Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

▶ CD 1: Bach: Christmas Oratorio (Parts I-III)
▶ CD 2: Bach: Christmas Oratorio (Parts IV-VI)
▶ CD 3: Bach: St. Matthew Passion (Parts I & II beg.)
▶ CD 4: Bach: St. Matthew Passion (Part II cont.)
▶ CD 5: Bach: St. John Passion (Parts I & II beg.)
▶ CD 6: Bach: St. John Passion (Part II cont.)
▶ CD 7: Bach: Mass in B minor (Kyrie - Gloria)
▶ CD 8: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
▶ CD 9: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
▶ CD 10: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
▶ CD 11: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
▶ CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
▶ CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
▶ CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
▶ CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
▶ CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
▶ CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
▶ CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
▶ CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
▶ CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
▶ CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
▶ CD 22: Beethoven: Symphonies nos. 1 & 2
▶ CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
▶ CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
▶ CD 25: Beethoven: Symphonies nos. 7 & 8
▶ CD 26: Beethoven: Symphony no. 9 “Choral”
▶ CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
▶ CD 28: Beethoven: Piano Concertos nos. 3 & 4
▶ CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
▶ CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
▶ CD 31: Beethoven: Violin Concerto
▶ CD 32: Beethoven: Missa solemnis
▶ CD 33: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
▶ CD 34: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
▶ CD 35: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
▶ CD 36: Interviews with John Eliot Gardiner
▶ CD 37: Britten: War Requiem
▼ CD 38: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
#TitleArtistRatingLength
1Spring Symphony, op. 44: Part I. Introduction: “Shine out fair sun” (chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 1: 1. Introduction: Shine Out (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
part of:
Spring Symphony, op. 44: Part 1
Benjamin Britten8:38
2Spring Symphony, op. 44: Part I. The Merry Cuckoo (tenor)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 1: 2. The Merry Cuckoo (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
Edmund Spenser (English poet)
part of:
Spring Symphony, op. 44: Part 1
Benjamin Britten1:55
3Spring Symphony, op. 44: Part I. Spring, the Sweet Spring (soprano, alto, tenor, chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Catherine Robbin (Canadian mezzo-soprano) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Alison Hagley (soprano) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 1: 3. Spring, the Sweet Spring (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
Thomas Nashe
is based on:
Spring, the Sweet Spring
part of:
Spring Symphony, op. 44: Part 1
Benjamin Britten1:41
4Spring Symphony, op. 44: Part I. The Driving Boy (children's chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
The Boy Choristers of Salisbury Cathedral (in 1995-06) and The Girl Choristers of Salisbury Cathedral (in 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1995-06)
conductor:
Sir John Eliot Gardiner (in 1995-06)
chorus master:
Richard Seal (conductor) (in 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 1: 4. The Driving Boy (in 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
John Clare (shepherd poet) and George Peele
part of:
Spring Symphony, op. 44: Part 1
Benjamin Britten1:50
5Spring Symphony, op. 44: Part I. The Morning Star (chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 1: 5. The Morning Star (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
John Milton (English poet; composer of Paradise Lost)
part of:
Spring Symphony, op. 44: Part 1
Benjamin Britten2:59
6Spring Symphony, op. 44: Part II. Welcome, Maids of Honour (alto)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Catherine Robbin (Canadian mezzo-soprano) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 2: 6. Welcome, Maids of Honour (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
Robert Herrick (English poet)
part of:
Spring Symphony, op. 44: Part 2
Benjamin Britten2:36
7Spring Symphony, op. 44: Part II. Waters above (tenor)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 2: 7. Waters Above! (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
Henry Vaughan
part of:
Spring Symphony, op. 44: Part 2
Benjamin Britten2:27
8Spring Symphony, op. 44: Part II. Out on the lawn I lie in bed (alto, chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Catherine Robbin (Canadian mezzo-soprano) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 2: 8. Out on the lawn I Lie in bed (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
W. H. Auden
part of:
Spring Symphony, op. 44: Part 2
Benjamin Britten5:50
9Spring Symphony, op. 44: Part III. When will my May come (tenor)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 3: 9. When will my May Come? (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
Richard Barnfield
part of:
Spring Symphony, op. 44: Part 3
Benjamin Britten2:26
10Spring Symphony, op. 44: Part III. Fair and fair (soprano, tenor)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Alison Hagley (soprano) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 3: 10. Fair and Fair (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
