The Conductor: Complete Recordings on DG and Decca

~ Release by Pierre Boulez (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Bartók: Concerto for Orchestra, 4 Orchestral Pieces
#TitleArtistRatingLength
1Four Orchestral Pieces, Sz. 51, BB. 64 (op. 12): I. Preludio. Moderato
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Jürgen Bulgrin (Sound engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: I. Preludio: Moderato (in 1992-12)
orchestrator:
Béla Bartók (composer) (in 1921)
composer:
Béla Bartók (composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók6:32
2Four Orchestral Pieces, Sz. 51, BB. 64 (op. 12): II. Scherzo. Allegro
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Jürgen Bulgrin (Sound engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: II. Scherzo: Allegro (in 1992-12)
orchestrator:
Béla Bartók (composer) (in 1921)
composer:
Béla Bartók (composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók6:13
3Four Orchestral Pieces, Sz. 51, BB. 64 (op. 12): III. Intermezzo. Moderato
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Jürgen Bulgrin (Sound engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: III. Intermezzo: Moderato (in 1992-12)
orchestrator:
Béla Bartók (composer) (in 1921)
composer:
Béla Bartók (composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók5:03
4Four Orchestral Pieces, Sz. 51, BB. 64 (op. 12): IV. Marcia funebre. Maestoso
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Jürgen Bulgrin (Sound engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: IV. Marcia funebre: Maestoso (in 1992-12)
orchestrator:
Béla Bartók (composer) (in 1921)
composer:
Béla Bartók (composer) (in 1912)
part of:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók5:06
5Concerto for Orchestra, Sz. 116, BB. 123: I. Introduzione. Andante non troppo - Allegro vivace - Tempo I
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo - Allegro vivace (in 1992-12)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:30
6Concerto for Orchestra, Sz. 116, BB. 123: II. Giuoco delle coppie. Allegretto scherzando
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (in 1992-12)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:26
7Concerto for Orchestra, Sz. 116, BB. 123: III. Elegia. Andante, non troppo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (in 1992-12)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók7:43
8Concerto for Orchestra, Sz. 116, BB. 123: IV. Intermezzo interrotto. Allegretto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (in 1992-12)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:02
9Concerto for Orchestra, Sz. 116, BB. 123: V. Finale. Pesante - Presto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante - Presto (in 1992-12)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:24
▼ CD 2: Bartók: Divertimento, Dance Suite, Hungarian Sketches, Two Pictures
#TitleArtistRatingLength
1Dance Suite, Sz. 77, BB. 86/a: I. Moderato
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: I. Moderato (for orchestra) (in 1992-12)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók3:41
2Dance Suite, Sz. 77, BB. 86/a: II. Allegro molto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: II. Allegro molto (for orchestra) (in 1992-12)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:16
3Dance Suite, Sz. 77, BB. 86/a: III. Allegro vivace
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: III. Allegro vivace (for orchestra) (in 1992-12)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:57
4Dance Suite, Sz. 77, BB. 86/a: IV. Molto tranquillo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: IV. Molto tranquillo (for orchestra) (in 1992-12)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:36
5Dance Suite, Sz. 77, BB. 86/a: V. Comodo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: V. Comodo (for orchestra) (in 1992-12)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók1:02
6Dance Suite, Sz. 77, BB. 86/a: VI. Finale: Allegro
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: VI. Finale. Allegro (for orchestra) (in 1992-12)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók4:12
72 Pictures, Sz. 46, BB. 59 (op. 10): I. In Full Flower
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
2 Pictures, op. 10, Sz. 46: 1. In voller Blüte (in 1992-12)
composer:
Béla Bartók (composer) (in 1910-08)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
2 Pictures, op. 10, Sz. 46
Béla Bartók8:42
82 Pictures, Sz. 46, BB. 59 (op. 10): II. Village Dance
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
2 Pictures, op. 10, Sz. 46: 2. Dorftanz (in 1992-12)
composer:
Béla Bartók (composer) (in 1910-08)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
2 Pictures, op. 10, Sz. 46
Béla Bartók9:53
9Hungarian Sketches, Sz. 97, BB. 103: I. An Evening with the Sz.ekely
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 1: An Evening in the Village (in 1993-12)
orchestrator and composer:
Béla Bartók (composer)
version of:
Ten Easy Pieces, Sz. 39, BB 51, No. 5: An Evening at the Village
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:48
10Hungarian Sketches, Sz. 97, BB. 103: II. Bear Dance
