# | Title | Artist | Rating | Length |
---|
1 | Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 13. Chorus: “Credo in unum Deum” | Johann Sebastian Bach | | 2:15 |
2 | Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 14. Chorus: “Patrem omnipotentem”- bassoon:
- Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
- cello:
- Fritz Kiskalt (in 1969-05)
- double bass:
- Herbert Duft (in 1969-05)
- flute:
- Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
- horn [corno da caccia]:
- Hermann Baumann (in 1969-05)
- oboe:
- Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
- oboe d'amore:
- Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
- organ:
- Hedwig Bilgram (in 1969-05)
- timpani:
- Mathias Holm (in 1969-05)
- trumpet:
- Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
- violin:
- Kurt Guntner (in 1969-05)
- choir vocals:
- Münchener Bach‐Chor (in 1969-05)
- orchestra:
- Münchener Bach‐Orchester (in 1969-05)
- conductor:
- Karl Richter (in 1969-05)
- recorded at:
- Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1969-05)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:08 |
3 | Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 15. Duet: “Et in unum Dominum” (soprano, alto) | Johann Sebastian Bach | | 4:54 |
4 | Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 16. Chorus: “Et incarnatus est” | Johann Sebastian Bach | | 3:37 |
5 | Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 17. Chorus: “Crucifixus”- bassoon:
- Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
- cello:
- Fritz Kiskalt (in 1969-05)
- double bass:
- Herbert Duft (in 1969-05)
- flute:
- Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
- horn [corno da caccia]:
- Hermann Baumann (in 1969-05)
- oboe:
- Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
- oboe d'amore:
- Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
- organ:
- Hedwig Bilgram (in 1969-05)
- timpani:
- Mathias Holm (in 1969-05)
- trumpet:
- Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
- violin:
- Kurt Guntner (in 1969-05)
- choir vocals:
- Münchener Bach‐Chor (in 1969-05)
- orchestra:
- Münchener Bach‐Orchester (in 1969-05)
- conductor:
- Karl Richter (in 1969-05)
- recorded at:
- Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1969-05)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:26 |
6 | Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 18. Chorus: “Et resurrexit” | Johann Sebastian Bach | | 4:25 |
7 | Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 19. Aria: “Et in Spiritum Sanctum” (bass) | Johann Sebastian Bach | | 5:51 |
8 | Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 20. Chorus: “Confiteor” | Johann Sebastian Bach | | 4:52 |
9 | Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 21. Chorus: “Et exspecto resurrectionem”- bassoon:
- Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
- cello:
- Fritz Kiskalt (in 1969-05)
- double bass:
- Herbert Duft (in 1969-05)
- flute:
- Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
- horn [corno da caccia]:
- Hermann Baumann (in 1969-05)
- oboe:
- Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
- oboe d'amore:
- Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
- organ:
- Hedwig Bilgram (in 1969-05)
- timpani:
- Mathias Holm (in 1969-05)
- trumpet:
- Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
- violin:
- Kurt Guntner (in 1969-05)
- choir vocals:
- Münchener Bach‐Chor (in 1969-05)
- orchestra:
- Münchener Bach‐Orchester (in 1969-05)
- conductor:
- Karl Richter (in 1969-05)
- recorded at:
- Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1969-05)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:21 |
10 | Mass in B minor, BWV 232: Sanctus. 22. Chorus: “Sanctus” | Johann Sebastian Bach | | 6:15 |
11 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem. 23. Chorus: “Osanna in excelsis”- bassoon:
- Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
- cello:
- Fritz Kiskalt (in 1969-05)
- double bass:
- Herbert Duft (in 1969-05)
- flute:
- Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
- horn [corno da caccia]:
- Hermann Baumann (in 1969-05)
- oboe:
- Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
- oboe d'amore:
- Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
- organ:
- Hedwig Bilgram (in 1969-05)
- timpani:
- Mathias Holm (in 1969-05)
- trumpet:
- Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
- violin:
- Kurt Guntner (in 1969-05)
- choir vocals:
- Münchener Bach‐Chor (in 1969-05)
- orchestra:
- Münchener Bach‐Orchester (in 1969-05)
- conductor:
- Karl Richter (in 1969-05)
- recorded at:
- Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1969-05)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:21 |
12 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem. 24. Aria: “Benedictus” (tenor)- bassoon:
- Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
- cello:
- Fritz Kiskalt (in 1969-05)
- double bass:
- Herbert Duft (in 1969-05)
- flute:
- Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
- horn [corno da caccia]:
- Hermann Baumann (in 1969-05)
- oboe:
- Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
- oboe d'amore:
- Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
- organ:
- Hedwig Bilgram (in 1969-05)
- timpani:
- Mathias Holm (in 1969-05)
- trumpet:
- Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
- violin:
- Kurt Guntner (in 1969-05)
- choir vocals:
- Münchener Bach‐Chor (in 1969-05)
- tenor vocals:
- Ernst Haefliger (in 1969-05)
- orchestra:
- Münchener Bach‐Orchester (in 1969-05)
- conductor:
- Karl Richter (in 1969-05)
- recorded at:
- Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1969-05)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 6:06 |
13 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem. 25. Chorus: “Osanna in excelsis” (da capo)- bassoon:
- Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
- cello:
- Fritz Kiskalt (in 1969-05)
- double bass:
- Herbert Duft (in 1969-05)
- flute:
- Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
- horn [corno da caccia]:
- Hermann Baumann (in 1969-05)
- oboe:
- Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
- oboe d'amore:
- Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
- organ:
- Hedwig Bilgram (in 1969-05)
- timpani:
- Mathias Holm (in 1969-05)
- trumpet:
- Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
- violin:
- Kurt Guntner (in 1969-05)
- choir vocals:
- Münchener Bach‐Chor (in 1969-05)
- orchestra:
- Münchener Bach‐Orchester (in 1969-05)
- conductor:
- Karl Richter (in 1969-05)
- recorded at:
- Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1969-05)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:08 |
14 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem. 26. Aria: “Agnus Dei” (alto)- bassoon:
- Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
- cello:
- Fritz Kiskalt (in 1969-05)
- double bass:
- Herbert Duft (in 1969-05)
- flute:
- Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
- horn [corno da caccia]:
- Hermann Baumann (in 1969-05)
- oboe:
- Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
- oboe d'amore:
- Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
- organ:
- Hedwig Bilgram (in 1969-05)
- timpani:
- Mathias Holm (in 1969-05)
- trumpet:
- Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
- violin:
- Kurt Guntner (in 1969-05)
- alto vocals:
- Marga Höffgen (in 1969-05)
- choir vocals:
- Münchener Bach‐Chor (in 1969-05)
- orchestra:
- Münchener Bach‐Orchester (in 1969-05)
- conductor:
- Karl Richter (in 1969-05)
- recorded at:
- Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1969-05)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 6:01 |
15 | Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem. 27. Chorus: “Dona nobis pacem”- bassoon:
- Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
- cello:
- Fritz Kiskalt (in 1969-05)
- double bass:
- Herbert Duft (in 1969-05)
- flute:
- Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
- horn [corno da caccia]:
- Hermann Baumann (in 1969-05)
- oboe:
- Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
- oboe d'amore:
- Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
- organ:
- Hedwig Bilgram (in 1969-05)
- timpani:
- Mathias Holm (in 1969-05)
- trumpet:
- Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
- violin:
- Kurt Guntner (in 1969-05)
- choir vocals:
- Münchener Bach‐Chor (in 1969-05)
- orchestra:
- Münchener Bach‐Orchester (in 1969-05)
- conductor:
- Karl Richter (in 1969-05)
- recorded at:
- Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1969-05)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Dona nobis pacem
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:50 |