Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

▶ CD 1: Bach: Christmas Oratorio (Parts I-III)
▶ CD 2: Bach: Christmas Oratorio (Parts IV-VI)
▶ CD 3: Bach: St. Matthew Passion (Parts I & II beg.)
▶ CD 4: Bach: St. Matthew Passion (Part II cont.)
▶ CD 5: Bach: St. John Passion (Parts I & II beg.)
▶ CD 6: Bach: St. John Passion (Part II cont.)
▶ CD 7: Bach: Mass in B minor (Kyrie - Gloria)
▶ CD 8: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
▶ CD 9: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
▶ CD 10: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
▶ CD 11: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
▶ CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
▶ CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
▶ CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
▶ CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
▶ CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
▶ CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
▶ CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
▶ CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
▶ CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
▶ CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
▶ CD 22: Beethoven: Symphonies nos. 1 & 2
▶ CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
▶ CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
▶ CD 25: Beethoven: Symphonies nos. 7 & 8
▶ CD 26: Beethoven: Symphony no. 9 “Choral”
▶ CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
▶ CD 28: Beethoven: Piano Concertos nos. 3 & 4
▶ CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
▶ CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
▶ CD 31: Beethoven: Violin Concerto
▶ CD 32: Beethoven: Missa solemnis
▶ CD 33: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
▶ CD 34: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
▶ CD 35: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
▶ CD 36: Interviews with John Eliot Gardiner
▶ CD 37: Britten: War Requiem
▶ CD 38: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
▶ CD 39: Bruckner: Mass no. 1 / 5 Motets
▶ CD 40: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
▶ CD 41: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
▶ CD 42: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
▶ CD 43: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
▶ CD 44: Handel: Acis and Galatea (Act I)
▶ CD 45: Handel: Acis and Galatea (Act II)
▶ CD 46: Handel: Hercules (Acts I & II beg.)
▶ CD 47: Handel: Hercules (Acts II cont. & III)
▶ CD 48: Haydn: The Creation (Parts I & II beg.)
▶ CD 49: Haydn: The Creation (Parts II cont. & III)
▶ CD 50: Haydn: The Seasons (Spring - Summer)
▶ CD 51: Haydn: The Seasons (Autumn - Winter)
▶ CD 52: Grainger: The Warriors / Holst: The Planets
▶ CD 53: Lehár: Die lustige Witwe
▶ CD 54: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
▶ CD 55: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
▶ CD 56: Monteverdi: Vespro della Beata Vergine nos. 1-10
▶ CD 57: Monteverdi: Vespro della Beata Vergine nos. 11-13
▶ CD 58: Monteverdi: L'Orfeo (Prologue - Acts I & II)
▶ CD 59: Monteverdi: L'Orfeo (Acts III-V)
▶ CD 60: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
▶ CD 61: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
▶ CD 62: Monteverdi: L'incoronazione di Poppea (Act III)
▶ CD 63: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
▶ CD 64: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
▶ CD 65: Mozart: Piano Concertos nos. 11, 12 & 13
▶ CD 66: Mozart: Piano Concertos nos. 14, 15 & 18
▶ CD 67: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
▶ CD 68: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
▶ CD 69: Mozart: Piano Concertos nos. 22 & 23
▶ CD 70: Mozart: Piano Concertos nos. 24 & 25
▶ CD 71: Mozart: Piano Concertos nos. 26 “Coronation” & 27
▶ CD 72: Mozart: Idomeneo (Acts I & II beg.)
▶ CD 73: Mozart: Idomeneo (Acts II cont. & III beg.)
▶ CD 74: Mozart: Idomeneo (Act III cont.)
▶ CD 75: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
▶ CD 76: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
▶ CD 77: Mozart: Le nozze di Figaro (Acts I & II beg.)
▶ CD 78: Mozart: Le nozze di Figaro (Acts II cont. & III)
▶ CD 79: Mozart: Le nozze di Figaro (Act IV)
▶ CD 80: Mozart: Don Giovanni (Act I beg.)
▼ CD 81: Mozart: Don Giovanni (Acts I cont. & II beg.)