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 2: Bear Dance (in 1993-12)
orchestrator and composer:
Béla Bartók (composer)
version of:
Ten Easy Pieces, Sz. 39, BB 51, No. 10: Bear Dance
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók1:29
11Hungarian Sketches, Sz. 97, BB. 103: III. Melody
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 3: Melody (in 1993-12)
orchestrator and composer:
Béla Bartók (composer)
version of:
Four Dirges, Sz. 45, BB 58, No. 2: Andante
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:21
12Hungarian Sketches, Sz. 97, BB. 103: IV. Slightly Tipsy
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 4: Slightly Tipsy (in 1993-12)
orchestrator and composer:
Béla Bartók (composer)
version of:
Three Burlesques, Sz. 47, BB 55, No. 2: A Little Tipsy
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:11
13Hungarian Sketches, Sz. 97, BB. 103: V. Swineherd's Dance
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Klaus Behrens (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 5: Swineherd's Dance (in 1993-12)
orchestrator and composer:
Béla Bartók (composer)
version of:
For Children, Book 2: No. 40. Swineherd's Dance. Allegro vivace
part of:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:09
14Divertimento, Sz. 113, BB. 118: I. Allegro non troppo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: I. Allegro non troppo (in 1993-12)
composer:
Béla Bartók (composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
Béla Bartók9:02
15Divertimento, Sz. 113, BB. 118: II. Molto adagio
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: II. Molto adagio (in 1993-12)
composer:
Béla Bartók (composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
Béla Bartók9:35
16Divertimento, Sz. 113, BB. 118: III. Allegro assai
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ingmar Haas (Engineer)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: III. Allegro assai (in 1993-12)
composer:
Béla Bartók (composer) (in 1939)
part of:
Divertimento for String Orchestra, Sz. 113, BB 118
Béla Bartók7:35
▼ CD 3: Bartók: The Miraculous Mandarin, Music for Strings, Percussion, and Celesta
#TitleArtistRatingLength
1The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): Beginning (Allegro)
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:03
2The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): First seduction game: the shabby old rake (Moderato)
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:44
3The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): Second seduction game
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:13
4The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): Third seduction game (Sostenuto)
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:41
5The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): The Mandarin enters and remains immobile in the doorway... (Maestoso)
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók6:51
6The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): The girl sinks down to embrace him... (Allegro)
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:29
7The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:06
8The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio)
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:01
9The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato)
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:25
10The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): The body of the Mandarin begins to glow with a greenish blue light. (Molto moderato)
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
choir vocals:
Chicago Symphony Chorus (in 1994-12)
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
chorus master:
Duain Wolfe (chorus master) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:47
11The Miraculous Mandarin, Sz. 73, BB. 82 (op. 19): She resists no longer; they embrace (Più mosso - Vivo)
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Béla Bartók (composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:33
12Music for Strings, Percussion and Celesta, Sz. 106, BB. 114: Andante tranquillo
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (in 1994-12)
composer:
Béla Bartók (composer)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:55
13Music for Strings, Percussion and Celesta, Sz. 106, BB. 114: Allegro
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (in 1994-12)
composer:
Béla Bartók (composer)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:35
14Music for Strings, Percussion and Celesta, Sz. 106, BB. 114: Adagio
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (in 1994-12)
composer:
Béla Bartók (composer)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:27
15Music for Strings, Percussion and Celesta, Sz. 106, BB. 114: Allegro molto
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (in 1994-12)
composer:
Béla Bartók (composer)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:27
▼ CD 4: Bartók: Cantata Profana, The Wooden Prince
#TitleArtistRatingLength
1Cantata Profana "The Enchanted Stags", Sz. 94, BB. 100: I. There Was Once an Old Man
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
