The Dark Side of Classical Music (wolf cover art)

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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CD 1: Classical Heavy Metal
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1Also sprach Zarathustra, op. 30: Introduction
producer:
Martin Sauer (engineer/producer) (on 1989-09-26)
orchestra:
Slovak Philharmonic (Slovak Philharmonic, Bratislava) (from 1988-10-18 until 1988-10-20)
conductor:
Zdeněk Košler (conductor) (from 1988-10-18 until 1988-10-20)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia (from 1988-10-18 until 1988-10-20)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1988-10-18 until 1988-10-20)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:51
2Die Walkure: Ride of the Valkyries
producer:
Günter Appenheimer (producer/engineer) (in 1988-10)
orchestra:
Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (in 1988-10)
conductor:
Uwe Mund (in 1988-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj, Slovakia (in 1988-10)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (in 1988-10)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner35:24
3Symphony no. 5 in C minor, op. 67: Allegro con brio
recorded in:
Zagreb, Croatia (in 1988-09)
producer:
Teije van Geest (engineer/producer)
orchestra:
Zagreb Philharmonic (in 1988-09)
conductor:
Richard Edlinger (conductor and composer) (in 1988-09)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1988-09)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven56:54
4The Love for 3 Oranges Suite, op. 33b: March
producer:
Rudolf Hentšel and Gejza Toperczer
orchestra:
Czecho-Slovak State Philharmonic Orchestra (Košice) (Slovak State Philharmonic, Košice) (from 1989-11-20 until 1989-11-29)
conductor:
Andrew Mogrelia (conductor) (from 1989-11-20 until 1989-11-29)
recorded at:
House of Arts, Košice in Košice, Košický kraj, Slovakia (from 1989-11-20 until 1989-11-29)
recording of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra) (from 1989-11-20 until 1989-11-29)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Sergey Prokofiev1:33
5Peer Gynt Suite no. 1 op. 46: In the Hall of the Mountain King
engineer:
Tony Kime (from 1993-06-24 until 1993-06-25)
producer:
Martin Dalby (from 1993-06-24 until 1993-06-25)
orchestra:
BBC Scottish Symphony Orchestra (from 1993-06-24 until 1993-06-25)
conductor:
Jerzy Maksymiuk (conductor) (from 1993-06-24 until 1993-06-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Broadcasting House: Studio One (Glasgow) in Glasgow, Scotland, United Kingdom (from 1993-06-24 until 1993-06-25)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (from 1993-06-24 until 1993-06-25)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:38
6Marche Slave, op. 31
engineer:
Andrij Mokrytsky
producer:
Alexander Hornostai
orchestra:
National Symphony Orchestra of Ukraine (from 2001-08-19 until 2001-08-22)
conductor:
Theodore Kuchar (conductor) (from 2001-08-19 until 2001-08-22)
recorded at:
Grand Concert Studio, National Radio Company of Ukraine in Kyïv, Ukraine (from 2001-08-19 until 2001-08-22)
recording of:
Marche slave in B-flat minor, op. 31 (from 2001-08-19 until 2001-08-22)
premiered in:
Moscow, Russia (on 1876-11-18)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1876-09 until 1876-10)
part of:
The Tchaikovsky Handbook (number: TH 45), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 42) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 31)
is based on:
Боже, Царя храни!
