# | Title | Artist | Rating | Length |
---|
1 | Oster-Oratorium, BWV 249: 1. Sinfonia- alto vocals:
- Ralf Popken (in 1993-04)
- bass vocals:
- David Wilson‐Johnson (in 1993-04)
- soprano vocals:
- Monika Frimmer (in 1993-04)
- tenor vocals:
- Christoph Prégardien (in 1993-04)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1993-04)
- conductor:
- Gustav Leonhardt (in 1993-04)
- recorded at:
- St. Giles’ Cripplegate in London , England, United Kingdom (in 1993-04)
- recording of:
- Oster-Oratorium, BWV 249: I. Sinfonia (in 1993-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- version of:
- Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
- part of:
- Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
- part of:
- Oster-Oratorium, BWV 249
| J.S. Bach | | 4:11 |
2 | Oster-Oratorium, BWV 249: 2. Adagio- alto vocals:
- Ralf Popken (in 1993-04)
- bass vocals:
- David Wilson‐Johnson (in 1993-04)
- soprano vocals:
- Monika Frimmer (in 1993-04)
- tenor vocals:
- Christoph Prégardien (in 1993-04)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1993-04)
- conductor:
- Gustav Leonhardt (in 1993-04)
- recorded at:
- St. Giles’ Cripplegate in London , England, United Kingdom (in 1993-04)
- recording of:
- Oster-Oratorium, BWV 249: II. Adagio (in 1993-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- version of:
- Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
- part of:
- Oster-Oratorium, BWV 249
| J.S. Bach | | 4:13 |
3 | Oster-Oratorium, BWV 249: 3. Chor und Duett (Tenor, Baß) «Kommt, eilet und laufet» | J.S. Bach | | 5:37 |
4 | Oster-Oratorium, BWV 249: 4. Rezitativ (Altus, Sopran, Tenor, Baß) «O kalter Männer Sinn»- alto vocals:
- Ralf Popken (in 1993-04)
- bass vocals:
- David Wilson‐Johnson (in 1993-04)
- soprano vocals:
- Monika Frimmer (in 1993-04)
- tenor vocals:
- Christoph Prégardien (in 1993-04)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1993-04)
- conductor:
- Gustav Leonhardt (in 1993-04)
- recorded at:
- St. Giles’ Cripplegate in London , England, United Kingdom (in 1993-04)
- recording of:
- Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 1993-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
| J.S. Bach | | 0:55 |
5 | Oster-Oratorium, BWV 249: 5. Arie (Sopran) «Seele, deine Spezereien» | J.S. Bach | | 10:51 |
6 | Oster-Oratorium, BWV 249: 6. Rezitativ (Tenor, Baß, Altus) «Hier ist die Gruft»- alto vocals:
- Ralf Popken (in 1993-04)
- bass vocals:
- David Wilson‐Johnson (in 1993-04)
- soprano vocals:
- Monika Frimmer (in 1993-04)
- tenor vocals:
- Christoph Prégardien (in 1993-04)
- orchestra:
- Orchestra of the Age of Enlightenment (in 1993-04)
- conductor:
- Gustav Leonhardt (in 1993-04)
- recorded at:
- St. Giles’ Cripplegate in London , England, United Kingdom (in 1993-04)
- recording of:
- Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1993-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composed in:
- Leipzig, Sachsen, Germany (on 1725-04-01)
- composer:
- Johann Sebastian Bach
- part of:
- Oster-Oratorium, BWV 249
| J.S. Bach | | 0:42 |
7 | Oster-Oratorium, BWV 249: 7. Arie (Tenor) «Sanfte soll mein Todeskummer» | J.S. Bach | | 7:28 |
8 | Oster-Oratorium, BWV 249: 8. Rezitativ und Arioso (Sopran, Altus) «Indessen seufzen wir mit brennender Begier» | J.S. Bach | | 0:53 |
9 | Oster-Oratorium, BWV 249: 9. Arie (Altus) «Saget, saget mir geschwinde» | J.S. Bach | | 5:52 |
10 | Oster-Oratorium, BWV 249: 10. Rezitativ (Baß) «Wir sind erfreut» | J.S. Bach | | 0:38 |
11 | Oster-Oratorium, BWV 249: 11. Chor und Allegro «Preis und Dank» | J.S. Bach | | 2:35 |
12 | Himmelfahrts-Oratorium, BWV 11: 1. Chor «Lobet Gott in seinen Reichen» | J.S. Bach | | 5:21 |
13 | Himmelfahrts-Oratorium, BWV 11: 2. Rezitative (Tenor) «Der Herr Jesus hub seine Hände auf» | J.S. Bach | | 0:30 |
14 | Himmelfahrts-Oratorium, BWV 11: 3. Rezitativ (Baß) «Ach, Jesu, ist dein Abschied schon so nah?» | J.S. Bach | | 1:05 |
15 | Himmelfahrts-Oratorium, BWV 11: 4. Arie (Altus) «Ach, bleibe doch, mein leibstes Leben» | J.S. Bach | | 6:59 |
16 | Himmelfahrts-Oratorium, BWV 11: 5. Rezitativ (Tenor) «Und ward aufgehoben zusehends» | J.S. Bach | | 0:26 |
17 | Himmelfahrts-Oratorium, BWV 11: 6. Choral «Nun lieget alles unter dir» | J.S. Bach | | 1:05 |
18 | Himmelfahrts-Oratorium, BWV 11: 7a. Rezitativ (Tenor, Baß) «Und sa sie ihm nachshen gen Himmel fahren» | J.S. Bach | | 1:01 |
19 | Himmelfahrts-Oratorium, BWV 11: 7b. Rezitativ (Altus) «Ach ja! So komme bald zurück» | J.S. Bach | | 0:35 |
20 | Himmelfahrts-Oratorium, BWV 11: 7c. Rezitativ (Tenor) «Sie aber beteten ihn an» | J.S. Bach | | 0:40 |
21 | Himmelfahrts-Oratorium, BWV 11: 8. Arie (Sopran) «Jesus, deine Gnadenblicke» | J.S. Bach | | 6:59 |
22 | Himmelfahrts-Oratorium, BWV 11: 9. Choral «Wenn soll es doch geschehen» | J.S. Bach | | 4:52 |