serenata
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (Instrumental)
3:18
17Chega de saudade
recording engineer:
Phil Ramone (on 1962-09-08)
producer:
Quincy Jones
double bass:
Chris White (jazz bassist) (on 1962-09-08)
drums (drum set):
Rudy Collins (drums) (on 1962-09-08)
flute:
Rahsaan Roland Kirk (on 1962-09-08)
piano:
Lalo Schifrin (pianist & composer) (on 1962-09-08)
tenor saxophone:
Paul Gonsalves (on 1962-09-08)
trumpet:
Clark Terry (American swing trumpeter) (on 1962-09-08)
conductor:
Quincy Jones (on 1962-09-08)
instruments arranger:
Quincy Jones
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2013)
instrumental cover recording of:
Chega de saudade (on 1962-09-08)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
publisher:
Bendig Music and Hollis Music, Inc.
5:30
18A Taste of Honey
recording engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1962-09-13)
producer:
Quincy Jones
conductor:
Quincy Jones
instruments arranger:
Quincy Jones
cover recording of:
A Taste of Honey
lyricist:
Ric Marlow (in 1960)
composer:
Bobby Scott (vocals, piano, US musician & producer) (in 1960)
publisher:
Ambassador Music Ltd. and Songfest Music Corp.
2:52