The Ultimate Classical Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Time to Say Goodbye
tenor vocals:
Russell Watson (tenor)
vocals:
Hayley Westenra
recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l. (company credits only; do NOT use as release label)
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Russell Watson & Hayley Westenra4:29
2Jerusalem
mezzo-soprano vocals:
Katherine Jenkins (mezzo-soprano)
recording of:
Jerusalem (anthem by Hubert Parry)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Hubert Parry (English composer) (in 1916)
is based on:
Jerusalem (poem by Blake)
Katherine Jenkins2:17
3Turandot: “Nessun dorma!”
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini52:59
4Les Misérables Suite
vocals:
Michael Ball (British actor, singer, and radio and TV presenter) and Alfie Boe (tenor and actor)
medley including a recording of:
Bring Him Home (Valjean)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music, Alain Boublil Music Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
medley including a recording of:
Empty Chairs at Empty Tables (Marius)
lyricist:
Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd.
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
medley including a recording of:
I Dreamed a Dream (Fantine)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Alain Boublil Overseas Ltd.
translated version of:
J’avais rêvé d’une autre vie (Fantine)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Michael Ball & Alfie Boe6:10
5Canto della terra
tenor vocals:
Andrea Bocelli (tenor)
recording of:
Canto della terra
lyricist:
Lucio Quarantotto
composer:
Lucio Quarantotto and Francesco Sartori
publisher:
Sugar (Italian label)
Andrea Bocelli3:58
6Can’t Help Falling in Love
violin:
André Rieu
orchestra:
Johann Strauss Orchestra (founded by André Rieu; not Wiener Johann Strauss Orchester)
instrumental recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP), The Manor Music Co. Ltd., フジパシフィックミュージック, ヤマハミュージックEH(CM) and 日音 Synch事業部
is based on:
Plaisir d’amour (Romance du chevrier)
André Rieu3:48
7Pie Jesu
solo treble vocals:
Aled Jones
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Aled Jones3:48
8Hola
vocals:
Il Divo
cover recording of:
Hello
writer:
Adele Adkins (UK soul/jazz singer) and Greg Kurstin
publisher:
EMI April Music Inc., Kurstin Music and Universal‐Songs of PolyGram International, Inc.
Il Divo4:48
9In My Dream (Rememberance version)
choir vocals:
Military Wives
vocals:
Jon‐Joseph Kerr
recording of:
In My Dreams
lyricist and composer:
Paul Mealor
Military Wives3:04
10Tosca: E lucevan le stelle
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Prague Philharmonic Orchestra
conductor:
Marco Armiliato (conductor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini3:16
11Eternal Source of Light Divine
soprano vocals:
Elin Manahan Thomas (soprano)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Harry Christophers (conductor)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Eternal Source of Light Divine”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
Elin Manahan Thomas3:50
12II mio cuore va (Titanic)
uilleann pipes [pipe]:
Neil Martin (Irish producer & multi-instrumentalist)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
orchestra:
London Symphony Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
Il mio cuore va (Italian translation of 'My Heart Will Go On')
lyricist:
Will Jennings
composer:
James Horner (American score composer)
translator:
Carmelo La Bionda and Michelangelo La Bionda
translated version of:
My Heart Will Go On
Bryn Terfel3:32
13Songbird
vocals:
All Angels
recording of:
Songbird
lyricist and composer:
Christine McVie
arranger:
Glyn Johns
publisher:
BMG Publishing and Gentoo Music, Inc.
All Angels2:53
14Meditation religieuse
violin:
Nigel Kennedy (violinist)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Hein
Nigel Kennedy5:31
15I giorni
piano:
Ludovico Einaudi
recording of:
I giorni (for piano)
composer:
Ludovico Einaudi
Ludovico Einaudi6:41
16Viadmir Blues
piano:
Max Richter (British pianist and score composer)
recording of:
Vladimir’s Blues
composer:
Max Richter (British pianist and score composer) (in 2004)
Max Richter1:20
17No Woman, No Cry
cello:
Sheku Kanneh-Mason (cellist)
cello arranger:
Sheku Kanneh-Mason (cellist)
instrumental recording of:
No Woman, No Cry
lyricist and composer:
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Global (publisher) (in 1976)
Sheku Kanneh-Mason2:25
18Tears in Heaven
vocals:
The Choirboys (English boy band, trio of cathedral choristers)
cover recording of:
Tears in Heaven
writer:
Eric Clapton and Will Jennings
publisher:
Blue Sky, EC Music (UK work publisher for Eric Clapton), Rondor Music (London) Ltd. and Warner Chappell Music Ltd (no slash; used 1988–1996)
The Choirboys4:04
19Benedictus
soprano vocals:
Laura Wright
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Richard Hein
recording of:
The Armed Man: A Mass for Peace: Benedictus
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
The Armed Man: A Mass for Peace (the complete work)
Laura Wright5:21
20Ave Maria
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Elly Ameling (soprano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Elly Ameling & Dalton Baldwin5:35
▼ CD 2
#TitleArtistRatingLength
1West Side Story: Somewhere
Leonard Bernstein3:16
2Amazing Grace
The Royal Scots Dragoon Guards1:43
3Lakmé: The Flower Duet
Léo Delibes3:50
4Nella fantasia
guitar:
John Themis
choir vocals:
Metro Voices
tenor vocals:
Russell Watson (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Nick Ingman
chorus master:
William Hayward
recording of:
Nella fantasia
lyricist:
Chiara Ferraú (lyricist)
composer:
Ennio Morricone (Italian classical and score composer)
arranger:
Audrey Snyder (composer, arranger)
publisher:
EMI/Virgin Music Publishing Ltd.
