Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

▶ CD 1: Bach: Christmas Oratorio (Parts I-III)
▶ CD 2: Bach: Christmas Oratorio (Parts IV-VI)
▶ CD 3: Bach: St. Matthew Passion (Parts I & II beg.)
▶ CD 4: Bach: St. Matthew Passion (Part II cont.)
▶ CD 5: Bach: St. John Passion (Parts I & II beg.)
▶ CD 6: Bach: St. John Passion (Part II cont.)
▶ CD 7: Bach: Mass in B minor (Kyrie - Gloria)
▶ CD 8: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
▶ CD 9: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
▶ CD 10: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
▶ CD 11: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
▶ CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
▶ CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
▶ CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
▶ CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
▶ CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
▶ CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
▶ CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
▶ CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
▶ CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
▶ CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
▶ CD 22: Beethoven: Symphonies nos. 1 & 2
▶ CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
▶ CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
▶ CD 25: Beethoven: Symphonies nos. 7 & 8
▶ CD 26: Beethoven: Symphony no. 9 “Choral”
▶ CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
▶ CD 28: Beethoven: Piano Concertos nos. 3 & 4
▶ CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
▶ CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
▶ CD 31: Beethoven: Violin Concerto
▶ CD 32: Beethoven: Missa solemnis
▶ CD 33: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
▶ CD 34: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
▶ CD 35: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
▶ CD 36: Interviews with John Eliot Gardiner
▶ CD 37: Britten: War Requiem
▶ CD 38: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
▶ CD 39: Bruckner: Mass no. 1 / 5 Motets
▶ CD 40: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
▶ CD 41: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
▶ CD 42: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
▶ CD 43: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
▶ CD 44: Handel: Acis and Galatea (Act I)
▶ CD 45: Handel: Acis and Galatea (Act II)
▶ CD 46: Handel: Hercules (Acts I & II beg.)
▶ CD 47: Handel: Hercules (Acts II cont. & III)
▶ CD 48: Haydn: The Creation (Parts I & II beg.)
▶ CD 49: Haydn: The Creation (Parts II cont. & III)
▶ CD 50: Haydn: The Seasons (Spring - Summer)
▶ CD 51: Haydn: The Seasons (Autumn - Winter)
▶ CD 52: Grainger: The Warriors / Holst: The Planets
▶ CD 53: Lehár: Die lustige Witwe
▶ CD 54: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
▶ CD 55: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
▶ CD 56: Monteverdi: Vespro della Beata Vergine nos. 1-10
▶ CD 57: Monteverdi: Vespro della Beata Vergine nos. 11-13
▶ CD 58: Monteverdi: L'Orfeo (Prologue - Acts I & II)
▶ CD 59: Monteverdi: L'Orfeo (Acts III-V)
▶ CD 60: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
▶ CD 61: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
▶ CD 62: Monteverdi: L'incoronazione di Poppea (Act III)
▶ CD 63: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
▶ CD 64: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
▶ CD 65: Mozart: Piano Concertos nos. 11, 12 & 13
▶ CD 66: Mozart: Piano Concertos nos. 14, 15 & 18
▶ CD 67: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
▶ CD 68: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
▶ CD 69: Mozart: Piano Concertos nos. 22 & 23
▶ CD 70: Mozart: Piano Concertos nos. 24 & 25
▶ CD 71: Mozart: Piano Concertos nos. 26 “Coronation” & 27
▶ CD 72: Mozart: Idomeneo (Acts I & II beg.)
▶ CD 73: Mozart: Idomeneo (Acts II cont. & III beg.)
▶ CD 74: Mozart: Idomeneo (Act III cont.)
▶ CD 75: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
▶ CD 76: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
▼ CD 77: Mozart: Le nozze di Figaro (Acts I & II beg.)