Pyotr Tchaikovsky9:23
7Imperial March, op. 32
engineer:
Don Hartridge
producer:
Brian Pidgeon
orchestra:
BBC Philharmonic (in 1992-04)
conductor:
George Hurst (conductor) (in 1992-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
New Broadcasting House (Manchester) in Manchester, Greater Manchester, England, United Kingdom (in 1992-04)
recording of:
Imperial March, op. 32 (in 1992-04)
composer:
Edward Elgar (composer) (from 1896 until 1897)
dedicated to:
H.M. Queen Victoria
premiered at:
The Crystal Palace in London (Greater London), England, United Kingdom (on 1897-04-19)
part of:
Works of Edward Elgar by opus number (number: op. 32)
Edward Elgar4:23
8The Firebird: In Infernal Dance of Kastchei
engineer:
Jo Tavernier (Belgian sound engineer) (in 1990-01)
producer:
Günter Appenheimer (producer/engineer) (in 1990-01)
orchestra:
BRT Philharmonic Orchestra, Brussels (from 1990-01-18 until 1990-01-20)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-01-18 until 1990-01-20)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels, Belgium (from 1990-01-18 until 1990-01-20)
recording of:
Firebird Suite: V. Infernal Dance of King Kastchei (catch-all for unknown versions) (from 1990-01-18 until 1990-01-20)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Firebird Suite (catch‐all for unknown versions)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (from 1990-01-18 until 1990-01-20)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (“The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky4:42
91812 Overture, op. 49
engineer:
Andrij Mokrytsky
producer:
Alexander Hornostai
orchestra:
National Symphony Orchestra of Ukraine (from 2001-08-19 until 2001-08-22)
conductor:
Theodore Kuchar (conductor) (from 2001-08-19 until 2001-08-22)
recorded at:
Grand Concert Studio, National Radio Company of Ukraine in Kyïv, Ukraine (from 2001-08-19 until 2001-08-22)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (from 2001-08-19 until 2001-08-22)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
Pyotr Tchaikovsky15:32
10The Flying Dutchman: Overture
orchestra:
Royal Philharmonic Orchestra
conductor:
Adrian Leaper (conductor)
recording of:
Der fliegende Holländer, WWV 63: Ouvertüre
composer:
Richard Wagner (composer) (from 1840 until 1841)
part of:
Der fliegende Holländer, WWV 63
Richard Wagner10:46
11The Force of Destiny: Overture
orchestra:
National Symphony Orchestra of Ukraine
conductor:
Theodore Kuchar (conductor)
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi7:57
12Pictures at an Exhibition: The Hut on Fowls’ Legs, “Baba Yaga”
orchestra:
National Symphony Orchestra of Ukraine (from 2001-08-15 until 2001-08-18)
conductor:
Theodore Kuchar (conductor) (from 2001-08-15 until 2001-08-18)
recorded at:
Grand Concert Studio, National Radio Company of Ukraine in Kyïv, Ukraine (from 2001-08-15 until 2001-08-18)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (orchestrated by Ravel) (from 2001-08-15 until 2001-08-18)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Petrovich Mussorgsky3:27
13Pictures at an Exhibition: The Great Gate of Kiev
orchestra:
National Symphony Orchestra of Ukraine (from 2001-08-15 until 2001-08-18)
conductor:
Theodore Kuchar (conductor) (from 2001-08-15 until 2001-08-18)
recorded at:
Grand Concert Studio, National Radio Company of Ukraine in Kyïv, Ukraine (from 2001-08-15 until 2001-08-18)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (orchestrated by Ravel) (from 2001-08-15 until 2001-08-18)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Modest Petrovich Mussorgsky5:01
CD 2: Classical Death Metal
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1Carmina Burana: O Fortuna
producer:
Günter Appenheimer (producer/engineer)
choir vocals:
Slovak Philharmonic Chorus (from 1988-10-28 until 1988-11-02)
orchestra:
CSR Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (from 1988-10-28 until 1988-11-02)
conductor:
Stephen Gunzenhauser (conductor) (from 1988-10-28 until 1988-11-02)
chorus master:
Pavol Procházka (choirmaster, conductor and composer) (from 1988-10-28 until 1988-11-02)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Studio of the Czechoslovak Radio (Bratislava) in Bratislava, Bratislavský kraj, Slovakia (from 1988-10-28 until 1988-11-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1988-10-28 until 1988-11-02)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:40
2Messa da Requiem: Dies irae
miscellaneous support:
Jenő Simon
engineer:
Gábor Mocsáry (from 1996-12-22 until 1996-12-31)
producer:
Tamás Benedek (from 1996-12-22 until 1996-12-31)
bass vocals:
Carlo Colombara (operatic bass)
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus)
mezzo-soprano vocals:
Gloria Scalchi (mezzo-soprano)
soprano vocals:
Elena Filipova (soprano)
tenor vocals:
César Hernández (tenor)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra) (from 1996-12-22 until 1996-12-31)
