Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

CD 1: Bach: Christmas Oratorio (Parts I-III)
CD 2: Bach: Christmas Oratorio (Parts IV-VI)
CD 3: Bach: St. Matthew Passion (Parts I & II beg.)
CD 4: Bach: St. Matthew Passion (Part II cont.)
CD 5: Bach: St. John Passion (Parts I & II beg.)
CD 6: Bach: St. John Passion (Part II cont.)
CD 7: Bach: Mass in B minor (Kyrie - Gloria)
CD 8: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
CD 9: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
CD 10: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
CD 11: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
CD 22: Beethoven: Symphonies nos. 1 & 2
CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
CD 25: Beethoven: Symphonies nos. 7 & 8
CD 26: Beethoven: Symphony no. 9 “Choral”
CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
CD 28: Beethoven: Piano Concertos nos. 3 & 4
CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
CD 31: Beethoven: Violin Concerto
CD 32: Beethoven: Missa solemnis
CD 33: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
CD 34: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
CD 35: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
CD 36: Interviews with John Eliot Gardiner
CD 37: Britten: War Requiem
CD 38: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
CD 39: Bruckner: Mass no. 1 / 5 Motets
CD 40: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
CD 41: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
CD 42: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
CD 43: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
CD 44: Handel: Acis and Galatea (Act I)
CD 45: Handel: Acis and Galatea (Act II)
CD 46: Handel: Hercules (Acts I & II beg.)
CD 47: Handel: Hercules (Acts II cont. & III)
CD 48: Haydn: The Creation (Parts I & II beg.)
CD 49: Haydn: The Creation (Parts II cont. & III)
CD 50: Haydn: The Seasons (Spring - Summer)
CD 51: Haydn: The Seasons (Autumn - Winter)
CD 52: Grainger: The Warriors / Holst: The Planets
CD 53: Lehár: Die lustige Witwe
CD 54: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
CD 55: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
CD 56: Monteverdi: Vespro della Beata Vergine nos. 1-10
CD 57: Monteverdi: Vespro della Beata Vergine nos. 11-13
CD 58: Monteverdi: L'Orfeo (Prologue - Acts I & II)
CD 59: Monteverdi: L'Orfeo (Acts III-V)
CD 60: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
CD 61: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
CD 62: Monteverdi: L'incoronazione di Poppea (Act III)
CD 63: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
CD 64: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
CD 65: Mozart: Piano Concertos nos. 11, 12 & 13
CD 66: Mozart: Piano Concertos nos. 14, 15 & 18
CD 67: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
CD 68: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
CD 69: Mozart: Piano Concertos nos. 22 & 23
CD 70: Mozart: Piano Concertos nos. 24 & 25
CD 71: Mozart: Piano Concertos nos. 26 “Coronation” & 27
CD 72: Mozart: Idomeneo (Acts I & II beg.)
CD 73: Mozart: Idomeneo (Acts II cont. & III beg.)
CD 74: Mozart: Idomeneo (Act III cont.)
CD 75: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
CD 76: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
CD 77: Mozart: Le nozze di Figaro (Acts I & II beg.)
CD 78: Mozart: Le nozze di Figaro (Acts II cont. & III)
CD 79: Mozart: Le nozze di Figaro (Act IV)
CD 80: Mozart: Don Giovanni (Act I beg.)
CD 81: Mozart: Don Giovanni (Acts I cont. & II beg.)
CD 82: Mozart: Don Giovanni (Act II cont.)
CD 83: Mozart: Così fan tutte (Act I beg.)
CD 84: Mozart: Così fan tutte (Acts I cont. & II beg.)
CD 85: Mozart: Così fan tutte (Act II cont.)
CD 86: Mozart: La clemenza di Tito (Act I)
CD 87: Mozart: La clemenza di Tito (Act II)
CD 88: Mozart: Die Zauberflöte (Acts I & II beg.)
CD 89: Mozart: Die Zauberflöte (Act II cont.)