baritone vocals:
John Tomlinson (English operatic bass) (in 1991-12)
choir vocals:
Chicago Symphony Chorus (in 1991-12)
tenor vocals:
John Aler (tenor) (in 1991-12)
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": I. Molto moderato. Once there was an old man (in 1991-12)
composer:
Béla Bartók (composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags"
Béla Bartók6:59
2Cantata Profana "The Enchanted Stags", Sz. 94, BB. 100: II. But Their Father Grew Impatient
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
baritone vocals:
John Tomlinson (English operatic bass) (in 1991-12)
choir vocals:
Chicago Symphony Chorus (in 1991-12)
tenor vocals:
John Aler (tenor) (in 1991-12)
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": II. Andante. Through forest aroving, hey-yah! (in 1991-12)
composer:
Béla Bartók (composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags"
Béla Bartók8:00
3Cantata Profana "The Enchanted Stags", Sz. 94, BB. 100: III. There Was Once an Old Man
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
baritone vocals:
John Tomlinson (English operatic bass) (in 1991-12)
choir vocals:
Chicago Symphony Chorus (in 1991-12)
tenor vocals:
John Aler (tenor) (in 1991-12)
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": III. Moderato. Once there was an old man (in 1991-12)
composer:
Béla Bartók (composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags"
Béla Bartók3:18
4The Wooden Prince, Sz. 60, BB. 74 (op. 13): Introduction
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: I. Prelude (in 1991-12)
composer:
Béla Bartók (composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:13
5The Wooden Prince, Sz. 60, BB. 74 (op. 13): First Dance: Dance of The Princess in The Forest
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest (in 1991-12)
composer:
Béla Bartók (composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:05
6The Wooden Prince, Sz. 60, BB. 74 (op. 13): Second Dance: Dance of The Trees
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees (in 1991-12)
composer:
Béla Bartók (composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:27
7The Wooden Prince, Sz. 60, BB. 74 (op. 13): Third Dance: Dance of The Waves
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves (in 1991-12)
composer:
Béla Bartók (composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók11:36
8The Wooden Prince, Sz. 60, BB. 74 (op. 13): Fourth Dance: Dance of The Princess With The Wooden Prince
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll (in 1991-12)
composer:
Béla Bartók (composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók15:21
9The Wooden Prince, Sz. 60, BB. 74 (op. 13): Fifth Dance: The Princess Pulls And Tugs at The Wooden Prince
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance (in 1991-12)
composer:
Béla Bartók (composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók1:55
10The Wooden Prince, Sz. 60, BB. 74 (op. 13): Sixth Dance: She Tries to Attract The Real Prince With Her Seductive Dancing
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance (in 1991-12)
composer:
Béla Bartók (composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók1:38
11The Wooden Prince, Sz. 60, BB. 74 (op. 13): Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: IX. Postlude (in 1991-12)
composer:
Béla Bartók (composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
recording of:
The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her (in 1991-12)
composer:
Béla Bartók (composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók8:42
▼ CD 5: Bartók: The Piano Concertos
#TitleArtistRatingLength
1Concerto for Piano and Orchestra no. 1, Sz. 83, BB. 91: I. Allegro moderato - Allegro
recording engineer:
Reinhard Lagemann
producer:
Helmut Burk
piano:
Krystian Zimerman (pianist) (in 2001-11)
orchestra:
Chicago Symphony Orchestra (in 2001-11)
conductor:
Pierre Boulez (composer and conductor) (in 2001-11)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 2001-11)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: I. Allegro moderato (in 2001-11)
composer:
Béla Bartók (composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók8:45
2Concerto for Piano and Orchestra no. 1, Sz. 83, BB. 91: II. Andante -
recording engineer:
Reinhard Lagemann
producer:
Helmut Burk
piano:
Krystian Zimerman (pianist) (in 2001-11)
orchestra:
Chicago Symphony Orchestra (in 2001-11)
conductor:
Pierre Boulez (composer and conductor) (in 2001-11)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 2001-11)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: II. Andante (in 2001-11)
composer:
Béla Bartók (composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók7:52
3Concerto for Piano and Orchestra no. 1, Sz. 83, BB. 91: II. Allegro - attacca: / Piano Concerto no. 1: III. Allegro molto
recording engineer:
Reinhard Lagemann
producer:
Helmut Burk
piano:
Krystian Zimerman (pianist) (in 2001-11)
orchestra:
Chicago Symphony Orchestra (in 2001-11)
conductor:
Pierre Boulez (composer and conductor) (in 2001-11)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 2001-11)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: III. Allegro molto (in 2001-11)