conductor:
Pier Giorgio Morandi (conductor) (from 1996-12-22 until 1996-12-31)
chorus master:
Anikó Katona
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1996-12-22 until 1996-12-31)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro) (from 1996-12-22 until 1996-12-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:19
3Messa da Requiem: Tuba mirum
miscellaneous support:
Jenő Simon
engineer:
Gábor Mocsáry (from 1996-12-22 until 1996-12-31)
producer:
Tamás Benedek (from 1996-12-22 until 1996-12-31)
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus) (from 1996-12-22 until 1996-12-31)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra) (from 1996-12-22 until 1996-12-31)
conductor:
Pier Giorgio Morandi (conductor) (from 1996-12-22 until 1996-12-31)
chorus master:
Anikó Katona
recorded at:
Instituto Italiano di Cultura in Budapest, Hungary (from 1996-12-22 until 1996-12-31)
recording of:
Messa da requiem: IIb. Dies irae: Tuba mirum (basso, coro) (from 1996-12-22 until 1996-12-31)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi1:55
4Resurrectio Domini Nostri Jesu Christi: Alleluja, resurrexitSergio Rendine8:01
5Marche Funebre
engineer:
Jochen Gottschall
producer:
Giuseppe Clericetti
orchestra:
Orchestra della Svizzera italiana (known by this name since 1991) (on 1996-04-05)
conductor:
Diego Fasolis (conductor) (on 1996-04-05)
recorded at:
Cattedrale di San Lorenzo in Lugano, Ticino, Switzerland (on 1996-04-05)
recording of:
Marche funèbre (on 1996-04-05)
composer:
Luigi Cherubini (composer) (in 1820)
Luigi Cherubini7:16
6Valse triste, op. 44 no. 1
engineer:
Matti Heinonen
producer:
Michael Ponder
orchestra:
Turun kaupunginorkesteri (from 1995-09-06 until 1995-09-08)
conductor:
Jorma Panula (from 1995-09-06 until 1995-09-08)
recorded at:
Turun konserttitalo in Turku, Varsinais-Suomi, Finland (from 1995-09-06 until 1995-09-08)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 1995-09-06 until 1995-09-08)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius4:43
7Requiem in D minor, K. 626: Dies irae
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart1:48
8Bram Stoker’s Dracula: The Brides
orchestra:
Polish National Radio Symphony Orchestra
conductor:
Antoni Wit (conductor)
recording of:
The Brides (Bram Stoker’s Dracula)
composer:
Wojciech Kilar (composer)
part of:
Bram Stoker’s Dracula
Wojciech Kilar4:27
9Curse of the Werewolf: Finale
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Carl Davis (conductor and composer)
Benjamin Frankel6:52
10A Night on the Bare Mountain (original version)Modest Petrovich Mussorgsky12:55
11The Seventh Victim: Main Title
orchestra:
Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra)
conductor:
William T. Stromberg
Roy Webb1:13
12Symphony no. 3 “Liturgique”: Dies irae
sound engineer:
Eleanor Thomason (engineer)
producer:
Andrew Walton (producer)
orchestra:
New Zealand Symphony Orchestra
conductor:
Takuo Yuasa (Japanese conductor)
recorded at:
Wellington Town Hall in Wellington, Wellington, North Island, New Zealand (from 2002-01-23 until 2002-01-25)
recording of:
Symphony no. 3 "Liturgique": I. Dies Irae. Allegro marcato
composer:
Arthur Honegger (composer) (from 1945 until 1946)
part of:
Symphony no. 3 "Liturgique"
Arthur Honegger6:43
13The Planets: Mars, the Bringer of War
orchestra:
Royal Scottish National Orchestra (from 2001-02-17 until 2001-02-18)
conductor:
David Lloyd-Jones (conductor) (from 2001-02-17 until 2001-02-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 2002)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (from 2001-02-17 until 2001-02-18)
composer:
Gustav Holst (composer) (from 1914 until 1916)
arranger:
One Now Ago
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Holst7:07
CD 3: Classical Speed Metal
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1Gayane Suites no. 2: Sabre Dance
engineer:
Seymon Shugal (engineer) (from 1993-08-01 until 1993-08-03)
producer:
Andrew Wheeler (Producer)
orchestra:
State Symphony Orchestra of St. Petersburg (from 1993-08-01 until 1993-08-03)
conductor:
Andre Anichanov (conductor) (from 1993-08-01 until 1993-08-03)
recorded at:
St. Petersburg Radio: Studio one in Sankt-Peterburg, Russia (from 1993-08-01 until 1993-08-03)
recording of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance (from 1993-08-01 until 1993-08-03)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
part of:
Gayaneh: Act III, Scene VII (Expiation)
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions) (from 1993-08-01 until 1993-08-03)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (from 1993-08-01 until 1993-08-03)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Il’yich Khachaturian2:29
2The Tale of Tsar Saltan: Flight of the Bumble‐bee
orchestra:
CSR Symphony Orchestra (Slovak Radio Symphony Orchestra)
conductor:
Anthony Bramall (conductor)
recording of:
Полёт шмеля (Flight of the Bumblebee; original for orchestra)