#TitleArtistRatingLength
1Don Giovanni, K. 527: Atto Primo. Recitativo: “Io deggio ad ogni patto” (Leporello, Don Giovanni)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:42
2Don Giovanni, K. 527: Atto Primo. N. 11 Aria: “Fin ch'han dal vino” (Don Giovanni)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:19
3Don Giovanni, K. 527: Atto Primo. Recitativo: “Masetto: senti un po'!” (Zerlina, Masetto)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:13
4Don Giovanni, K. 527: Atto Primo. N. 12 Aria: “Batti, batti, o bel Masetto” (Zerlina)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:26
5Don Giovanni, K. 527: Atto Primo. Recitativo: “Guarda un po'” (Masetto, Don Giovanni, Zerlina)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:38
6Don Giovanni, K. 527: Atto Primo. N. 13 Finale: “Presto, presto, pria ch'ei venga” (Masetto, Zerlina) / “Su, svegliatevi, da bravi” (Don Giovanni, servi)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:44
7Don Giovanni, K. 527: Atto Primo. N. 13 Finale: “Tra quest'arbori celata” (Zerlina, Don Giovanni, Masetto)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:09
8Don Giovanni, K. 527: Atto Primo. N. 13 Finale: “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
soprano vocals [Donna Anna, sua figlia, dama promessa sposa di Don Ottavio]:
Ľuba Orgonášová (soprano) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
tenor vocals [Don Ottavio]:
Christoph Prégardien (tenor) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:47
9Don Giovanni, K. 527: Atto Primo. N. 13 Finale: “Riposate, vezzose ragazze!” (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
soprano vocals [Donna Anna, sua figlia, dama promessa sposa di Don Ottavio]:
Ľuba Orgonášová (soprano) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart8:31
10Don Giovanni, K. 527: Atto Secondo. N. 14 Duetto: “Eh via, buffone” (Don Giovanni, Leporello)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:00
11Don Giovanni, K. 527: Atto Secondo. Recitativo: “Leporello” / “Signore” (Don Giovanni, Leporello)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:12
12Don Giovanni, K. 527: Atto Secondo. N. 15 Terzetto: “Ah! taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:20
13Don Giovanni, K. 527: Atto Secondo. Recitativo: “Amico, che ti par?” (Don Giovanni, Leporello) / “Eccomi a voi” (Donna Elvira, Don Giovanni, Leporello)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
live recording of:
Don Giovanni: Atto II. Recitativo “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:14
14Don Giovanni, K. 527: Atto Secondo. N. 16 Canzonetta: “Deh, vieni alla finestra” (Don Giovanni)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
baritone vocals [Don Giovanni]:
Rodney Gilfy (baritone) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:16
15Don Giovanni, K. 527: Atto Secondo. Recitativo: “V'è gente alla finestra” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
live recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:09
16Don Giovanni, K. 527: Atto Secondo. N. 17 Aria: “Metà di voi qua vadano” (Don Giovanni)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:39
17Don Giovanni, K. 527: Atto Secondo. Recitativo: “Zitto! Lascia ch'io senta” (Don Giovanni, Masetto) / “Ah! ah! la testa mia” (Masetto, Zerlina)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Recitativo “Ahi ahi! la testa mia” (Masetto, Zerlina) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
live recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:11
18Don Giovanni, K. 527: Atto Secondo. N. 18 Aria: “Vedrai, carino” (Zerlina)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:00
19Don Giovanni, K. 527: Atto Secondo. Recitativo: “Di molte faci il lume” (Leporello, Donna Elvira)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:29
20Don Giovanni, K. 527: Atto Secondo. N. 19 Sestetto: “Sola, sola, in buio loco” (Donna Elvira, Leporello, Don Ottavia, Donna Anna, Zerlina, Masetto)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
soprano vocals [Donna Anna, sua figlia, dama promessa sposa di Don Ottavio]:
Ľuba Orgonášová (soprano) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:53
▶ CD 82: Mozart: Don Giovanni (Act II cont.)
▶ CD 83: Mozart: Così fan tutte (Act I beg.)
▶ CD 84: Mozart: Così fan tutte (Acts I cont. & II beg.)
▶ CD 85: Mozart: Così fan tutte (Act II cont.)
▶ CD 86: Mozart: La clemenza di Tito (Act I)
▶ CD 87: Mozart: La clemenza di Tito (Act II)
▶ CD 88: Mozart: Die Zauberflöte (Acts I & II beg.)
▶ CD 89: Mozart: Die Zauberflöte (Act II cont.)
▶ CD 90: Purcell: The Fairy Queen (Acts I-III)
▶ CD 91: Purcell: The Fairy Queen (Acts IV & V)
▶ CD 92: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
▶ CD 93: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
▶ CD 94: Schütz: 4 Motets and Songs / Musikalische Exequien
▶ CD 95: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
▶ CD 96: Schumann: Symphonies nos. 4 (original version) & 2
▶ CD 97: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
▶ CD 98: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
▶ CD 99: Schumann: Das Paradies und die Peri (Parts II & III)
▶ CD 100: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
▶ CD 101: Stravinsky: The Rake's Progress (Acts I & II beg.)
▶ CD 102: Stravinsky: The Rake's Progress (Acts II cont. & III)
▶ CD 103: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
▶ CD 104: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
▶ CD 105: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]