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Sinfonia
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
Wolfgang Amadeus Mozart4:11
2Le nozze di Figaro, K. 492: Atto Primo. N. 1 Duettino: “Cinque… dieci… venti… trenta” (Figaro, Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:38
3Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Cosa stai misurando” (Susanna, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. Recitativo “Cosa stai misurando” (Susanna, Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart0:43
4Le nozze di Figaro, K. 492: Atto Primo. N. 2 Duettino: “Se a caso Madama la notte ti chiama” (Figaro, Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:32
5Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Or bene, ascolta, e taci” (Susanna, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. Recitativo “Or bene, ascolta e taci!” (Figaro, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:39
6Le nozze di Figaro, K. 492: Atto Primo. “Bravo, signor padrone!” (Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. “Bravo, signor padrone” (Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart0:57
7Le nozze di Figaro, K. 492: Atto Primo. N. 3 Cavatina: “Se vuol ballare, signor contino” (Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:25
8Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass vocals [Bartolo, medico di Siviglia]:
Carlos Feller (operatic bass) (from 1993-06 until 1993-07)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del Conte]:
Susan McCulloch (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettaste il giorno fissato a le sue nozze” (Bartolo, Marcellina) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:04
9Le nozze di Figaro, K. 492: Atto Primo. N. 4 Aria: “La vendetta, oh, la vendetta” (Bartolo)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass vocals [Bartolo, medico di Siviglia]:
Carlos Feller (operatic bass) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:02
10Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Tutto ancor non ho perso” (Marcellina, Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del Conte]:
Susan McCulloch (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart0:44
11Le nozze di Figaro, K. 492: Atto Primo. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [Marcellina, già governante a casa di Bartolo, ora al servizio del Conte]:
Susan McCulloch (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:10
12Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Va' là, vecchia pedante” (Susanna, Cherubino)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. Recitativo “Va là, vecchia pedante” (Cherubino, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:05
13Le nozze di Figaro, K. 492: Atto Primo. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:31
14Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Ah, son perduto!” (Cherubino, Susanna, Conte, Basilio)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
tenor vocals [Basilio, maestro di musica]:
Francis Egerton (tenor) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VI. Recitativo “Ah, son perduto!” (Cherubino, Susanna, Il Conte, Basilio) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:42
15Le nozze di Figaro, K. 492: Atto Primo. N. 7 Terzetto: “Cosa sento! tosto andate” (Conte, Basilio, Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
tenor vocals [Basilio, maestro di musica]:
Francis Egerton (tenor) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart4:37
16Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Basilio, in traccia tosto di Figaro” (Conte, Susanna, Cherubino, Basilio)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
tenor vocals [Basilio, maestro di musica]:
Francis Egerton (tenor) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. Recitativo “Basilio, in traccia tosto di Figaro volate” (Il Conte, Susanna, Cherubino, Basilio) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:02
17Le nozze di Figaro, K. 492: Atto Primo. N. 8 Coro: “Giovani liete, fiori spargete” (contadine, contadini)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
mezzo-soprano vocals [contadinelle]:
Sarah Connolly (mezzo-soprano) (from 1993-06 until 1993-07)
soprano vocals [contadinelle]:
Lucinda Houghton (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 9) Coro “Giovani liete” (Coro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:10
18Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Cos'è questa commedia?” (Conte, Figaro, Susanna, contadine, contadini)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
mezzo-soprano vocals [contadinelle]:
Sarah Connolly (mezzo-soprano) (from 1993-06 until 1993-07)
soprano vocals [contadinelle]:
Lucinda Houghton (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Cos’è questa commedia?” (Il Conte, Figaro, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:26
19Le nozze di Figaro, K. 492: Atto Primo. N. 9 Coro: “Giovani liete, fiori spargete” (contadine, contadini)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
mezzo-soprano vocals [contadinelle]:
Sarah Connolly (mezzo-soprano) (from 1993-06 until 1993-07)
soprano vocals [contadinelle]:
Lucinda Houghton (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart0:54
20Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Evviva!” - “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, Conte)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
tenor vocals [Basilio, maestro di musica]:
Francis Egerton (tenor) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Il Conte) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:07
21Le nozze di Figaro, K. 492: Atto Primo. N. 10 Aria: “Non più andrai, farfallone amoroso” (Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arranger:
Georg Sartorius
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart4:07
22Le nozze di Figaro, K. 492: Atto Secondo. N. 11 Cavatina: “Porgi, amor, qualche, ristoro” (Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:02
23Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Vieni, cara Susanna” (Contessa, Susanna, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:26
24Le nozze di Figaro, K. 492: Atto Secondo. “Quanto duolmi, Susanna” (Contessa, Susanna, Figaro)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
bass-baritone vocals [Figaro, cameriere del Conte]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quanto duolmi, Susanna” (La Contessa, Susanna, Cherubino) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart1:22
25Le nozze di Figaro, K. 492: Atto Secondo. N. 12 Arietta: “Voi che sapete che cosa è amor” (Cherubino)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte] and mezzo-soprano vocals [Cherubino]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:36
26Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Bravo! Che bella cove!” (Contessa, Susanna, Cherubino)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Bravo! che bella voce!” (La Contessa, Susanna, Cherubino) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart1:17
27Le nozze di Figaro, K. 492: Atto Secondo. N. 13 Aria: “Venite, inginocchiatevi” (Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:47
28Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Quante buffonerie!” (Contessa, Susanna, Cherubino, Conte)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quante buffonerie” (Il Conte, La Contessa, Cherubino, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:13
29Le nozze di Figaro, K. 492: Atto Secondo. “Che novità! Non fu mai vostra usanza” (Conte, Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart1:37
30Le nozze di Figaro, K. 492: Atto Secondo. N. 14 Terzetto: “Susanna, or via, sortite” (Conte, Contessa, Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
arranger:
Georg Sartorius
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:17
31Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Dunque, voi non aprite?” (Conte, Contessa)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Dunque, voi non aprite?” (Il Conte, La Contessa) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart1:03
32Le nozze di Figaro, K. 492: Atto Secondo. N. 15 Duettino: “Aprite, presto, aprite” (Susanna, Cherubino)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
mezzo-soprano vocals [Cherubino, paggio del Conte]:
Pamela Helen Stephen (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart1:13
33Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Oh guarda il demonietto!” (Susanna)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. Recitativo “Oh guarda il demonietto!” (Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart0:32
▶ CD 78: Mozart: Le nozze di Figaro (Acts II cont. & III)
▶ CD 79: Mozart: Le nozze di Figaro (Act IV)
▶ CD 80: Mozart: Don Giovanni (Act I beg.)
▶ CD 81: Mozart: Don Giovanni (Acts I cont. & II beg.)
▶ CD 82: Mozart: Don Giovanni (Act II cont.)
▶ CD 83: Mozart: Così fan tutte (Act I beg.)
▶ CD 84: Mozart: Così fan tutte (Acts I cont. & II beg.)
▶ CD 85: Mozart: Così fan tutte (Act II cont.)
▶ CD 86: Mozart: La clemenza di Tito (Act I)
▶ CD 87: Mozart: La clemenza di Tito (Act II)
▶ CD 88: Mozart: Die Zauberflöte (Acts I & II beg.)
▶ CD 89: Mozart: Die Zauberflöte (Act II cont.)
▶ CD 90: Purcell: The Fairy Queen (Acts I-III)
▶ CD 91: Purcell: The Fairy Queen (Acts IV & V)
▶ CD 92: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
▶ CD 93: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
▶ CD 94: Schütz: 4 Motets and Songs / Musikalische Exequien
▶ CD 95: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
▶ CD 96: Schumann: Symphonies nos. 4 (original version) & 2
▶ CD 97: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
▶ CD 98: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
▶ CD 99: Schumann: Das Paradies und die Peri (Parts II & III)
▶ CD 100: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
▶ CD 101: Stravinsky: The Rake's Progress (Acts I & II beg.)
▶ CD 102: Stravinsky: The Rake's Progress (Acts II cont. & III)
▶ CD 103: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
▶ CD 104: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
▶ CD 105: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]