is based on:
Gabriel’s Oboe (The Mission, main theme)
Russell Watson4:29
5Romeo & Juliet: Dance of the Knight
Sergei Prokofiev5:08
6Abide With Me
sound engineer:
Colin Moorfoot (engineer)
producer:
Chris Hazell
organ:
Richard Farnes (from 1985-03-19 until 1985-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1985-03-19 until 1985-03-20)
treble vocals:
Bruce Blyth (from 1985-03-19 until 1985-03-20)
conductor and chorus master:
Stephen Cleobury (organist, conductor) (from 1985-03-19 until 1985-03-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1985-03-19 until 1985-03-20)
recording of:
Abide With Me (Set to tune ‘Eventide’) (from 1985-03-19 until 1985-03-20)
lyricist:
Henry Francis Lyte (in 1847)
composer:
William Henry Monk (in 1861)
is based on:
Abide With Me (hymn without specified tune)
Bruce Blyth & Choir of King’s College4:20
7This Is Me (The Greatest Showmen)
Music Lab Collective3:12
8Love Theme
André Rieu3:43
9Main Theme (Star Wars)
conductor:
John Williams (American score composer)
John Williams & Boston Pops Orchestra5:38
10Rigoletto: La donna è mobile
Giuseppe Verdi2:21
11Quello che faro (Sara per te)
Katherine Jenkins4:17
12Summertime
Renée Fleming4:17
13Hedwig’s Theme (Harry Potter)
London Symphony Orchestra & Gavin Greenaway5:08
14Sailing
The Fron Male Voice Choir4:32
15Sarabande (“Barry Lyndon”)
Christopher Hogwood2:55
16Nuovo Cinema Paradiso
Ennio Morricone3:10
17Hymn to the Fallen
London Symphony Orchestra6:23
18Main Theme (From Schindler’s List)
engineer:
Mike Clements (engineer)
producer:
Andrew Walton (producer)
violin:
Nicola Benedetti (violinist) (in 2012, in 2012-06)
orchestra:
Bournemouth Symphony Orchestra (in 2012, in 2012-06)
conductor:
Kirill Karabits (conductor) (in 2012, in 2012-06)
recorded at:
O₂ Guildhall Southampton in Southampton, England, United Kingdom (in 2012-06)
recording of:
Main Theme (Schindler’s List) (in 2012-06)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
recording of:
Main Theme (Schindler’s List) (in 2012)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
Nicola Benedetti3:49
19Clair de Lune
Claude Debussy5:27
20Carmen: Les Toreadors
Georges Bizet2:13
▼ CD 3
#TitleArtistRatingLength
1The Lark Ascending
partial recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams4:39
2II. Air
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (in 1984-02, in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1984-02, in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1985)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach3:48
3Symphony No.6 “Pastoral”
partial recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”
composer:
Ludwig van Beethoven (German composer) (in 1808)
dedicated to:
Joseph Franz von Lobkowitz and Андрей Кириллович Разумовский
premiered at:
Ludwig van Beethoven at Theater an der Wien (1808-12-22)
premiered at:
Theater an der Wien in Mariahilf, Wien, Austria (on 1808-12-22)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 68)
part of:
Fantasia (Disney soundtrack)
Ludwig van Beethoven6:12
4The Nutcracker: Dance of the Sugar Plum Fairy)
recording engineer:
James Lock (engineer) (in 1974-04)
producer:
Michael Woolcock (producer) (in 1974-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1974-04)
conductor:
Richard Bonynge (conductor and pianist) (in 1974-04)
concertmaster:
Sidney Sax (violinist) (in 1974-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-04)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy) (from 1974-04-01 until 1974-04-06)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Tchaikovsky2:30
5Le nozze di Figaro: “Sull’aria … Che soave zeffiretto”
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Carter Burwell (American score composer) and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
orchestrator:
Carter Burwell (American score composer)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) and Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull'aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart3:33
6Rhapsody in Blue
partial recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin5:28
7Sinfonia: The Arrival of the Queen of Sheba
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:11
8“Enigma” Nimrod (Adagio)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Chicago Symphony Orchestra (on 1974-05-15)
conductor:
Sir Georg Solti (conductor) (on 1974-05-15)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1974-05-15)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (on 1974-05-15)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:13
9The Gadfly Youth (Romance)
producer:
Dominic Fyfe
violin:
Janine Jansen (Dutch violinist and violist) (in 2003-02)
orchestra:
Royal Philharmonic Orchestra (in 2003-02)
conductor:
Barry Wordsworth (conductor) (in 2003-02)
balance engineer:
Philip Siney (sound engineer)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 2003-02)
recording of:
The Gadfly Suite, op. 97a: VIII. Romance (in 2003-02)
composer:
Дмитрий Дмитриевич Шостакович (composer) (in 1955)
arranger:
Левон Тадевосович Атовмьян
part of:
The Gadfly Suite, op. 97a
Shostakovich2:35
10Piano Quartet in A, D 667
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Bernard Greenhouse (cellist) (in 1975-06)
double bass:
Georg Hörtnagel (double bass player) (in 1975-06)
piano:
Menahem Pressler (pianist) (in 1975-06)
viola:
Samuel Rhodes (violist) (in 1975-06)
violin:
Isidore Cohen (violinist) (in 1975-06)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1975-06)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: II. Andante (in 1975-06)
composer:
Franz Schubert (composer) (in 1819)
part of:
Quintett A-Dur, D. 667 „Forellenquintett“
Franz Schubert6:45
11Boléro, M. 81
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1963-04)
conductor:
Ernest Ansermet (conductor) (in 1963-04)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1963-04)
partial recording of:
Boléro (in 1963-04)
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel5:04
12Nocturne No. 2 in E Flat, Op .9 No.2
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1981-11)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (in 1981-11)
composer:
Fryderyk Chopin (composer) (from 1830 until 1832)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin3:58
13“When I Am Laid in Earth”
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:42
14Swan Lake No. 9 Finale (Andante)
engineer:
Colin Moorfoot (engineer) (from 1991-05-29 until 1991-05-31)
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (from 1991-05-29 until 1991-05-31)
conductor:
Charles Dutoit (conductor) (from 1991-05-29 until 1991-05-31)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1991-05-29 until 1991-05-31)
recording of:
Swan Lake, op. 20: Act I, no. 9: Finale: Andante (from 1991-05-29 until 1991-05-31)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
Tchaikovsky2:54
15The Magic Flute: „Der Hölle Rache kocht in meinem Herzen”
recording engineer:
John Pellowe (audio engineer) (from 1994-05 until 1994-12)
producer:
Michael Haas (classical music producer) (from 1994-05 until 1994-12)
soprano vocals [Königin der Nacht]:
Sumi Jo (soprano) (from 1994-05 until 1994-12)
orchestra:
Wiener Philharmoniker (from 1994-05 until 1994-12)
conductor:
Sir Georg Solti (conductor) (from 1994-05 until 1994-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1994-05 until 1994-12)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1994-05 until 1994-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:54
16Symphony No. 9 in E minor: Largo
orchestra:
Koninklijk Concertgebouworkest
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák3:04
17Allegretto
Ludwig van Beethoven3:48
18Gianni Schicchi: “Oh! Mio Babbino Caro”
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:10
19Carmen : « L’amour est un oiseau rebelle »
choir vocals:
Wiener Opernchor (on 1967-10-13)
mezzo-soprano vocals [Carmen]:
Marilyn Horne (American operatic mezzo-soprano) (on 1967-10-13)
orchestra:
Wiener Opernorchester (on 1967-10-13)
conductor:
Henry Lewis (conductor) (on 1967-10-13)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (on 1967-10-13)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (on 1967-10-13)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:15
20Also sprach Zarathustra, Op. 30 Prelude
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
violin:
Samuel Magad (violinist) (in 1975-05)
orchestra:
Chicago Symphony Orchestra (in 1975-05)
conductor:
Sir Georg Solti (conductor) (in 1975-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1975-05)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1975-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:52

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ASIN:UK: B07JFP9RMJ [info]