Stereo Review MasterSound Sampler

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1West Side Story: Somewhere
Leonard Bernstein7:35
2All Blues
recorded in:
New York, New York, United States (on 1959-04-22)
engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
bass and double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
All Blues (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
Miles Davis4.511:36
3Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company, Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
The Dave Brubeck Quartet4.355:26
4Rainy Day Women #12 & 35
recording of:
Rainy Day Women #12 & 35
lyricist and composer:
Bob Dylan (from 1966-02 until 1966-03)
publisher:
Dwarf Music (from 1966 to present)
Bob Dylan4:37
5Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie)
drums (drum set):
Clark Pierson
guest bongos and congas:
Bobbye Hall
guest tambourine:
Sandra Crouch
guitar:
John Till (rock guitarist)
organ:
Ken Pearson
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin)
background vocals:
Phil Badella, Richard Bell (Canadian keyboardist for The Band/Janis Joplin), Brad Campbell (bassist, member of Full Tilt Boogie), John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson and John Till (rock guitarist)
performer:
Full Tilt Boogie
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp.
recording of:
Me and Bobby McGee
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp.
Janis Joplin4.44:32
6Sweet Emotion
miscellaneous support:
David Krebs, Leber Krebs Inc. and Steven Leber
assistant engineer:
Rod O’Brien, Corky Stasiak and David Thoener
engineer:
Jay Messina
producer:
Jack Douglas
creative direction:
David Krebs, Leber Krebs Inc. and Steve Leber
acoustic guitar, guitar, percussion and slide guitar and background vocals:
Joe Perry (guitarist for Aerosmith)
bass guitar:
Tom Hamilton (bassist for Aerosmith)
drums (drum set) and percussion:
Joey Kramer (drummer for Aerosmith)
guitar:
Brad Whitford
harmonica, keyboard and percussion and lead vocals:
Steven Tyler
marimba:
Jay Messina
remixer:
David Thoener
arranger:
Aerosmith (American hard rock band) and Jack Douglas
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1975, in 2012) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1975, in 1994)
produced for:
Contemporary Communications Corp. and Waterfront Productions Limited
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1975-02)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 408)
recording of:
Sweet Emotion
writer:
Tom Hamilton (bassist for Aerosmith) and Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Songs LLC and Vindaloo Productions, Inc.
Aerosmith4.54:36
7Hitch a Ride
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
assistant mixer:
Steve Hodge
acoustic guitar, bass guitar, guitar [lead guitar], guitar [rhythm guitar] and organ:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
Hitch a Ride (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Pure Songs and Screen Gems–EMI Music Ltd.
Boston2.654:14
8Until the Night
assistant engineer:
Dave Martone (US engineer)
engineer:
Jim Boyer (producer/engineer)
producer:
Phil Ramone
mixer:
Jim Boyer (producer/engineer) and Phil Ramone
acoustic guitar and electric guitar:
Steve Khan (in 1978)
bass and background vocals:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1978)
clarinet, organ and saxophone:
Richie Cannata (in 1978)
drums (drum set):
Liberty DeVitto (US drummer) (in 1978)
guest chimes and percussion:
David Friedman (US jazz percussionist, mainly vibraphone and marimba) (in 1978)
guest classical guitar [nylon string guitar]:
Hugh McCracken (in 1978)
piano:
Billy Joel (in 1978)
vocals:
Billy Joel (in 1978)
brass [horns] and strings arranger:
Robert Freedman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1978)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
recording of:
Until the Night (in 1978)
lyricist and composer:
Billy Joel
publisher:
April Music Inc., ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, EMI April Music Inc. (in 1978) and Impulsive Music (in 1978)
Billy Joel46:37
9Thunder Road
engineer:
Louis Lahav (from 1974-10 until 1975-03) and Jimmy Iovine (from 1975-04-18 until 1975-07-16)
producer:
Mike Appel, Jon Landau and Bruce Springsteen
mixer:
Jimmy Iovine
bass guitar:
Garry Tallent (from 1974-10 until 1975-07-16)
drums (drum set):
Max Weinberg (from 1974-10 until 1975-07-16)
guitar and harmonica and lead vocals:
Bruce Springsteen (from 1974-10 until 1975-07-16)
organ:
Danny Federici (from 1974-10 until 1975-07-16)
Rhodes piano and glockenspiel:
Roy Bittan (from 1974-10 until 1975-07-16)
saxophone:
Clarence Clemons (from 1974-10 until 1975-07-16)
background vocals:
Mike Appel (from 1974-10 until 1975-07-16), Roy Bittan (from 1974-10 until 1975-07-16) and Little Steven (from 1974-10 until 1975-07-16)
phonographic copyright (℗) by:
CBS Dischi S.p.A. (Italian record company) (in 1982)
recorded at:
914 Sound Studios in New York, United States (from 1974-10 until 1975-03) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975-04-18 until 1975-07-16)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 27), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 86) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 111)
recording of:
Thunder Road (B. Springsteen 1974–1975) (from 1974-10 until 1975-07-16)
publisher:
Bruce Springsteen (in 2003)
lyricist and composer:
Bruce Springsteen (from 1974 until 1975)
arranger:
Bruce Springsteen
publisher:
Intersong Music Ltd. and Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1975)
is based on:
Chrissie’s Song (B. Springsteen 1974)
is based on:
Walking in the Street (B. Springsteen 1974)
is based on:
Wings for Wheels (B. Springsteen 1974-1975)
Bruce Springsteen3.64:49

Credits

Release

part of:MasterSound (1990s US 24‐karat gold CD reissue series) (order: 7)
Discogs:https://www.discogs.com/release/9036970 [info]
other databases:https://www.musik-sammler.de/media/837489/ [info]