George Peele
part of:
Spring Symphony, op. 44: Part 3
Benjamin Britten2:16
11Spring Symphony, op. 44: Part III. Sound the flute (chorus, children's chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06), The Boy Choristers of Salisbury Cathedral (from 1995-05 until 1995-06) and The Girl Choristers of Salisbury Cathedral (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
chorus master:
Richard Seal (conductor) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 3: 11. Sound the Flute! (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
librettist:
William Blake (English poet, painter, and printmaker)
part of:
Spring Symphony, op. 44: Part 3
Benjamin Britten1:22
12Spring Symphony, op. 44: Part IV. Finale: “London, to thee I do present” (tenor, alto, soprano, chorus, children's chorus)
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Catherine Robbin (Canadian mezzo-soprano) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06), The Boy Choristers of Salisbury Cathedral (from 1995-05 until 1995-06) and The Girl Choristers of Salisbury Cathedral (from 1995-05 until 1995-06)
soprano vocals:
Alison Hagley (soprano) (from 1995-05 until 1995-06)
tenor vocals:
John Mark Ainsley (tenor) (from 1995-05 until 1995-06)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
chorus master:
Richard Seal (conductor) (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Spring Symphony, op. 44: Part 4: 12. Finale: London, to Thee I do Present (from 1995-05 until 1995-06)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1948-10 until 1949-06)
part of:
Spring Symphony, op. 44: Part 4
Benjamin Britten7:42
13Hymn to St. Cecilia, op. 27: “In a garden shady”
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Hymn to St. Cecilia, op. 27: I. In a Garden Shady (from 1995-05 until 1995-06)
lyricist:
W. H. Auden (from 1940 until 1942)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1940 until 1942)
part of:
Hymn to St. Cecilia, op. 27
Benjamin Britten2:30
14Hymn to St. Cecilia, op. 27: “I cannot grow”
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Hymn to St. Cecilia, op. 27: II. I Cannot Grow (from 1995-05 until 1995-06)
lyricist:
W. H. Auden (from 1940 until 1942)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1940 until 1942)
part of:
Hymn to St. Cecilia, op. 27
Benjamin Britten1:55
15Hymn to St. Cecilia, op. 27: “O ear whose creatures”
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Hymn to St. Cecilia, op. 27: III. O Ear Whose Creatures Cannot Wish to Fall (from 1995-05 until 1995-06)
lyricist:
W. H. Auden (from 1940 until 1942)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1940 until 1942)
part of:
Hymn to St. Cecilia, op. 27
Benjamin Britten5:25
16Five Flower Songs, op. 47: 1. To Daffodils
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Five Flower Songs, op. 47: No. 1. To Daffodils (from 1995-05 until 1995-06)
lyricist:
Robert Herrick (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1950)
part of:
Five Flower Songs, op. 47
Benjamin Britten1:55
17Five Flower Songs, op. 47: 2. The Succession of the Four Sweet Months
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Five Flower Songs, op. 47: No. 2. The Succession of the Four Sweet Months (from 1995-05 until 1995-06)
lyricist:
Robert Herrick (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1950)
part of:
Five Flower Songs, op. 47
Benjamin Britten1:49
18Five Flower Songs, op. 47: 3. Marsh Flowers
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Five Flower Songs, op. 47: No. 3. Marsh Flowers (from 1995-05 until 1995-06)
lyricist:
George Crabbe
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1950)
part of:
Five Flower Songs, op. 47
Benjamin Britten2:15
19Five Flower Songs, op. 47: 4. The Evening Primrose
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Five Flower Songs, op. 47: No. 4. The Evening Primrose (from 1995-05 until 1995-06)
lyricist:
John Clare (shepherd poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1950)
part of:
Five Flower Songs, op. 47
Benjamin Britten2:42
20Five Flower Songs, op. 47: 5. Ballad of Green Broom
recording engineer:
Stephan Flock and Reinhard Lagemann
executive producer:
Roger Wright (classical producer at Deutsche Grammophon and the BBC)
producer:
Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Penelope Vickers (alto) (from 1995-05 until 1995-06)
bass vocals:
Richard Savage (bass-baritone) (from 1995-05 until 1995-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-05 until 1995-06)
soprano vocals:
Emma Preston Dunlop (soprano) (from 1995-05 until 1995-06) and Gill Ross (soprano) (from 1995-05 until 1995-06)
tenor vocals:
Peter Mitchell (adapter, executive producer) (from 1995-05 until 1995-06)
conductor:
Sir John Eliot Gardiner (from 1995-05 until 1995-06)
balance engineer:
Gernot von Schultzendorff (Engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1995-05 until 1995-06)
recording of:
Five Flower Songs, op. 47: No. 5. Ballad of Green Broom (from 1995-05 until 1995-06)
lyricist:
[anonymous] (special purpose artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1950)
part of:
Five Flower Songs, op. 47
Benjamin Britten1:52
▶ CD 39: Bruckner: Mass no. 1 / 5 Motets
▶ CD 40: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
▶ CD 41: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
▶ CD 42: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
▶ CD 43: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
▶ CD 44: Handel: Acis and Galatea (Act I)
▶ CD 45: Handel: Acis and Galatea (Act II)
▶ CD 46: Handel: Hercules (Acts I & II beg.)
