Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

CD 1: Bach: Christmas Oratorio (Parts I-III)
CD 2: Bach: Christmas Oratorio (Parts IV-VI)
CD 3: Bach: St. Matthew Passion (Parts I & II beg.)
CD 4: Bach: St. Matthew Passion (Part II cont.)
CD 5: Bach: St. John Passion (Parts I & II beg.)
CD 6: Bach: St. John Passion (Part II cont.)
#TitleArtistRatingLength
1St. John Passion, BWV 245: Part Two. Verurteilung und Kreuzigung: 21a. Recitative (Evangelist): "Und die Kriegsknechte flochten eine Krone von Dornen" / 21b. Chorus: "Sei gegrüßet, lieber Jüdenkönig" / 21c. Recitative (Evangelist, Pilate) "Und gaben ihm Backenstreiche" / 21d. Chorus: "Kreuzige, kreuzige!" / 21e. Recitative (Evangelist, Pilate): "Pilatus sprach zu ihnen" / 21f. Chorus: "Wir haben ein Gesetz" / 21g. Recitative (Evangelist, Pilate, Jesus): "Da Pilatus das Wort hörete"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals [Jesus]:
Stephen Varcoe (bass-baritone) (in 1986-03)
bass vocals [Pilate]:
Cornelius Hauptmann (operatic bass) (in 1986-03)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach5:22
2St. John Passion, BWV 245: Part Two. Verurteilung und Kreuzigung: 22. Chorale: "Durch dein Gefängnis, Gottes Sohn"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn" (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 239)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:49
3St. John Passion, BWV 245: Part Two. Verurteilung und Kreuzigung: 23a. Recitative (Evangelist): "Die Jüden aber schrieen und sprachen" / 23b. Chorus: "Lässest du diesen los" / 23c. Recitative (Evangelist, Pilate): "Da Pilatus das Wort hörete" / 23d. Chorus: "Weg, weg mit dem" / 23e. Recitative (Evangelist): "Spricht Pilatus zu ihnen" / 23f. Chorus: "Wir haben keinen König denn den Kaiser" / 23g. Recitative (Evangelist): "Da überantwortete er ihn, dass er gekreuziget würde"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals [Pilate]:
Cornelius Hauptmann (operatic bass) (in 1986-03)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus) (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach3:54
4St. John Passion, BWV 245: Part Two. Verurteilung und Kreuzigung: 24. Aria (bass): "Eilt, ihr angefochtnen Seelen" / Chorus: “Wohin?”
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-03)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen" (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach3:55
5St. John Passion, BWV 245: Part Two. Verurteilung und Kreuzigung: 25a. Recitative (Evangelist): "Allda kreuzigten sie ihn" / 25b. Chorus: "Schreibe nicht: der Jüden König" / 25c. Recitative (Evangelist, Pilate): "Pilatus antwortet"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals [Pilate]:
Cornelius Hauptmann (operatic bass) (in 1986-03)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 25 "Allda kreuzigten sie ihn" (Evangelista, Chorus, Pilatus) (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:06
6St. John Passion, BWV 245: Part Two. Verurteilung und Kreuzigung: 26. Chorale: "In meines Herzens Grunde"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 26 Choral "In meines Herzens Grunde" (in 1986-03)
lyricist:
Valerius Herberger (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 315)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:55
7St. John Passion, BWV 245: Part Two. The Death of Jesus: 27a. Recitative (Evangelist): "Die Kriegsknechte aber, da sie Jesum gekreuziget hatten" / 27b. Chorus: "Lasset uns den nicht zerteilen" / 27c. Recitative (Evangelist, Jesus) "Auf dass erfüllet würde die Schrift"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals [Jesus]:
Stephen Varcoe (bass-baritone) (in 1986-03)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach3:22
8St. John Passion, BWV 245: Part Two. The Death of Jesus: 28. Chorale: "Er nahm alles wohl in acht"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" (in 1986-03)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 193)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:02
9St. John Passion, BWV 245: Part Two. The Death of Jesus: 29. Recitative (Evangelist, Jesus): "Und von Stund an nahm sie der Jünger zu sich"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals [Jesus]:
Stephen Varcoe (bass-baritone) (in 1986-03)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:19
10St. John Passion, BWV 245: Part Two. The Death of Jesus: 30. Aria (alto): "Es ist vollbracht!"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
viola da gamba:
Richard Campbell (Viol Player) (in 1986-03)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-03)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach5:19
11St. John Passion, BWV 245: Part Two. The Death of Jesus: 31. Recitative (Evangelist): "Und neigte das Haupt und verschied"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista) (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:24
12St. John Passion, BWV 245: Part Two. The Death of Jesus: 32. Aria (bass): "Mein teurer Heiland, lass dich fragen" / Chorale: “Jesu, der du warest tot”
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-03)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach4:02
13St. John Passion, BWV 245: Part Two. Burial: 33. Recitative (Evangelist): "Und siehe da, der Vorhang im Tempel zerriss"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:25
14St. John Passion, BWV 245: Part Two. Burial: 34. Arioso (tenor): "Mein Herz, in dem die ganze Welt"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals:
Neill Archer (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:57
15St. John Passion, BWV 245: Part Two. Burial: 35. Aria (soprano): "Zerfließe, mein Herze"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
flute:
Lisa Beznosiuk (flautist) (in 1986-03)
oboe da caccia:
Richard Earle (Oboist) (in 1986-03)
soprano vocals:
Nancy Argenta (soprano) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach6:57
16St. John Passion, BWV 245: Part Two. Burial: 36. Recitative (Evangelist) "Die Jüden aber, dieweil es der Rüsttag war"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:02