composer:
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski‐Korsakov) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan
Nikolai Andreyevich Rimsky‐Korsakov1:32
3Variations on a Theme of Frank Bridge: Moto Perpetuo
engineer:
Mark Edwards (engineer) (in 1992-04)
producer:
John H. West (classical engineer/producer)
orchestra:
English Chamber Orchestra (in 1992-04)
conductor:
Steuart Bedford (conductor) (in 1992-04)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet, London (Greater London), England, United Kingdom (in 1992-04)
recording of:
Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo. Allegro molto (in 1992-04)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1937)
part of:
Variations on a Theme by Frank Bridge, op. 10
Benjamin Britten1:14
4Caprice no. 1 in E major
violin:
Ilya Kaler (violinist) (from 1992-10-19 until 1992-10-22)
recorded at:
Orum Hall in Valparaiso, Indiana, United States (from 1992-10-19 until 1992-10-22)
recording of:
24 Caprices for Solo Violin, MS 25, op. 1 no. 1 in E major: Andante “l’Arpeggio” (from 1992-10-19 until 1992-10-22)
composer:
Niccolò Paganini (composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccólo Paganini1:58
5Caprice no. 16 in G minor
violin:
Ilya Kaler (violinist) (from 1992-10-19 until 1992-10-22)
recorded at:
Orum Hall in Valparaiso, Indiana, United States (from 1992-10-19 until 1992-10-22)
recording of:
24 Caprices for Solo Violin, MS 25, op. 1 no. 16 in G minor: Presto (from 1992-10-19 until 1992-10-22)
composer:
Niccolò Paganini (composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccólo Paganini1:38
6Caprice no. 24 in A minor
violin:
Ilya Kaler (violinist) (from 1992-10-19 until 1992-10-22)
recorded at:
Orum Hall in Valparaiso, Indiana, United States (from 1992-10-19 until 1992-10-22)
recording of:
24 Caprices for Solo Violin, MS 25, op. 1 no. 24 in A minor: Tema con variazioni. Quasi presto (from 1992-10-19 until 1992-10-22)
composer:
Niccolò Paganini (composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccólo Paganini4:55
7Solo Violin Partita no. 3 in E major, BWV 1006: Preludio
engineer and producer:
Johann Ketelaar (producer and engineer) (in 1996-04) and Lien van de Poel (producer and engineer) (in 1996-04)
editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (in 1996-04) and Trionus (editor) (in 1996-04)
violin [baroque violin]:
Lucy van Dael (violinist) (from 1996-04-02 until 1996-04-16)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1996-04-02 until 1996-04-16)
recording of:
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (from 1996-04-02 until 1996-04-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach4:02
8Solo Violin Sonata no. 3 in C major, BWV 1005: Allegro assai
engineer and producer:
Johann Ketelaar (producer and engineer) (in 1996-04) and Lien van de Poel (producer and engineer) (in 1996-04)
editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (in 1996-04) and Trionus (editor) (in 1996-04)
violin [baroque violin]:
Lucy van Dael (violinist) (from 1996-04-02 until 1996-04-16)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1996-04-02 until 1996-04-16)
recording of:
Violin Sonata no. 3 in C major, BWV 1005: IV. Allegro assai (from 1996-04-02 until 1996-04-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 3 in C major, BWV 1005
Johann Sebastian Bach4:04
9Etudes, op. 10: Etude no. 1 in C major
producer:
Martin Sauer (engineer/producer) (in 1990-03)
piano:
İdil Biret (pianist) (from 1990-03-21 until 1990-03-22)
recording of:
Étude in C major, op. 10 no. 1: Allegro (from 1990-03-21 until 1990-03-22)
composer:
Fryderyk Chopin (composer) (in 1829)
part of:
Études, op. 10
Fryderyk Chopin2:19
10Etudes, op. 10: Etude no. 12 in C minor “Revolutionary”
producer:
Martin Sauer (engineer/producer) (in 1990-03)
piano:
İdil Biret (pianist) (from 1990-03-21 until 1990-03-22)
recording of:
Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco (from 1990-03-21 until 1990-03-22)
composer:
Fryderyk Chopin (composer) (in 1831)
part of:
Études, op. 10
Fryderyk Chopin2:57
11Etudes, op. 25: Etude no. 23 in A minor “Winter Wind”
producer:
Martin Sauer (engineer/producer) (in 1990-03)
piano:
İdil Biret (pianist) (from 1990-03-21 until 1990-03-22)
recording of:
Étude in A minor, op. 25 no. 11 "Winter Wind": Lento (from 1990-03-21 until 1990-03-22)
composer:
Fryderyk Chopin (composer) (in 1836)
part of:
Études, op. 25
Fryderyk Chopin4:03
12Etudes, op. 25: Etude no. 24 in C minor
producer:
Martin Sauer (engineer/producer) (in 1990-03)
piano:
İdil Biret (pianist) (from 1990-03-21 until 1990-03-22)
recording of:
Étude in C minor, op. 25 no. 12 “Ocean”: Allegro molto con fuoco (from 1990-03-21 until 1990-03-22)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 25
Fryderyk Chopin3:01
1312 Etudes d’Execution transcendante: No. 2. in A minor “Fusées”
sound engineer:
János Bohus (Hungarian sound engineer.)