composer:
Béla Bartók (composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók6:48
4Concerto for Piano and Orchestra no. 2 Sz. 95, BB. 101: I. Allegro
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
piano:
Leif Ove Andsnes (pianist) (in 2003-02)
orchestra:
Berliner Philharmoniker (in 2003-02)
conductor:
Pierre Boulez (composer and conductor) (in 2003-02)
balance engineer:
Rainer Maillard
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2003-02)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: I. Allegro (in 2003-02)
composer:
Béla Bartók (composer) (from 1930 until 1931)
part of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
Béla Bartók9:25
5Concerto for Piano and Orchestra no. 2 Sz. 95, BB. 101: II. Adagio - Presto - Adagio
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
piano:
Leif Ove Andsnes (pianist) (in 2003-02)
orchestra:
Berliner Philharmoniker (in 2003-02)
conductor:
Pierre Boulez (composer and conductor) (in 2003-02)
balance engineer:
Rainer Maillard
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2003-02)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: II. Adagio - Più adagio - Presto (in 2003-02)
composer:
Béla Bartók (composer) (from 1930 until 1931)
part of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
Béla Bartók11:26
6Concerto for Piano and Orchestra no. 2 Sz. 95, BB. 101: III. Allegro molto
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
piano:
Leif Ove Andsnes (pianist) (in 2003-02)
orchestra:
Berliner Philharmoniker (in 2003-02)
conductor:
Pierre Boulez (composer and conductor) (in 2003-02)
balance engineer:
Rainer Maillard
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2003-02)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: III. Allegro molto (in 2003-02)
composer:
Béla Bartók (composer) (from 1930 until 1931)
part of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
Béla Bartók6:21
7Concerto for Piano and Orchestra no. 3, Sz. 119, BB. 127: I. Allegretto
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
piano:
Hélène Grimaud (pianist) (in 2004-10)
orchestra:
London Symphony Orchestra (in 2004-10)
conductor:
Pierre Boulez (composer and conductor) (in 2004-10)
balance engineer:
Rainer Maillard
recorded at:
Jerwood Hall in London (Greater London), England, United Kingdom (in 2004-10)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: I. Allegretto (in 2004-10)
composer:
Béla Bartók (composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók7:33
8Concerto for Piano and Orchestra no. 3, Sz. 119, BB. 127: II. Adagio religioso
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
piano:
Hélène Grimaud (pianist) (in 2004-10)
orchestra:
London Symphony Orchestra (in 2004-10)
conductor:
Pierre Boulez (composer and conductor) (in 2004-10)
balance engineer:
Rainer Maillard
recorded at:
Jerwood Hall in London (Greater London), England, United Kingdom (in 2004-10)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: II. Adagio religioso (in 2004-10)
composer:
Béla Bartók (composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók11:13
9Concerto for Piano and Orchestra no. 3, Sz. 119, BB. 127: III. Allegro vivace
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
piano:
Hélène Grimaud (pianist) (in 2004-10)
orchestra:
London Symphony Orchestra (in 2004-10)
conductor:
Pierre Boulez (composer and conductor) (in 2004-10)
balance engineer:
Rainer Maillard
recorded at:
Jerwood Hall in London (Greater London), England, United Kingdom (in 2004-10)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: III. Allegro vivace (in 2004-10)
composer:
Béla Bartók (composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók7:03
▼ CD 6: Bartók: Concertos for Viola, Violin, 2 Pianos
#TitleArtistRatingLength
1Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB. 121: I. Assai lento
recording engineer, editor and balance engineer:
Rainer Maillard
producer:
Christian Gansch (conductor)
percussion:
Neil Percy (in 2008-05) and Nigel Thomas (principal timpanist of London Symphony Orchestra) (in 2008-05)
piano:
Pierre‐Laurent Aimard (pianist) (in 2008-05) and Tamara Stefanovich (pianist) (in 2008-05)
orchestra:
London Symphony Orchestra (in 2008-05)
conductor:
Pierre Boulez (composer and conductor) (in 2008-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2008-05)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: I. Assai lento (in 2008-05)
composer:
Béla Bartók (composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók12:48
2Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB. 121: II. Lento, ma non troppo
recording engineer, editor and balance engineer:
Rainer Maillard
producer:
Christian Gansch (conductor)
percussion:
Neil Percy (in 2008-05) and Nigel Thomas (principal timpanist of London Symphony Orchestra) (in 2008-05)
piano:
Pierre‐Laurent Aimard (pianist) (in 2008-05) and Tamara Stefanovich (pianist) (in 2008-05)
orchestra:
London Symphony Orchestra (in 2008-05)
conductor:
Pierre Boulez (composer and conductor) (in 2008-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2008-05)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: II. Lento, ma non troppo (in 2008-05)
composer:
Béla Bartók (composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók6:29
3Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB. 121: III. Allegro non troppo
recording engineer, editor and balance engineer:
Rainer Maillard
producer:
Christian Gansch (conductor)
percussion:
Neil Percy (in 2008-05) and Nigel Thomas (principal timpanist of London Symphony Orchestra) (in 2008-05)
piano:
Pierre‐Laurent Aimard (pianist) (in 2008-05) and Tamara Stefanovich (pianist) (in 2008-05)
orchestra:
London Symphony Orchestra (in 2008-05)
conductor:
Pierre Boulez (composer and conductor) (in 2008-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2008-05)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: III. Allegro non troppo (in 2008-05)
composer:
Béla Bartók (composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók6:27
4Concerto for Violin and Orchestra no. 1, Sz. 36, BB. 48/a: I. Andante sostenuto
recording engineer and balance engineer:
Rainer Maillard
executive producer:
Dr. Marion Thiem
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer)
violin:
Gidon Kremer (violinist) (in 2004-03)
orchestra:
Berliner Philharmoniker (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2004-03)
recording of:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a: I. Andante sostenuto (in 2004-03)
composer:
Béla Bartók (composer)
part of:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a
Béla Bartók9:33
5Concerto for Violin and Orchestra no. 1, Sz. 36, BB. 48/a: II. Allegro giocoso
recording engineer and balance engineer:
Rainer Maillard
executive producer:
Dr. Marion Thiem
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer)
violin:
Gidon Kremer (violinist) (in 2004-03)
orchestra:
Berliner Philharmoniker (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 2004-03)
recording of:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a: II. Allegro giocoso (in 2004-03)
composer:
Béla Bartók (composer)
part of:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a
Béla Bartók11:56
6Concerto for Viola and Orchestra, Sz. 120, BB. 128: I. Moderato
recording engineer and balance engineer:
Rainer Maillard
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer)
viola:
Юрий Абрамович Башмет (Russian conductor and violist) (in 2004-03)
orchestra:
Berliner Philharmoniker (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-03)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato (in 2004-03)
composer:
Béla Bartók (composer) (from 1945-07 to ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Concerto for Viola and Orchestra, Sz. 120, BB 128
Béla Bartók14:31
7Concerto for Viola and Orchestra, Sz. 120, BB. 128: II. Adagio religioso
recording engineer and balance engineer:
Rainer Maillard
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer)
viola:
Юрий Абрамович Башмет (Russian conductor and violist) (in 2004-03)
orchestra:
Berliner Philharmoniker (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-03)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso (in 2004-03)
composer:
Béla Bartók (composer) (from 1945-07 to ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Concerto for Viola and Orchestra, Sz. 120, BB 128
Béla Bartók4:37
8Concerto for Viola and Orchestra, Sz. 120, BB. 128: III. Allegro vivace
recording engineer and balance engineer:
Rainer Maillard
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer)
viola:
Юрий Абрамович Башмет (Russian conductor and violist) (in 2004-03)
orchestra:
Berliner Philharmoniker (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-03)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace (in 2004-03)
composer:
Béla Bartók (composer) (from 1945-07 to ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Concerto for Viola and Orchestra, Sz. 120, BB 128
Béla Bartók4:16
▼ CD 7: Bartók: Violin Concerto No. 2 & Rhapsodies Nos. 1 and 2
#TitleArtistRatingLength
1Concerto for Violin and Orchestra no. 2, Sz. 112, BB. 117: I. Allegro non troppo
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: I. Allegro non troppo (in 1998-12)
composer:
Béla Bartók (composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók16:39
2Concerto for Violin and Orchestra no. 2, Sz. 112, BB. 117: II. Andante tranquillo
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: II. Andante tranquillo (in 1998-12)
composer:
Béla Bartók (composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók10:50
3Concerto for Violin and Orchestra no. 2, Sz. 112, BB. 117: III. Allegro molto
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: III. Allegro molto (in 1998-12)
composer:
Béla Bartók (composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók13:06
4Rhapsody for Violin and Orchestra no. 1, Sz. 87, BB. 94/b: I. Lassú: Moderato
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87: I. Prima parte “lassú”. Moderato (in 1998-12)
orchestrator and composer:
Béla Bartók (composer)
version of:
Rhapsody no. 1 for violin and piano, Sz. 86: I. Prima parte “lassú”. Moderato
part of:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87
Béla Bartók5:15
5Rhapsody for Violin and Orchestra no. 1, Sz. 87, BB. 94/b: II. Friss: Allegretto moderato