17St. John Passion, BWV 245: Part Two. Burial: 37. Chorale: "O hilf, Christe, Gottes Sohn"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" (in 1986-03)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 50)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:02
18St. John Passion, BWV 245: Part Two. Burial: 38. Recitative (Evangelist): "Darnach bat Pilatum Joseph von Arimathia"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:10
19St. John Passion, BWV 245: Part Two. Burial: 39. Chorus: "Ruht wohl, ihr heiligen Gebeine"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
editor:
Gernot von Schultzendorff (Engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1986)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (in 1986-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach6:49
20St. John Passion, BWV 245: Part Two. Burial: 40. Chorale: "Ach Herr, lass dein lieb Engelein"
recording engineer:
Wolf-Dieter Karwatky and Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
editor:
Gernot von Schultzendorff (Engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-03)
orchestra:
English Baroque Soloists (in 1986-03)
conductor:
John Eliot Gardiner (in 1986-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1986)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" (in 1986-03)
lyricist:
Martin Schalling
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 154)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:47
CD 7: Bach: Mass in B minor (Kyrie - Gloria)
CD 8: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
CD 9: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
CD 10: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
CD 11: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
CD 22: Beethoven: Symphonies nos. 1 & 2
CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
CD 25: Beethoven: Symphonies nos. 7 & 8
CD 26: Beethoven: Symphony no. 9 “Choral”
CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
CD 28: Beethoven: Piano Concertos nos. 3 & 4
CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
CD 31: Beethoven: Violin Concerto
CD 32: Beethoven: Missa solemnis
CD 33: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
CD 34: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
CD 35: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
CD 36: Interviews with John Eliot Gardiner
CD 37: Britten: War Requiem
CD 38: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
CD 39: Bruckner: Mass no. 1 / 5 Motets
CD 40: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
CD 41: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
CD 42: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
CD 43: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
CD 44: Handel: Acis and Galatea (Act I)
CD 45: Handel: Acis and Galatea (Act II)
CD 46: Handel: Hercules (Acts I & II beg.)
CD 47: Handel: Hercules (Acts II cont. & III)
CD 48: Haydn: The Creation (Parts I & II beg.)
CD 49: Haydn: The Creation (Parts II cont. & III)
CD 50: Haydn: The Seasons (Spring - Summer)
CD 51: Haydn: The Seasons (Autumn - Winter)
CD 52: Grainger: The Warriors / Holst: The Planets
CD 53: Lehár: Die lustige Witwe
CD 54: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
CD 55: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
CD 56: Monteverdi: Vespro della Beata Vergine nos. 1-10
CD 57: Monteverdi: Vespro della Beata Vergine nos. 11-13
CD 58: Monteverdi: L'Orfeo (Prologue - Acts I & II)
CD 59: Monteverdi: L'Orfeo (Acts III-V)
CD 60: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
CD 61: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
CD 62: Monteverdi: L'incoronazione di Poppea (Act III)
CD 63: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
CD 64: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
CD 65: Mozart: Piano Concertos nos. 11, 12 & 13
CD 66: Mozart: Piano Concertos nos. 14, 15 & 18
CD 67: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
CD 68: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
CD 69: Mozart: Piano Concertos nos. 22 & 23
CD 70: Mozart: Piano Concertos nos. 24 & 25
CD 71: Mozart: Piano Concertos nos. 26 “Coronation” & 27
CD 72: Mozart: Idomeneo (Acts I & II beg.)
CD 73: Mozart: Idomeneo (Acts II cont. & III beg.)
CD 74: Mozart: Idomeneo (Act III cont.)
CD 75: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
CD 76: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
CD 77: Mozart: Le nozze di Figaro (Acts I & II beg.)
CD 78: Mozart: Le nozze di Figaro (Acts II cont. & III)
CD 79: Mozart: Le nozze di Figaro (Act IV)
CD 80: Mozart: Don Giovanni (Act I beg.)
CD 81: Mozart: Don Giovanni (Acts I cont. & II beg.)
CD 82: Mozart: Don Giovanni (Act II cont.)
CD 83: Mozart: Così fan tutte (Act I beg.)
CD 84: Mozart: Così fan tutte (Acts I cont. & II beg.)
CD 85: Mozart: Così fan tutte (Act II cont.)
CD 86: Mozart: La clemenza di Tito (Act I)
CD 87: Mozart: La clemenza di Tito (Act II)
CD 88: Mozart: Die Zauberflöte (Acts I & II beg.)
CD 89: Mozart: Die Zauberflöte (Act II cont.)
CD 90: Purcell: The Fairy Queen (Acts I-III)
CD 91: Purcell: The Fairy Queen (Acts IV & V)
CD 92: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
CD 93: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
CD 94: Schütz: 4 Motets and Songs / Musikalische Exequien
CD 95: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
CD 96: Schumann: Symphonies nos. 4 (original version) & 2
CD 97: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
CD 98: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
CD 99: Schumann: Das Paradies und die Peri (Parts II & III)
CD 100: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
CD 101: Stravinsky: The Rake's Progress (Acts I & II beg.)
CD 102: Stravinsky: The Rake's Progress (Acts II cont. & III)
CD 103: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
CD 104: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
CD 105: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]