CD 90: Purcell: The Fairy Queen (Acts I-III)
CD 91: Purcell: The Fairy Queen (Acts IV & V)
CD 92: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
CD 93: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
CD 94: Schütz: 4 Motets and Songs / Musikalische Exequien
CD 95: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
CD 96: Schumann: Symphonies nos. 4 (original version) & 2
CD 97: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
CD 98: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
#TitleArtistRatingLength
1Requiem for Mignon, op. 98b: No. 1 “Wen bringt ihr uns zur stillen Gesellschaft?” (chorus, sopranos I & II, altos I & II) / No. 2 “Ach! Wie ungern brachten wir ihn her!” (soprano I, alto I) / No. 3 “Seht die mächtigen Flügel doch an!” (chorus, sopranos I & II) / No. 4 “In euch lebe die bildende Kraft” (chorus, sopranos I & II, alto I) / No. 5 “Kinder! kehret ins Leben zurück!” (bass, sopranos I & II, altos I & II, chorus) / No. 6 “Kinder! eilet ins Leben hinan!” (chorus, sopranos I & II)
assistant engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
baritone vocals:
William Dazeley (baritone vocalist) (in 1997-10)
choir vocals:
Knabenchor Hannover (German boys choir) (in 1997-10) and Monteverdi Choir (English vocal Baroque ensemble) (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Requiem für Mignon, op. 98b (in 1997-10)
lyricist:
Johann Wolfgang von Goethe
composer:
Robert Schumann (German classical composer) (in 1849)
Robert Schumann12:46
2Nachtlied, op. 108: “Quellende, schwellende Nacht”
assistant engineer:
Roger de Schot and Jan Wesselink
executive producer:
Dr. Peter Czornyj
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1997-10)
conductor:
Sir John Eliot Gardiner (in 1997-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1997-10)
recording of:
Nachtlied, op. 108 (in 1997-10)
lyricist:
Friedrich Hebbel (German poet and dramatist)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
Works of Robert Schumann by opus number (number: op. 108)
Robert Schumann9:14
3Das Paradies und die Peri, op. 50: Part One. No. 1 “Vor Edens Tor im Morgenprangen” (alto solo)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 1 „Vor Edens Tor im Morgenprangen“ (Mezzosopran) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann4:12
4Das Paradies und die Peri, op. 50: Part One. No. 2 “Wie glücklich sie wandeln, die sel'gen Geister” (The Peri)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 2 „Wie glücklich sie wandeln“ (Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann2:14
5Das Paradies und die Peri, op. 50: Part One. No. 3 Recitative “Der hehre Engel, der die Pforte des Lichts bewacht” (tenor solo) - “Dir, Kind des Stamms, schön, doch voll Sünden” (The Angel)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals [The Angel]:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 3 „Der hehre Engel, der die Pforte“ (Rezitativ Tenor, Engel) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann1:59
6Das Paradies und die Peri, op. 50: Part One. No. 4 “Wo find' ich sie? Wo blüht, wo liegt die Gabe” (The Peri)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 4 „Wo find ich sie?“ (Peri) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann2:30
7Das Paradies und die Peri, op. 50: Part One. No. 5 “So sann sie nach und schwang die Flügel” (tenor solo) - “O süßes Land! O Götterpracht!” (vocal quartet)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
baritone vocals:
Gerald Finley (bass-baritone) (from 1997-03 until 1997-04)
bass vocals:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04) and Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 5 „So sann sie nach“ (Tenor) – „O süßes Land!“ (Quartett – Sopran, Mezzosopran, Tenor, Bariton) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann1:07
8Das Paradies und die Peri, op. 50: Part One. No. 6 “Doch seine Ströme sing jetzt rot” (chorus)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 6 „Doch seine Ströme sind jetzt rot“ (Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann2:46
9Das Paradies und die Peri, op. 50: Part One. No. 7 “Und einsam steht ein Jüngling noch” (tenor solo, chorus) - “Komm, kühner Held, unud huld'ge mir” (Gazna) - “Du schlugst des Landes Bürger” (The Young Man, Gazna)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Gazna]:
Cornelius Hauptmann (operatic bass) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
tenor vocals:
Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
tenor vocals [The Young Man]:
Neill Archer (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 7 „Und einsam steht ein Jüngling noch“ (Tenor, Chor, Gazna, Der Jüngling) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann2:26
10Das Paradies und die Peri, op. 50: Part One. No. 8 “Weh, weh, weh, er fehlte das Ziel” (chorus)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 8 „Weh, weh, er fehlte das Ziel“ (Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann2:13
11Das Paradies und die Peri, op. 50: Part One. No. 9 “Die Peri sah das Mal der Wunde” (tenor solo) - “Sei dies, mein Geschenk, willkommen dorten” (The Peri, vocal quartet, chorus)
assistant engineer:
Klaus Behrens (Engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 1997-03 until 1997-04)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1997-03 until 1997-04)
soprano vocals:
Alexandra Coku (soprano) (from 1997-03 until 1997-04)
soprano vocals [The Peri]:
Barbara Bonney (soprano) (from 1997-03 until 1997-04)
tenor vocals:
Neill Archer (from 1997-03 until 1997-04) and Christoph Prégardien (tenor) (from 1997-03 until 1997-04)
orchestra:
Orchestre Révolutionnaire et Romantique (from 1997-03 until 1997-04)
conductor:
Sir John Eliot Gardiner (from 1997-03 until 1997-04)
balance engineer:
Reinhard Lagemann and Rainer Maillard
recorded at:
Watford Colosseum (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1997-03 until 1997-04)
recording of:
Das Paradies und die Peri: Erster Teil: Nr. 9 „Die Peri sah das Mal der Wunde“ (Tenor, Peri, Chor) (from 1997-03 until 1997-04)
composer:
Robert Schumann (German classical composer)
part of:
Das Paradies und die Peri, op. 50
Robert Schumann6:50
CD 99: Schumann: Das Paradies und die Peri (Parts II & III)
CD 100: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
CD 101: Stravinsky: The Rake's Progress (Acts I & II beg.)
CD 102: Stravinsky: The Rake's Progress (Acts II cont. & III)
CD 103: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
CD 104: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
CD 105: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]