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87: II. Seconda parte “friss”. Allegretto moderato (in 1998-12)
orchestrator and composer:
Béla Bartók (composer)
version of:
Rhapsody no. 1 for violin and piano, Sz. 86: II. Seconda parte “friss”. Allegretto moderato
part of:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87
Béla Bartók6:02
6Rhapsody for Violin and Orchestra no. 2, Sz. 90, BB. 96/b: I. Lassú: Moderato
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90: I. Prima parte “lassú”. Moderato (in 1998-12)
orchestrator and composer:
Béla Bartók (composer)
version of:
Rhapsody no. 2 for violin and piano, Sz. 89: I. Prima parte “lassú”. Moderato
part of:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90
Béla Bartók5:15
7Rhapsody for Violin and Orchestra no. 2, Sz. 90, BB. 96/b: II. Friss: Allegro moderato
recording engineer:
Wolf-Dieter Karwatky
producer:
Christian Gansch (conductor)
editor and balance engineer:
Stephan Flock
violin:
Gil Shaham (violinist) (in 1998-12)
orchestra:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1998-12)
recording of:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90: II. Seconda parte “friss”. Allegro moderato (in 1998-12)
orchestrator and composer:
Béla Bartók (composer)
version of:
Rhapsody no. 2 for violin and piano, Sz. 89: II. Seconda parte “friss”. Allegro moderato
part of:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90
Béla Bartók6:22
▼ CD 8: Bartók: Duke Blubeard's Castle
#TitleArtistRatingLength
1Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): Prologue - Opening Scene. "Megérkeztünk"
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
partial recording of:
A Kékszakállú herceg vára: Opening "Megérkeztünk" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók5:06
2Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): "Ez a Kékszakállú véra?" (Judith)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
soprano vocals:
Jessye Norman (soprano) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
partial recording of:
A Kékszakállú herceg vára: Opening "Megérkeztünk" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók5:16
3Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): "Nagy csukott ajtókat" (Judith)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
soprano vocals:
Jessye Norman (soprano) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
partial recording of:
A Kékszakállú herceg vára: Opening "Megérkeztünk" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók5:23
4Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések" (Judith)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
soprano vocals:
Jessye Norman (soprano) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 1 "'Jaj! Mit látsz? Mit látsz? Láncok, kések" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók4:25
5Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver" (Bluebeard)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
bass vocals:
László Polgár (operatic bass) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók3:55
6Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" (Judith)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
soprano vocals:
Jessye Norman (soprano) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók2:25
7Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): Door 4. "Oh! virágok! Oh! ilatoskert!" (Judith)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
soprano vocals:
Jessye Norman (soprano) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 4 "Oh! virágok! Oh! ilatoskert!" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók4:18
8Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): Door 5. Kékszakállú: "Nézd hogy derül már a váram" (Bluebeard)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
bass vocals:
László Polgár (operatic bass) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók6:35
9Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): Door 6. "Csendes fehér tavat látok" (Judith)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
soprano vocals:
Jessye Norman (soprano) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
partial recording of:
A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók4:32
10Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): "Az utolsót nem nyitom ki" (Bluebeard)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
bass vocals:
László Polgár (operatic bass) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
partial recording of:
A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók4:10
11Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): "Tudom, tudom, Kékszakállú" (Judith)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
soprano vocals:
Jessye Norman (soprano) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
partial recording of:
A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók3:24
12Bluebeard's Castle, Sz. 48, BB. 62 (op. 11): Door 7. "Lásd a régi aszszonyokat" (Bluebeard)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Hans-Ulrich Bastin
bass vocals:
László Polgár (operatic bass) (in 1993-12)
orchestra:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
balance engineer:
Helmut Burk
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat" (in 1993-12)