▶ CD 47: Handel: Hercules (Acts II cont. & III)
▶ CD 48: Haydn: The Creation (Parts I & II beg.)
▶ CD 49: Haydn: The Creation (Parts II cont. & III)
▶ CD 50: Haydn: The Seasons (Spring - Summer)
▶ CD 51: Haydn: The Seasons (Autumn - Winter)
▶ CD 52: Grainger: The Warriors / Holst: The Planets
▶ CD 53: Lehár: Die lustige Witwe
▶ CD 54: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
▶ CD 55: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
▶ CD 56: Monteverdi: Vespro della Beata Vergine nos. 1-10
▶ CD 57: Monteverdi: Vespro della Beata Vergine nos. 11-13
▶ CD 58: Monteverdi: L'Orfeo (Prologue - Acts I & II)
▶ CD 59: Monteverdi: L'Orfeo (Acts III-V)
▶ CD 60: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
▶ CD 61: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
▶ CD 62: Monteverdi: L'incoronazione di Poppea (Act III)
▶ CD 63: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
▶ CD 64: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
▶ CD 65: Mozart: Piano Concertos nos. 11, 12 & 13
▶ CD 66: Mozart: Piano Concertos nos. 14, 15 & 18
▶ CD 67: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
▶ CD 68: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
▶ CD 69: Mozart: Piano Concertos nos. 22 & 23
▶ CD 70: Mozart: Piano Concertos nos. 24 & 25
▶ CD 71: Mozart: Piano Concertos nos. 26 “Coronation” & 27
▶ CD 72: Mozart: Idomeneo (Acts I & II beg.)
▶ CD 73: Mozart: Idomeneo (Acts II cont. & III beg.)
▶ CD 74: Mozart: Idomeneo (Act III cont.)
▶ CD 75: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
▶ CD 76: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
▶ CD 77: Mozart: Le nozze di Figaro (Acts I & II beg.)
▶ CD 78: Mozart: Le nozze di Figaro (Acts II cont. & III)
▶ CD 79: Mozart: Le nozze di Figaro (Act IV)
▶ CD 80: Mozart: Don Giovanni (Act I beg.)
▶ CD 81: Mozart: Don Giovanni (Acts I cont. & II beg.)
▶ CD 82: Mozart: Don Giovanni (Act II cont.)
▶ CD 83: Mozart: Così fan tutte (Act I beg.)
▶ CD 84: Mozart: Così fan tutte (Acts I cont. & II beg.)
▶ CD 85: Mozart: Così fan tutte (Act II cont.)
▶ CD 86: Mozart: La clemenza di Tito (Act I)
▶ CD 87: Mozart: La clemenza di Tito (Act II)
▶ CD 88: Mozart: Die Zauberflöte (Acts I & II beg.)
▶ CD 89: Mozart: Die Zauberflöte (Act II cont.)
▶ CD 90: Purcell: The Fairy Queen (Acts I-III)
▶ CD 91: Purcell: The Fairy Queen (Acts IV & V)
▶ CD 92: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
▶ CD 93: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
▶ CD 94: Schütz: 4 Motets and Songs / Musikalische Exequien
▶ CD 95: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
▶ CD 96: Schumann: Symphonies nos. 4 (original version) & 2
▶ CD 97: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
▶ CD 98: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
▶ CD 99: Schumann: Das Paradies und die Peri (Parts II & III)
▶ CD 100: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
▶ CD 101: Stravinsky: The Rake's Progress (Acts I & II beg.)
▶ CD 102: Stravinsky: The Rake's Progress (Acts II cont. & III)
▶ CD 103: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
▶ CD 104: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
▶ CD 105: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]