producer:
Ibolya Tóth
piano:
Jenő Jandó (pianist) (from 1994-07-18 until 1994-07-21)
recording of:
Études d'exécution transcendante, S. 139, R. 2b: II. Étude in A minor. Molto vivace (from 1994-07-18 until 1994-07-21)
composer:
Franz Liszt (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b
Franz Liszt2:28
1412 Etudes d’Execution transcendante: No. 4. in D minor “Mazeppa”
sound engineer:
János Bohus (Hungarian sound engineer.)
producer:
Ibolya Tóth
piano:
Jenő Jandó (pianist) (from 1994-07-18 until 1994-07-21)
recording of:
Études d'exécution transcendante, S. 139, R. 2b: IV. "Mazeppa" in D minor. Allegro (from 1994-07-18 until 1994-07-21)
composer:
Franz Liszt (in 1851)
part of:
Études d’exécution transcendante, S. 139, R. 2b
Franz Liszt7:36
15Piano Concerto no. 5 in G major, op. 55: Toccata
engineer:
Otto Nopp (producer and engineer) (from 1991-05-13 until 1991-05-18)
producer:
Beata Jankowska (engineer/editor/producer) (from 1991-05-13 until 1991-05-18)
piano:
Kun Woo Paik (pianist) (from 1991-05-13 until 1991-05-18)
orchestra:
Polish National Radio Symphony Orchestra (from 1991-05-13 until 1991-05-18)
conductor:
Antoni Wit (conductor) (from 1991-05-13 until 1991-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Studio Koncertowe Radia Katowice in Katowice, Śląskie, Poland (from 1991-05-13 until 1991-05-18)
recording of:
Piano Concerto no. 5 in G major, op. 55: III. Toccata. Allegro con fuoco
composer:
Сергей Сергеевич Прокофьев (Russian composer) (from 1931 until 1932)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 5 in G major, op. 55
Prokofiev1:48
16Symphony no. 4 in F minor, op. 36: Finale
orchestra:
Colorado Symphony Orchestra (from 2000-09-08 until 2000-09-10)
conductor:
Marin Alsop (conductor) (from 2000-09-08 until 2000-09-10)
recorded at:
Boettcher Concert Hall in Denver, Colorado, United States (from 2000-09-08 until 2000-09-10)
live recording of:
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco (from 2000-09-08 until 2000-09-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Il’yich Tchaikovsky8:33
17The Bartered Bride: Overture
orchestra:
Malmö SymfoniOrkester
conductor:
Lawrence Renes (conductor)
recording of:
Prodaná nevěsta: Overture
composer:
Bedřich Smetana (composer) (from 1863 until 1866)
part of:
Prodaná nevěsta
Bedrich Smetana6:41
18Ruslan and Lyudmila: Overture
orchestra:
Malmö SymfoniOrkester
conductor:
Lawrence Renes (conductor)
recording of:
Руслан и Людмила: Увертюра
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила
Mikhail Glinka4:49
19Sights and Sounds: Speed
orchestra:
Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels)
conductor:
William T. Stromberg
Robert Russell Bennett4:54