composer:
Béla Bartók (composer)
librettist:
Béla Balázs
part of:
A kékszakállú herceg vára, Sz. 48, BB 62
Béla Bartók8:31
▼ CD 9: Berg: Chamber Concerto & Lulu-Suite
#TitleArtistRatingLength
1Chamber Concerto for Piano and Violin with 13 Wind Instruments: 1. Thema scherzoso con variazioni
recording engineer:
Gernot Westhaeuser (Engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Guenther Breest (producer for classical music) and Wolfgang Stengel
instruments:
Ensemble intercontemporain (in 1977-06)
piano:
Daniel Barenboim (pianist and conductor) (in 1977-06)
violin:
Pinchas Zukerman (violinist) (in 1977-06)
conductor:
Pierre Boulez (composer and conductor) (in 1977-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1977-06)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1977-06)
recording of:
Chamber Concerto: I. Thema scherzoso con variazioni (in 1977-06)
composer:
Alban Berg (composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg7:38
2Chamber Concerto for Piano and Violin with 13 Wind Instruments: 2. Adagio
recording engineer:
Gernot Westhaeuser (Engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Guenther Breest (producer for classical music) and Wolfgang Stengel
instruments:
Ensemble intercontemporain (in 1977-06)
piano:
Daniel Barenboim (pianist and conductor) (in 1977-06)
violin:
Pinchas Zukerman (violinist) (in 1977-06)
conductor:
Pierre Boulez (composer and conductor) (in 1977-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1977-06)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1977-06)
recording of:
Chamber Concerto: II. Adagio (in 1977-06)
composer:
Alban Berg (composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg12:10
3Chamber Concerto for Piano and Violin with 13 Wind Instruments: 3. Rondo ritmico con introduzione 1.013
recording engineer:
Gernot Westhaeuser (Engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Guenther Breest (producer for classical music) and Wolfgang Stengel
instruments:
Ensemble intercontemporain (in 1977-06)
piano:
Daniel Barenboim (pianist and conductor) (in 1977-06)
violin:
Pinchas Zukerman (violinist) (in 1977-06)
conductor:
Pierre Boulez (composer and conductor) (in 1977-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1977-06)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1977-06)
recording of:
Chamber Concerto: III. Rondo ritmico con introduzione (in 1977-06)
composer:
Alban Berg (composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg10:14
4Lulu-Suite: Rondo. Andante - Hymne. Sostenuto
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
orchestra:
Wiener Philharmoniker (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
recording of:
Lulu Suite: I. Rondo: Andante (Introduzione) - Hymne: Sostenuto (from 2011-07-28 until 2011-07-31)
composer:
Alban Berg (composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg12:19
5Lulu-Suite: Ostinato. Allegro
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
orchestra:
Wiener Philharmoniker (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
recording of:
Lulu Suite: II. Ostinato: Allegro (from 2011-07-28 until 2011-07-31)
composer:
Alban Berg (composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg3:19
6Lulu-Suite: Lied der Lulu. Comodo
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
soprano vocals:
Anna Prohaska (soprano) (from 2011-07-28 until 2011-07-31)
orchestra:
Wiener Philharmoniker (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
recording of:
Lulu Suite: III. Lied der Lulu: Comodo (from 2011-07-28 until 2011-07-31)
composer:
Alban Berg (composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg2:34
7Lulu-Suite: Varationen. Moderato
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
orchestra:
Wiener Philharmoniker (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
recording of:
Lulu Suite: IV. Variationen: Moderato (Grandioso - Grazioso - Funèbre - Affettuoso) - Thema: Subito tempo moderato (from 2011-07-28 until 2011-07-31)
composer:
Alban Berg (composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg3:19
8Lulu-Suite: Adagio. Sostenuto
executive producer:
Ute Fesquet, Magdalena Herbst and Angelika Meissner
producer:
Sibylle Strobel
soprano vocals:
Anna Prohaska (soprano) (from 2011-07-28 until 2011-07-31)
orchestra:
Wiener Philharmoniker (from 2011-07-28 until 2011-07-31)
conductor:
Pierre Boulez (composer and conductor) (from 2011-07-28 until 2011-07-31)
recorded at:
Salzburg Festival 2011 (2011-07-27 – 2011-08-30)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (from 2011-07-28 until 2011-07-31)
recording of:
Lulu Suite: V. Adagio: Sostenuto - Lento - Grave (from 2011-07-28 until 2011-07-31)
composer:
Alban Berg (composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg7:26
▶ CD 10: Berg: Lulu [disc 1]
▶ CD 11: Berg: Lulu [disc 2]
▶ CD 12: Berg: Lulu [disc 3]
▶ CD 13: Berlioz: Symphony Fantastique & Tristia
▶ CD 14: Berlioz: Roméo et Juliette & Les Nuits d'été [disc 1]
▶ CD 15: Berlioz: Roméo et Juliette & Les Nuits d'été [disc 2]
▶ CD 16: Birtwistle: Theseus Game & Earth Dances
▶ CD 17: Birtwistle: Secret Theatre, Tragoedia
▶ CD 18: Boulez: Notations, ...explosante-fixe...
▶ CD 19: Boulez: Le Marteau sans maître
▶ CD 20: Boulez: Pli selon Pli
▶ CD 21: Boulez: Répons, Dialogue de l'ombre double
▶ CD 22: Boulez: Messagesquisse & Anthèmes
▶ CD 23: Bruckner: Symphony No. 8
▶ CD 24: Debussy: Images, Prélude à l'après-midi d'un faune, Printemps
▶ CD 25: Debussy: La Mer, Nocturnes
▶ CD 26: Ligeti: Chamber Concerto, Ramifications, Aventures, Nouvelle Aventures
▶ CD 27: Ligeti: Concertos
▶ CD 28: Liszt: Piano Concertos
▶ CD 29: Mahler: Symphony No. 1 & Totenfeier
▶ CD 30: Mahler: Symphony No. 2
▶ CD 31: Mahler: Symphony No. 3 & Das Klagende Lied [disc 1]
▶ CD 32: Mahler: Symphony No. 3 & Das Klagende Lied [disc 2]
▶ CD 33: Mahler: Symphony No. 4
▶ CD 34: Mahler: Symphony No. 5
▶ CD 35: Mahler: Symphony No. 6
▶ CD 36: Mahler: Symphony No. 7
▶ CD 37: Mahler: Symphony No. 8 [disc 1]
▶ CD 38: Mahler: Symphony No. 8 [disc 2]
▶ CD 39: Mahler: Symphony No. 9
▶ CD 40: Mahler: Des Knaben Wunderhorn
▶ CD 41: Mahler: Lieder
▶ CD 42: Mahler: Das Lied von der Erde
▶ CD 43: Mahler: Symphony No. 6 (Live)
▶ CD 44: Messiaen: Poèmes pour Mi, Sept haïkaï
▶ CD 45: Messiaen: Chronochromie, Et exspecto resurrectionem mortuorum
▶ CD 46: Mozart: Grand Partita Serenade & Berg: Chamber Concerto
▶ CD 47: Ravel: Ma Mère l'Oye, Miroirs, Rapsodie espagnole, Boléro
▶ CD 48: Ravel: Daphnis et Chloé, La Valse
▶ CD 49: Ravel: Piano Concertos, Valses nobles et sentimentales
▶ CD 50: Ravel: Shéhérazade, Le Tombeau de Couperin; Debussy: Ballades de Villon
▶ CD 51: Schoenberg: Pelléas und Mélisande & Piano Concerto
▶ CD 52: Schoenberg: Pierrot Lunaire, Herzgewächse, Ode to Napoleon
▶ CD 53: Schoenberg: Moses und Aron [disc 1]
▶ CD 54: Schoenberg: Moses und Aron [disc 2]
▶ CD 55: Scriabin: Le Poème de l'Extase, Piano Concerto, Promethée
▶ CD 56: Richard Strauss: Also sprach Zarathustra
▶ CD 57: Stravinsky: Histoire du Soldat, Chant du rossigno, Scherzo fantastique, Le Roi des étoiles
▶ CD 58: Stravinsky: L'Oiseau de feu, Fireworks, 4 Studies
▶ CD 59: Stravinsky: Pétrouchka & Le Sacre du Printemps
▶ CD 60: Stravinsky: Symphonies & Birtwistle: The Triumph of Time
▶ CD 61: Stravinsky: Ebony Concerto & Dumbarton Oaks
▶ CD 62: Stravinsky: Songs
▶ CD 63: Szymanowski: Violin Concerto No. 1 & Symphony No. 3
▶ CD 64: Varèse: Ameriques, Arcana, Deserts, Ionisation
▶ CD 65: Wagner: Das Rheingold, WWV 86A [disc 1]
▶ CD 66: Wagner: Das Rheingold, WWV 86A [disc 2]
▶ CD 67: Wagner: Die Walküre, WWV 86B [disc 1]
▶ CD 68: Wagner: Die Walküre, WWV 86B [disc 2]
▶ CD 69: Wagner: Die Walküre, WWV 86B [disc 3]
▶ CD 70: Wagner: Siegfried, WWV 86C [disc 1]
▶ CD 71: Wagner: Siegfried, WWV 86C [disc 2]
▶ CD 72: Wagner: Siegfried, WWV 86C [disc 3]
▶ CD 73: Wagner: Götterdämmerung, WWV 86D [disc 1]
▶ CD 74: Wagner: Götterdämmerung, WWV 86D [disc 2]
▶ CD 75: Wagner: Götterdämmerung, WWV 86D [disc 3]
▶ CD 76: Wagner: Götterdämmerung, WWV 86D [disc 4]
▶ CD 77: Wagner: Parsifal, WWV 111 [disc 1]
▶ CD 78: Wagner: Parsifal, WWV 111 [disc 2]
▶ CD 79: Wagner: Parsifal, WWV 111 [disc 3]
▶ CD 80: Boulez Conducts Webern II
▶ CD 81: Boulez Conducts Webern III
▶ CD 82: Boulez Conducts Webern I
▶ CD 83: Interviews
▶ CD 84: Bonus: Ravel: Piano Concertos & Wagner: Prelude from Tristan und Isolde